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VERA CHAVES BARCELLOS ABSTRACT
VERA CHAVES BARCELLOS ABSTRACT LITHOFramed abstract litho possibly on pith paper; by Vera Chaves Barcellos (Brazilian, b. 1938); numbered to bottom left "5/7", titled to bottom middle illegibly, and signed to bottom right corner; measures approximately 21-3/4" x 27-3/16" with frame and has a sight image of approximately 14-1/4" x 20-1/4"; in Good overall condition.
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TWO CELLOSTwo Cellos, one with
TWO CELLOSTwo Cellos, one with label "Adolf Durezy" with soft case and other with bow and hard case, Provenance: Estate of Donald K. Huber
Condition:
All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past. Condition: Reports are available by request and answered in the order they are received starting the week of the sale.
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TWO NYMPHENBURG PORCELAIN FIGURES
TWO NYMPHENBURG PORCELAIN FIGURES OF MUSICIANSTWO NYMPHENBURG PORCELAIN FIGURES OF MUSICIANS, 20th Century, impressed shield mark to base and underside to both, printed green mark to the cello player, 'Cellospieler', impressed 334 and 10, after a model of circa 1930 by Theodor Karner, based on a design by Simon Troger, the Turkish musician depicted standing and playing his instrument, his black and green hat trimmed in gilt, with conforming long jacket, black neck scarf, white breeches and tall leggings, on a flat oblong base; the pastoral flute player, 'Musiker-Figur', impressed 880, after a model by Resl Schroeder-Lechner (1910-2000), depicted standing and playing his instrument, in black brimmed hat and loose-fitting chemise, his grey breeches with ochre cuffs, on a flat circular base edged in grey, h: 8.75 in. 2) Provenance: Estate of Ronald Sperling Literature: The cellist is an allegorical figure from the folklore musical Bergmann Chapel.He is part of a series of musicians at Nymphenburg is titled, the bohmischen bergmannischen Musikkapelle.
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3PCS FOSSIL SCRIMSHAW INCLD.
3PCS FOSSIL SCRIMSHAW INCLD. FRANK BARCELLOS Three pieces of fossil scrimshaw by various artists comprising, a Frank Barcellos (Portuguese/American 1926-1993), fragment of fossil walrus tooth decorated with a masted ship, signed Frank B with sigil at lower left, rising on an attached circular stand; a slice of Mammoth tooth with two, three masted ships by Linda Layden (American b. 1943), signed at lower right, with a custom stand; and a mammoth slice attributed to Dan Cronan (American late 20th century) with a masted ship at a dock and one out to sea in the background. Provenance: : From the Private Collection of William R. Collins, JR., Milton, Georgia. Approximate measurements: Barcellos - fragment h. 2. 5", w. . 75", overall h. 3. 5", dia. 2", Layden - h. 2", w. 5. 25", stand w. 6", d. 1. 75"; Cronan h. . 2. 5", w. 4. 5".
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AFTER REGINALD MARSH (1898-1954),
AFTER REGINALD MARSH (1898-1954), "STEEPLECHASE," 1932; "STEEPLECHASE SWINGS," 1935; AND "FLYING CONCELLOS," 1936: THREE PLATES FROM "THIRTY ETCHINGS AND ENGRAVINGS," 1969After Reginald Marsh, (1898-1954) "Steeplechase," 1932; "Steeplechase Swings," 1935; and "Flying Concellos," 1936: three plates from "Thirty Etchings and Engravings," 1969, Each etching on wove paper Three works: Each from the posthumous edition of 100 plus 14 proofs published in 1969 Each unsigned; inscribed proof in pencil in the lower margin, at left; Andersen-Lamb Photogravure Corporation, Brooklyn, NY, prntr.; Whitney Museum of American Art, New York, NY, pub. and with their blindstamp in the lower margin, at right 3 pieces Each etching on wove paper Dimensions: Plate of largest: 8.625" H x 12.875" W; Each sheet: 13" H x 15.5" W
