A few examples of appraisal values for
CHAMBERLAIN

• TREVOR CHAMBERLAIN (BRITISH, B.
  TREVOR CHAMBERLAIN (BRITISH, B. 1933) January, Dedham Vale signed and dated 'T Chamberlain '86' (lower right) oil on canvas-board 22.5 x 35cm ARR
• TREVOR CHAMBERLAIN (BRITISH, B.
  TREVOR CHAMBERLAIN (BRITISH, B. 1933) Snow, Peak District signed and dated 'T Chamberlain 91' (lower right) and inscribed (on reverse of stretcher) oil on canvas 25.5 x 35.5cm ARR
• TREVOR CHAMBERLAIN (BRITISH, B.
  TREVOR CHAMBERLAIN (BRITISH, B. 1933) A snow lined village street signed and dated 'T Chamberlain 91' (lower right) and indistinctly inscribed (verso) oil on canvas-board 17.5 x 25.5cm ARR Provenance The Marsh Gallery, Midhurst; Private collection, UK
• TREVOR CHAMBERLAIN (BRITISH, B.
  TREVOR CHAMBERLAIN (BRITISH, B. 1933) Sunlight on a snow covered landscape signed and dated 'T Chamberlain 90' (lower left) and indistinctly inscribed (verso) oil on canvas-board 18.5 x 25.5cm ARR
• TREVOR CHAMBERLAIN (BRITISH, B.
  TREVOR CHAMBERLAIN (BRITISH, B. 1933) March Day signed and dated 'T Chamberlain '88' (lower right) watercolour 17.5 x 25cm ARR Provenance The Midhurst Gallery; Private collection, UK
• Two Chamberlain Worcester models of
  Two Chamberlain Worcester models of poodles, circa 1825-30, one enamelled and glazed, seated and looking upwards as if begging, on a matt blue cushion base, 7cm high, script mark, and another smaller biscuit standing poodle, 5cm, impressed Chamberlains/Provenance: the actress Doris Keane, thence from the Henry Sandon Study Collection
• Fine and Rare Chamberlain's
  Fine and Rare Chamberlain's Worcester Porcelain Cabinet Figure, second quarter 19th century, depicting a figure of a putto seated in a First Empire-style throne and bearing a white biscuit porcelain wreath in the French taste, the base inscribed on the base, underglaze, "Chamberlain's/Worcester/155 New Bond Street/London/Royal Porcelain Manufactory", the throne gilded in matte and bright finishes and having a ruby-red sear cushion and a matte royal-blue, gold-fringed apron and exterior back, h. 6", w. 4-1/4". Chamberlain's Worcester (active ca. 1786-1852) was famous for its works executed in the French taste in the second quarter of the nineteenth century. See G. Godden, Encyclopedia of British Pottery and Porcelain Marks (Exton, Pennsylvania: Schiffer, 1964), p. 138, mark #842.
• John Chamberlain 1927–2011.
  John Chamberlain 1927–2011. Untitled (from the New York Collection for Stockholm portfolio). 1973, lithograph in colors on Mylar. 9 h × 9 w in. result: $567. estimate: $600–800. Signed and numbered to lower edge ‘258/300 Chamberlain’. This work is number 258 from the edition of 300 printed by Styria Studio, Inc., New York and published by Experiments in Art and Technology, Inc., New York.
• NORMAN STILES CHAMBERLAIN
  NORMAN STILES CHAMBERLAIN (1887-1961) ATTRIBUTEDNorman Stiles Chamberlain (1887-1961) (Circa 1930s.)Norman Stiles Chamberlain was born in Michigan. He studied art there and in Europe before settling in California in the 1930s where he was employed by the WPA.This composition of a California desert landscape with mountains is unsigned. It is displayed in fine, original carved and gilded American Impressionist frame circa 1930s. It was found with the similarly-framed signed example in this auction and strongly resembles other confirmed examples of Chamberlain's work.Board measures 17.5 x 21.25 with a framed size of 24.5 x 28.5 inches.Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up.
• SAMUEL V. CHAMBERLAIN, AMERICAN
  SAMUEL V. CHAMBERLAIN, AMERICAN (1895-1975), "SOARING STEEL", 1929, SILVER POINT ETCHING, 12"H X 9 1/2"W (IMAGE), 17 1/4"H X 14"W (FRAME)Samuel V. Chamberlain, American, (1895-1975) "Soaring Steel", 1929, silver point etching pencil signed and numbered 45/100. Biography from Whistler House Museum of Art: Samuel V. Chamberlain was born in Cresco, IA on October 28, 1895 and died in Marblehead, MA in 1975. He was an accomplished etcher, lithographer, writer, teacher, and lecturer. Chamberlain taught at the Massachusetts Institute of Technology and lectured on various graphic techniques such as etching, drypoint, and softground etching. His main residence was Marblehead, MA but, in 1929, his address was listed as Rue Jean Dolent; care of Guaranty Trust Co., 3 rue des Italiens, Paris, France and, in 1934, Senlis, France. Chamberlain's education took place at the University of Washington in Seattle, WA; the Massachusetts Institute of Technology in Cambridge, MA; and the Royal College of Art in London. He was a pupil of Edouard Henri Léon (1873-?) in Paris and Malcolm Osborne (1880-1963) in London. Chamberlain was a member of the National Academy of Design in New York City; the Society of American Etchers in Brooklyn, NY; the American Academy of Arts and Sciences; the Chicago Society of Etchers; Associate member of the National Academy of Design, 1939; the Northwest Printmakers; the Société de la Gravure Originale Noir in Paris; and a Guggenheim Fellow, 1926. Exhibitions and awards include an honorable mention at the Paris Salon in 1925; medaille de Bronze at the Paris Salon in 1925; a gold medal at the Boston Tercentenary in 1930; a prize at the Society of American Etchers in 1933; the National Academy of Design, annually; and the Salons of America. Chamberlain was the author and illustrator of "France Will Live Again," 1940; "Fair is Our Land," 1942; "Sketches of Northern Spanish Architecture," 1928; "Domestic Architecture in Rural France," 1928; "Tudor Homes of England," 1929; "Through France with a Sketch Book," 1929; and French Provincial Houses," 1932. Collections representing Chamberlain include the Whistler House Museum of Art in Lowell, MA; the Metropolitan Museum of Art in New York City; the Museum of Fine Art in Boston, MA; the Victoria and Albert Museum in England; the Art Institute of Chicago; the Mobile Museum of Art in Mobile, AL; the San Diego Museum of Art in CA; the Cummer Museum of Art and Gardens in Jacksonville, FL; the Georgia Museum of Art in Athens, GA; the Peabody Essex Museum in Salem, MA; the University of Michigan Museum of Art in Ann Arbor, MI; the Frederick R. Weisman Art Museum in Minneapolis, MN; the Nelson-Atkins Museum of Art in Kansas City, MO; the Art Gallery, University of New Hampshire in Durham, NH; and the Sheldon Swope Art Museum in Terre Haute, IN. silver point etching Dimensions: 12"H x 9 1/2"W (image), 17 1/4"H x 14"W (frame)
• John Chamberlain 1927–2011.
  John Chamberlain 1927–2011. Untitled (from The New York Collection for Stockholm portfolio). 1973, lithograph in colors on mylar. 8? h × 9 w in. result: $625. estimate: $800–1,000. Signed and numbered to lower edge ‘36/300 Chamberlain’. This work is number 36 from the edition of 300 printed by Styria Studio, Inc., New York and published by Experiments in Art and Technology, New York.
• SAMUEL V. CHAMBERLAIN, AMERICAN
  SAMUEL V. CHAMBERLAIN, AMERICAN (1895-1975), DRIZZLY MORNING IN CHICAGO, 1929, DRYPOINT ETCHING, 3 1/2"H X 7"W (IMAGE), 13 1/2"H X 15 1/4"W (FRAME)Samuel V. Chamberlain, American, (1895-1975) Drizzly Morning in Chicago, 1929, drypoint etching pencil signed, titled and numbered 34/100 lower margin. Biography from Whistler House Museum of Art: Samuel V. Chamberlain was born in Cresco, IA on October 28, 1895 and died in Marblehead, MA in 1975. He was an accomplished etcher, lithographer, writer, teacher, and lecturer. Chamberlain taught at the Massachusetts Institute of Technology and lectured on various graphic techniques such as etching, drypoint, and softground etching. His main residence was Marblehead, MA but, in 1929, his address was listed as Rue Jean Dolent; care of Guaranty Trust Co., 3 rue des Italiens, Paris, France and, in 1934, Senlis, France. Chamberlain's education took place at the University of Washington in Seattle, WA; the Massachusetts Institute of Technology in Cambridge, MA; and the Royal College of Art in London. He was a pupil of Edouard Henri Léon (1873-?) in Paris and Malcolm Osborne (1880-1963) in London. Chamberlain was a member of the National Academy of Design in New York City; the Society of American Etchers in Brooklyn, NY; the American Academy of Arts and Sciences; the Chicago Society of Etchers; Associate member of the National Academy of Design, 1939; the Northwest Printmakers; the Société de la Gravure Originale Noir in Paris; and a Guggenheim Fellow, 1926. Exhibitions and awards include an honorable mention at the Paris Salon in 1925; medaille de Bronze at the Paris Salon in 1925; a gold medal at the Boston Tercentenary in 1930; a prize at the Society of American Etchers in 1933; the National Academy of Design, annually; and the Salons of America. Chamberlain was the author and illustrator of "France Will Live Again," 1940; "Fair is Our Land," 1942; "Sketches of Northern Spanish Architecture," 1928; "Domestic Architecture in Rural France," 1928; "Tudor Homes of England," 1929; "Through France with a Sketch Book," 1929; and French Provincial Houses," 1932. Collections representing Chamberlain include the Whistler House Museum of Art in Lowell, MA; the Metropolitan Museum of Art in New York City; the Museum of Fine Art in Boston, MA; the Victoria and Albert Museum in England; the Art Institute of Chicago; the Mobile Museum of Art in Mobile, AL; the San Diego Museum of Art in CA; the Cummer Museum of Art and Gardens in Jacksonville, FL; the Georgia Museum of Art in Athens, GA; the Peabody Essex Museum in Salem, MA; the University of Michigan Museum of Art in Ann Arbor, MI; the Frederick R. Weisman Art Museum in Minneapolis, MN; the Nelson-Atkins Museum of Art in Kansas City, MO; the Art Gallery, University of New Hampshire in Durham, NH; and the Sheldon Swope Art Museum in Terre Haute, IN. drypoint etching Dimensions: 3 1/2"H x 7"W (image), 13 1/2"H x 15 1/4"W (frame)
• Lancaster's Ltd. Hanley England
  Lancaster's Ltd. Hanley England toby style mug "Chamberlain." Fully marked. Mint. 3 "tall.
• MANNER OF MASON CHAMBERLIN, JR.,
  MANNER OF MASON CHAMBERLIN, JR., (ENGLISH, 1727-1787), PORTRAIT OF A GENTLEMAN, OIL ON CANVAS, 50 X 40 IN., FRAME: 58 X 48 IN.Manner of MASON CHAMBERLIN, JR., (English, 1727-1787) Portrait of a Gentleman, oil on canvas 50 x 40 in., frame: 58 x 48 in. Provenance: The Collection of a Massachusetts Family. Condition: Condition: Lined; scattered inpainting throughout; uneven and yellowed varnish; stable craquelure throughout.
• HELEN CHAMBERLAIN (AMERICAN, 20TH
  HELEN CHAMBERLAIN (AMERICAN, 20TH C.)Helen Chamberlain (American, 20th c.), "European Courtyard", oil on masonite, signed lower right, 12 1/4 in. x 14 in., unframed. Condition: Overall poor condition.
• A Derby chamberstick modelled as
  A Derby chamberstick modelled as two birds in a bocage arch above a dog, 21cm high
• A Chamberlains Worcester porter
  A Chamberlains Worcester porter mug, circa 1820, painted with hounds in a landscape, reserved on a claret ground, together with a Bloor Derby example with a basket of flowers within a gilt border (cracked), the largest 12.5cm high (2)
• ATTRIBUTED TO WILLIAM
  ATTRIBUTED TO WILLIAM CHAMBERLAIN(American, 18th/19th century) Four Portraits of Men and Women, unsigned, three ink cutout on cream paper, one ink on cream paper hollow cut on black fabric, sight 3-3/8 x 2-5/8 in.; each in brass and wood frame, 5-1/4 x 4-1/2 in. Condition: some toning and foxing, frames with tarnish, some with warping and punctures
• A Minton tile and a set of four
  A Minton tile and a set of four Chamberlain encaustic tiles, circa 1845, the Worcester tiles forming the royal arms of Queen Victoria within the garter, impressed marks; the Minton tile depicting a Medieval King, only the figure glazed in yellow
• NORMAN STILES CHAMBERLAIN
  NORMAN STILES CHAMBERLAIN (1887-1961) OIL ON BOARDNorman Stiles Chamberlain (1887-1961)California Mission Courtyard (1930)Norman Stiles Chamberlain was born in Michigan. He studied art there and in Europe before settling in Californai in the 1930s where he was employed by the WPA.This composition of a California mission courtyard fountain near purple mountains is displayed in its fine, original carved and gilded American Impressionist style frame, and signed lower right front.Board measures 18.5 x 22.5 with a framed size of 24.75 x 28.75 inches.Very good original untouched condition. There are no issues of scratches, losses, repairs, in-painting or touch-up. This work was framed behind and protected by glass which has just recently been removed. The condition is excellent.
• Wesley William Chamberlain
  Wesley William Chamberlain (American b. 1932) The Drinker 1973 watercolor on paper 12 x 16 inches.
• SAMUEL CHAMBERLAIN MIXED MEDIA
  SAMUEL CHAMBERLAIN MIXED MEDIA CITYSCAPE PAINTINGAttributed to Samuel V. Chamberlain (Massachusetts/Iowa, 1895-1975) drawing and watercolor on heavy paper painting depicting a cityscape with figures under a cloudy sky rendered in varying brown saturations. Unsigned but label en verso states the work is by Chamberlain and gives a date of 1917. Float mounted and matted in a contemporary frame. Sight: 13 1/4" H x 8 1/4" W, Framed: 25 1/2" H x 20" W. Circa 1917. Condition: Overall good condition with some scratching to surface of work, one 2" L, upper center, and one 1 1/2" L, center. Small crease to upper right corner. Examined outside of frame and adhered to a backing.
• A Chamberlain's Worcester
  A Chamberlain's Worcester Armorial Cup and Saucer Each piece marked in script on the underside, the deep saucer measures approx. 5-1/2"D, and the cup approx. 2-3/4"H. Each is hand decorated with a thistle border, gilt accents, and an elaborate figural crest with the motto "Esperance".
• TWO CHAMBERSTICKS. American mid
  TWO CHAMBERSTICKS. American mid 19th century. Brass with finger loops and push ups. 4 1/2''h.
• 1880 ALS LETTER BY GENERAL JOSHUA
  1880 ALS LETTER BY GENERAL JOSHUA CHAMBERLAINHand-written letter, dateline Brunswick, October, 21, 1880, signed J.L. Chamberlain (Joshua Lawrence Chamberlain, Maine, 1838-1914), Union, Brigadier General, Brevet Major General, he is best know for his defense and bloody charge at Confederate troops from Little Round Top, Gettysburg, on July 2, 1863, his achievement recognized by his nickname Lion of the Round Top, and was subsequently awarded the Medal of Honor for those exploits, Chamberlain was present at the Confederate surrender at Appomattox, he served as Governor of Maine, 1866-1869, President of Bowdoin College, 1871-1883, this letter is written to Honorable John B. Brown asking him to attend a meeting at Bowdoin College, approx 8"h, 5"w
• Eight brass chambersticks early
  Eight brass chambersticks early 20th c. ?
• CLOCK STILL BANK Chamberlain & Hill
  CLOCK STILL BANK Chamberlain & Hill England scarce example cast iron japanned finish no movable dial well embossed clock face depicts a mantel clock. 4 3/4'' h. (Pristine Cond.)
• Sir William Chambers (English
  Sir William Chambers (English 1726-1796) Desseins des Edifices Meubles Habits Machines et Ustenciles des Chinois 1757 printed by J. Haberlorn to be sold by the author and Millar & Nourse London folio (20 1/2 in. x 14 1/4 in.) original boards restored spine and corners title and 19 pgs. of text in French with 21 engravings some colored of Chinese houses furniture utensils porcelain boats dress etc. Provenance: First pastedown with ex-libris from Conde de Sucena the last pastedown with an old Portuguese auction label for the library of Silva Amado. Note: Chambers was one of the most highly regarded architects of his time. Between 1757 and 1762 he erected several neo-Roman temples and a number of Turkish and Chinese-inspired buildings at Kew including the now-celebrated pagoda.
• Bairstow Manor Figure Winston
  Bairstow Manor Figure Winston Churchill ''Lord Warden of the Cinque Ports'' from the Life and Times series limited edition
• JOHN F. CHAMBERS INTERIOR FIGURE
  JOHN F. CHAMBERS INTERIOR FIGURE PAINTING United States20th CenturyImpressionist depiction of a woman seated at a cluttered desk staring at a phone.
• JOHN CHAMBERLAIN (b. 1927):
  JOHN CHAMBERLAIN (b. 1927): GALEON Silkscreen print in colors 33 x 26 1/8 in. (sheet) 2/6 printers proof signed and dated '79.
• A Halcyon Days limited edition
  A Halcyon Days limited edition ceramic bonbonniere bust of Sir Winston Churchill in presentation box together with a clock/thermometer/barometer in leather folding case and a double clock by Links of London marked EUROMONEY.
• CHAMBERS, EPHRAIM CYCLOPAEDIA OR AN
  CHAMBERS, EPHRAIM CYCLOPAEDIA OR AN UNIVERSAL DICTIONARY of the Arts and Sciences. London, 1751. 7th edition, 2 volumes, folio, folding plates, contemporary calf, head and tail of spines rubbed; Postlethwayt, Malachy The Universal Dictionary of Trade and Commerce. London, 1751. 2 volumes, folio, frontispiece, contemporary half calf, worn; Petermann, A. and T. Milner The Atlas of Physical Geography. 1850. Folio, maps, original cloth, hinges weak; sold not subject to return(5)
• CLOCK STILL BANK Chamberlain & Hill
  CLOCK STILL BANK Chamberlain & Hill England scarce nickeled cast iron version of mantel clock debossed face no movable dial. 4 3/4'' h. (Near Mint Cond.)
• A Derby chamberstick modelled
  A Derby chamberstick modelled with two playful lambs below a bocage, 1765-70, 24cm high
• SAMUEL CHAMBERLAIN & LIONEL
  SAMUEL CHAMBERLAIN & LIONEL BARRYMORE PRINTS Group of six prints of etchings comprising two after Lionel Barrymore (American/California, 1878 - 1954) and four after Samuel Chamberlain (American/Massachusetts, 1895-1975). Each with Christmas greetings attached from Atlanta business man Bolling Jones Jr. and his wife Dorothy. Approx. 16" x 12" (sheet)