A few examples of appraisal values for
CATLIN

• CARVED NATIVE AMERICAN INDIAN
  CARVED NATIVE AMERICAN INDIAN CATLINITE PIPECarved Native American Indian catlinite pipe, ca. 1800, 3 1/4" l. Competitive in-house shipping is available for this lot. Condition: Several faint lines.
• NATIVE AMERICAN INDIAN CATLINITE
  NATIVE AMERICAN INDIAN CATLINITE CLUB, ETC.Native American Indian catlinite club, together with a coiled basket and a pottery olla marked Miss. Co. Ark . Competitive in-house shipping is available for this lot.
• 2 TRIBAL CARVED CATLINITE STONE
  2 TRIBAL CARVED CATLINITE STONE PIPESca. 18th-20th century; small bear/fox effigy bowl carved pipe with hickory sapling long mouthpiece, carved similar to German-type pipe with high angle bowl and ball grip on bottom of bowl, 15"x 1", Condition: probably missing mouthpiece, one ear missing; late artist crafted pipe with carved seated warrior holding barrel of rum or tom-tom figure and inlay metal accents including turned and tack accented wooden pipe stem, 22"x 3 3/4"x 1"
• 3 CARVED CATLINITE NATIVE
  3 CARVED CATLINITE NATIVE AMERICAN PIPESca. 18th-20th century; one with pewter lead inlay accent on long oval shaped end, 8 1/2"x 4", Condition: inlay possible early make-do repair, museum or collection code written on one side of pipe; two similar form and crafted pipes, 8 3/4"x 4" & 8"x 4 1/4"; Condition: all have some evidence of use
• GEORGE CATLIN (1796-1872),
  GEORGE CATLIN (1796-1872), BUFFALO HUNT, ON SNOW SHOES Title: George Catlin (1796-1872), Buffalo Hunt, On Snow Shoes Medium: lithograph on paper Dimensions: 13 x 18 1/2 Framed dimensions: 23 x 27 x 7/8
• CHEYENNE INDIAN CATLINITE BUFFALO
  CHEYENNE INDIAN CATLINITE BUFFALO PEACE PIPECheyenne Indian catlinite buffalo peace pipe, early to mid 20th c., with carved stem with painted turtles and stylized lizard with open mouth, 34" l. Bought from Arnold Marcus Chernoff, Lyons, Illinois, in February 1977 (with copy of write-up on Chernoff stationary). Condition: Good condition. No apparent damages or repairs.
• Plains Catlinite Pipe Bowl, with
  Plains Catlinite Pipe Bowl, with Eagle Head 20th century height 2-3/4 inches x length 5-1/8 inches
• Plains Catlinite Pipe Bowl ca 1900
  Plains Catlinite Pipe Bowl ca 1900 t-shaped bowl, with tapered anterior projection height 3-1/4 inches x length 5-3/8 inches
• 2VOL GEORGE CATLIN, NORTH
  2VOL GEORGE CATLIN, NORTH AMERICAN INDIANS, 1841 Two volume set of Letters and Notes on the Manners, Customs, and Condition of the North American Indians by George Catlin. Published 1841 by the author in London. First edition, first state with errata slip. Book is bound in original boards, brown, with blind stamping. Book contains hundreds of line drawings of Native Americans and their culture and environment. There are also maps in each volume. 8vo.
• 2VOL GEORGE CATLIN, NORTH
  2VOL GEORGE CATLIN, NORTH AMERICAN INDIANS, 1842 Two volume set, Letters and Notes of the Manners, Customs, and Conditions of the North American Indians by George Catlin. Published 1842 by Wiley and Putnam. This is the fourth edition. Book is quarter bound in red leather with green boards and marbled end papers. Book has raised bands on the spine with gilt titling and decoration. Page edges are red. Book contains hundreds of line drawings of Native Americans. Two maps are also inside the books. 8vo.
• 2VOL GEORGE CATLIN, NORTH
  2VOL GEORGE CATLIN, NORTH AMERICAN INDIANS, 1841 Finely bound two volume first edition set of Letters and Notes on the Manners, Customs, and Condition of the North American Indians by George Catlin. Published 1841 by the Author, at the Egyptian Hall, Piccadilly. Printed by Tosswill and Myers. First edition. An important work with a fantastic binding. Fully bound in black leather with gilt decoration. Raised bands on the spine with gilt titing and decoration. Marbled end papers. Over 400 illustrations. Large 8vo.
• SIOUX OR CHEYENNE INDIAN
  SIOUX OR CHEYENNE INDIAN CATLINITE PEACE PIPESioux or Cheyenne Indian catlinite peace pipe, ca. 1900, 25" l. Competitive in-house shipping is available for this lot. Condition: Top of pipe cleanly broken off, museum numbers on pipe.
• LAKOTA SIOUX WOMAN'S INDIAN
  LAKOTA SIOUX WOMAN'S INDIAN CATLINITE PIPELakota Sioux woman's Indian catlinite pipe, 19th c., with twisted stem, overall 7" l. Bought from Arnold Marcus Chernoff, Lyons , Illinois, in July 1978 (with copy of write-up on Chernoff stationary). Competitive in-house shipping is available for this lot. Condition: Crack with small loss to tip of stem, small loss to opposing end with fit into pipe,
• CATLINITE PLAINS PIPE WITH QUILL
  CATLINITE PLAINS PIPE WITH QUILL WRAPPED STEM Catlinite Plains Pipe with Quill Wrapped Stem
• (2) IROQUOIS CATLINITE MASKETTES
  (2) IROQUOIS CATLINITE MASKETTES & JESUIT IROGUOIS MEDAL PENDANT (2) Iriquois Catlinite Maskettes Burrell Creek Site, 1710. (1) Jesuit Iriquois Medal White Springs Site, Geneva, NY, 1720.
• REGENCY SATINWOOD BRACKET CLOCK, BY
  REGENCY SATINWOOD BRACKET CLOCK, BY CATLING, WELLINGBOROUGH EARLY 19TH CENTURY with break-arch top and brass handle, above the cream enamel dial with Roman numerals and signed 'Catling, Wellborough', above marquetry fan panels, the twin train chain fusée movement striking a bell, the engraved backplate also signed, raised on a plinth base33cm high (handle down), 24cm wide, 17cm deep
• A PLAINS CARVED CATLINITE PIPEA
  A PLAINS CARVED CATLINITE PIPEA Plains carved catlinite pipe, 20th century; Great Plains Signed to base of stone: [figural motif] / Crow Pipe head with brushed metallic inlay stripes attached to newer curved wood stem embellished with a beaded and hide fringe embellishment to center Dimensions: 30" L x 4" H x 1" Dia. approximately Provenance: The Estate of Eleanor Koffler
• GEORGE 'STANDING EAGLE' BRYAN (B.
  GEORGE 'STANDING EAGLE' BRYAN (B. 20TH CENTURY, OJIBWA)George 'Standing Eagle' Bryan (b. 20th century, Ojibwa), A carved stone pipe, 20th century Signed to base of pipe head: Standing Eagle A carved catlinite stone pipe head in the shape of an eagle claw holding an egg, attached to a flat wooden stem, with a polychrome beaded leather fringe embellishment Dimensions: Pipe head: 2.625" H x 1.25" W x 4.75" D; stem: 20" L x 1.25" H Provenance: The Estate of Eleanor Koffler
• SANTEE SIOUX SILVERED METAL INLAY
  SANTEE SIOUX SILVERED METAL INLAY CATLINITE "T" SHAPE PIPE BY MYRON "CHASKA" TAYLOR, 20TH CENTURY, SIGNED CHASKA LENGTH: 8 IN. (X 20.3 CM.)Santee Sioux Silvered Metal Inlay Catlinite "T" Shape Pipe by Myron "Chaska" Taylor,20th Century, signed Chaska, Dimensions: Length: 8 in. ( x 20.3 cm.)
• ANTIQUE NATIVE AMERICAN INDIAN
  ANTIQUE NATIVE AMERICAN INDIAN ARTIFACT COLLECTION. A museum collection of 60 plus pieces of antique Native American artifacts, including; approx. 42 carved stone arrow and spear heads, catlinite pipe, 1 stone war club, 22 carved stone club heads and more.
• ARTHUR FITZWILLIAM TAIT
  ARTHUR FITZWILLIAM TAIT (1819-1905)Quail and Chicks, 1867 signed and dated "AF Tait N A 1867" lower right oil on board, 10 by 14 in. signed and dated on back Kennedy & Co., New York and Winsor & Newton labels on back This painting is number 67.5 in Henry Marsh's Tait checklist. This little gem recalls Tait's famous "The Cares of a Family," with a pair of attentive quail and six baby chicks framed by delicate grasses and flowers. Known as one of America’s earliest sporting artists, Arthur Fitzwilliam Tait was born in Liverpool, England, in 1819. From an early age, he was interested in both art and the outdoors. Tait worked for the firm of Thomas Agnew, a famous art dealer and lithographer in Manchester, trained in lithography and drawing, and explored the open land around the city. However, many of the most beautiful vistas and hunting grounds were private and off limits. While working for the art firm, Tait was exposed to the works of Edwin Landseer (1802-1873), Richard Ansdell (1818-1885), and John Frederick Herring (1815-1907), among others. In Liverpool, beginning in 1843, Tait spent time with fellow artist George Catlin (1796-1872), which may have whetted the young artist’s appetite to explore life in America. Catlin, who was twenty-three years older than Tait, had spent much of the previous decade living in the American West chronicling the lives of Native Americans through his careful drawings and sketches of their clothing, weapons, and ceremonies. There is little doubt that Catlin's stories would have captivated the young and talented Tait. In 1850 Tait boarded a boat with his wife and came to America. By 1852 Tait was pursuing his interests in wildlife and hunting, based on the subject matter of his works. He worked from a studio in New York City, but spent a great deal of time on Long Lake in the Adirondacks, where he acquired skills as an angler, hunter, and keen observer of wildlife. These skills were as important for Tait’s art as his fine ability with brush and pigment, since they gave an authenticity to his portrayals of outdoor life which was virtually unrivaled at the time. His relative freedom to paint wherever he wanted in the vast public lands of New York was obviously liberating to the artist, who had felt confined by the strict laws governing trespassing and hunting on private property in England. With this liberation and experience of the outdoors, Tait’s artistic career flourished. In 1852, only two years after Tait arrived in New York, Nathaniel Currier (1813-1888) and James Merritt Ives (1824-1895) purchased the first of many works from the budding artist. In that same year, Tait was asked to hang a half-dozen works at the National Academy of Design’s annual exhibition. By 1854 he had achieved an associate membership and four years later he became a full member. Editions of Tait’s works for Currier and Ives were reproduced by the thousands and formed some of America’s most iconic images of the Victorian era. The exceptionally popular "American Field Sports" series showcased Tait’s abilities as an upland bird and dog painter and included the four lithographs "A Chance for Both Barrels," "Flushed," "On a Point," and "Retrieving." These hunting scenes, along with his camping and woodland scenes, resonated with the public as an integral part of the American experience and continue to inform us of our history as a nation. Seminal works by Tait, such as "An Anxious Moment," "A Tight Fix," and "Trappers at Fault: Looking for the Trail," have become embedded as part of our heritage and serve as signposts along our path as a nation. Today, Tait's wilderness, frontier, and wildlife scenes hang in some of the most prominent museums and private collections, including the permanent collections of the Addison Gallery of American Art, Andover, Massachusetts; the Adirondack Museum, Blue Mountain Lake, New York; the American Museum of Western Art, Denver, Colorado; the Amon Carter Museum, Fort Worth, Texas; the Brooklyn Museum, New York; the Corcoran Gallery of Art, Washington, DC; the Denver Art Museum, Colorado; the Metropolitan Museum of Art, New York; the National Museum of Racing, Saratoga Springs, New York; the Shelburne Museum, Vermont; the Yale University Art Gallery, New Haven, Connecticut; the Tate Gallery, London; and the Victoria & Albert Museum, London, among others. Provenance: Charles Porter Schutt Collection, acquired from The Old Print Shop, New York Sarah S. Harrison Collection, by descent Renee du Pont Harrison Collection, by descent Literature: Henry M. Reed, "The A. B. Frost Book," Charleston, SC, 1993, p. 87, illustrated. Henry M. Reed, "The A. B. Frost Book," Rutland, VT, 1967, illustrated. Henry W. Lanier, "A. B. Frost The American Sportsman's Artist," New York, 1933, illustrated.
• ARTHUR FITZWILLIAM TAIT
  ARTHUR FITZWILLIAM TAIT (1819-1905)On the Qui Vive!, 1871 signed and dated "A.F. Tait N.Y. 1871" lower right oil on panel, 12 by 16 in. numbered, titled, signed, and inscribed on back "On the Qui Vive" is old slang for "on the alert," another common title for Tait's deer paintings. Depicting four deer with flying mallards behind on the shore of Racquette Lake in the Adirondacks, this bright and lively jewel of a painting reveals the artist at the peak of his painting abilities. This important work is titled and described in Tait's 1871 register entry as No. 19. It is illustrated in Cadbury and Marsh's text on the artist: "[No.] 19. Deer. on the qui vive! Buck & 3 Does. 16 x 12. Mr. Dorman, 109 E 27th St. Del'd to him March 17th & paid same time [$125.00] in his own frame by [blank]." Known as one of America’s earliest sporting artists, Arthur Fitzgerald Tait was born in Liverpool, England, in 1819. From an early age, he was interested in both art and the outdoors. Tait worked for the firm of Thomas Agnew, a famous art dealer and lithographer in Manchester, trained in lithography and drawing, and explored the open land around the city. However, many of the most beautiful vistas and hunting grounds were private and off limits. While in the employ of the art firm, Tait was exposed to the works of Edwin Landseer (1802-1873), Richard Ansdell (1818-1885), and John Frederick Herring (1815-1907), among others. In Liverpool, beginning in 1843, Tait spent time with fellow artist George Catlin (1796-1872), which may have whetted the young artist’s appetite to explore life in America. Catlin, who was twenty-three years older than Tait, had spent much of the previous decade living in the American West chronicling the lives of Native Americans through his careful drawings and sketches of their clothing, weapons, and ceremonies. There is little doubt that Catlin's stories would have captivated the young and talented Tait. In 1850 Tait boarded a boat with his wife and came to America. By 1852 Tait was pursuing his interests in wildlife and hunting, based on the subject matter of his works. He worked from a studio in New York City, but spent a great deal of time on Long Lake in the Adirondacks, where he acquired skills as an angler, hunter, and keen observer of wildlife. These skills were as important for Tait’s art as his fine ability with brush and pigment, since they gave an authenticity to his portrayals of outdoor life which was virtually unrivalled at the time. His relative freedom to paint wherever he wanted in the vast public lands of New York was obviously liberating to the artist, who had felt confined by the strict laws governing trespassing and hunting on private property in England. With this liberation and experience of the outdoors, Tait’s artistic career flourished. In 1852, only two years after Tait arrived in New York, Nathaniel Currier (1813-1888) and James Merritt Ives (1824-1895) purchased the first of many works from the budding artist. In that same year, Tait was asked to hang a half-dozen works at the National Academy of Design’s annual exhibition. By 1854 he had achieved an associate membership and four years later he became a full member. Editions of Tait’s works for Currier and Ives were reproduced by the thousands and formed some of America’s most iconic images of the Victorian era. The exceptionally popular "American Field Sports" series showcased Tait’s abilities as an upland bird and dog painter and included the four lithographs "A Chance for Both Barrels," "Flushed," "On a Point," and "Retrieving." These hunting scenes, along with his camping and woodland scenes, resonated with the public as an integral part of the American experience and continue to inform us of our history as a nation. Seminal works by Tait, such as "An Anxious Moment," "A Tight Fix," and "Trappers at Fault: Looking for the Trail," have become embedded as part of our heritage and serve as signposts along our path as a nation. Today, Tait's wilderness, frontier, and wildlife scenes hang in some of the most prominent museums and private collections, including the permanent collections of the Addison Gallery of American Art, Andover, Massachusetts; the Adirondack Museum, Blue Mountain Lake, New York; the American Museum of Western Art, Denver, Colorado; the Amon Carter Museum, Fort Worth, Texas; the Brooklyn Museum, New York; the Corcoran Gallery of Art, Washington, DC; the Denver Art Museum, Colorado; the Metropolitan Museum of Art, New York; the National Museum of Racing, Saratoga Springs, New York; the Shelburne Museum, Vermont; the Yale University Art Gallery, New Haven, Connecticut; the Tate Gallery, London; and the Victoria & Albert Museum, London, among others. Provenance: Dorman Collection Mrs. J. Augustus Barnard Collection The Metropolitan Museum of Art, New York, 1979 Private Collection Literature: Warder H. Cadbury and Henry F. Marsh, "Arthur Fitzwilliam Tait: Artist in the Adirondacks," Newark, DE, 1986, pp. 215-16, no. 71.10, illustrated.
• George Catlin (American, 1796-1872)
  George Catlin (American, 1796-1872) \"Buffalo Dance\" and \"The Bear Dance\", from Catlin\'s North American Indian Collection, pair of hand-colored lithographs, sight 15\" x 20-3/4\", titled lower margin. Glazed, matted and presented in carved polychromed frames (two pieces).
• (LOT OF 18) COMMEMORATIVE TIFFANY
  (LOT OF 18) COMMEMORATIVE TIFFANY AND CO (lot of 18) commemorative Tiffany and Co. sterling silver American Indian key rings, created for the commemorating of the opening of the National Museum of the American Indian Smithsonian Institution in NYC, the key ring inspired by an 1882 George Catlin design of a "Full-Dressed Warrior", suspended from the screw top key chain, approx. 22.86 Troy oz. Together with a Tiffany & Co. box and ribbon and dust bag,
• A NATIVE AMERICAN CATLINITE
  A NATIVE AMERICAN CATLINITE INLAID PIPE AND STEM A Native American Catlinite inlaid pipe and stem, pipe 3.875"l; stem 15.75" Provenance: Lew Sarett (1888 - 1954), American poet and professor
• GEORGE CATLIN’S "NORTH AMERICAN
  GEORGE CATLIN’S "NORTH AMERICAN INDIANS"Volumes 1 and 2 of George Catlin’s Manners, Customs and Condition of the North American Indians. From 1831-1837, George Catlin, a former lawyer, travelled extensively among the Indigenous tribes of North America, painting and documenting their habits, customs and lifestyle, subsequently publishing the first edition of this historic reference text in 1841. Profusely illustrated with 360 engravings and published by Henry G. Bohn, London. Volume 1 (9th edition) published in 1857; volume 2 (10th edition) published in 1866. Minor foxing, pages have not been counted. Field Collection.
• VINTAGE TWO PIECE CATLINITE STONE
  VINTAGE TWO PIECE CATLINITE STONE PIPE.Vintage Two Piece Catlinite Stone Pipe. Carved Eagle decoration. 17-3/4"l. Condition: : Good with some wear. Condition: Condition: : Good with some wear.
• 10 PCS GEORGIA RELATED COIN
  10 PCS GEORGIA RELATED COIN SILVER FLATWARE10 pieces Georgia-related coin silver flatware. Includes: 4 teaspoons with shell and fiddle tipt backs, marked C. Catlin in rectangle (Charles Catlin, active Augusta, Georgia, c. 1840s), monogrammed G on front of handle; 2 forks (6-5/8") in an Empire variant pattern, with incuse retailer mark for A.H. Dewitt of Columbus, Ga.; 2 Fiddle Thread pattern forks (7-1/2"L) by William Gale & Son with retailer mark for Clark & Co. of Augusta, Ga. (working 1822-1852), monogrammed G on front of handle; 1 Fiddle pattern tablespoon marked on back H.P. Horton in rectangle with star and eagle pseudohallmarks (working Savannah, Ga. circa 1850) with additional museum accession marks, monogrammed M.G. Lee on front of handle; and 1 Fiddle pattern tablespoon with mark for B. Lord (Benjamin B. Lord, b. 1770-d. 1843, active c.1796-1807 in Pittsfield, MA and Rutland, VT, later as B.B. Lord & Co. in Athens, GA), monogrammed LN on front of handle. 9.41 oz troy combined weight. Provenance: the collection of John Montague, Memphis, Tenn. Condition: B. Lord mark is very rubbed with wear to spoon end; wear to Clark fork tines, otherwise very good condition.
• NATIVE AMERICAN/WESTERN U.S.
  NATIVE AMERICAN/WESTERN U.S. EXPEDITION EPHEMERA1st item: "Map Showing the Location of the Indian Reservations Within the Limits of the United States and Territories" compiled from the Official and other Authentic Sources, under the Direction of the Honorable John H. Oberly, Commissioner of Indian Affairs. William H. Rowe, Draughtsman, photo lithographed with printed color by Norris Peters, published by Office of Indian Affairs, Washington, D.C., 1888. Issued with the Annual Report of the Department of the Interior. Map depicting the United States, detailing the locations in color of Native American reservations such as the "Indian Territory" of the Cherokee, Creek, Chotaw, etc. in what would become the state of Oklahoma. Includes inset maps of "Indian Territory" lower center, "Mission Ind. Res. in California" and "Alaska", lower left. Title and scale of statue miles, lower right, references, left center. "West from Greenwich", centered above map, "West from Washington", centered below map. Map surrounded by scale notations and triple line border. Image - 20 3/4" H x 32 3/4" W. Sheet - 22 1/2" H x 34" W. 2nd item: "U. States Indian Frontier in 1840" Map, by George Catlin, lithographed with printed color by Tosswill and Company, published for the Domestic Committee of the Board of Missions by Daniel Dana, Jr., New York, 1844. From "Journal of a Tour in the "Indian Territory"." by Nathaniel Sayre Harris; Episcopal Church . Board of Missions. Domestic Committee. Map depicting the locations in color of the Native American tribes that had been moved west of the Mississippi River as of 1840 including the Sacs and Foxes, Kickapoo, Delawares, etc., and the surrounding states. Uncolored territories of the Chippeways, Sioux, Crows, etc., Texas and Mexico surround colored areas. Map surrounded by notations and line border. Image - 8 1/2" H x 5 1/8" W. Sheet - 9 3/4" H x 6" W. 3rd-29th items: 27 lithographs, most with hand coloring, from the "Report of the United States Pacific Railroad Expedition and Surveys (USPRR) CAL (Senate Document: Reports of Explorations and Surveys to Ascertain the Most Practicable and Economical Route for a Railroad from the Mississippi River to the Pacific Ocean)", circa 1855. The prints feature scenic views from the American West including "The Great Basin from the Canada de Las Uvas with Lost Mountains in the Distance", drawn by Charles Koppel, lithographed by August Hoen and Company, Baltimore, images of Native Americans such as "Distribution of Goods to the Assiniboines", drawn by John M. Stanley, lithographed by Sarony, Major and Knapp, New York, and U.S. Military bases including "U. S. Military Post Benicia". "Near Mouse River" print housed in plastic sleeve. Images approximately - 6 1/8" H x 9 1/4" W. Sheets approximately - 8 1/2" H x 11 1/2" W. 30th-34th items: 4 tinted lithographs from "Report of an Expedition Down the Zuni and Colorado Rivers", by Captain Lorenzo Sitgreaves, Corps of Topographical Engineers, circa 1854. Titles include "Zuni Indian [Buffalo Dance]" and "Canon Peak from Camp 7", both drawn by Richard H. Kern, lithographed by the Ackerman Firm, New York, "View Near Gypsum Bluffs on Red-River" and "Mount Webster", both lithographed by Henry Lawrence, New York. Images approximately - 3 7/8" H x 7" W. Sheets approximately - 5 7/8" H x 8 3/4" W. 35th-38th items: 3 tinted lithographs from United States Geological Surveys (USGS), including "Mt. Agassiz - Unita Range - Utah" and "Eocene Bluffs -Green River - Wyoming" from the "Geological Exploration of the Fortieth Parallel", circa 1870-1880, and "Bullion Ravine Looking East. Diorite. Mt. Kate in the Middle Distance" from "Geology of the Comstock Lode and the Washoe District, with Atlas, USGS Monograph", by G. F. Becker, 1882. Images approximately - 9" H x 6 1/4" W. Sheets approximately - 12" H x 9 1/4" W. 39th-46th items: Assorted grouping of Native American colored lithographs, including "Hos-ta, (The Lightning.) Governor of the Pueblo of Jemez. Aug. 20", illustrated for United States Executive Documents. 31rst Cong., 1st sess., 1849-1850, drawn by Richard H. Kern, lithographed by Peter S. Duval, Philadelphia, circa 1894, "PL. CXVII" from the Bureau of Ethnology Eigth Annual Report, 1892, "Sioux War Shirt, Apache Caps, Pouches, Moccasins, Totems, &c." with "Description and Explanation of Plate II" text page, published by A. D. Worthington and Company, Hartford, "Lamina XCIII T. IX. 24. Tejidos.", and "91", "286", and "291", by George Caitlin. "Hosta" housed in plastic sleeve. "PL. CXVIII" mounted to matte. Images range in size from 6 3/4" H x 4" W to 5 1/2" H x 8" W. Sheets range in size from 8 7/8" H x 5 3/8" W to 7 1/2" H x 11 1/8" W. All items mid/late 19th century. Provenance: Collection of Charles and Ann Wells, Nashville, Tennessee. (Higher-resolution photos are available at www.caseantiques.com) Condition: 1st item: Toning impressions from colored areas on surface of map. Minute black scuffs along lower right paper crease. 15" section of left edge of map cut away, paper tears, top left edge of sheet. Toning impressions visible en verso. 2nd item: Minute toning spots across top of sheet. Toning spots visible en verso. 3rd-29th items: Light overall toning, foxing spots, and water damage. Several sheets with rough edges from book removal. Two pieces of white tape, top left and right of "Butte de Morale" print. 30th-34th items: Light overall toning and foxing spots. "Canon Peak" with rough top edge from book removal. "Zuni Indian" with piece of scotch tape, top left corner, and paper tear, top right corner. 35th-38th items: Light overall toning. 39th-46th items: Light overall toning. Foxing spots, largest 1/4", top left of "298".
• 15 PCS. GEORGIA COIN SILVER
  15 PCS. GEORGIA COIN SILVER FLATWAREFifteen (15) pieces of coin silver with marks for Georgia makers and retailers. Includes 1 tablespoon marked W. CATLIN in rectangle for Willys Catlin, working Augusta c. 1823; 2 teaspoons marked C. CATLIN in rectangle for Charles Catlin, working Athens c. 1841 and Augusta c. 1845-60, with with additional rubbed marks; 2 shell back tablespoons in the King pattern marked FM with pseudohallmarks, attributed to Francis Marquand, working Savannah 1820-1826; 4 shell back dessert spoons in the King pattern marked M EASTMAN in rectangle with psuedohallmarks, attributed to Moses Eastman, working Savannah 1828-1850; 1 teaspoon marked CLARK.R. &CO. for Clark, Rackett & Co., Augusta 1840-1852, with psuedohallmarks; 1 tablespoon and 1 gravy ladle marked CLARK & CO in rectangles for Francis and Horace Clark et. al, working Augusta c. 1852-1856 (ladle also has marks for Wood, Gale & Son of NY); 1 teaspoon marked F. & H. CLARK for Francis and Horace Clark, Augusta, 1830-40; 1 condiment ladle with incuse stamp H.P. HORTON (Savannah, c. 1850) and 1 butter knife with incuse stamp J.N. FREEMAN (retailer, Augusta c. 1860). Ranging in size from 5 1/2" to 9" L. 19.62 oz troy total weight. Provenance note: All pieces except for the 2 tablespoons attributed to Francis Marquand acquired by descent originally from the estate of Thomas W. Hardwick (1824-1888). The Collection of Dr. Joe Newsom Rawlings, Davisboro, Georgia. Additional provenance information in description. Condition: Most pieces monogrammed. Scattered small dents to bowls, light wear to backs, tips, marks and monograms. Clark/Rackett teaspoon has solder repair to narrow part of handle. F&H Clark teaspoon has loss to end of bowl. Clark & Co. tablespoon has tear to bowl and considerable wear.
• 11 ENGRAVED SCENIC VIEWS AND MAPS
  11 ENGRAVED SCENIC VIEWS AND MAPS INC. UVA, GA FEMALE C...Group of eleven (11) antique prints and lithographic maps. Includes University of Virginia, Charlottesville by W. Goodacre, published London, 1831 by I.T. Hinton, Simpkin & Marshall; Georgia Female College published by Graham's Magazine, 1844; Cumberland Gap (published D. Appleton, 1872); the port of New Orleans after Waud (published D. Appleton, 1873); The City of Detroit (D. Appleton, 1872); Fort Smith, Arkansas (undated, circa 1856 lithograph of an H. Mollhausen drawing, from the Whipple Expedition report); Dublin from Phoenix Park, undated; "An Example of a Row of Trees" (J. Taylor, 1802); Greenwich Hospital (D. Appleton, undated); Outline Map of Indian Localities" , G. Catlin (14" x 8", possible reprint); Maps of East and West Tennessee (Century Co., copyright 1902). Also included is a postcard album with card depicting places including approximately 43 state capitols (circa 1910). There are several subjects from Tennessee including courthouses in Savannah TN, Lawrenceburg TN, Gallatin TN, Huntsville, AL, Florence AL, Decatur AL, and Franklin, TN, plus 2 William Jennings Bryant and John W. Kern political postcards. About 80 cards total. Condition: Most items encapsulated or housed in plastic sleeves, with expected age-related condition issues: toning, fading, light foxing, discoloration, small tears and losses. Greenwich Hospital has severe foxing. Dublin from Phoenix Park has acid burn. UVA print overall very good condition with light grime and small lower left corner crease. Postcard album has wear to exterior, some card holder segments detached.
• SET OF CATLIN POKER CHIPS IN SILK
  SET OF CATLIN POKER CHIPS IN SILK LINED WOOD CASE.Set of Catlin Poker Chips in Silk Lined Wood Case. London, ca. 1920. Including 31 blue ?1, 32 yellow 5/-, 30 salmon 10/-, 30 turquoise 2/-, 64 green 1/- and 64 red 6d. 12 ¾ x 5 ¼”. Excellent.
• HOOVER, HERBERT [U.S. PRESIDENT,
  HOOVER, HERBERT [U.S. PRESIDENT, 1929 – 33]. TRIO OF PR...Hoover, Herbert [U.S. President, 1929 – 33]. Trio of Presidential Bakelite Poker Chips. American, ca. 1930. Three Catlin poker chips with the presidential seal. Excellent. Seymour pg. 35.
• PLAINS CATLINITE PIPEAn early
  PLAINS CATLINITE PIPEAn early 20th century Plains catlinite pipe. Both bowl and stem have carved decoration. A few minor nicks due to handling; replaced peg. 19 1/4" long. ESTIMATE $200-300 Condition: A few minor nicks due to handling; replaced peg.
• NATIVE AMERICAN CATLINITE BEAR
  NATIVE AMERICAN CATLINITE BEAR CHASING MAN CANDLESTICKPlains Native American Lakota or Dakota (Sioux) carved catlinite candlestick depicting a bear chasing a man, ca. 1900-1930. Height: 9 1/4 in x width: 3 in x depth: 2 3/4 in. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions. Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• LATE 19TH C. SANTEE SIOUX CATLINITE
  LATE 19TH C. SANTEE SIOUX CATLINITE PIPESTONE DOG EFFIG...Late 19th century Santee Sioux Native American catlinite or pipestone sculpture of a dog effigy with geometric designs throughout. Height: 3 in x width: 1 1/2 in x depth: 5 1/2 in. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.