A few examples of appraisal values for
CHARAK

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• Rare Charl
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• Frank Charl
  Frank Charl
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• A chalk and charcoal study of a
  A chalk and charcoal study of a rabbi by Israeli artist Schwartz approx. 58 x 43cm with letter of authenticity from Tracley Gallery in Haifa.
• Two Charl
  Two Charl
• HIMALAYAN BUDDHIST
  HIMALAYAN BUDDHIST 'CHAKRASAMVARA' FIGURINEHimalayan Buddhist 'Chakrasamvara' figure with many faces and arms, Krishnacharin Tradition, in gilt bronze on raised plinth. Measures 20"H x 13"L x 6"W.
• ITZCHAK TARKAY (ISRAELI 1935-2012),
  ITZCHAK TARKAY (ISRAELI 1935-2012), CHARMAINE, SERIGRAPH IN COLOR, 152/350, FRAMED, 15-1/4 X 15-1/4 INCHESItzchak Tarkay (Israeli 1935-2012), Charmaine, Serigraph in Color, 152/350, Framed, 15-1/4 x 15-1/4 inches
• Good Tibetan bronze of
  Good Tibetan bronze of Chakrasamvara and Vajravarahi in union 17th/18th century Sectional model of the twelve armed Samvara holding prescribed ritual implements with flayed feet engaged in union with Vajravarahi, both with crowns of skulls over a possibly accosiated base of Kalaratri and Bhairava laying prostrate on a lotus base. H: 13 in. PROVENANCE: Collection of Ken & Christine Gruen ,000-5,000 base possible associated, smallest figure detached at torso, minor pitting and scratching, overall good 6 or 7/
• 1'6" X 4" Saryk Chuval, 20th c
  1'6" X 4" Saryk Chuval, 20th c
• Indian wood sculpture of a yakshi ,
  Indian wood sculpture of a yakshi , finely carved in a sinuous pose, gazing at a parrot on her left hand, double base, 20th century, 76 x 28 x 16 in. Small separations, scratches. The Estate of the Late Frank Smathers, Highlands, North Carolina.
• CHIPARUS CAST BRONZE FIGURE OF A
  CHIPARUS CAST BRONZE FIGURE OF A WOMAN,MARBLE BASE a woman in long dress seating on a pavement, leaning and gazing forward with her right hand resting on the side ,on a marble base , carved signature "Chiparus"on the back H: 15" (38cm) with base Condition: in overall good condition
• TIBETAN THANGKA OF CHAKRASAMVARA
  TIBETAN THANGKA OF CHAKRASAMVARA A large Tibetan thangka painting depicting the god Chakrasamvara in black embracing his consort Vajravarahi in gold, the couple standing atop a throne trampling supine figures underfoot, encased within a flaming prabhamandala, Chakrasamvara holding a variety of weapons and ritual instruments including two vajras crossed at his chest, two buddhas flanking from above in the upper registers, mounted to double border silk panel and enclosed in presentation frame; 44"H 33"W panel 53.5"H 43"W overall
• KAKAR SPEARKakar spear, with rattan
  KAKAR SPEARKakar spear, with rattan and rope band, face of ancestor figure. Kakar spears are some of the most sacred and important features of Murik society, as they are thought to possess spiritual powers to aid in (former) headhunting raids. The Kakar spears themselves embody ancestor spirits themselves. Referring to Ledoux while explaining how some missionaries were overzealous in eradicating the headhunting and other rituals, and their associated tools, including spears, David Lipset (1997) explains “In one village (Kaup), he [the over zealous missionary] took it upon himself to break the Kakar spears over his knee. Father Schmidt [an empathic missionary] dutifully stored the pieces in the attic of his house until 1936 when he gave them to a young American ethnographer, Pierre Ledoux, who was doing research in the Murik Lakes.” Source: LIPSET, David. Mangrove Man: Dialogic of Culture in the Sepik Estuary, Cambridge: University of Cambridge Press, page 196. Ledoux's list of Collection Items (lot 108 box E), corroborates Lipset's account. Similar item gifted by Ledoux in 1936 to the American Museum of Natural History - Division of Anthropology (80/9075). Locale: Murik Lakes, Lower Sepik River Country: Papua New Guinea Date: 1936 or earlier Material: Wood, rattan, rope Technique: Carved Dimensions: H 63" x W 3" Provenance: Louis Pierre Ledoux Collection Similar item: American Museum of Natural History - Division of Anthropology (80/9075) https://anthro.amnh.org/anthropology/databases/common/image_dup.cfm?catno=80%2E0%2F%209075
• CHARLEY HARPER (AMERICAN,
  CHARLEY HARPER (AMERICAN, 1922-2007), ARMADITTOS AND KOALAKOALA (TWO WORKS) A serigraph and lithograph in colors (respectively), both pencil signed lower margin, the first also numbered 45/1500, matted and framed.
• THANGKA DEPICTING AVALOKITESHVARA
  THANGKA DEPICTING AVALOKITESHVARA SHADAKSHARI 19TH-20TH CENTURY ??????? ??????distemper on cloth, the main deity shown seated in dhyanasana on a single lotus throne, his primary hands to the front in namaskaramudra before his heart and the secondary hands holding mala and padma, attended by celestial beings and Buddhas(1)68cm x 52.3cmProvenance: Private collection, Glasgow
• PR SUNIL DAS HORSE CHARCOAL
  PR SUNIL DAS HORSE CHARCOAL DRAWINGS India,b. 1939Includes a depiction of a wild bucking horse and one of a horse's head with wild eyes. Das is one of the most prominent post modernist painters of India, he studied at the Ecole Nationale Superieure des Beaux-Arts and traveled to Spain where he found a love of bulls and horses. Das' work has also been greatly influenced by his study of sculpture at Santiniketan, Kolkata, and his study of graphic art in Paris.
• ARAKAN (BURMA) BRONZE FIGURE OF
  ARAKAN (BURMA) BRONZE FIGURE OF BUDDHAARAKAN (BURMA) BRONZE FIGURE OF BUDDHA, cast seated cross-legged with a medicine pot in his lap, wearing a tall elaborate headdress, all atop a double lotus base - h:13.50in.
• THANGKA DEPICTING CHAKRASAMVARA
  THANGKA DEPICTING CHAKRASAMVARA QING DYNASTY, 19TH CENTURY ? ??????with a body blue in colour, four faces, striking in alidhasana on a multi-coloured lotus throne, his twelve arms hold various ritual implements and a flayed elephant skin out-stretched, in yab-yum form with Vajravarahi, the red-skinned consort clinging on his left thigh, bare body adorned, all before a floral-flame prabhamandala, surrounded in neat compartments of monks, lineage figures and protector deities(1)47cm x 38cm Provenance: Private London collection
• A Southeast Asian Bronze Figure
  A Southeast Asian Bronze Figure of Parvati or Tara modeled standing square with both hands raised in Dharmachakra mudra height 8 1/2 in. presented inset in a carved wood plinth.
• An Antique Tibetan Ritual
  An Antique Tibetan Ritual "Phurbu-Cum-Chopper", ca. 19th Century or Earlier Bronze and iron with brown-verdigris patina. The lower part of the shaft consists of a curved blade that emerges from the mouth of a makara (mythical aquatic creature). The finial is of serpentine design with three wrathful heads of the phurbu deity, Hayagriva. Measures approx. 11-1/2"L.
• A Painting of Krishna and Arjuna
  A Painting of Krishna and Arjuna Riding a Horse-drawn Chariot, 19th Century Opaque pigment and gold on paper sheet 9.4 x 8 in — 24 x 20.3 cm
• A South East Asian White Metal
  A South East Asian White Metal Seated Figure depicted wearing an elaborate chakra and having a serpent around the neck raised on a conforming base together with a bronze figure of a deity. Height of first 8 inches.
• ANTIQUE CARVED SANDSTONE ARMS OF
  ANTIQUE CARVED SANDSTONE ARMS OF VISHNU Possibly Khmer, Pre-Angkor Period, 7th c., with chakra in one hand and a round object in the other, with square brass receptacle inset into end for attachment to stand (not included), 13"l x 4.5"w
• A CHINESE CARVED WOODEN SEATED
  A CHINESE CARVED WOODEN SEATED ARHAT AND BRUSH POT WITH SAGES 20th century, includes a well carved figure of an arhat with long eyebrows going down to his feet, large hands, seated on a rock with two small attendants to either side, and a reticulated carved brush pot with sages gathered together in a pine and bamboo grove.
• Peshawar Serapi Carpet, 8' x 10'.
  Peshawar Serapi Carpet, 8' x 10'.
• A THANGKA OF CAKRASMAVARAA
  A THANGKA OF CAKRASMAVARAA thangka of CakrasmavaraWith embroidered upper and lower borders and fabric cover.image 14 1/2 x 9 3/4in (37 x 25cm); overall 29 1/4 x 13in (74 x 33cm)
• Agra Serapi Carpet, 10' x 14'.
  Agra Serapi Carpet, 10' x 14'.