- TWO FRAMED BEADWORK PANELSTwo framed
TWO FRAMED BEADWORK PANELSTwo framed beadwork panelsWrought by Gabrielle Duval, 1835 and the other by Celestine Calle together with an Italian framed pietra dura panel with gallery label G. Ugolini / Natural Stones Mosaic Work
- LOT OF MINERAL SPECIMENS INCLUDING CELESTINELot
LOT OF MINERAL SPECIMENS INCLUDING CELESTINELot of mineral specimens, including celestine, amethyst, quartz. Largest quartz specimen 8"W.
- BLUE CELESTINE GEODE CRYSTAL SPECIMEN
BLUE CELESTINE GEODE CRYSTAL SPECIMEN Blue Celestine geode crystal specimen, (also called Celestite), the exterior polished in egg form and the interior having layers of translucent blue crystal. Approximate Dimensions:h. 3.5", w. 9", d. 6".
- 6VOL SIGNED BOOKS BY VARIOUS AUTHORS
6VOL SIGNED BOOKS BY VARIOUS AUTHORS Six volumes of the following books signed by the authors: A Georgia Lawyer: His Observations and Public Service by Stirling Price Gilbert. Published 1945 by The University of Georgia Press. Signed by author on front free end paper with another signature taped down. Dauber: A Poem by John Masefield. Published 1913 by William Heinemann. Signed by author with inscription on front free end paper. The Celestine Sibley Sampler: Writings and Photography with Tributes to the Beloved Author and Journalist. Published 1996 by Peachtree Atlanta. Signed by the author on the front paper with an inscription. Stranger in Savannah by Eugenia Price. Published 1989 by Doubleday. Signed by the author with an inscription on the half-title page. A Reverence for Wood by Eric Sloane. Published 1965 by Wilfred Funk. Signed on the front free paper with a drawing of a barn by the artist. The Magical Realm of Sallie Middleton with Text by Celestine Sibley. Published 1980 by Oxmoor House. Signed by Celestine Sibley on the title page.
- PABLO PICASSO (SPAIN/FRANCE, 1881-1973),
PABLO PICASSO (SPAIN/FRANCE, 1881-1973), "LA CELESTINE ACT IX", 1968., AQUATINT, SHEET 8.25" X 6.5". FRAMED 19" X 16.5".PABLO PICASSO, Spain/France, 1881-1973, "La Celestine Act IX", 1968. One of 66 illustrations from La Celestine, by Fernando de Rojas. Published by Galerie Beyelar Basel, Paris, 1971. Printed by Atelier Crommelynck. On Canton paper with "La Celestine" watermark from the Richard de Bas Mills. From the edition of 400. Dimensions: Aquatint, sheet 8.25" x 6.5". Framed 19" x 16.5".
- PABLO PICASSO "LA CELESTINE" (1968)Pablo
PABLO PICASSO "LA CELESTINE" (1968)Pablo Picasso "La Celestine" Etching Appears to be unsigned. Watermarked.
Image Size: 2.25 x 4 5/8 in.
Sheet Size: 8.25 x 6.5 in.
Unframed.
Condition:
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- SIBLEY, PEACHTREE ST USA, CUSTOM LEATHER
SIBLEY, PEACHTREE ST USA, CUSTOM LEATHER BOUND VOL Celestine Sibley (American/Georgia, 1914-1999). "Peachtree Street, U.S.A.: An Affectionate Portrait of Atlanta" -1963. Published by Doubleday and Company, New York. Custom bound for the Woodruffs in full green leather and Inscribed to Robert Woodruff by the author. Remnants of original dust jacket included. Approx. h. 8.5", w. 5.5", d. 1"
- 3 BOOKS ON ATLANTA, GEORGIA AND PEACHTREE
3 BOOKS ON ATLANTA, GEORGIA AND PEACHTREE STREET Selection of three hard cover author signed books on Atlanta, Georgia, Georgia architecture, and Peachtree Street comprising: Medora Field Perkerson, "White Columns In Georgia", Rinehart & Company, New York and Toronto, 1952, with ink inscription, "To/Louis Bee Wilcox,/brother of charming Jennie D. Tufts/with very special/good wishes./Medora Field Perkerson'; Ernest Rogers, "Peachtree Parade: Rollicking Recollections of Atlanta's Favorite Columnist", Tupper & Love Incorporated, Atlanta, 1956, with ink inscription "Earnestly yours,/Earnest Rogers"; and Celestine Sibley, "Peachtree Street, U.S.A.: An Affectionate Portrait of Atlanta", Doubleday & Company, Incorporated, garden City, New York, 1963, with ink inscriptions "Oct 17 - 63/Nell & Bob/from/Virginia Schneider" and "For Bob & Nell/With gratitude/for your friendship/Sincerely/ Celestine Sibley/Oct. 25,/1994". Note: The Jennie D. Tufts referenced in "White Columns In Georgia", was friends, along with her husband, with Asa Candler of Coca-Cola. The Bob and Nell referenced in "Peachtree Street, U.S.A.: An Affectionate Portrait of Atlanta" refers to the niece of Robert Winship Woodruff and Nell Hodgson Woodruff, Nell Hodgson Watt and her husband Robert Gilkerson Watt.
- Pablo Picasso
(Spanish, 1881-1973)
Group
Pablo Picasso
(Spanish, 1881-1973)
Group of Four Prints from La Celestine
etching
each numbered 172/300 in pencil
largest 4 3/4 x 3 3/4 inches.
- JANE DEDECKER (AMERICAN, B. 1961), THE
JANE DEDECKER (AMERICAN, B. 1961), THE WOMAN OF CELESTINE Patinated cast bronze, numbered edition 4 of 21, with incised signature in the casting, retains gallery label to underside, mounted atop a natural stone terrace.
- PABLO PICASSO, (1881-1973, SPANISH),
PABLO PICASSO, (1881-1973, SPANISH), "VISITOR WITH A 'BOURBON NOSE' AT CELESTINE'S HOME," 1968 (FROM FERNANDO DE ROJAS, "LA CELESTINPablo Picasso, (1881-1973, Spanish) "Visitor with a 'Bourbon Nose' at Celestine's Home," 1968 (from Fernando de Rojas, "La Celestine." Editions de l'Atelier Crommelynck, Paris, 1971) Aquatint on paper, watermark: La Celestine, under Plexiglas Unsigned and unnumbered Plate: 2.25" H x 3.25" W; Sheet: 8" H x 6.5" W Provenance: Martin Lawrence Gallery, La Jolla, CA Literature: cf. Bloch, 1631 and Geiser/Baer, 1647 Cramer books, 149 Aquatint on paper, watermark: La Celestine, under Plexiglas Dimensions: Plate: 2.25" H x 3.25" W; Sheet: 8" H x 6.5" W Provenance: Martin Lawrence Gallery, La Jolla, CA
- PABLO PICASSO AQUATINT FROM 347 SERIES:
PABLO PICASSO AQUATINT FROM 347 SERIES: ''Maja et Celestine'', Aquatint, sight size 7.5'' x 5'', pencil signed lower right, numbered lower left 21/50, fine contemporary gilded frame, 16.25'' x 14''.
CONDITION: Pale darkening along margin edges, NOT EXAMINED OUT OF THE FRAME
- GREAT HOUSES & PALACES REFERENCE BOOKS,
GREAT HOUSES & PALACES REFERENCE BOOKS, 11 Eleven great houses and palaces reference books, including: "Great Houses of Europe" by Sacheverell Sitwell, "Westmore and Portland Places: The History and Architecture of Ameria's Premier Streets, 1888-1988" by Julius K. Hunter, "Visite Privee: Hotels Particuliers de Paris" by Jean-Bernard Naudin and Christiane de Nicolay-Mazery, "How the Rich Lived: The Painter as Witness" by Edward Lucie-Smith and Celestine Dars, "Houses of New England" by Peter T. Mallary, "North Shore Boston: Houses of Essex County 1865-1930" by Pamela W. Fox, "The Great Country Houses of Central Europe: Czech Republic, Slovakia, Hungary, Poland" by Michael Pratt and Gerhard Trumler, "Blenheim and the Churchill Family" Henrietta Spencer-Churchill, "Embassy Residences in Washington DC" by Lily Urdinola de Bianchi, "Vanishing Country Houses of Ireland" by Knight of Glin, David J. Griffin and Nicholas K. Robinson, and Palaces of Florence" by Francesco Gurrieri and Patrizia Fabbri. 13" H x 11" W x 1.5" D.
- FIVE SIGNED BOOKS BY VARIOUS AUTHORS
FIVE SIGNED BOOKS BY VARIOUS AUTHORS Five signed books by various authors comprising, The Fathers by Allen Tate (1938, Putnam, 8vo. 306pp. ), None Shall Look Back by Caroline Gordon (1937, Scribner's, 8vo. 378pp. ), The Strumpet Sea by Ben Ames Williams (1938, Houghton Mifflin, 8vo. 338pp. ), The Malignant Heart by Celestine Sibley (1958, Doubleday, 192pp. ), Bugles Blow No More by Clifford Dowden (1939, Little Brown, 497pp. ), all books are signed by the author. Approximate measurements:
- PABLO PICASSO (SPANISH, 1881-1973) ETCHING
PABLO PICASSO (SPANISH, 1881-1973) ETCHING WITH AQUATINT PLATE FROM LA CELESTINE, 1971, WATERMARKED LA CELESTINE, ON RICHARD DE BAS LAID PAPER, VERSO INSCRIBED IN PENCIL 34963 PICASSO, LA CELESTINE ARTE X, BL. 1694, I...PABLO PICASSO (Spanish, 1881-1973) Etching with aquatint plate from La Celestine, 1971, watermarked La Celestine, on Richard de Bas laid paper, verso inscribed in pencil 34963 Picasso, La Celestine Arte X, BL. 1694, Image-3 3/4" x 4 3/4", Sheet-8 1/8" x 6", trimmed on the left vertical margin, some toning to paper, hinged mounted to a mat and framed behind glass, Overall-21" x 19".
- PICASSO ETCHING & AQUATINT 'LA CELESTINE'
PICASSO ETCHING & AQUATINT 'LA CELESTINE' SIGNEDPablo Picasso, Spain (1881-1973). Etching and Aquatint by Picasso 'Le Celestine', 1971. COA from Gallery Michael, Beverly Hills, CA. Measures 16.75"H x 17 3/8"W framed; 8.25"H x 6 5/8"W paper; 3 3/8"H x 4.5"W image.
- Suite of (6) Pablo Picasso etchings
Suite of (6) Pablo Picasso etchings titled ''LaCelestine'' including (5) etchings and (1) justification. Plates range in size from 2.75''H x 3.5''W to 5''H x 3.75''W. Unframed. Bloch: 1575 1664 1670 1727 1728. These are 5 of 66 etchings from La Celestine by Fernando de Rojas one of the last four books to be illustrated by Picasso (most of the plates are dated 1968). Pablo Picasso (Spanish 1881-1973).
- Six Titles on Gardeningto include: GARDENING
Six Titles on Gardeningto include: GARDENING AT SISSINGHURST by Tony Lord (1995) gray linen boards with dust jacket; THE MAGIC REALM OF SALLIE MIDDLETON by Celestine Sibley (1980) gray linen boards with dust jacket; GARDENS / ARCHITECTURAL DIGEST (1983) gray boards with dust jacket in slipcase; AMERICAN TREES by Russell T. Limbach (1942) printed boards with dust jacket; GARDENING WITH WILDLIFE by the National Wildlife Federation (1974) green boards with dust jacket; THE VEGETABLE GARDENER'S BIBLE by Edward C. Smith (2000) printed boards.Good to as new.
- Pablo Picasso (Spanish 1881-1973) Maison
Pablo Picasso (Spanish 1881-1973) Maison close: Degas avec son album Celestine trois filles et un pouf marocain (from the 156 series) 1971 etching edition EA IX/XV stamped Picasso (lower right) 14 1/2 x 19 inches.
- After Pablo Picasso (Spanish, 1881-1973)
After Pablo Picasso (Spanish, 1881-1973) "La Celestina", Act VII. Etching on paper taken from the book, edition of 400 copies, dated in reverse in the plate "25.6.68/II", the plate size approx.4-7/8" x 3-1/2", paper size approx. 8-1/4" x 6-1/4" folded with french text page 122 verso with "La Celestine" watermark in the lower margin of the paper, framed with linen mat and gilt fillet under glass in a gilt wood frame, second opening to the lower right reveals artist's name and "Exemplaire 336" printed on a separate fragment of paper, copied from the book. Framed overall approx. 21-3/4" x 20-1/4".