A few examples of appraisal values for
CARE FOR ME

• Peter Care (British, born 1952),
  Peter Care (British, born 1952), a porcelain celadon jar and cover, 13cm high and a pot pourri with pierced cover
• CHARLES BIBBS LIMITED-EDITION
  CHARLES BIBBS LIMITED-EDITION GICLEE PRINTFramed limited-edition giclee print on paper, "The Caregivers II," signed lower left Charles Bibbs (California, 20th c.), dated 2009, numbered 30/ 300, accompanied by certificate of authenticity issued by the artist, sight: approx 24"h, 14"w, overall: approx 33.75"h, 23.75"w, 9lbs
• Peter Care (born 1952), a
  Peter Care (born 1952), a circular porcelain sculpture of three interlocking pieces, the exterior in copper and cream glazes, the interior textured and shaped to resemble fabric, impressed mark, 16.5cm diameter, together with a studio ceramic vase of organic form, the black lustre glaze painted with grey and white roundels and splashes, indistinctly signed and dated 1984, 13.5cm high [2]
• LUIGI FERRAZZI (19TH C. ITALIAN)
  LUIGI FERRAZZI (19TH C. ITALIAN) Caring for Grandfather, a colloquial scene, oil on canvas, laid to maso, signed lower left, unframed, 14 1/4" x 11 5/8". Retouched.
• ATTRIBUTED TO JACQUES PHILIPPE
  ATTRIBUTED TO JACQUES PHILIPPE CARESME (FRENCH, 1734 - 1796), PEN AND INK WASH ON LAID PAPER, DEPICTING A SATYR LOUNGING WITH TWO NUDE WOMEN IN CLASSICAL OUTDOOR SETTING WITH FOUNTAIN, URN, AMPLE GROUPINGS OF FRUIT, T...Attributed to Jacques Philippe Caresme (French, 1734 - 1796), pen and ink wash on laid paper, depicting a satyr lounging with two nude women in classical outdoor setting with fountain, urn, ample groupings of fruit, two figures appear above clouds, one with horn, naturalized background, newer mat over 19th C. mat with "Caresme" in script at center, framed under glass, not examined out of frame, wear consistent with age including light toning, foxing, etc., ss: 8" h. x 10 1/2" w.
• CAREW RICE (SC, 1899-1971)
  CAREW RICE (SC, 1899-1971) SILHOUETTE "Ain't Love Grand!", cut paper silhouette, signed and dated 1950 lower right, stamped 'Carew Rice, Wiggins Road, Green Pond, S.C.' verso, depicting a sailor and young woman kissing, artwork is accompanied by a note presenting this piece as a 'thank you' gift from 'Beta', unframed, 6" x 4". Toned.
• HOWARD FINSTER LITHOGRAPH,
  HOWARD FINSTER LITHOGRAPH, 1997,"WHO WILL CARE..." Howard Finster (American/Alabama, 1916-2001), "Who Will Care For The Last Animals On Earth," 1997, lithograph on paper, depicting a wolf surrounded by angels, signed in pencil at lower left and numbered 60/100 at lower right. Sight approx: h. 27", w. 28.75", Overall: h. 29", w. 30.75".
• ANTON CETÍN (CROATIAN B. 1936) A
  ANTON CETÍN (CROATIAN B. 1936) A PRINT, "CARING," ARTIS...ANTON CETÍN (Croatian b. 1936) A PRINT, "Caring," ARTIST PROOF, 1985, aquatint on paper, signed and dated in margin in pencil, "A. Cetín '85," titled and marked L/L in pencil in margin, "A.P.," 20" x 19", framed, 26 1/2" x 24 1/4". Condition: In good condition. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• SPEAK TO ME OF LOVE.Speak to Me
  SPEAK TO ME OF LOVE.Speak to Me of Love. Italian Film Classics, late 1920s. An Italian/American film poster featuring dancing couples in the lavish styling prior to the Great Depression. Linen backed. Chips to top and left margins not affecting image, folds and some tears expertly repaired, some areas of discoloration and marking particularly in the margins. B.
• Dr J. H. McLean's Peace Makers
  Dr J. H. McLean's Peace Makers Maroon leather covering embossed in gold letters. Condition: Good.
• After Bruno Zach (Austrian,
  After Bruno Zach (Austrian, 1891-1935) LA CARESSE (THE HUGGER) patinated bronze, signed in the mould height 7 in — 17.8 cm
• LOUIS ICART: "SWEET CARESS"circa
  LOUIS ICART: "SWEET CARESS"circa 1924 etching in color signed in pencil, does not appear to have stamp copyright Paris Condition: overall good, minor areas of burning to top and side of image the image: 17 x 11 inches Condition:
• WATCH AS WELL AS PRAY, ALL WILL
  WATCH AS WELL AS PRAY, ALL WILL BE RIGHT IN JESUS' NAME...Johnson, Mama, b. 1918 or 21 June 1921, d., Watch as well as Pray, All will be right in Jesus' name, 8 1/4"x10 1/4", 2002, marker on mat board, purchased from artist
• FRANCESCO DE MATTEIS (ITALIAN,
  FRANCESCO DE MATTEIS (ITALIAN, 1852-1917) "CAREFULLY DE...Bronze with reddish brown patination Signed 21 in. h. Condition: Some slight uneveness to patina on left side of face and back of neck. Otherwise good condition.
• AFTER DAVID TENIERS PAINTING, THE
  AFTER DAVID TENIERS PAINTING, THE CARESSPAINTING. After David Teniers, Continental School, 'The Caress', unsigned, label verso: 'Information copied from damaged labels on the back of the painting / Le Carezze / di Teniery / Huile Bois...', oil on wood, in frame overall size 17 1/2"h x 14 1/2"w, 9 1/2"h x 7 1/2"w viewed, in overall good condition.
• A Guardian Album of 50 greetings
  A Guardian Album of 50 greetings and other cards
• A ca. 1940 Fougasse (C. Kenneth
  A ca. 1940 Fougasse (C. Kenneth Bird 1887-1965) print, 'Careless Talk Cost Lives', printed for HMSO (His ( or Her) Majesty's Stationery Office). Cyril Kenneth Bird CBE, known by the pen name Fougasse, was a British cartoonist. He was perhaps best known for his work in Punch magazine and his World War II warning propaganda posters; "Careless talk costs lives" was one of the most popular. Overall 15” x 11” Condition: Mat burn CT Transfer Fee $10
• CURRIER & IVES "CARES OF A
  CURRIER & IVES "CARES OF A FAMILY" PRINT 1856Arthur Fitzwilliam Tait (American/British, 1819-1905) for Currier and Ives, United States. Color lithograph titled "Cares of a Family," depicting a mother bird or quail surrounded by her chicks, 1856. Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 1: A-N (Gale Research Company: Detroit, 1984). Number 0907, page 93. Provenance: Distinguished Corporate Collection, Ohio. Currier and Ives was founded by Nathaniel Currier (American, 1813-1888) in 1835 as "the Grand Central Depot for Cheap and Popular Prints," but changed its name with the addition of James Merritt Ives (American, 1824-1895) in 1857. The company created over 7000 popular lithographs depicting American life until 1907. Sight; height: 20 in x width: 25 in. Framed; height: 26 1/2 in x width: 31 1/2 in. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• SISTER MARY CORITA KENT (1918 -
  SISTER MARY CORITA KENT (1918 - 1986): HANDLE WITH CAREserigraph, unframed; signed in pen lower right; 23 x 35 inches Condition:
• Sister Gertrude Morgan (American,
  Sister Gertrude Morgan (American, 1900-1980) "Lord, I'm Doing All The Good I Can", mixed media on paper, 5" x 4-1/4", ink inscribed upper half "Lord, I'm doing all the good I can. I am your missionary worker. Lord, I'm doing all the good I can." Glazed and presented in a polychromed frame.
• ELLEN CAREY: UNTITLED 1988 Three
  ELLEN CAREY: UNTITLED 1988 Three color polaroid prints 24 1/16 x 19 15/16 in. (each sheet). Provenance: John Good Gallery New York.
• FRIENDLY CONSIDERATION OF LITTLE
  FRIENDLY CONSIDERATION OF LITTLE NEEDS OFTIMES DEVELOPS...Anonymous. Friendly Consideration of Little Needs Oftimes Develops Big Customers! Circa 1930s. Acrylic and pencil on board. Original WPA-era work-incentive poster artwork. 15 x 20 inches. Light soiling and chips on board edges not affecting art.
• Wilma Upchurch Oil Painting On
  Wilma Upchurch Oil Painting On CanvasTitled ''Lean On Me'' depicting a landscape in soft colors signed lower right Wilma Upchurch was a Cumberland arts society member 14''H X 11''W sight 21''H X 17.5''W framed circa 1970's. Private collection Oxford MI.
• John Carey, 20th-21st C American,
  John Carey, 20th-21st C American, 1987 mixed media painting depicting a young man and seminude woman, mixed media on paper, signed "John Carey", dated 4-87, 34" x 25" sheet, framed 43" x 34", very good condition
• CHAIM GROSS, BRONZE SCULPTURE Chaim
  CHAIM GROSS, BRONZE SCULPTURE Chaim Gross (American, 1902-1991), "Caring or Mother & Child", patinated bronze mounted on Lucite cube, signed, 8"h x 5"w x 3.5"d (overall)
• F. Carelini, oil on panel, young
  F. Carelini, oil on panel, young boy in the street, 14" x 9 1/2" Estimate $25-50
• PRINT, SISTER MARY CORITA KENT
  PRINT, SISTER MARY CORITA KENT Sister Mary Corita Kent (American, 1918-1986), "Be of Love (A Little More Careful)," 1959, screenprint, pencil signed lower right, titled lower left, image: 30.5"h x 22"w, overall (with frame): 43.5"h x 35.5"w. Provenance: Estate of Joanna Barnes and Jack Warner (Santa Barbara, California). Ms. Barnes was a Hollywood film actress featured in movies such as "Auntie Mame (1958)" and "The Parent Trap (1961)". Mr. Warner was a prominent architect.
• Lady's dr
  Lady's dr
• James Cauty,CNPD (Jimmy Cauty,
  James Cauty,CNPD (Jimmy Cauty, British, born 1956)/ L-13 Cauty Over and Out poster/69cm x 50cm
• J?R?ME LEMAITRE STRAW HAT.
  J?R?ME LEMAITRE STRAW HAT.
• RONALD WILLIAM FORDHAM SEARLE,
  RONALD WILLIAM FORDHAM SEARLE, NEW YORK / ENGLAND, FRANCE (1920-2011), I CARE II, 1970, LITHOGRAPHRonald William Fordham Searle, New York / England, France, (1920-2011) I Care II, 1970, lithograph Titled and numbered 58/99 lower left. Signed and dated lower right. Biography from the Archives of askART: Ronald William Fordham Searle, CBE, RDI, (born 3 March 1920, Cambridge, England) is an influential English artist and cartoonist. Best known as the creator of St Trinian's School (the subject of several books and seven full-length films). He is also the co-author (with Geoffrey Willans) of the Molesworth tetralogy. Searle was born in Cambridge where his father was a porter at Cambridge Railway Station. He started drawing at the age of five and left school at the age of 15. In April 1939, realizing that war was inevitable, he abandoned his art studies to enlist in the Royal Engineers. He trained at Cambridge College of Arts and Technology, currently Anglia Ruskin University, for two years, and in 1941, published the first St Trinian's cartoon in the magazine Lilliput. In January 1942 he was stationed in Singapore. After a month of fighting in Malaya, Singapore fell to the Japanese, and he was taken prisoner along with his cousin Tom Fordham Searle. He spent the rest of the war a prisoner, first in Changi Prison and then in the Kwai jungle, working on the Siam-Burma Death Railway. The brutal camp conditions were documented by Searle in a series of drawings that he hid under the mattresses of prisoners dying of cholera. Liberated late in 1945, Searle returned to England where he published several of the surviving drawings in fellow prisoner Russell Braddon's The Naked Island. Most of these drawings appear in his 1986 book, Ronald Searle: To the Kwai and Back, War Drawings 1939-1945. At least one of the drawings is on display at the Changi Museum and Chapel, Singapore, but the majority of these original drawings, approximately 300, are in the permanent collection of the Imperial War Museum, London, along with the works of other POW artists. The best known of these are Jack Bridger Chalker, Philip Meninsky and Ashley George Old. He married the journalist Kaye Webb in 1947; they had twins, Kate and Johnny. Searle produced an extraordinary volume of work during the 1950s, including drawings for Life, Holiday and Punch. His cartoons appeared in The New Yorker, the Sunday Express and the News Chronicle. He compiled more St Trinian's books, which were based on his sister's school and other girls' schools in Cambridge, and collaborated with Geoffrey Willans on the Molesworth books (Down With Skool!, 1953, and How to be Topp, 1954), and with Alex Atkinson on travel books; and did animation in Hollywood and worked on advertisements and posters. Searle also drew the title backgrounds of the Sidney Gilliat and Frank Launder film The Happiest Days of Your Life. In 1961 he moved to Paris, leaving his family and later marrying Monica Koenig, theatre designer and creator of necklaces. In France he worked more on reportage for Life and Holiday and less on cartoons. He also continued to work in a broad range of media, and produced books (including his well-known cat books), animated films and sculpture for commemorative medals, both for the French Mint and the British Art Medal Society. Searle did a considerable amount of designing for the cinema and in 1965, he completed the opening, intermission and closing credits for the popular comedy Those Magnificent Men in Their Flying Machines. In 1975 the full-length cartoon Dick Deadeye was released. Animated by a number of artists both British and French, it is considered by some to be his greatest achievement, although Searle himself detested the result. Since 1975 he and Monica have lived and worked in the mountains of Haute Provence. In 2010 he gave about 2,200 of his works as permanent loans to Wilhelm Busch Museum Hannover (Germany) now renamed Deutsches Museum für Karikatur und Zeichenkunst, the ancient Summer palace of George 1st, that holds Searle's archives. Searle received much recognition for his work, especially in America, including the National Cartoonist Society Advertising and Illustration Award in 1959 and 1965, the Reuben Award in 1960, their Illustration Award in 1980 and their Advertising Award in 1986 and 1987. His work has had a great deal of influence, particularly on American cartoonists, including Pat Oliphant, Matt Groening, Hilary Knight and the animators of Disney's 101 Dalmatians. In 2005 he was the subject of a long BBC documentary on his life and work by Russell Davies. In 2007 he was decorated with France's highest award, the Légion d'honneur and in 2009 he received the German Order of Merit. lithograph
• DAVID MANUEL (AMERICAN B. 1940)
  DAVID MANUEL (AMERICAN B. 1940) ORIGINAL BRONZE SCULPTURE ''The Protector'' (''My Heart is Sick & Sad'') 1991 limited edition artist proof #AP2/50 artist signed and dated verde marble and molded walnut base polychrome enamel and patinated bronze finish 26.5''H. The bronze is in excellent condition.
• Manner of Theodore Wor
  Manner of Theodore Wor
• Carel Voet painting (Carel
  Carel Voet painting (Carel (Karel) Borchaert Voet, Flemish, 1671-1743), still life with Kniphofia (torch lily), Agapanthus, trumpet vine, and a cereus cactus bloom in a Chinese vase with fruit on a stone ledge in an evening garden landscape, oil on canvas, 24-1/2 x 20-3/4 in.; 20th century gilt wood frame. Restretched, late 19th/early 20th century lining, retouch under thick varnish, top right, right edge, lower left, percent of surface affected undetermined but appears not to affect central area flowers/fruits, bloom, darkened, craquelure; frame with abrasions. Veerhoff Galleries, Washington, D.C. (frame label verso); The Estate of the Late Georgette Chamberlain Williams.
• REG SMYTHE, ANDY CAPP PROVE TO ME
  REG SMYTHE, ANDY CAPP PROVE TO ME THAT YOU LOVE MEReginald Smythe, British, 1917-1998, "Andy Capp, Prove to me that you love me",color litho, pencil signed and numbered (SSWA2640)(MM) Dimensions: image 16 x 29 1/2, framed 28 1/2 x 43 Condition: In very good framed condition
• DAVID GRAEME BAKER (AMERICAN B.
  DAVID GRAEME BAKER (AMERICAN B. 1968)David Graeme Baker (American b. 1968), oil on linen mounted on panel titled Caretaker signed lower left, 20" x 22". Competitive in-house shipping is available for this lot. Condition: Good condition. No apparent damages or repairs.