A few examples of appraisal values for
CHARLOTTESVILLE

• A GERMAN BAROQUE FIGURED WALNUT
  A GERMAN BAROQUE FIGURED WALNUT COMMODEA German Baroque figured walnut and parquetry commodeearly 18th centuryheight 30in (76cm); width 36 3/4in (93.5cm); depth 21 1/2in (54.5cm) Provenance:With Helen Story Antiques, Charlottesville, Virgi
• A LIFETIME COLLECTION OF TEN
  A LIFETIME COLLECTION OF TEN VIRGINIA TOOLED LEATHER KE...19th century, comprising: steerhide handle, body, and base, lined with red calf skin, hourglass shape with subtle V shaped rim, black exterior with harness stitched scroll decoration on body, a shield on each end, 6-3/4 x 7-5/8 x 5 in., accompanied by three iron forged keys on iron ring with attached fob, fob carved with letters "WBG", Ref. No. VA053; steerhide and calfskin, the shaped sides with decorative tooling, fitted with strap handle, 8-3/8 x 11-1/8 x 4 in., Ref. No. VA063; steerhide, sharkskin, and calf, hourglass shape with angled edges, gouged tulips, vine, and fleur de lis pattern painted with white paint, 6-3/4 x 8-1/4 x 4-1/8 in., Ref. No. VA057; steerhide and brown calf, body with incised and painted X pattern, 5-7/8 x 8-1/4 x 4 in., Ref. No. VA061 Note: For similar example see Jeffrey S. Evans and Associates, June 21, 2014 lot 382.; possibly S.S. Cottrell, black sharkskin, brown calf liner and binding on top edges, brown steerhide bottom, oblong form having shaped rim, body with incised vine and leaf decorations retaining original paint, original rounded leather handle and lining, 5-1/4 x 8-3/4 x 3-5/8 in., Ref. No. VA0059; tan steerhide, oblong boat form, body with gouged band of trailing vine decoration, retains original green/blue felt lined interior, 8-1/2 x 10-1/2 x 3-1/4 in., Ref. No. VA070; steerhide, high sided extended oval shape, body with 3/8 in. creased wide diamond design, 6-1/4 x 8-1/4 x 3-1/4 in., Ref. No. VA022; possibly made in Petersburg by J.H. Lamey, black shark skin sides, light brown calf skin rolled over edge and lining interior, separate leather bottom piece, underneath wood bottom covered with 19th century wallpaper, 6-3/4 x 9-1/2 x 4-3/4 in., Ref. No. VA038; steerhide, extended oval shape, linear flat top, body with wavy sawtooth bands around body, bottom with five small leather disk feet attached with copper rivets, interior retains cardboard bottom insert with pencil inscription "Made by H.M. Gee or MGee/May 4th 1905/When this is worne renew/H.M. Gee", 6-1/2 x 7-7/8 x 5 in., Ref. No. VA013; possibly made by R.H. Rickett, calf skin dyed red with crisscross faux Moroccan leather binding, sides, and bottom, tan body with creased diamond pattern, 7-1/4 x 8 x 4 in., Ref. No. VA026 Provenance: (Ref. No. VA053) Collection of Dorothy "Dolly" & Henry "Mac" McKenney, Mint Spring, Virginia; Jeffrey S. Evans and Associates, Mt. Pleasant, Virginia, March 23, 2007 lot 187 sold for $13,200; (Ref. No. VA063) 1740 House Antiques, Charlottesville, Virginia; Sotheby's New York, May 1995 lot 620 sold for $2,765 (accompanied by catalog listing); (Ref. No. VA057) Carole Wahler Antiques, Knoxville, Tennessee; (Ref. No. VA0059) Jeffrey S. Evans and Associates, Mt. Pleasant, Virginia, November 14, 2015 lot 667 sold for $1,300; (Ref. No. VA070) Jeffrey S. Evans and Associates, Mt. Pleasant, Virginia, June 23, 2018 lot 1625 sold for $2,500; (Ref. No. VA022) Jeffrey S. Evans and Associates, Mt. Pleasant, Virginia, June 24, 2004 lot 137 sold for $4,400; (Ref. No. VA038) Jeffrey S. Evans and Associates, Mt. Pleasant, Virginia, June 23, 2006 lot 152 sold for $5,775; (Ref. No. VA013) Jeffrey S. Evans and Associates, Mt. Pleasant, Virginia, November 12, 2005 lot 363 sold for $2,860; (Ref. No. VA026) Jeffrey S. Evans and Associates, Mt. Pleasant, Virginia, November 10, 2007 lot 1197 sold for $3,850; Private Collection Note: Each basket is accompanied by extensive notes taken by the consignor. â—‰This lot contains animal or plant material that may be restricted under federal, state and/or local law. Prospective bidders should check all applicable government wildlife restrictions prior to placing a bid. The buyer is solely responsible for obtaining any necessary licenses or permits from federal, state and/or local authorities applicable to their purchase or transport of the object. Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn. Condition: crackling, creasing, and wear to leather, some with cracks to rim, surface dirt/accretion, some baskets with potential repair or retouch; Ref. No. VA053 with minor insect damage to interior and base; Ref. No. VA063 with puncture on one side; Ref. No. VA061 with flaking to leather at rim; Ref. No. VA070 with loss to felt; Ref. No. VA038 leather interior bottom detached
• Pedro Friedeberg. Hand chair. c.
  Pedro Friedeberg. Hand chair. c. 1965, carved mahogany. 34¼ h × 18½ w × 21 d in. result: $18,750. estimate: $7,000–9,000. Provenance: Private Estate, Charlottesville, VA | Private Collection
• Harry Bertoia. Untitled (Monumental
  Harry Bertoia. Untitled (Monumental Multi-Plane Construction) from the First National Bank of Miami. 1958, melt-coated brass over steel. 137 h × 55 w × 30 d in. estimate: $75,000–95,000. This work is from the installation of ten made for the First National Bank of Miami. Sold with a certificate of authenticity issued by the Harry Bertoia Foundation. Provenance: First National Bank of Miami | Collection of Victor Elmaleh | School of Architecture, University of Virginia, Charlottesville | Sotheby's, New York, Bertoia: A Celebration of Sound and Motion, 11 February - 9 March 2014 | Private Collection
• Harry Bertoia. Untitled (Monumental
  Harry Bertoia. Untitled (Monumental Multi-Plane Construction) from the First National Bank of Miami. 1958, melt-coated brass over steel. 137 h × 55 w × 30 d in. estimate: $90,000–110,000. This work is from the installation of ten made for the First National Bank of Miami. Sold with a certificate of authenticity issued by the Harry Bertoia Foundation. Provenance: First National Bank of Miami | Collection of Victor Elmaleh | School of Architecture, University of Virginia, Charlottesville | Sotheby's, New York, Bertoia: A Celebration of Sound and Motion, 11 February - 9 March 2014, Lot 3 | Private Collection
• Harry Bertoia. Untitled (Monumental
  Harry Bertoia. Untitled (Monumental Multi-Plane Construction) from the First National Bank of Miami. 1958, melt-coated brass over steel. 137 h × 55 w × 30 d in. result: $93,750. estimate: $75,000–95,000. This work is from the installation of ten made for the First National Bank of Miami. Sold with a certificate of authenticity issued by the Harry Bertoia Foundation. Provenance: First National Bank of Miami | Collection of Victor Elmaleh | School of Architecture, University of Virginia, Charlottesville | Sotheby's, New York, Bertoia: A Celebration of Sound and Motion, 11 February - 9 March 2014 | Private Collection
• 1829 JEFFERSON'S CORRESPONDENCE,
  1829 JEFFERSON'S CORRESPONDENCE, CHARLOTTESVILLE. 4 VOL...[Thomas Jefferson] Memoir, Correspondence, and Miscellanies from the Papers of Thomas Jefferson. Edited by Thomas Jefferson Randolph. Charlottesville: F. Carr. 1829 4 Volumes. Frontispiece portrait from original by Gilbert Stuart in Volume 4. Facsimile of Jefferson's Manuscript of the Declaration of Independence complete and nicely folded. Bound in contemporary leather, one label missing(vol. 2). Some offsetting and foxing, especially to volumes 2 and 4. Condition: See Description
• 7 SPOONS INC. HARRISONBURG VA, PLUS
  7 SPOONS INC. HARRISONBURG VA, PLUS PORTRAITGrouping of items from a Staunton, Virginia estate including 6 coin silver tipt end teaspoons (4.63 oz troy), marked "J. W. BEAR" (Jehu W. Bear, working Harrisonburg, Charlottesville, and Luray, Va. c. 1822-1858) plus 1 coffin-end tablespoon marked "JB" (likely James Black, working Philadelphia, circa 1795-1819), together with a watercolor and ink portrait of a young woman (possibly Valley of Virginia), sitting in a painted chair and holding a miniature portrait of a man, 6-1/2" x 5-1/2" (framed). All items first half 19th century. Condition: Spoons in very good condition, all monogrammed D. Watercolor with small stains, losses, fading and wear, including wear to subject's face and wear/corner surface losses to frame.
• 25 PCS. ASSD COIN SILVER INC.
  25 PCS. ASSD COIN SILVER INC. SOUTHERN - SC, TN, VA, MD...A group of assorted coin silver flatware, some Southern, including Tennessee, South Carolina, Virginia, and Maryland. Includes 1 dessert spoon marked ANDERSON in rectangle (possibly Edward Anderson, working Laurens, SC c. 1854); 5 tablespoons marked G.R. CALHOUN (incuse) and W&H for Wood and Hughes, New York, retailed by George R. Calhoun, Nashville, working 1847-d.1903); 1 teaspoon marked J. CAMPBELL in rectangle for John Campbell, working Fayetteville, NC and Cheraw, SC c. 1827-1836 and Nashville, TN 1836-1857; 1 teaspoon marked R MATTHEWS in rectangle (possibly Richard Matthews, working Charlottesville, VA, 1836-48); 1 teaspoon marked JB COOK in rectangle (possibly John B. Cooke, working Petersburg, VA 1838-1843); 1 dessert spoon marked W.A.WILLIAMS in rectangle (likely William A. Williams, working Alexandria, VA. 1809-1835); 3 teaspoons marked IC (possibly Jacob Craft, working Shepherdstown, WV 1790-1825); 2 tablespoons and 1 teaspoon marked for Hotchkiss & Snyder of New York with incuse mark J.A. WEBB (Baltimore, c. 1860); 2 dessert spoons marked S. KIRK 10.15 in rectangles (Baltimore, c. 1821-46) and 2 teaspoons marked TJ BROWN 10.15 in rectangles (Baltimore, 1842-1884). Also included are some unattributed pieces: 1 salt ladle and 1 cream ladle marked YOUNG in script in rectangle; 1 gravy ladle marked SMITH in rectangle; 1 tablespoon marked SMITH PURE COIN in rectangles; and 1 cream ladle marked SL in rectangle. Ranging in size from 4 1/2" to 8 1/2" L. Combined weight: 23.515 total troy ounces. The Estate of Cora Jane Spiller, Bowling Green, Kentucky. Condition: Monograms and general wear, some spoon bowls with dents.
• 11 ENGRAVED SCENIC VIEWS AND MAPS
  11 ENGRAVED SCENIC VIEWS AND MAPS INC. UVA, GA FEMALE C...Group of eleven (11) antique prints and lithographic maps. Includes University of Virginia, Charlottesville by W. Goodacre, published London, 1831 by I.T. Hinton, Simpkin & Marshall; Georgia Female College published by Graham's Magazine, 1844; Cumberland Gap (published D. Appleton, 1872); the port of New Orleans after Waud (published D. Appleton, 1873); The City of Detroit (D. Appleton, 1872); Fort Smith, Arkansas (undated, circa 1856 lithograph of an H. Mollhausen drawing, from the Whipple Expedition report); Dublin from Phoenix Park, undated; "An Example of a Row of Trees" (J. Taylor, 1802); Greenwich Hospital (D. Appleton, undated); Outline Map of Indian Localities" , G. Catlin (14" x 8", possible reprint); Maps of East and West Tennessee (Century Co., copyright 1902). Also included is a postcard album with card depicting places including approximately 43 state capitols (circa 1910). There are several subjects from Tennessee including courthouses in Savannah TN, Lawrenceburg TN, Gallatin TN, Huntsville, AL, Florence AL, Decatur AL, and Franklin, TN, plus 2 William Jennings Bryant and John W. Kern political postcards. About 80 cards total. Condition: Most items encapsulated or housed in plastic sleeves, with expected age-related condition issues: toning, fading, light foxing, discoloration, small tears and losses. Greenwich Hospital has severe foxing. Dublin from Phoenix Park has acid burn. UVA print overall very good condition with light grime and small lower left corner crease. Postcard album has wear to exterior, some card holder segments detached.
• STAFFORDSHIRE COMMEMORATIVE PLATES,
  STAFFORDSHIRE COMMEMORATIVE PLATES, SIX (6)Set of six Old English Staffordshire Ware commemorative plates; includes "Natural Bridge of Virginia", "Historic Michie Tavern, Charlottesville, Virginia", "Princess Column Caverns of Luray, Virginia", "Historic Williamsburg Virginia, Wren Building, William and Mary College", "Natural Bridge of Virginia", and "Princess Column Caverns of Luray, Virginia"; all plates measure approximately 9-7/8" in diameter; in Very Good overall condition with some crazing. Third-party shipping charges for this lot, in the continental U.S. (lower 48), will be $70.
• RAIMUNDO DE OLIVEIRA "PIETA" OIL ON
  RAIMUNDO DE OLIVEIRA "PIETA" OIL ON CANVASRaimundo de Oliveria (Brazil, 1930-1966) oil on canvas framed in a black wood frame; signed to lower center "Raimundo Oliveira 1955" and titled to back "Pieta"; measures approximately 30" x 37-1/2" with frame and has a sight image of approximately 28-1/4" x 35-13/16". Provenance: Originally acquired directly from the artist, and entered into the Carlos Vasconcelos Maia Collection, Salvador, Bahia. Later added into the E.W. Hook Collection in Charlottesville, VA. Offered by Christie's New York in May, 2013.
• KHEYRADOLIN DZHAFFAROV OIL ON
  KHEYRADOLIN DZHAFFAROV OIL ON CANVASSigned to bottom left, oil on canvas by Kheyradolin Dzhaffarov depicting a lily pond; unframed; measures approximately 18" x 24"; in good condition. Kheyraddin Dzhaffarov (born in October 13, 1988) is Russian-American living in Charlottesville, Virginia. He first found his love for art in charcoal sketching while in grade school, and while attending Charlottesville High School was a featured artist in their annual art show in 2008. He became inspired after this to broaden his knowledge and became influenced by "heavy artists", who had such power and meaning to their paintings. Since then, he has specialized in modern oil paintings, and tries to portray a deeper meaning in his artwork through technique and choice of colors.
• KHEYRADOLIN DZHAFFAROV OIL ON
  KHEYRADOLIN DZHAFFAROV OIL ON CANVASSigned to lower left, oil on canvas by Kheyradolin Dzhaffarov depicting a nude woman playing a flute; unframed; measures approximately 36" x 24"; in good condition. Kheyraddin Dzhaffarov (born in October 13, 1988) is Russian-American living in Charlottesville, Virginia. He first found his love for art in charcoal sketching while in grade school, and while attending Charlottesville High School was a featured artist in their annual art show in 2008. He became inspired after this to broaden his knowledge and became influenced by "heavy artists", who had such power and meaning to their paintings. Since then, he has specialized in modern oil paintings, and tries to portray a deeper meaning in his artwork through technique and choice of colors.
• KHEYRADDIN DZHAFFAROV OIL ON
  KHEYRADDIN DZHAFFAROV OIL ON CANVASKheyraddin Dzhaffarov oil on canvas depicting a female wearing a tiara and having a shawl draped across her shoulders; signed to upper left corner and to the back, unframed; measures approximately 24" x 18”. Kheyraddin Dzhaffarov (born in October 13, 1988) is Russian - American living in Charlottesville, Virginia. He first found his love for art in charcoal sketching while in grade school and while attending Charlottesville High School was a featured artist in their annual art show in 2008. He became inspired after this to broaden his knowledge and became influenced by "heavy artists" who had such power and meaning to their paintings. Since then, he has specialized himself in modern oil paintings and tries to portray a deeper meaning to his artwork through his technique and choice of colors.
• HAWTHORNE MODEL 880 .22 LONG
  HAWTHORNE MODEL 880 .22 LONG RIFLEHawthorne 880 semi-automatic .22 rifle with a Hawthorne 4X-60-1200 scope, rifle known as a Colteer by Colt, branded Hawthorne to be marketed and sold in Montgomery Ward department stores; measures approximately 39-1/2" long. Includes soft case. Appears in Good Condition: but has not been tested. NOTE: This item is subject to FFL rules, regulations, & procedures. A $27 fee will be charged at Acme Arms in Charlottesville, VA. for local transactions, other fees may apply if purchased for other localities.
• JASON MCLEOD & JNR/PNR 14K GOLD
  JASON MCLEOD & JNR/PNR 14K GOLD NECKLACE TRIONice trio of contemporary necklaces, including one leather necklace with 14K gold mounts & pendant having a "14K Jason McLeod" mark. Also includes two 14K mounted and black heishi & gold bead necklaces, one with an onyx inlaid bead. Both marked 14K with "JNR" & "PNR" stamps to clasps. Jason McLeod is a Charlottesville, VA native, & is a well-known studio jeweler & goldsmith. He works in 14k & 18k gold, sterling silver, platinum, high quality gemstones, & other natural materials. Every piece is handmade one at a time, & only as limited editions, series, or one of a kind. His life long experience as an artist comprises rock & punk music, drawing, painting, bronze casting, kinetic sculpture, & music club poster art design, & he holds a B.A. degree in political science. He began making jewelry in Oakland, CA., & now lives & works in Charlottesville, VA., & is he is also the son of another well-known Charlottesville artist, Judy McLeod.
• KHEYRADOLIN DZHAFFAROV OIL ON
  KHEYRADOLIN DZHAFFAROV OIL ON CANVASKheyradolin Dzhaffarov (Russian, B. 1988) oil on canvas by Kheyradolin Dzhaffarov depicting a farm and village; signed to lower left, unframed; measures approximately 18" x 24"; in good condition. Kheyradolin Dzhaffarov (born in October 13, 1988) is Russian-American living in Charlottesville, Virginia. He first found his love for art in charcoal sketching while in grade school, and while attending Charlottesville High School was a featured artist in their annual art show in 2008. He became inspired after this to broaden his knowledge and became influenced by "heavy artists", who had such power and meaning to their paintings. Since then, he has specialized in modern oil paintings, and tries to portray a deeper meaning in his artwork through technique and choice of colors.
• KHEYRADOLIN DZHAFFAROV OIL OF
  KHEYRADOLIN DZHAFFAROV OIL OF U.S. CAPITAL BLDG.Kheyradolin Dzhaffarov (Russian, B. 1988) oil on canvas depicting The United States Capital Building; signed to lower right, unframed; measures approximately 18" x 24"; in good condition. Kheyradolin Dzhaffarov (born in October 13, 1988) is Russian-American living in Charlottesville, Virginia. He first found his love for art in charcoal sketching while in grade school, and while attending Charlottesville High School was a featured artist in their annual art show in 2008. He became inspired after this to broaden his knowledge and became influenced by "heavy artists", who had such power and meaning to their paintings. Since then, he has specialized in modern oil paintings, and tries to portray a deeper meaning in his artwork through technique and choice of colors.
• KHEYRADOLIN DZHAFFAROV SHORELINE
  KHEYRADOLIN DZHAFFAROV SHORELINE OIL ON CANVASKheyradolin Dzhaffarov (Russian, B. 1988) oil on canvas depicting a shore line, signed to bottom left; unframed; measures approximately 18" x 24"; in good condition. Kheyradolin Dzhaffarov (born in October 13, 1988) is Russian-American living in Charlottesville, Virginia. He first found his love for art in charcoal sketching while in grade school, and while attending Charlottesville High School was a featured artist in their annual art show in 2008. He became inspired after this to broaden his knowledge and became influenced by "heavy artists", who had such power and meaning to their paintings. Since then, he has specialized in modern oil paintings, and tries to portray a deeper meaning in his artwork through technique and choice of colors.
• ROBERT REED CHARLOTTESVILLE, VA
  ROBERT REED CHARLOTTESVILLE, VA ARTIST SIGNED DUORobert Reed (American, 1938-2014) duo of items including: a Robert Reed Paper Constructions and Drawings Dupont Gallery poster; signed and inscribed to bottom right "For Jessie & Ed, All Best Wishes, Robert"; measures approximately 24-1/2" x 13-11/16" unframed; in Fair overall condition with some foxing throughout. Also includes a Robert Reed "Black, White, Read All Over" XL Second Street Gallery t-shirt; with Coca-Cola trademark to bottom right and titled to lower left; signed "R. Reed", numbered "132/200", dated "1988", and inscribed "For Jessie and Ed" to left side; Second Street Gallery tag to back; measures approximately 30" long and 23" wide under arms; in Good overall condition with very minimal wear (a few very small spots to left sleeve). Robert Reed was born in Charlottesville, Virginia on July 9, 1938, the son of the late Robert J. and Elsie Armstead Reed Sr. He received a B.S. from Morgan State College in 1958, and a B.F.A. and M.F.A. from the Yale University School of Art in 1960 and 1962, respectively. In the summer of 1960, he attended the art division of the Yale Summer School of Music and Art, a program he later directed from 1970 to 1974. He was appointed to the faculty of Yale University School of Art in 1969. Reed's own art works-boldly articulated and richly hued geometric abstractions-were widely exhibited and collected. Among the places they appeared in group shows were the Albright-Knox Art Gallery in Buffalo, the Biennial of the Whitney Museum of American Art in New York, the Hirshhorn Museum and Sculpture Garden in Washington D.C., the Walker Art Center in Minneapolis, the Minneapolis Institute of Art, and the Yale University Art Gallery. Reed had solo shows at the Whitney Museum of American Art; the Bayly Museum in Charlottesville, Virginia; the Washburn Gallery in New York; and the McIntosh Gallery in Atlanta. His work is included in the permanent collections of the Hirshhorn Museum, the Walker Art Center, the Whitney Museum of American Art, the Yale University Art Gallery, and the Bayly Museum. Reed died on December 26th, 2014 after a battle with cancer.
• KHEYRADOLIN DZHAFFAROV OIL ON
  KHEYRADOLIN DZHAFFAROV OIL ON CANVASKheyradolin Dzhaffarov (Russian/ American, b.1988) oil on canvas; signed to LR and verso; unframed; measures approximately 36" x 24"; in good overall condition. Kheyradolin Dzhaffarov (born in October 13, 1988) is Russian - American living in Charlottesville, Virginia. He first found his love for art in charcoal sketching while in grade school and while attending Charlottesville High School was a featured artist in their annual art show in 2008. He became inspired after this to broaden his knowledge and became influenced by "heavy artists" who had such power and meaning to their paintings. Since then, he has specialized himself in modern oil paintings and tries to portray a deeper meaning to his artwork through his technique and choice of colors.
• TED TURNER WOODBLOCK, "JATOO" #1/6,
  TED TURNER WOODBLOCK, "JATOO" #1/6, & PRINT BLOCKTheodore Turner (Charlottesville, VA., 1922 - 2002) woodblock print numbered to bottom left "1/6", titled to bottom middle "Jatoo", and signed to bottom right corner; measures approximately 28" x 18-1/8" with matting and has a sight image of approximately 21-5/16" x 11-7/8"; also includes a double sided wooden print block that measures approximately 17-1/4" x 23-1/4"; both in Good overall condition with some damage to bottom of matting. Ted Turner was a professor of art at the University of Virginia and at Dartmouth College. Turner's works have been exhibited at museums and galleries including The Huntington (WV) Museum, Charlottesville's McGuffey Art Center, Delaplane Center in Frederick, MD, Babcock Galleries in NYC, Montgomery (AL) Museum, and Norfolk's Chrysler Museum. A number of Turner's paintings have been featured in the Virginia Museum of Arts traveling exhibition "Virginia Vistas". Turner's prints have been shown by the American Federation of Arts and at the Brooklyn Museum.
• KHEYRADOLIN DZHAFFAROV WATER LILY
  KHEYRADOLIN DZHAFFAROV WATER LILY STILL LIFEKheyradolin Dzhaffarov (Russian, B. 1988) oil on canvas signed to bottom left, depicting a blooming lily pad. Unframed, measures approximately 11" x 14"; in good condition. Kheyradolin Dzhaffarov is Russian-American living in Charlottesville, Virginia. He first found his love for art in charcoal sketching while in grade school, and while attending Charlottesville High School was a featured artist in their annual art show in 2008. He became inspired after this to broaden his knowledge and became influenced by "heavy artists", who had such power and meaning to their paintings. Since then, he has specialized in modern oil paintings, and tries to portray a deeper meaning in his artwork through technique and choice of colors.
• LUCY FREEMAN CLAIBORNE "WALK
  LUCY FREEMAN CLAIBORNE "WALK THROUGH FORO ROMANO"Lucy Freeman Claiborne oil on canvas landscape, titled "Walk Through Foro Romano", sight image measures approximately 20" in height by 30" in width. Signed to lower right, and titled verso on stretcher. Lucy Freeman Claiborne is an artist local to Charlottesville, VA who studied at the Moore Institute of Art in Philadelphia and the National Academy of Design and Art Students League in New York City.
• KHEYRADOLIN DZHAFFAROV "THE SUNSET"
  KHEYRADOLIN DZHAFFAROV "THE SUNSET" OILKheyradolin Dzhaffarov (Russia, 1988), oil on canvas, titled "The Sunset", unframed; measures approximately 24" in height by 36" in width. Signed to top left, titled and signed verso. All measurements are approximate. Kheyradolin Dzhaffarov (born in October 13, 1988) is Russian - American living in Charlottesville, Virginia. He first found his love for art in charcoal sketching while in grade school and while attending Charlottesville High School was a featured artist in their annual art show in 2008. He became inspired after this to broaden his knowledge and became influenced by "heavy artists" who had such power and meaning to their paintings. Since then, he has specialized himself in modern oil paintings and tries to portray a deeper meaning to his artwork through his technique and choice of colors.
• US SPRINGFIELD M 1899
  US SPRINGFIELD M 1899 KRAG-JORGENSEN CARBINEUS Springfield M 1899 Krag-Jorgensen Carbine, 30-40 Krag, 22" barrel length, SN 229141. The left side of the receiver is marked “U.S. Model 1899. Springfield Armory 229141”. The left side of the barrel band is marked “U” and the left side of the scaled pop-up rear sight base is marked “C”. There is a circled “P” proof mark on the stock behind the trigger guard and the left side of the stock is marked with a boxed having illegible markings above the trigger. Measures approximately 41-1/2" in total length. The Krag–Jørgensen is a repeating bolt action rifle designed by the Norwegians Ole Herman Johannes Krag and Erik Jørgensen in the late 19th century. It was adopted as a standard arm by Denmark, the United States of America and Norway. About 300 were delivered to Boer forces of the South African Republic. Famously served as the longarm during the Spanish–American War. NOTE: This item is subject to FFL rules, regulations, & procedures. A $27 fee will be charged at Acme Arms in Charlottesville, VA. for local transactions, other fees may apply if purchased for other localities. Condition: It is our recommendation that all pieces be examined in person by perspective clients or a dealer they have asked to give them a condition report. This is consistent with our terms of sale that all goods are sold as is and all sales are final.
• LEONETTE ADLER IMPRESSIONIST
  LEONETTE ADLER IMPRESSIONIST STILL LIFELeonette Adler (American, ?- ) framed oil on canvas impressionist still life depicting deep blue flowers in a glass vase. The painting is signed by the artist to the lower right hand corner. Ornate, off-white frame measures 33-1/4” in height by 27-1/4” in width with the sight image measuring 28” in height by 21-1/2” in width. All measurements are approximate. Leonette Adler (American, ?- ) received her early art training at New York’s Art Students League and Parsons School of Design, and a B.A. from Hunter College in NYC. She has had solo shows in Charlottesville, Richmond, and Washington D.C. Her works have been exhibited in national shows at the Chrysler Museum, the Virginia Museum, Butler Institute of American Art, Gibbs Gallery of Charleston South Carolina, the Springfield Museum in Massachusetts, the Pennsylvania State College Gallery, and the Contemporary Art Center of Virginia. She lives and paints in Virginia Beach, Virginia.
• REMO FARRUGGIO SURREALIST STILL
  REMO FARRUGGIO SURREALIST STILL LIFE OIL ON BOARDRemo Farruggio (Italian/American 1905-1981) matted and framed oil on board painting depicting a dark surrealist still life of a trio of fruit where the middle fruit has a face. Signed "Remo Farruggio" and dated "37" to the lower left hand corner. Open face frame measures 13" in height by 14" in width with the sight image measuring 5-1/2" in height by 7" in width. All measurements are approximate. In overall good condition with the exception of a small chip near the upper left hand corner of the painting. Provenance: from a Charlottesville, VA estate.
• 15 PIECE SET OF MINIATURE PORCELAIN
  15 PIECE SET OF MINIATURE PORCELAIN DISHESprobably British, decorated with blue floral sprigs and gilt accents, including 2 dinner plates; two shell form plates; three serving bowls; two footed bowls; gravy boat with attached tray; lidded sauce boat with attached tray; covered tureen; two oval platters; reticulated basket centerpiece, 2 in. Provenance: Property from a duPont Family Estate, Charlottesville, Virginia Condition: some losses to decoration, light wear
• J.E. CALDWELL 18KT. GEMSTONE
  J.E. CALDWELL 18KT. GEMSTONE RINGthree round brilliant diamonds estimated total weight 0.21ct., three round faceted blue sapphires, three pear shaped turquoise cabochons, stamped "18K, J.E.C.Co, A6227", size 6-1/4, 13.2 grams Provenance: Property from a duPont Family Estate, Charlottesville, Virginia Condition: wear and scratches to gold consistent with use
• JAMES MCBEY(Scottish, 1883-1959)
  JAMES MCBEY(Scottish, 1883-1959) Two Venetian etchings: Distant Salute (H. 250), 1930, LVII, plate 7-1/4 x 15-7/8 in.; Farewell to Venice (H. 256), 1930, LXXIII, plate 10 x 17-7/8 in., both signed lower right "James McBey"; unframed Provenance: Private Collection, Charlottesville, Virginia Condition: hinged in, light toning, some handling grime, pencil inscriptions in margins, "Farewell" with small stain lower left margin
• JAMES MCBEY(Scottish, 1883-1959)
  JAMES MCBEY(Scottish, 1883-1959) Two maritime etchings: Mersea - Sunset, 1924, Trial IX, inscribed by Martin Hardy "MH Keep", plate 8-3/8 x 14-1/4 in.; The Zuider Zee, 1924, Trial I, signed by Martin Hardy, plate 8-1/2 x 14-7/8 in., both signed lower right "James McBey"; unframed Provenance: Private Collection, Charlottesville, Virginia Condition: toning, hinged in, pencil inscriptions in margins, some handling grime
• JAMES MCBEY(Scottish, 1883-1959)
  JAMES MCBEY(Scottish, 1883-1959) Sotto Portico, Venice, 1925, III, signed lower right "James McBey", signed in plate "McBey Venice 29 September 1925", collector's annotations and signature, "Sotto Portico, Venice, 235, Martin Hardie", etching on blue green paper, plate 12-1/4 x 8-5/8 in, modern bronze wood frame, 24 x 18-1/2 in.ÿ Provenance: Collection of artist Martin Hardie; Craddock & Barnard, London; Private Collection, Charlottesville, Virginia Condition: floated, some foxing, some handling grime, pencil inscriptions in margin; frame with abrasions
• JAMES MCBEY(Scottish, 1883-1959)
  JAMES MCBEY(Scottish, 1883-1959) Three Lebanon and Syria related etchings; Hermon Cavalry Moving on Damascus, 1921, XLVI, signed lower right, ?James McBey?, plate 9 x 14-7/8; Phoenician Coast, 1934, IX, signed lower right, ?McBey?, plate 8-1/2 x 12-3/8 in.; Ras-El-Ain, 1918, XV, signed lower right, ?James McBey?, plate 7-7/8 x 12-7/8 in. Provenance: Collection of artist Martin Hardie; Craddock and Barnard London (Phoenician Coast, Ras-El-Ain); Private Collection, Charlottesville, Virginia Condition: hinged in, light toning, handling grime, pencil inscriptions in margins, "Phoenician Coast" with ink smudges at corner, uneven trim at bottom, "Ras" with light foxing, "Cavalry" with darker toning, loss to lower left corner
• JAMES MCBEY(Scottish, 1883-1959)
  JAMES MCBEY(Scottish, 1883-1959) Three sketches of Equihen Harbor, France, circa 1923, two signed in pencil lower right "McBey", pen and ink on paper (smallest on the verso of a business card), largest sheet 4-5/8 x 7-3/8 in.; unframed Provenance: Private Collection, Charlottesville, Virginia Condition: light toning, two largest glue tacked to paper mount, smallest hinged and with some toning