A few examples of appraisal values for
CLEMENT SON BROS ENGLAND

• CLEMENT LAMBERT (BRITISH, 1855 -
  CLEMENT LAMBERT (BRITISH, 1855 - 1925) 20" x 36" Brighton fishermen and family. Oil on canvas, signed lower left, in a gilt frame, overall 28" x 43½". Canvas stamp verso "Prepared by Brodie & Middleton, Bloomsbury, London".
• CLEMENTS, J. ENGLISH BOOK
  CLEMENTS, J. ENGLISH BOOK PLATESCLEMENTS, J. ENGLISH BOOK PLATES, Liverpool: J. Clements, 1895. 8vo, red morocco, title in gilt to spine, marbled endpapers, gilt inner-dentelles, bookplate of Amy Clarke to front pastdown. Together with a collection of four reproduced (?) English bookplates (5)
• CLEMENT NYE SWIFT (1846-1918,
  CLEMENT NYE SWIFT (1846-1918, ACUSHNET, MA, HEalso painted in Brittany, Paris, NY, and New Bedford) oil painting on canvas titled "The Bad Boy". Depicts a French street scene with a young boy being admonished by a woman. Signed lower left. Shows minor inpainting under UV light. Sight size 24" x 38", overall 29 1/2" x 43 1/2". Housed in a carved and gilded frame from Crowells. Swift exhibited his work at the Paris Salon from 1872-1881 where he received critical acclaim. Provenance: Wilson Chapel, New Bedford.
• English School, 18th
  English School, 18th Century/Miniature Portrait of Fenelon, Archbishop of Cambrai/watercolour on card, 7cm x 5.5cm
• English School circa 1820Portrait
  English School circa 1820Portrait Miniatures of a Gentleman and his Wifehead and shouldersa pairwatercolour on ivory 7cm x 6cm (2.25" x 2.25")
• Clement (French early 20th c.)
  Clement (French early 20th c.) "Fishing Boats in the Sunlight" oil on canvas signed lower right dated 1928 19 3/4 in. x 16 in. framed; together with A. Romijn (Dutch 20th c.) "Clipper Ship on Stormy Seas" oil on canvas signed and dated "1955" lower right 20 in. x 16 in. framed.
• Portrait miniature of a gentleman
  Portrait miniature of a gentleman english school, circa 1820 Watercolor on ivory, depicting a young man with dark hair and wearing a black coat and tie, inscribed 'Clark' and 'My Brother'; in a leaf molded gilt metal case with glazed oval panel to reverse, in a fitted red leather case. Portrait H: 2 3/8, overall H: 4 5/16 in.
• CLEMENT. Primitive O/C French
  CLEMENT. Primitive O/C French Street Scene.Signed lower right. From a storage warehouse. Dimensions: 24'' high x 20'' wide. Condition: Generally good.
• English School circa 1900
  English School circa 1900 Portrait of a Gentleman watercolour 12cm x 10cm (4.5" x 4")
• SERGE CLEMENT, PAIR OF PHOTOGRAPHS,
  SERGE CLEMENT, PAIR OF PHOTOGRAPHS, 1996 Serge Clement (French, b. 1933), both marked "Quebec, Quebec" on verso, glossy b&w photographs, signed with notations on verso, 1998 impression, photo taken 1996, each numbered 1/15, hinged into mats and framed under plexiglass, 21.75"h x 14.5"w (images), 30.5"h x 23.25"w (frames)
• English School circa 1800 A
  English School circa 1800 A Gentleman profile to the right wearing a coat silhouette hollow cut on cloth oval 9cm x 8cm (3.5" x 3.25")
• H. MILLETT , CROMPTON FAMILY,
  H. MILLETT , CROMPTON FAMILY, PORTRAIT MINIATURES Late18th century; gouache miniature portraits of Joshua Crompton (1754-1832) and Ann Maria Crompton (1764-1814) of Esholt Hall, Yorkshire, back of Joshua signed "Painted by, H. Millett 157 New Bond Street London," 2 3/4 x 3 3/4 in., in ebonized wood frames with brass inner frame and gilt metal frame interior.
• BRITISH HENRY ELDEST SON OF CHARLES
  BRITISH HENRY ELDEST SON OF CHARLES BRANDON DUKE OF SUFFOLK and CHARLES 2ND SON OF CHARLES BRANDON DUKE OF SUFFOLK Colored engraving: 7 1/2 x 6 1/2 in. Framed
• English School late 18th century
  English School late 18th century Reverend Bernard Hodgson and Harriet Sainsbury Hodgson pair of portraits, oil on board 10 x 8 in., framed
• English School, 18th century.
  English School, 18th century. Portrait miniature of a gentleman in scarlet coat gouache on ivory, in brooch frame, 2 1/4 x 1 3/4 in.
• BENJAMIN THOMA POUNCY (BRITISH,
  BENJAMIN THOMA POUNCY (BRITISH, CIRCA 1750-1799) AND THOMAS MEDLAND (BRITISH, 1755-1822) AFTER ROBERT CLEVELEY (2) The Glorious First of June 1794, a pair engravings, published London, 1795 by A. C. de Poggi each 50 x 77cm (2)
• 18th century British School
  18th century British School portrait, "Thomas Noel…2nd son to the Honble. John Noel who was 4th son of Baptist Viscount Campden", unsigned, oil on canvas, inscription "…by the Master of the …Hounds", 29-3/8 x 25-1/8 in.; 19th century gilt wood frame. Lined, stretcher marks, crackle, retouch through jaw, chin, collar, over eyebrow, other areas in background and clothing, possibly areas in background, approximately 10 percent of surface affected; frame regilt, abrasions.
• English School - Pair of coloured
  English School - Pair of coloured silhouettes of a young man and lady in late 18th Century dress each 3.75ins x 2.75ins in mahogany frames and glazed and five other silhouettes various
• NICHOLAS SANSON (FRENCH
  NICHOLAS SANSON (FRENCH 1600-1667) LE ROYAUME D'ANGLETERRE - ENGLAND Engraving: 31 x 23 in. Framed
• George Henry Clement
  George Henry Clement (American/Louisiana 1854-1935) "Entertainment in the Park" c. 1885 watercolor over pencil on paper signed upper left sight 8 in. x 9 1/4 in. matted and framed. Note: Clements spent his youth on his mother's Toledano family plantation near Opelousas LA and clerked at the New Orleans Cotton Exchange before taking up the profession of painter in 1880 when he joined the Union Art League in New York. He spent 1881-1887 in Paris his first years were at the prestigious Académies Julian and Colarossi. After sojourns in Boston and Charleston he settled around 1901 in New York but made frequent trips both to Paris and to the South where he specialized in coastal scenes and ships. Though he also painted on Cape Cod and in Santa Barbara it was as an essentially Southern painter that he was principally known. Henry Clements exhibited at the National Academy of Design the Chicago Art Institute the Pennsylvania Academy of the Fine Arts and the Salmagundi Club; he was a member of the Boston and New York watercolor clubs and was later active in the Santa Barbara Art Association. He died in Oberlin LA in 1935. This fine and characteristic watercolor was very probably painted in Paris in c. 1881-1884 and may actually incorporate a self-portrait as the principal music-making figure. Its careful composition and lively sense of color show the artist at his youthful best.
• English School circa 1810 A
  English School circa 1810 A Gentleman profile to the left wearing a coat and cravat silhouette painted on card heightened in gilt oval 8.5cm x 7cm (3.25" x 2.75") in a gilt metal mounted black painted frame
• ENGLISH SCHOOL, 18TH CENTURY A PAIR
  ENGLISH SCHOOL, 18TH CENTURY A PAIR OF PORTRAITS OF A GENTLEMAN AND A LADY c. 1770, thought to be Abraham Desormeaux and his wife or sister, oils on canvas, each 32cm x 25cm (oval) Note: Louis Desormeaux was a Huguenot originally from Rouen, who settled in Spitalfields c.1680.
• William Bromley III (British,
  William Bromley III (British, 1835-1888) Two Children on a Path oil on canvas signed W. Bromley to lower left 13 1/4 x 15 inches.
• SILHOUETTE. England 1st
  SILHOUETTE. England 1st quarter-19th century. Full-length cutout of a boy with a cap. Gilt inked details. Heavy stock has an embossed mark for Thomas Creswick. In a bird's-eye maple veneer frame 12''h. 8 3/4''w. Appears to be in good condition.
• NICHOLAS SANSON (FRENCH
  NICHOLAS SANSON (FRENCH 1600-1667) LE ROYAUME D'ANGLETERRE - ENGLAND Engraving: 31 x 23 in. Framed
• British School (Early 20th Century)
  British School (Early 20th Century) "On the Moors" and "A Kentish Homestead", pair of oils on canvas board, 14" x 10", both examples signed "C. Yardley", Winsor & Newton label on board verso. Glazed, matted and presented in giltwood frames en suite.
• L. 18TH / E. 19TH C. O/C PORTRAIT
  L. 18TH / E. 19TH C. O/C PORTRAIT OF TWO CHILDREN Continental, late 18th / early 19th century, "Brotherly Love" portrait depicting a small boy pushing another child in a swing, oil on canvas, apparently unsigned, framed. Provenance: From the Estate of Charles Hammock, JR. Approx. h. 33.75", w. 27.375" (frame), h. 28.5", w. 22.25" (canvas).
• Clementine Hunter
  Clementine Hunter (American/Louisiana 1886-1988) "Baptism" oil on canvas board monogrammed lower right 16 in. x 20 in. framed.
• English School circa 1810 A
  English School circa 1810 A Gentleman profile to the right wearing a coat lace collar and cravat silhouette painted on card oval 6cm x 5cm (2.25" x 2") in a gilt metal mounted black wood frame Label to the back: Hamlet profile painter to her Majesty
• English 18th Century/King James I
  English 18th Century/King James I and his son/mezzotint, 26cm x 20cm
• 18th Century English School -
  18th Century English School - Oval shoulder-length portrait miniature of a young gentleman wearing a scarlet tunic ivory oval 1.75ins x 1.25ins contained in Victorian gold coloured metal oval brooch mount
• CLEMENT NYE SWIFT (1846-1918,
  CLEMENT NYE SWIFT (1846-1918, ACUSHNET, MA, HEalso painted in Brittany, Paris, NY, and New Bedford) oil painting on canvas titled "Kelp Gatherers". Signed lower left Clement Swift and Gatteau Inachere. Sight size 31" x 57 1/2", overall 36" x 62 1/4". In a carved and gilded frame. Swift exhibited his work at the Paris Salon from 1872-1881 where he received critical acclaim. Provenance: Wilson Chapel, New Bedford.
• GEORGE HENRY CLEMENTS
  GEORGE HENRY CLEMENTS (AMERICAN/LOUISIANA, 1854)George Henry Clements (American/Louisiana, 1854-1935), "Venice", 1885, watercolor on paper, signed, titled and dated lower left, sight 12 in. x 20 in., framed
• British School (18th/19th
  British School (18th/19th century) Brighthelonston 1771 and 1803 (a pair of paintings) gouache on paper 25 x 20 inches.
• CELESTIN ANATOLE CALMELS BRONZE
  CELESTIN ANATOLE CALMELS BRONZE SCULPTURE OF A BOY France,1822-1906Depicts a young gentleman holding a hat in one hand and a walking stick in the other standing on a naturalistic rock base.
• Clementine Hunter (LA 1886-1988)
  Clementine Hunter (LA 1886-1988) Baptismal Sceneoil on board monogrammed at lower right procession of young women with nuns before a church presented in a black painted frame.Included with this lot is a photograph dated August 1966 showing this painting in Mrs. Hunter's front yard beneath her sign reading ''C. Hunter / Artist / Paintings for Sale.''SS 19.5 x 24 in.; DOA 21.5 x 26 in.Estate of Edward J. Husemann Shreveport LA and Cody WYAcquired directly from the artist in the 1960s.