A few examples of appraisal values for
CHARLES DAWSON

• HENRY THOMAS DAWSON (ENGLISH,
  HENRY THOMAS DAWSON (ENGLISH, 1841/42-1896), NEAR STANTON, CUMBERLAND Oil on canvas, 1872, signed and inscribed to verso, the canvas with Winsor & Newton stencil to verso, presented in a period gilt composition frame.
• DAWSON Montague (British
  DAWSON Montague (British 1895-1973): ''South Australian'' OIL/Canvas 24 1/4'' x 36 1/4'' framed 32'' x 44'' signed lower right signed and titled verso. Acquired from Charles Vickery noted artist who acquired the piece directly from Dawson.CONDITION: Scattered inpaint.
• DAWSON DAWSON-WATSONAmerican
  DAWSON DAWSON-WATSONAmerican 1864-1939Dramatic sunset over a vineyard. Signed and dated lower right Dawson-Watson (??)''. Provenance: By descent in consignor's family.Private Collection Rhode Island.Oil on canvas 23'' x 29''. Framed.''
• Henry Thomas Dawson (British,
  Henry Thomas Dawson (British, act. 1860-1896)/Shoreham Harbour near Brighton/monogrammed and dated 1876/oil on canvas, 39.5cm x 59.5cm
• MONTAGUE DAWSON (BRITISH,
  MONTAGUE DAWSON (BRITISH, 1890-1973)Montague Dawson (British, 1890-1973), "Running Free", watercolor on paper, signed lower left, 17 in. x 26 1/4 in., framed. Provenance: Private Collection, Lafayette, LA.
• HENRY THOMAS DAWSON (BRITISH, FL.
  HENRY THOMAS DAWSON (BRITISH, FL. 1860-1896)Henry Thomas Dawson (British, fl. 1860-1896) , "Harbor Scene", 1878-80, oil on canvas, signed and dated lower right, London canvas stamp en verso, 32 1/4 in. x 48 3/8 in., framed
• HENRY THOMAS DAWSON (UNITED KINGDOM
  HENRY THOMAS DAWSON (UNITED KINGDOM 1860 - 1896), MOUNT...Henry Thomas Dawson (United Kingdom 1860 - 1896), mountainous landscape on lake, oil on board, signed lower right, 12" x 18". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• CHARLES EDWARD DIXON (British
  CHARLES EDWARD DIXON (British 1872-1934). RMS MAURETANIA gouache on paper - Framed sight: 18 in. x 30 in.
• MONTAGUE J. DAWSON (ENGLAND,
  MONTAGUE J. DAWSON (ENGLAND, 1890-1973), PORTRAIT OF A BLACK-HULLED SHIP ON A DEAD RUN., LITHOGRAPH, 27” X 17.5” SIGHT. FRAMED 36.5” X 26.25”.MONTAGUE J. DAWSON, England, 1890-1973, Portrait of a black-hulled ship on a dead run. Signed in pencil lower right "Montague Dawson". Dimensions: Lithograph, 27" x 17.5" sight. Framed 36.5" x 26.25".
• S. DAWSON (19TH CENTURY) INTERIOR
  S. DAWSON (19TH CENTURY) INTERIOR SCENE oil on canvas laid on masonite.
• Charles Harold Davis American,
  Charles Harold Davis American, 1856-1933 Little Road in Spring Estimate:$6,000-$9,000
• G. Dawson (19th century) The
  G. Dawson (19th century) The Fisherman oil on canvas signed G. Dawson (lower right) 22 1/4 x 12 inches.
• Dawson (Capt. Lionel) Sport in War,
  Dawson (Capt. Lionel) Sport in War, illustrated by Lionel Edwards, published by Collins 1936, Lyle (R C) Royal Newmarket, illustrated by Lionel Edwards, London 1945, Nevill (R) Old English Sporting Books, no 738/1500, London 1924, March (R) The Jockeys of Vanity Fair, 1985 and sundry sporting books
• MONTAGUE J. DAWSON (ENGLAND,
  MONTAGUE J. DAWSON (ENGLAND, 1890-1973), HARBOR SCENE WITH SEVERAL VESSELS., LITHOGRAPH, 21.5” X 31” SIGHT. FRAMED 30” X 39.5”.MONTAGUE J. DAWSON, England, 1890-1973, Harbor scene with several vessels. Signed in pencil lower center "Montague Dawson". Dimensions: Lithograph, 21.5" x 31" sight. Framed 30" x 39.5".
• CHARLES DREW CAHOON (MASSACHUSETTS,
  CHARLES DREW CAHOON (MASSACHUSETTS, 1861-1951), PATH THROUGH THE DUNES., OIL ON CANVAS BOARD, 16" X 20". FRAMED 20" X 24".CHARLES DREW CAHOON Massachusetts 1861-1951 Path through the dunes. Signed lower right "C.D. Cahoon". Oil on canvas board, 16" x 20". Framed 20" x 24". Dimensions: Oil on canvas board, 16" x 20". Framed 20" x 24".
• Charles Marion Russell American,
  Charles Marion Russell American, 1864-1926 Horse Head, 1901 Estimate:$1,000-$1,500
• After Charles Wellington Furse
  After Charles Wellington Furse (British 1868-1904) Diane of the Uplands lithographic reproduction 24 x 18 inches.
• WILLIAM DAWSON (1901-1990) PAINTING
  WILLIAM DAWSON (1901-1990) PAINTING ON PAPERWilliam Dawson (American, 1901-1990) "Spirit House", 1988, Mixed media, ink & enamel painting on paper, signed. Framed. Size: 15'' x 20'', 38 x 51 cm (board); 19'' x 24'', 48 x 61 cm (frame).
• Montague Dawson (British 1890-1973)
  Montague Dawson (British 1890-1973) Hurrying Seas 1930 oil on canvas signed Montague Dawson (lower left) 24 x 36 inches.
• Attributed to C. R. Parker
  Attributed to C. R. Parker (American/Louisiana 1799-1849) "Portrait of Gen. the Hon. John Bennett Dawson of Wyoming Plantation West Feliciana Parish" c. 1844/45 oil on canvas unsigned identified in ink in a mid-19th c. hand en verso of canvas "Genl. J. Bennett Dawson / of West Feliciana Parish / Louisiana" 30 in. x 24 3/4 in. in the original molded gilt frame. Provenance: By descent to the great-granddaughter of the sitter Mrs. William C. P. Muir Shelbyville KY 1933; William Barrow Floyd Lexington KY 1962; by further Barrow family descent to the present owner. Published: Frick Art Reference Library New York 1933 and 1957; W. B. Floyd The Barrow Family of Old Louisiana Lexington KY 1963 pl. 99. Note: John Bennett Dawson was born near Nashville TN on 17 March 1798 and died near St. Francisville LA on 26 June 1845. He attended Centre College at Danville KY whereupon by 1816 he joined his mother and his Barrow relations in Louisiana (his father had died c. 1813 in Natchitoches Parish); in 1817 he married Margaret Johnson of Troy Plantation in Feliciana Parish [only divided in 1824 into East and West]. In 1826 he was elected to the Louisiana State Legislature and also became a Major-General of the State Militia; in the later 1820s he became a Parish Judge. With a partner in 1830 he purchased two newspapers the Florida Gazette and the Feliciana Advertiser (the Louisiana Journal); in 1834 during a failed bid for the Governorship of the state he sold one of his cousins his half-interest in these papers plus his own St. Francisville Phoenix. The editorial policy of all his papers had been "to support the political doctrines of the Jeffersonian School " and he ran as the Democratic candidate for governor against the Whig candidate E. D. White; Dawson's unsuccessful platform included advocacy of low tariffs and enmity to the United States Bank. Six years later however he was elected as the Democratic delegate from Louisiana's 2nd District to the 27th session of the United States Congress (serving from 1841 to 1843) and in 1842 he was also elected from the 3rd District to the 28th session of the national House of Representatives (serving from 1843 to March of 1845). While he was in Washington City in February 1843 his daughter Anne Ruffin Dawson married Robert Charles Wickliffe son of the Governor of Kentucky Charles A. Wickliffe who was at that time serving in President John Tyler's cabinet as Postmaster General; through the latter's recommendation Dawson was presidentially appointed as Postmaster of New Orleans an office he held from April to December of 1843. He died at home near St. Francisville in June 1845 and is buried in the cemetery at Grace Church in that town. This extraordinary portrait is exceptional in several ways. The most striking superficial distinction is in the costume: in the whole pantheon of Louisiana portraits only one other sitter wears a fully embroidered jacket and waistcoat and that other picture was painted in Spain. The prominently displayed watch fob and chain is precisely paralleled in an example surviving from Washington DC and almost certainly originated there (suggesting that this portrait postdates Dawson's congressional service). That conclusion is borne out by the delineated character of the face: Dawson is memorably represented with lined and careworn features with a frown of concentration and with deep depressions under his eyes; since his hair is still dark (he died at only 47) his depicted age is clearly consonant with the very last stage of his life. The attribution of this superlative picture to C. R. Parker-an American portraitist whose paintings of Jefferson Franklin Washington and Lafayette were unveiled in the Louisiana state legislature in 1826 and who was active at least from that year to 1848 in Natchez New Orleans and the river parishes-hinges on the fact that his Natchez portraits are similarly exceptional in the deep sense of character shown in his faces. It is also especially significant that the contemporaneous portraits of two of Dawson's first cousins with their wives (Bennett Hilliard and Emily Joor Barrow of Highland Plantation as well as William Ruffin and Olivia Ruffin Barrow II of Greenwood Plantation of whom the first documented a sitting on 4 May 1841) were definitely or probably painted by Parker. That artist also traveled to England in 1828 and may have absorbed there the imaginative and emotive style that so strikingly characterizes this image of Dawson as "a firm and pure public man." References: W. B. Floyd The Barrow Family of Old Louisiana Lexington KY 1963 pp. 55-57; Elrie Robinson Early Feliciana Politics St. Francisville 1936 p. 60; Mrs. T. N. C. Bruns ed. Louisiana Portraits New Orleans 1975 pp.26-27; V. J. Speakes ed. Mississippi Portraiture [Jackson] 1987 pp. 47 111 166; P. B. Schmidt ed. Encyclopedia of New Orleans Artists 1718-1918 Historic New Orleans Collection 1987 p. 291.
• MONTAGUE DAWSON SIGNED PHOTOGRAPH
  MONTAGUE DAWSON SIGNED PHOTOGRAPH England,1932Photograph of British artist Montague J. Dawson 1890 - 1973 in the midst of painting a maritime ship scene. Dawson was well known for his ship paintings, greatly influenced by Charles Napier Hemy 1841-1917.
• HENRY DAWSON (BRITISH 1811-1878),
  HENRY DAWSON (BRITISH 1811-1878), AUTUMN OUTING ALONG A RIVER IN A MOUNTAINOUS LANDSCAPE, OIL ON CANVAS, 36 X 56 IN (91.4 X 142.2 CM)Henry Dawson, (British, 1811-1878) Autumn Outing Along a River in a Mountainous Landscape, Oil on canvas Signed H. Dawson and dated 50 l.r. Oil on canvas Dimensions: 36 x 56 in (91.4 x 142.2 cm) Provenance: Property from the Estate of Francis Wickham Kraemer, Jr.
• Charles Partridge Adams
  Charles Partridge Adams (1858-1942 Pasadena CA) In the Arkansas Valley Vicinity of Salida Colo
• DAWSON DAWSON-WATSON (ENGLISH/TEXAN
  DAWSON DAWSON-WATSON (ENGLISH/TEXAN 1864-1939) A PAINTI...DAWSON DAWSON-WATSON (English/Texan 1864-1939) A PAINTING, "Sailboat at Rockport," MARCH 2, 1883, watercolor on cream wove paper, signed and dated L/R, "Dawson-Watson 3.2.83'," 7 1/2" x 5", framed, 18 1/2" x 16 3/8". Condition: In good condition. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• Charles William Dahlgreen
  Charles William Dahlgreen (American, 1864-1955) Homestead landscape on water Etching engraving Pencil signed lower margin 9" x 7"
• HENRY THOMAS DAWSON, DANISH HARBOR,
  HENRY THOMAS DAWSON, DANISH HARBOR, O/C, 1879 Henry Thomas Dawson (British fl.1860-1896), untitled, January 18, 1879, oil on canvas, Northern European harbor scene, likely Danish, depicting multiple ships with a city in the distance under an atmospheric sky, dated and signed at lower left with HTD monogram, P, Shea London stencil en verso to canvas, framed. Canvas approx. h.16", w. 24"; Overall h. 21", w. 28, d. 2.75".
• CHARLES DREW CAHOON NEW ENGLAND
  CHARLES DREW CAHOON NEW ENGLAND SAND DUNE PAINTING Massachusetts,1861-1951Impressionist depiction of a windswept sand dune framing a distant ocean. Cahoon's father was a sea captain and amateur artist, from a young age Cahoon would copy his father's works and eventually went to sea and began sketching from that experience. While in Boston, Cahoon studied photography and found work retouching photographs before turning to painting full time.
• CHARLES DREW CAHOON (MASSACHUSETTS,
  CHARLES DREW CAHOON (MASSACHUSETTS, 1861-1951), DUNE LANDSCAPE., OIL ON MASONITE, 17” X 25.75”. FRAMED 20.5” X 29.5”.CHARLES DREW CAHOON, Massachusetts, 1861-1951, Dune landscape. Signed lower right "C.D. Cahoon". Dimensions: Oil on masonite, 17" x 25.75". Framed 20.5" x 29.5".
• CHARLES EDWARD DIXON (ENGLAND,
  CHARLES EDWARD DIXON (ENGLAND, 1872-1934), TOWING OUT TO SEA., WATERCOLOR ON PAPER, 15" X 23" SIGHT. FRAMED 29" X 36".CHARLES EDWARD DIXON, England, 1872-1934, Towing out to sea. Signed and dated lower left "After Rain - Charles Dixon 4/1/95". Dimensions: Watercolor on paper, 15" x 23" sight. Framed 29" x 36".
• Charles Baskerville, Jr.
  Charles Baskerville, Jr. American, 1896-1994 Rooftops in Sicily, 1952 Estimate:$200-$400
• CHARLES DREW CAHOON (MASSACHUSETTS,
  CHARLES DREW CAHOON (MASSACHUSETTS, 1861-1951), WHITE PINE BOUGH OVER THE WATER., OIL ON BOARD, 26" X 19". FRAMED 32" X 24".CHARLES DREW CAHOON Massachusetts 1861-1951 White pine bough over the water. Signed lower right "C.D. Cahoon". Oil on board, 26" x 19". Framed 32" x 24". Dimensions: Oil on board, 26" x 19". Framed 32" x 24".
• CHARLES DREW CAHOON (MASSACHUSETTS,
  CHARLES DREW CAHOON (MASSACHUSETTS, 1861-1951), MAN IN A DORY., OIL ON CANVAS, 12" X 18". FRAMED 18" X 24".CHARLES DREW CAHOON, Massachusetts, 1861-1951, Man in a dory. Signed lower right "C.D. Cahoon". Dimensions: Oil on canvas, 12" x 18". Framed 18" x 24".
• Charles B. Hinman American, b. 1932
  Charles B. Hinman American, b. 1932 Untitled, 1963 Estimate:$2,000-$3,000
• Charles Dana Gibson American,
  Charles Dana Gibson American, 1867-1944 Father Christmas Introducing a Young Couple Estimate:$600-$800
• MONTAGUE J. DAWSON (ENGLAND,
  MONTAGUE J. DAWSON (ENGLAND, 1890-1973), A SMALL SKIFF HAILING A CLIPPER SHIP., WATERCOLOR ON PAPER, 11.25" X 17.25" SIGHT. FRAMED 21" X 28".MONTAGUE J. DAWSON, England, 1890-1973, A small skiff hailing a clipper ship. Signed lower left "Montague Dawson". Dimensions: Watercolor on paper, 11.25" x 17.25" sight. Framed 21" x 28".
• Charles Davidson (British,
  Charles Davidson (British, 1820-1902) "The Gathering Storm", watercolor, signed lower left "C. Davidson", sight 12-1/4" x 18-3/4". Glazed, handsomely matted and framed.