A few examples of appraisal values for
CAUGHT IN THE ACT

• CAUGHT IN THE ACT OF ADULTERY BY
  CAUGHT IN THE ACT OF ADULTERY BY ELIJAH PIERCE (COLUMBUS OHIO 1892-1984). Wood carving signed and dated 1979 on back . Plaque with relief carved and painted figures depicting bible story. In painted frame 14''h. 24''w.
• Baptist/Caught in the
  Baptist/Caught in the Act/signed/limited edition woodcut 57/75, 22cm x 26cm
• GENRE SCENE Man Capturing a Bird in
  GENRE SCENE Man Capturing a Bird in front of Two Children, printed canvas with craquelure varnished surface, unsigned, depicting a family scene in a rustic cottage kitchen, unframed, 12" x 10".
• ANTIQUE MYTHOLOGICAL TAPESTRY Circa
  ANTIQUE MYTHOLOGICAL TAPESTRY Circa 1800 or earlier, woven in multicolor wool threads, depicting the Greek mythological story of Artemis and Actaeon in vignettes surrounded by greenery and distant castles: when Actaeon spies on Artemis bathing, she turns him into a deer and he is then killed by his own hunting dogs, with later fabric border and backing attached, with metal brackets for wall display.
• Old Master painting after Titian,
  Old Master painting after Titian, "Diana and Actaeon", Actaeon surprising Diana (Artemis) in the bath, after Titian, 1485-1576, oil on twill canvas, "185" verso canvas, 18th century, 43-3/4 x 52-3/4 in.; 20th century gilt wood and composition frame. Two patches verso, 19th century lining, scattered retouch in face of figure second to left in background, crackle, craquelure, bloom caused by accretion. Dr. T. Edward Hanley Collection, Bradford, Pennsylvania; Private Collection, Sewickley, Pennsylvania.
• THE SUPER BULLET CATCHING
  THE SUPER BULLET CATCHING ACT.Nelmar (Anthony Albino), Herbert Richmond, and Frank Lane. The Super Bullet Catching Act. Author, (1943). Original gray buckram, gilt titles. 25 pages, on rectos only. 4to. Fine.
• 1 vol. Catching of The Whale and
  1 vol. Catching of The Whale and Seal, or Henry Acton's Conversation to His Son William on The Whale and Seal Fishery. Salem: Ives and Jewett, 1838. 16mo, orig. printed yellow bds. with vignette; spine rubbed, scuffed & spotted. With frontis. & 4 full-page illus. & text illus. Moderate foxing throughout. Imprint given as Andover: Gould & Newman. American Imprints 49620 (locating 3 copies); OCLC
• WILLIAM HORACE (BILL) LITTLEFIELD
  WILLIAM HORACE (BILL) LITTLEFIELD (MASSACHUSETTS/NEW YORK, 1902-1969), “ACTEON IN FLIGHT, ARRESTED BY SWIFT ARROWS”., OIL ON BOARD, 36” X 22.5”. FRAMED 41” X 28”.WILLIAM HORACE (BILL) LITTLEFIELD, Massachusetts/New York, 1902-1969, "Acteon In Flight, Arrested by Swift Arrows". Signed and dated April 1941-March 1942 verso. Dimensions: Oil on board, 36" x 22.5". Framed 41" x 28".
• Needlework courting scene, couple
  Needlework courting scene, couple in elegant attire sitting beneath a large tree with castles in background, executed primarily in wool with silk, beads and painted details on canvas, American or British, mid-19th century, 19-12 x 21-12 in.; later painted composition frame.
• Henry William Cannon (American 1862
  Henry William Cannon (American 1862 - 1939) oil on board painting titled "Caught Fish", signed verso, label verso, provenance: Novarte Gallery, 853 7th Avenue, New York, NY, sight 5 5/8"h x 13 1/8"w
• Remarkable Sixth Plate
  Remarkable Sixth Plate Daguerreotype of a Heavily Armed Trapper Anonymous sixth plate daguerreotype of a trapper or hunter striking a resolute pose. Dressed for winter he wears a heavy wooljacket and fur cap. He displays a full stock percussion rifle for the camera and is further outfitted with Colt model 1849 pocket revolver knife belt axe powder horn and fine leather hunting pouch. Strapped to his back is a large bundle of furs or fur-wrapped bedroll. Housed in a full leather case separated at the spine. Found recently in North Carolina. A stunning image. Condition: Solarization at mat edges.  Two small circles of discoloration centered on the gold tinting on the buckles of the trapper's belt and strap.
• Tapestry courting couple in the
  Tapestry courting couple in the garden.
• Tapestry courting scene, coarsely
  Tapestry courting scene, coarsely woven with two courting scenes separated by a vine-covered tree on patterned ground, red floral border, wool with linen backing, probably British, 19th century, 43-1/2 x 69 in. Linen sleeves applied to back for display, fading, grime, frayed edges, several areas of backing separated from tapestry. Formerly Deaccessioned by the University of Tennessee, Knoxville, Tennessee
• UNKNOWN C.1890: CATCH OF THE DAY
  UNKNOWN C.1890: CATCH OF THE DAY Bromide print. Provenance: Property from the Collection of Gerald Kornblau. 6 x 7 3/4 in. 12 x 15 in. (frame).
• UNKNOWN C.1900: THE DAY'S CATCH
  UNKNOWN C.1900: THE DAY'S CATCH Cyanotype print. Provenance: Property from the Collection of Gerald Kornblau. 6 x 4 1/4 in. 13 x 11 in. (frame).
• MUTOSCOPE REEL. BUSINESSMAN
  MUTOSCOPE REEL. BUSINESSMAN CHEATING WITH SECRETARY.Mutoscope Reel. Businessman Cheating With Secretary. New York, International Mutoscope Reel Co, ca. 1910s. Subject No. 7006. In an office, a businessman cheats with his secretary. The wife bursts in on the couple as they are kissing. 10 ¾ x 3”. Some cards slightly bent, else very good.
• 19th c. framed trapunto work.
  19th c. framed trapunto work. 28'' x 29''.
• AFTER JAN VERMEER (NETHERLANDS,
  AFTER JAN VERMEER (NETHERLANDS, 1632-1675) OIL ONAFTER JAN VERMEER (Netherlands, 1632-1675) oil on canvas, "The Procuress," an early 20th century copy of the original painted in 1656. The painting depicts a bar or brothel scene with a man fondling a woman's breast while offering her a coin, another man looking at the viewer and a woman in a nun outfit smiling and watching the couple. Unsigned, brass plaque on frame with title and Jan Vermeer notation. Image measures 45.5" x 41". In a gilt wood frame; 53.5" x 49.5" overall. Provenance: from the Hoyt Hotel collection, Portland, Oregon.
• UNSIGNED JAZZ AGE ILLUSTRATION
  UNSIGNED JAZZ AGE ILLUSTRATION Humorous depiction of a Club Raid with a scantily clad dancer being led out by burly policemen through a crowd of blue bloods, the band and singer looking on in shock, ink and watercolor on paper laid to illustration board, white painted frame, no glass, 27 1/2" x 36 1/2", toned, some scattered soiling.
• EUROPEAN SCHOOL (17TH/18TH CENTURY)
  EUROPEAN SCHOOL (17TH/18TH CENTURY) CHRIST ARRESTED BY ROMAN SOLDIERS Oil on board: 27 x 42 3/4 in. Provenance: Estate of Carolyn Cohen's Antiques and Jewelry
• NINTH PLATE TINTYPE OF A
  NINTH PLATE TINTYPE OF A CONSCRIPTED AND TREASONOUS CONFEDERATE SOLDIER. American 3rd quarter-19th century. Half-length portrait of Orson Litchfield in civilian attire. Accompanied by a one-cent piece stamped with his initials and used as an i.d. tag a swatch of fabric and a October 28 1864 letter (newsclipping) he wrote as a ''rebel prisoner'' in Elmira Prison. In his letter Litchfield tells the story of his conscription into the Confederate Army (Company D. 7th Cavalry) and his arrest for ''treason'' after he commented to an officer that he ''wished every negro in the South would run away.'' He spent six months in prison before Jefferson Davis pardoned many prisoners including Litchfield and he returned to his unit. Shortly thereafter he was apparently fishing beyond the Confederate lines and was captured by Captain Kelley of the 9th Vermont Volunteers to whom he immediately revealed the positions of all of the Confederate posts which were all promptly captured.
• DOUG COFFEY OIL ON CANVAS "TAKING
  DOUG COFFEY OIL ON CANVAS "TAKING THE BAIT"Doug Coffey (American b. 1937) Oil on Canvas "Taking the Bait" , depicting a tabletop still life with hawk, signed upper left Doug Coffey, '84, in thin wood frame Overall 40 in. x 49 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• Late 19th C. oil on canvas
  Late 19th C. oil on canvas depicting fisherman casting their nets while waves crash onto jagged cliffs unsigned damage to edges wear to surface and frame gilt frame not examined out of frame ss: 41'' h. x 24'' w.
• Fine 1671 betrothal needlework, man
  Fine 1671 betrothal needlework, man and woman in court attire separated by a shield and "1671", distant castle, birds and flowers in corners, partial sun at top, silk thread and purl with raised work, some painted details, on ivory satin ground, British, circa 1671, 8 x 9-3/4 in.; modern frame. Losses to silk thread, some areas unfinished, fading, shattering to silk ground, needle holes along edges, possibly formerly attached to a pillow. Edyth Medlin Antiques, Raleigh, North Carolina
• 17th century British needlework,
  17th century British needlework, two figures, soldier with tents in background, woman in court dress in front of buildings, oval panel surrounded by stylized flowers, insects and birds above lion and leopard, silk on silk ground, British, late 17th century, 17 x 21 in. (sight); wood frame. Extensive fading and browning to silk, approximately 1-1/2 x 6 in. area with losses of silk ground and some shattering, losses to embroidered elements, possible pest damage; frame with losses and chips.
• OOC - 'Hauling in the Traps' by
  OOC - 'Hauling in the Traps' by Andrew George Winter (NY/ME- 1893-1958) unsigned showing bouys of Dwight Stanley Chris Nicholsen and Dint Day depicting three lobster boats off Gull Rock Monhegan Maine in water gilt Arts & Crafts molded frame SS: 2
• Framed Some account of the
  Framed Some account of the Crimes, Character and Execution of Stokes and Edwards, Robbery of Whitehaven Bank 1809, approx 30cm x 26cm
• HOOKED RUG BY CYNTHIA MCADOONorth
  HOOKED RUG BY CYNTHIA MCADOONorth Bennington Vermont 20th CenturyBeetle Cat boat race. Signed C.M.'' lower left. 29'' x 44''.''
• COLLECTION OF HIGHLY EMBELLISHED
  COLLECTION OF HIGHLY EMBELLISHED CAMEL TRAPPING, INDIACamel trappingξconsisting of 3 ply-split braided pieces including gorbandh and two short lhoum, embellished with buttons and tassels, Rajasthan,ξIndia, early/mid 20th century,ξcollected in 1995.ξ Sizes: 1) 48'' x 25'' (122 x 64 cm); 2) 48'' x 26'' (122 x 66 cm); 3) 51'' x 36'' (130 x 91 cm). Provenance: David and Barbara Fraser. Please Note: There Are No Hidden or Confidential Reserves in this Auction; All Acceptable Bidding Commences at the Online Start Price.
• OOC - 'Hauling in the Traps' by
  OOC - 'Hauling in the Traps' by Andrew George Winter (NY/ME- 1893-1958) unsigned showing bouys of Dwight Stanley Chris Nicholsen and Dint Day depicting three lobster boats off Gull Rock Monhegan Maine in water gilt Arts & Crafts molded frame SS: 2
• CIVIL WAR DRAWINGCivil War
  CIVIL WAR DRAWINGCivil War drawing , by Confederate soldier John Jacob Omenhausser, drawn while a prisoner at Point Lookout Maryland, titled A Sentinel Accidently Shot by His Companion , the scene depicts two African American Union soldiers, one lying dead on the ground with the Confederate prisoners surrounding him and amused by the unfortunate event, 6 1/2" x 8". Competitive In-House shipping is available for this lot. Condition: Unframed. Light staining. Sheet size-8 1/2'' x 11 1/8''
• Edouard Manet (French 1832-1883)
  Edouard Manet (French 1832-1883) etching on laid paper titled L'Acteur Tragique 11 3/4" x 6 1/4". ?
• TWO POCKET WACHES
  TWO POCKET WACHES
• 19TH C OIL PAINTING ON CANVAS
  19TH C OIL PAINTING ON CANVAS DEPICTING 2 CATSWITH A MOUSE TRAP AND BALL BY RUBIN LAMB. SIGHT SIZE 13" X 19". IN PERIOD GILDED FRAME. UV LIGHT SHOWS MINOR IMPAINTING.
• Tapestry fragment, classical
  Tapestry fragment, classical scene of soldier beside a seated woman and cupid, garden and buildings in background, Belgian or Flemish, late 16th/early 17th century, 18 x 29 in. Possibly pieced from several fragments, scattered repairs, fading, slightly brittle, grime, wood sewn into top for hanging, later binding and backing.
• Glass and wire minnow trap.
  Glass and wire minnow trap.