A few examples of appraisal values for
CARNEGIE HALL

• 1976 LIMITED EDITION ALBUM
  1976 LIMITED EDITION ALBUM CONCERT CARNEGIE HALLLimited edition album produced in observance of 85th anniversary of Carnegie Hall, commemorating the historic event on Tuesday May 18th, 1976. Set contains two record albums and includes a book with original signed photographs by Leonard Bernstein,Dietrich Fischer-Dieskau, Vladimir Horowitz, Yehudi Menuhin, Mstislav Rostropovich, Isaac Stern. Leather storage album measures 13 3/4" x 13 3/4" x 1 1/2" (HWD). Albums appear in excellent condition, minor wear to the leather sleeve, outside paperoard box has wear on edges. See images for more details on condition. shipping info This item can be shipped in-house.
• EDWIN HOWLAND BLASHFIELD (NEW
  EDWIN HOWLAND BLASHFIELD (NEW YORK/MASSACHUSETTS, 1848-1936), "CARNEGIE HALL", POSSIBLY AN IMAGE OF THE ASSUMPTION., OIL ON BOARD, 20" X 10". FRAMED 24.5" X 14.5".EDWIN HOWLAND BLASHFIELD, New York/Massachusetts, 1848-1936, "Carnegie Hall", possibly an image of the Assumption. Unsigned. Inscribed verso "E H Blashfield Carnegie Hall". Dimensions: Oil on board, 20" x 10". Framed 24.5" x 14.5".
• THE CARNEGIE LIBRARY OF PITTSBURGH,
  THE CARNEGIE LIBRARY OF PITTSBURGH, PA, DEACCESSIONING COLLECTION OF PROMINENT AFRICAN-AMERICAN ARTISTS, MUSICIANS AND SINGERS, 48 PRESS PHOTOS, CA. 2ND HALF 20TH CENTURY 10" x 8" each African-American Heritage. The Carnegie Library of Pittsburgh, PA, Deaccessioning Collection of Associated Press/International Press and Publishing Agencies). Prominent African-American Artists, Musicians and Singers, 48 press photos. Provenance: Dr. Harry James Ford private collection, Pittsburgh. PA; acquired from The Carnegie Library, Pittsburgh, PA, former collection.
• THE CARNEGIE LIBRARY OF PITTSBURGH,
  THE CARNEGIE LIBRARY OF PITTSBURGH, PA, DEACCESSIONING COLLECTION OF PROMINENT AFRICAN-AMERICAN ACTORS, 24 PRESS PHOTOS, CA. 2ND HALF 20TH CENTURY 10" x 8" each African-American Heritage. The Carnegie Library of Pittsburgh, PA, Deaccessioning Collection of Associated Press/International Press and Publishing Agencies). Prominent African-American Actors, 24 press photos. Provenance: Dr. Harry James Ford private collection, Pittsburgh. PA; acquired from The Carnegie Library, Pittsburgh, PA, former collection.
• Watercolor jazz club ''Preservation
  Watercolor jazz club ''Preservation Hall''. Sight
• THE CARNEGIE LIBRARY OF PITTSBURGH,
  THE CARNEGIE LIBRARY OF PITTSBURGH, PA, DEACCESSIONING COLLECTION OF PROMINENT AFRICAN-AMERICAN FIGURES, 31 PRESS PHOTOS, CA. 2ND HALF 20TH CENTURY 10" x 8" each African-American Heritage. The Carnegie Library of Pittsburgh, PA, Deaccessioning Collection of Associated Press/International Press and Publishing Agencies). Prominent African-American Figures, 31 press photos. Provenance: Dr. Harry James Ford private collection, Pittsburgh. PA; acquired from The Carnegie Library, Pittsburgh, PA, former collection.
• THE CARNEGIE LIBRARY OF PITTSBURGH,
  THE CARNEGIE LIBRARY OF PITTSBURGH, PA, DEACCESSIONING COLLECTION OF PROMINENT AFRICAN-AMERICAN ATHLETES, 14 PRESS PHOTOS, CA. 2ND HALF 20TH CENTURY 10" x 8" each African-American Heritage. The Carnegie Library of Pittsburgh, PA, Deaccessioning Collection of Associated Press/International Press and Publishing Agencies). Prominent African-American Athletes, 14 press photos. Provenance: Dr. Harry James Ford private collection, Pittsburgh. PA; acquired from The Carnegie Library, Pittsburgh, PA, former collection.
• GORDON STEELE MODERNIST ORCHESTRA
  GORDON STEELE MODERNIST ORCHESTRA PAINTING New York,1906-1961Depicts two gentleman with violins on their laps, covered in black slash lines. As an artist Gordon Steele had a prolific career in Upstate New York and New England that most do not know of. His early career consisted of training through the W.P.A. and exhibitions with the Springfield Art League, Smith Museum, and Wadsworth Athenaeum before getting involved with the Federal Art Project in 1936. From that point Steele worked intermittently as an artist until settling in Syracuse in 1945 after taking a job as the Art Director for John Flack Studios. In Syracuse Steele became heavily involved in the arts evolving his technique and career winning a total of forty-seven accolades and awards. He had exhibited at the Terry Art Institute of Miami, the Butler Institute of American Art, Youngstown, Ohio, the Corcoran Gallery of Washington, the Columbia Biennial in South Carolina, the Audubon, and National Academy amongst other shows. Alongside his exploding art career in 1957 Gordon became a teacher in the School of Art at Syracuse University before landing his first solo show in New York City with Harry Salpeter (1895-1967) and Salpeter Gallery in 1958. The following year Steele was featured in the December, 1959 issue of American Artist highlighting his career with noted praise for rising without fighting Madison Ave crowds. Today Gordon Steele's artwork is held in the permanent collections of Syracuse University, Munson-Williams-Proctor Art Institute, Springfield Museum of Fine Arts, Everson Museum of Fine Arts, and Butler Institute of American Art among others.
• THE CARNEGIE LIBRARY OF PITTSBURGH,
  THE CARNEGIE LIBRARY OF PITTSBURGH, PA, DEACCESSIONING COLLECTION OF CIVIL RIGHTS AND AFRICAN-AMERICAN HISTORY, 30 PRESS PHOTOS, CA. 2ND HALF 20TH CENTURY 10" x 8" each African-American Heritage. The Carnegie Library of Pittsburgh, PA, Deaccessioning Collection of Associated Press/International Press and Publishing Agencies). Civil Rights and African-American History, 30 press photos. Provenance: Dr. Harry James Ford private collection, Pittsburgh. PA; acquired from The Carnegie Library, Pittsburgh, PA, former collection.
• GORDON STEELE MODERNIST HALLWAY
  GORDON STEELE MODERNIST HALLWAY INTERIOR PAINTING New York,1906-1961Depicting a slender man with blue button down shirt and khakis leaning against a red doorway smoking a cigarette within a Victorian interior. Notice the modern social realist aesthetic applied in representing the interior. As an artist Gordon Steele had a prolific career in Upstate New York and New England that most do not know of. His early career consisted of training through the W.P.A. and exhibitions with the Springfield Art League, Smith Museum, and Wadsworth Athenaeum before getting involved with the Federal Art Project in 1936. From that point Steele worked intermittently as an artist until settling in Syracuse in 1945 after taking a job as the Art Director for John Flack Studios. In Syracuse Steele became heavily involved in the arts evolving his technique and career winning a total of forty-seven accolades and awards. He had exhibited at the Terry Art Institute of Miami, the Butler Institute of American Art, Youngstown, Ohio, the Corcoran Gallery of Washington, the Columbia Biennial in South Carolina, the Audubon, and National Academy amongst other shows. Alongside his exploding art career in 1957 Gordon became a teacher in the School of Art at Syracuse University before landing his first solo show in New York City with Harry Salpeter (1895-1967) and Salpeter Gallery in 1958. The following year Steele was featured in the December, 1959 issue of American Artist highlighting his career with noted praise for rising without fighting Madison Ave crowds. Today Gordon Steele's artwork is held in the permanent collections of Syracuse University, Munson-Williams-Proctor Art Institute, Springfield Museum of Fine Arts, Everson Museum of Fine Arts, and Butler Institute of American Art among others.
• HENRI MATISSE, 'THE THOUSAND AND
  HENRI MATISSE, 'THE THOUSAND AND ONE NIGHTS' EXHIBITION POSTER, MUSEUM OF ART, CARNEGIE INSTITUTE, PITTSBURGH, FRAMED, 29 X 54 INCHESHenri Matisse, 'The Thousand and One Nights' Exhibition Poster, Museum of Art, Carnegie Institute, Pittsburgh, Framed, 29 x 54 inches
• Autophone Company Concert Roller
  Autophone Company Concert Roller Organ, Ithaca, NY., 1885-1899 with five 'cobs' (cylinders) 12.5 x 17 x 15 in — 31.8 x 43.2 x 38.1 cm
• SAUL STEINBERG, NEW YORK / ITALY
  SAUL STEINBERG, NEW YORK / ITALY (1914 - 1999), GUILD HALL MUSEUM EAST HAMPTON, NY, 1969, LITHOGRAPH, 30"H X 40"WSaul Steinberg, New York / Italy, (1914 - 1999) Guild Hall Museum East Hampton, NY, 1969, lithograph Signed and dated in the poster. lithograph Dimensions: 30"H x 40"W
• 1 piece. Autograph Letter
  1 piece. Autograph Letter Signed. Carnegie, Andrew. New York, January 7, 1890. 3 pp., 12mo, on heavy paper stock, with integral typed address leaf; slightly dusty, minor creasing. To James D. Law, whom Carnegie addresses as "The Scottish-American Poet-Laureate," commenting that Walt Whitman knew Robert Burns' work. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman''s Conditions of Sale.
• 1 piece. Autograph Letter Signed.
  1 piece. Autograph Letter Signed. Carnegie, Andrew. New York, July 1, 1870. 1 p., 4to; minor spotting, small chip at edge of horizontal fold, other light creasing along folds. To James D. Law, relating to their Scottish origins. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman''s Conditions of Sale.
• New Orleans School (Mid-to-Late
  New Orleans School (Mid-to-Late 20th Century) \"Preservation Hall\", watercolor on paper, 23-1/2\" x 35-1/2\", signed and dated lower right \"Kat 79\". Glazed and presented in a giltwood frame.
• 6 pieces. Autograph Material.
  6 pieces. Autograph Material. Bernstein, Leonard: Program signed. New York Philharmonic Orchestra. (Philadelphia): Academy of Music, April 26, 1960. 2 copies, each signed in green ink by Bernstein. * Carnegie Hall program, April 17, 22 & 23, 1960. Signed by Bernstein, also signed by Eileen Farrell, Richard Lewis, et al. * New York Philharmonic Orchestra. (Philadelphia), Sept. 16, 1963. Signed by Bernstein. * L'Orchestre National de France... Leonard Bernstein, Conductor. (Philadelphia): Academy of Music, Nov. 29, 1981. 2 copies, each signed by Bernstein. * Photograph signed. Silver print, 10 x 8 inches (254 x 203 mm). Signed in green ink by Bernstein. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman''s Conditions of Sale.
• An American Classical Carved
  An American Classical Carved Mahogany Center Table c. 1825 New York original marble top over conforming crotch mahogany veneered apron raised on a columnar support incurvate plinth acanthus-carved paw feet height 29 1/2 in. diameter 36 in.
• 1 piece. Typed Letter Signed.
  1 piece. Typed Letter Signed. Carnegie, Andrew. New York, January 24, 1895. 1 p., 4to; light creasing along folds. To James D. Law, Esq., "... I advise you to keep steadily on and prove yourself invaluable... I make it a rule never to invest in any business but the one I understand, putting all my eggs in one basket, and then watching that basket." On Carnegie's letterhead. Clean with dark signature. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman''s Conditions of Sale.
• AFTER MARC CHAGALL
  AFTER MARC CHAGALL (FRANCE/RUSSIA,1887-1985) "Metropolitan Opera, Lincoln Center, Opening September 1966", for "Carmen", the first opera produced at the new Lincoln Center, commissioned by Lincoln Center, printed by Mourlot in Paris. Housed in a gold metal frame, under glass, OS: 39 3/4" x 25 3/4", SS: 39 1/4" x 25 1/4". Good condition.
• CARLSON, NEW YORK CITYSCAPE FOUND
  CARLSON, NEW YORK CITYSCAPE FOUND OBJECT COLLAGEFound object three dimensional collage of a New York City cityscape, consisting of cloth, wood, cardboard, chains, fabric, newspapers, screws and even a ruler. Image shows an off-Broadway theater and other buildings. Good condition with some wear and some loss. Circa early 20th century. Signed "Carlson" in affixed letters at lower right. Image size is 9 1/2" x 14", framed to 19" x 23". shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
• Various Artists FANEUIL HALL
  Various Artists FANEUIL HALL STATE STREET, BOSTON CAPITAL OF THE UNITED STATES SANTA MARIA DELLA SALUTE Four engravings Estimate:$100-$150
• Jacques Van Aalton (American,
  Jacques Van Aalton (American, 1907-1986) "The Musicians of Preservation Hall, New Orleans", oil on canvas, 24" x 30", signed lower right "Van Aalton". Presented in a silver leaf-edged flat stained wooden frame.
• An American Classical Carved
  An American Classical Carved Mahogany Gilded Stenciled and Ebonized Pier Table early 19th c. New York original marble top above ebonized fruit and nut stenciled frieze with a basket of flowers at each corner and banded stenciled edge gilded Doric columns to the front mirrored back flanked by pilasters incurvate banded plinth bracketed acanthine paw feet height 37 3/4 in. width 42 in. depth 18 1/8 in. Note: Marble inscribed with a name and "Pokepsie[sic] NY".
• An American Classical Carved
  An American Classical Carved Mahogany Hall Table early 19th c. marble top ogee molded frieze scrolled supports shaped plinth beaded trestle supports ogee molded feet height 32 in. width 34 1/2 in. depth 17 in.
• Philadelphia classical
  Philadelphia classical pianoforte, an exceptional example with highly figured mahogany and bird's-eye maple veneers throughout with banding, ebonized columns, brass mounts and inlay on heavily carved acanthus leaf saber legs and lyre form pedal stand on brass paw casters, grain painted interior string cover, maker's label for "Loud and Brothers, Cabinet and Square Pianoforte Manufacturers, Philadelphia", sounding board interior with Loud and Brothers paper label, case attributed to Joseph Barry, Philadelphia, circa 1820, 35 x 68 x 27 in. Some sun fading and surface stains, patch and repair to lyre on base, Estate of Margaret F. Rudkin, Parke-Bernet Galleries, May 2, 1970, Lot 110; David Stockwell, Inc., 1974.
• LATE CLASSICAL CARVED MAHOGANY PIER
  LATE CLASSICAL CARVED MAHOGANY PIER TABLEAmerican Late Classical Carved Mahogany Pier Table , c. 1840, New York, shaped black marble top, conforming frieze centered by a shell carving, scrolled supports and feet, shaped plinth, h. 35 in., w. 29 1/2 in. d. 19 in . Provenance: Estate of Ruth Sporl Bodenheimer, Historic Lanaux Mansion, 547 Esplanade Avenue, New Orleans.
• 1 piece. Autograph Letter
  1 piece. Autograph Letter Signed. Carnegie, Andrew. New York, March 3, 1890. 2 pp., 4to; minor spotting, creasing & occasional separations along folds. To James D. Law, declining to offer the unemployed Law anything but advice & encouragement. On Carnegie's letterhead. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman''s Conditions of Sale.
• GROUP OF CARNEGIE STEEL
  GROUP OF CARNEGIE STEEL MEMORABILIA. Including a boxed presentation piece given to Captain William ''Bill'' Jones by Andrew Carnegie - a silver and ivory folding ruler by Stanley engraved ''W. R. Jones''. 12'' l when open. Housed in a bound book box including marbled endpapers tartan ribbon and copies of letters documenting the provenance of the piece. Book box with gilt decoration and gilt spine entitled ''Silver and Ivory Rule Presented by Andrew Carnegie to Capt. Bill Jones''. 9 1/2'' l. 8 1/2'' w. Also included three framed pieces: Carnegie Steel Company ''Homestead Steel Works'' notice dated December 23 1899. 15'' h. 9 1/2'' w.; William Penn engraving. 11'' h. 9'' w.; Copy of a railroad related letter from Andrew Carnegie dated March 15 1883. 21 1/2'' w. 12 1/2'' h. Book box and ivory rule with some wear. Homestead Steel Works notice with some foxing staining soiling.
• Johann Berthelsen painting (New
  Johann Berthelsen painting (New York/Denmark, 1883-1972), view of Fifth Avenue and St. Patrick's Cathedral in winter, New York City, signed lower right "Johann Berthelsen", oil on canvas, 20 x 16 in.; gilt wood frame. Possibly restretched, crackle mostly in impasto; frame with abrasions, small chips.
• Marc Chagall ''Carmen''
  Marc Chagall ''Carmen'' lithographic posterin colors. Created for the Metropolitan Opera New York 1966 commissioned by the Lincoln Center for the Performing Arts. Edition of 3000. CS 39. Sheet: 40''H x 26''W; Frame: 42.25''H x 28.25''W. Marc Chagall (Russian/French 1887-1985).
• Windrow 20th Century Women's
  Windrow 20th Century Women's Dressing Room, Metropolitan Opera House, 'Carmen', 7:30 pm, 1973 Estimate: $125  - $175
• An album of New York photographs
  An album of New York photographs circa 1938 a lacquered Russian wooden egg and a vase with Chinese scenes.
• Guy Carleton Wiggins
  Guy Carleton Wiggins (American/New York, 1883-1962) "Lower Broadway", oil on board, 10" x 8-1/2", signed lower left "Guy C. Wiggins", retains gallery labels en verso "Salmagundi Club, Thumb-Box Exhibition" and "Chapellier Galleries, New York". Presented in a handsome giltwood frame bearing artist plaque. Provenance: The estates of David and Eula Wintermann. Accompanied by the original bill of sale from Chapellier Galleries, Inc., New York, dated October 27, 1975.
• MECHANICAL BANK: TAMMANY HALL,
  MECHANICAL BANK: TAMMANY HALL, 1875Antique cast iron mechanical J.E. Stevens "Tammany Hall" bank. Measures 5-7/8" high. shipping info This item can be shipped in-house.
• JOSEPH MICHETTI. (American b.
  JOSEPH MICHETTI. (American b. 1934). RADIO CITY MUSIC HALL signed lower right. Oil on canvas - Framed 30 in. x 40 in.