A few examples of appraisal values for
CAMUS SO

• JEAN MARIE CAMUS (FRENCH,
  JEAN MARIE CAMUS (FRENCH, 1877-1955), BRONZE FIGURAL INK STAND Signed and dated 1906 to casting left side, depicting three children writing and in conversation at a table, concave pen tray to front and inkwell to right side.
• PIERRE CAMUS CAT ASTRONOMER
  PIERRE CAMUS CAT ASTRONOMER AUTOMATON 20th century; astronomer cat holding telescope and star chart dressed in outfit of ancient middle eastern magi. plays music and head and both arms move, on molded wood base, 16 in. H., 9 in. Sq.
• JEAN-PIERRE CAMUS MUSICAL AUTOMATON
  JEAN-PIERRE CAMUS MUSICAL AUTOMATON PUPPET BANDJean-Pierre Camus French musical automaton clown marionette band. 19 1/4" x 13 1/4" x 35"H. Partially working condition, some pieces slow or loose. Chips and losses to fingers, crack to leg of puppeteer, chips to base, hair partially detached on figure on unicycle, pieces loose throughout. From the collection of a prominent Connecticut family.
• JEAN-MARIE CAMUS (FRENCH
  JEAN-MARIE CAMUS (FRENCH 1877-1955), PAN AND NYMPH, BRONZE FIGURAL GROUP SCULPTURE WITH VARIEGATED GREEN PATINAJean-Marie Camus (French 1877-1955), Pan and Nymph, Inscribed Jean-CAMUS, edition cire originale, and with impressed foundry mark CIRE PERDUE / BISCEGLIA to side of base Bronze figural-group sculpture with variegated green patina on terrain-form rectilinear base. Pan depicted at rest, arching forward with shins parallel to the ground, supporting a nymph in the semi-supine position over the knees and calf, with arms respectively wrapped around with hands over nymph. Minor handling wear with losses in surface patina along outer protrusions, particularly Pan's hooves, left elbow, and back of head and nymph's feet, knee, and breast; minor pitting visible to interior of rear corner. Height: 15-1/2 in (39.4 cm); Length: 24-1/2 in (62.2 cm) Dimensions: Height: 15-1/2 in (39.4 cm); Length: 24-1/2 in (62.2 cm)
• GUILLAUME A. AZOULAY (MOROCCO, BORN
  GUILLAUME A. AZOULAY (MOROCCO, BORN 1949) TWO SERIGUILLAUME A. AZOULAY (Morocco, born 1949) two serigraphs, "Audace (Un Grand Matou)" and "Le Bison." Both pencil signed, titled, numbered 13/850 and 95/99. Both include certificates on authenticity. Images measure 20" x 16" and 18" x 25.5". In wood frames; 33" x 28" and 29" x 35" overall.
• CHARLES CAMOIN, (FRENCH,
  CHARLES CAMOIN, (FRENCH, 1879-1965), NATURE MORTE AUX POMMES ET à LA SOUPIèRE, 1948, OIL ON CANVAS, 26 X 32 IN., FRAME: 35 X 41 1/2 IN.CHARLES CAMOIN, (French, 1879-1965) Nature morte aux pommes et à la soupière, 1948, oil on canvas signed twice Ch Camoin lower right 1948, oil on canvas Dimensions: 26 x 32 in., frame: 35 x 41 1/2 in. Provenance: Sotheby's Paris, Art Impressionniste et Moderne, December 10, 2015, Lot 101; The Collection of a Massachusetts Gentleman. Condition: Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
• PAINTINGS, BLANCHE AUGUSTINE
  PAINTINGS, BLANCHE AUGUSTINE CAMUS (lot of 2) Blanche Augustine Camus (French, 1884-1968), Untitleds (Figures Near the Sea), oils on panels, signed lower left, panel (unframed/each): 12.5"h x 13.5"w
• Antonin Guyon Meursault-Charmes
  Antonin Guyon Meursault-Charmes 1997 1st Cru-les Charmes Dessus Cote de Beaune France 0.75L (9 bottles) Provenance: Atlanta Georgia private collection.
• LES COSAQUES POUR RIRE (THE
  LES COSAQUES POUR RIRE (THE COSSACKS IN JEST). L'ESCAMO...Les Cosaques Pour Rire (The Cossacks in Jest). L'Escamoteur. Paris: Litho. Destouches, 1854. Hand-colored lithograph, being plate number 29 from the album of caricatures by Cham, Daumier, and Vernier. 10 x 13Ó. Matted. Very minor browning at fore-edge.
• Paul Jean Marie Ducuing (French,
  Paul Jean Marie Ducuing (French, 1868-1949) Casanova, signed "Ducuing", stamped with foundry mark "F. Barbedienne Fondeur", gilt bronze on green marble base, 15-1/2 in.,
• Jean Louis Marcel Cosson
  Jean Louis Marcel Cosson (French, 1887-1956) Le Cirque oil on canvas 21 5/8 x 18 1/8 inches. Collection of D.A. Geisert, Boca Raton, FL
• Clovis Edmond Masson (French,
  Clovis Edmond Masson (French, 1838-1913) bronze sculpture of a mouse nibbling on two "sugar cubes". Signed on the base. 3 in.
• PAINTING, BLANCHE CAMUS Blanche
  PAINTING, BLANCHE CAMUS Blanche Camus (French, 1884-1968), Portrait, oil on canvas, signed lower left, canvas (unframed): 21.5"h x 14.5"w
• ANTOINE DUMAS (CANADIAN
  ANTOINE DUMAS (CANADIAN 1932-2020) A PAINTING, "LE CASS...ANTOINE DUMAS (Canadian 1932-2020) A PAINTING, "Le Casse-Croûte," 1982, signed and dated L/R, "Dumas '82;" 13 1/2" x 15 1/2", framed 24" x 26". Condition: Some craquelure. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• Cicero, Marcus Tullius. Ad M.
  Cicero, Marcus Tullius. Ad M. Brutum orator, Jacob Lodovici Strebaei, Paris J. Roigny 1543. Small 4to., cont. calf (title repaired and laid down). Folding table.
• PRINT, AFTER NOE CANJURA After
  PRINT, AFTER NOE CANJURA After Noe Canjura (French, 1925-1973), Nature Morte au Tournesol, offset print on canvas, bears signature lower left, overall (with frame): 36.5"h x 29.5"w
• Casaubon (Isaac), Historiae
  Casaubon (Isaac), Historiae Augustae Scriptores Sex, Aelius Spartianus, Iulius Capitolinus, Aelius Lampridius, Vulcatius Gallicanus, Trebellius Pollio, & Flavius Vopiscus, Paris: Ambrosium & Hieronymum Drouart, 1603, 4to, Vellum bound/Provenance: The Estate of the late Diana & Gospatric Home, Lily Farm, Bucks
• [MATTA] POEMES DE GUI ROSEY, #1
  [MATTA] POEMES DE GUI ROSEY, #1 UNIQUE COPY Ces furies sont mes doigts de la main noir, 12 Poemes de Gui Rosey, Editions Phases, 1967, frontispiece by Roberto Matta, No. 1 of 203, on Velin d'Arches bound with poet's manuscript, two original drawings by Matta and 5 etching proofs, 2 signed etchings laid in, binding by Daniel-Henri Mercher with mixed media art under plexiglass, in slipcase with cancelled copper printing plate inset; with, separately bound marked-up proof pages of book's text, bound in burlwood veneered metal boards, in matching slipcase; and with copy #47/188 on Velin Blanc, softcover in glassine wrapper; total of (3) pieces, 8.75"h x 7"w (largest slipcase)
• PRINT, GILLAUME AZOULAY Gillaume
  PRINT, GILLAUME AZOULAY Gillaume Azoulay (Moroccan, b. 1949), "Danse du Bison," etching in colors, pencil signed lower right, working proof edition, image: 18"h x 13.5"w, overall (with frame): 31"h x 28"w
• Guillaume Azoulay (b. Morocco,
  Guillaume Azoulay (b. Morocco, 1949) "Torso". Intaglio etching on paper, signed in pencil at the lower right margin, titled and numbered 16/300 at the lower left margin, the plate size approx. 14" x 11-3/4", the paper size approx. 30-3/4" x 22-3/4", rag matted and framed in an acrylic section fame under glass overall approx. 31-1/2 x 23-3/4".
• CASSIODORUS MAGNI AURELII
  CASSIODORUS MAGNI AURELII CASSIODORI SENATORIS... Paris Sebastianum Nivelium 1583 in full vellum (splits).
• JOHN CAGE (1912-1992) AND CALVIN
  JOHN CAGE (1912-1992) AND CALVIN SUMSION: NOT WANTING TO SAY ANYTHING ABOUT MARCELJohn Cage, 1912-1992 and Calvin Sumsion Not Wanting to Say Anything About Marcel, four Plexigrams I-VIII, each comprising eight screenprints on movable Plexiglas panels on a walnut base 1969; each signed by the artists and numbered to base: "I AP VII XVIII", "VIII AP IX/XVIII", "VI 7/125", and "VII (illegible) 125"; printed by Hollander Workshop, New York, published by EYE Editions, Cincinnati (Each overall: 14 1/2 x 25 x 14 1/2 in. [36.8 x 63.5 x 36.8 cm.]); together with four copies of the booklet "To Describe the Process of Composition Used in Not Wanting to Say Anything About Marcel" (Each 14 x 20 in.); also together with three associated three-legged metal stands (Two 38 in. high, one 30 in. high), and one associated ebonized wood stand (11 in. high) four Plexigrams I-VIII, each comprising eight screenprints on movable Plexiglas panels on a walnut base Provenance: Property from the Estate of Famed Pianist and Producer Michael Lang, Los Angeles, California Condition: Four or five panels each with a minute chip to edge or corner. Several panels with abrasions or wear along edges. Each of the panels somewhat cloudy, and each with some scratches, most of them faint, but a few a bit heavier. Each panel with abrasions along the lower edge where slotted into the base. The finish on the wooden bases sun-faded. No chips or cracks to the wood.
• WORK ON PAPER, PAUL CADMUS Paul
  WORK ON PAPER, PAUL CADMUS Paul Cadmus (American, 1904-1999), "Sunbather (NM 37)," 1967, black ink and white chalk on paper, signed lower right, gallery label (Midtown Galleries, New York City) affixed verso, sheet: 9"h x 14"w, overall (with frame): 17.75"h x 22.75"w
• Marcel Mouly ''Nature Morte: Siphon
  Marcel Mouly ''Nature Morte: Siphon Grill etSoupiere'' oil on canvas 2000. Signed and dated lower right ''M. Mouly 00'' signed dated titled and inscribed ''Gentilly'' on the reverse. Canvas: 31.5''H x 31.5''W; Frame: 45.5''H x 45.5''W. Marcel Mouly (French 1918-2008) was influenced by the work of Pablo Picasso and Henri Matisse and is known for his vivid Fauvist inspired paintings.
• * (ART) PICASSO PABLO Les
  * (ART) PICASSO PABLO Les Metamorphoses d'Ovide. [Geneva:] [Edito-Service] [1973]. 4to loose as issued in calf-backed cloth chemise and board slipcase. Facsimile of the original 1931 Skira edition. Light wear to calf; near fine.
• AFTER PIERRE DUVAL LE CAMUS OIL
  AFTER PIERRE DUVAL LE CAMUS OIL ON WOOD PANELAfter Pierre Duval Le Camus (France, 1790-1854). Oil on wood panel, portrait of a girl with flowers. Signed lower right T. Singer. 12" x 5 1/2" (with frame 20 1/4" x 14"). Minor paint loss lower left; chips, losses and discoloration to gilt frame.
• MICHEL LEIRIS & ANDRE MASSON,
  MICHEL LEIRIS & ANDRE MASSON, SIMULACRE Poemes et Lithographies, Galerie Simon, 1925, #17/110 signed on the colophon by Leiris and Masson, and with 5 of the 6 lithographs in the text signed in pencil by Masson, bound softcover in glassine wrapper, decorated chemise and slipcase, 10.5"h x 8.25"w
• MeursaultMichel Bouzereau Les
  MeursaultMichel Bouzereau Les Grands Charrons200212 bottlesRemoved from Mr. Knott's large temperature-controlled subterranean wine cellar.Complimentary summer storage for wine lots purchased in June.
• (ORNITHOLOGY ENGLISH) CATESBY
  (ORNITHOLOGY ENGLISH) CATESBY MARC after Etourneau a aile rouge. Hand-colored engraving from the German edition of Catesby's Natural History of South Carolina and the Bahama Islands. Nuremburg: Johann Seligmann (1749-1776). Matted. 9 x 11 3/4 inches.
• RUBY MAZUR SURREALIST OIL ON CANVAS
  RUBY MAZUR SURREALIST OIL ON CANVAS Ruby Mazur (American b. 1946), "A Mans Room", 1996, oil on canvas, depicting a surrealist view of a man's room having a cigar, shaving brush, and wine glass surrounded by a sky wallpapered background, signed and dated to the lower left, framed. Note: this work is based on Rene Magritte's "Personal Values" from 1952. Approx. canvas h. 36", w. 41". Frame h. 38", w. 50", d. 2".
• Miguel Castro Lenero (Mexican b.
  Miguel Castro Lenero (Mexican b. 1956) Figure & Cactus ink on paper initialed MCL (lower right) 23 1/4 x 15 1/2 inches.
• Auguste Nicolas Cain (French,
  Auguste Nicolas Cain (French, 1821-1894) A cast bronze with brown patina diminutive sculpture of a pelican standing on a coiled serpent on the back of a tortoise, approx. 7-1/2"H x 4"W x 2-1/2"D, cast in three parts and bolted together. The name "Cain" is cast into the underside of the tortoise. Purchased from George Schwartz, Ltd., N.Y., 1970.
• Cyrus Kabiru (Kenyan, b. 1984)
  Cyrus Kabiru (Kenyan, b. 1984) Macho Nne: Zuri Fufu, 2015 semi-matte photograph type paper with pigment ink, gloss diasec signed and numbered 50/100 in pen 30 x 24 1/2 inches.
• JEAN COCTEAU, (1889-1933,
  JEAN COCTEAU, (1889-1933, FRENCH), "MATARASSO," 1957, COLOR LITHOGRAPH ON PAPER UNDER GLASS, MOURLOT, PARIS, PRNTR., SIGHT: 23.75" H XJean Cocteau, (1889-1933, French) "Matarasso," 1957 Color lithograph on paper under glass, Mourlot, Paris, prntr. Signed and dated in the plate lower right: Jean Cocteau, stamped Mourlot IMP. lower left Sight: 23.75" H x 18.25" W Color lithograph on paper under glass, Mourlot, Paris, prntr. Dimensions: Sight: 23.75" H x 18.25" W
• GUILLAUME A. AZOULAY (MOROCCO, BORN
  GUILLAUME A. AZOULAY (MOROCCO, BORN 1949) THREE INGUILLAUME A. AZOULAY (Morocco, born 1949) three intaglio prints: "Dejeuner," a child feeding a bottle to an infant, edition 36/300; "On the Beach," a reclining nude, edition 206/250; and "Torso," the backside of a nude, edition 168/300. Each pencil signed lower right. Images measure from 14" x 11.5" to 15.75" x 13.5". Each matted and framed.
• Mark Catesby (British, 1679-1749)
  Mark Catesby (British, 1679-1749) [Caput Phoenicopteri] -- Bill of the Flamingo with Gorgonian, T.74, from [The Natural History of Carolina, Florida and the Bahama Islands,] London, 1754 edition, monogram "MC" in plate, hand-colored etching on laid paper with IHS Ivilledary watermark, 14 x 10 in. (plate), 19-1/4 x 13-1/2 in. (page); black-painted frame,