A few examples of appraisal values for
CLIVEDEN

• Clarice Cliff (1899-1972), a jug
  Clarice Cliff (1899-1972), a jug and vase in the My Garden pattern, 19cm and 21.5cm and a turquoise pottery jug
• MERTON CLIVETTE (1868-1931): THE
  MERTON CLIVETTE (1868-1931): THE GARDEN Oil on canvas 32 1/4 x 34 1/8 in. signed lower left. Provenance: Estate of Merton Clivette; thence by descent in the family.
• Clarendon (Edward Earl of), The
  Clarendon (Edward Earl of), The Life of Edward Earl of Clarendon, Lord High Chancellor of England, Oxford, Calrendon Press 1827, 3 volumes, tan calf with raised bands and gilt tooling
• Worcester Claret Ground
  Worcester Claret Ground Topographical Two-Handled Vase Painted with a Panel of Malvern Abbey Viewed from Swan Pool, Robert Perling, c.1860-65 the panel inscribed 'MALVERN' height 9.8 in — 25 cm
• Cecil Beaton (English/American,
  Cecil Beaton (English/American, 1904 - 1980) Edith Sitwell at Renishaw c. 1930 silver gelatin print 9 x 7 inches. Property from a Jupiter Island Estate, Hobe Sound, Florida
• 19th Century/Glencoe/initialled
  19th Century/Glencoe/initialled JO and dated 1854/watercolour, 35cm x 49.5cm/Provenance: The Estate of the late Diana & Gospatric Home, Lily Farm, Bucks
• Thomas Gentle Huckle (British d.
  Thomas Gentle Huckle (British d. 1889) PAIR OF WORKS: HADDON HALL watercolor framed unsigned and inscribed on verso sight size: H8 1/2'' W12 1/4'' (2pcs) Provenance: Estate of Elizabeth H. Rader Rock Hill South Carolina. Other Notes: Haddon Hall is probably the finest example of a fortified Medieval manor house in existence. Present-day Haddon Hall was inhabited from the 12th century to the early 17th century; it lay dormant until the 1920s when the 9th Duke and Duchess of Rutland restored the house and gardens making it liveable once again. Withstanding fire warfare family misfortune and changing fashions Haddon Hall has changed little over the recent centuries and it provides a unique view of early English life and history. Courtesy Haddon Hall Estate. Back    Inquiry      Previous Item   Next Item © Charlton Hall Auctions.  Images descriptions and condition reports used on this site are original copyright material and are not to be reproduced without permission. For further information telephone 803.779.5678     © 2012 CHARLTON HALL GALLERIES INC.
• MERTON CLIVETTE (1868-1931): VAMP
  MERTON CLIVETTE (1868-1931): VAMP #53 THE GYPSY Oil on canvas 15 x 15 in. relined. Provenance: Estate of Merton Clivette; thence by descent in the family.
• CLAUDE STRACHAN, THATCHED COTTAGE
  CLAUDE STRACHAN, THATCHED COTTAGE WITH GARDENClaude Strachan (British, 1865-1929)Thatched cottage with garden in bloomwatercolor on papersigned lower left CLAUDE STRACHAN11 x 18in (28 x 46cm) Provenance:With Richard Ha
• (3) SCARCE VUE D'OPTIQUES, VIEWS OF
  (3) SCARCE VUE D'OPTIQUES, VIEWS OF ENGLISH GARDENS & ESTATES, CIRCA 1750 Hand colored copperplate engravings in matching frames of different sizes, including: "The Castle of Balsover in Darbyshire, one of the Seats of the Most Noble and Mighty Prince John Holles, Duke of Newcastle, Marquis and Earle of Clare, Baron Houghton of Houghton, Lord Lt. of ye County of Nottingham, and Knight of ye Most Noble Order of ye Garter", 22 1/2" x 27 1/4", SS: 13 1/4" x 18 1/2"; PLUS "A View of Coombank near Sevenoak in Kent, the Seat of the Hon.ble Lt. Gen.l Campbell, OS: 23 1/2" x 29", SS: 14" x 20", toned; PLUS "A Prospect of Lord Burlington's Oringe (sic) Garden at Chiswick", OS: 24 1/2" x 30 1/2", SS: 15 1/2" x 21 3/4", soiling, chafed spots in lower margin. In gilt molded frames with beaded liner, matted and glazed.
• A glass claret jug finely
  A glass claret jug finely engraved with foliage and a coat of arms c. 1885 approx. 22 cm high.
• Lady Victoria Manners (1883-1946) -
  Lady Victoria Manners (1883-1946) - Watercolour - View of Belvoir Castle Gardens gardens looking towards castle 16ins x 10.5ins signed and dated 1908 in modern silvered frame and glazed
• A PAIR OF BRITISH SCHOOL COLORED
  A PAIR OF BRITISH SCHOOL COLORED ENGRAVINGS THE CLARENDON PRINTING HOUSE AND NEVILLE'S COURT TRINITY COLLEGE 10 x 12 in. and 4 x 18 1/4 in. Framed
• Watercolor painting of a Tudor
  Watercolor painting of a Tudor manor house with a woman holding a small child and a young girl standing beside her with a gentleman coming up the lane inscribed "Presented by Geo. T. Clark of Dowlais House. to William F. Lewis June 18th 1877/Painted by Blanche Louise Clark" British 19th century and titled "The Van" matted and mounted in a wood frame. 9"x11.5"
• WHARTON, EDITH Italian Villas and
  WHARTON, EDITH Italian Villas and Their Gardens. Estimate:$300-$500
• A PAIR OF BRITISH SCHOOL COLORED
  A PAIR OF BRITISH SCHOOL COLORED ENGRAVINGS THE CLARENDON PRINTING HOUSE AND NEVILLE'S COURT TRINITY COLLEGE 10 x 12 in. and 4 x 18 1/4 in. Framed
• EDWIN DICKINSON (1891-1978): GARDEN
  EDWIN DICKINSON (1891-1978): GARDEN AT CLUNY Pencil sketch 7 5/8 x 4 7/8 in. (she
• English School, circa 1807/Coombe
  English School, circa 1807/Coombe House, Coombe Dingle/with Blaise Castle in the distance/pencil, 21.5cm x 35.5cm/Provenance: The Estate of Anthony J Beeson
• Coplestone Warre Bampfylde
  Coplestone Warre Bampfylde (1720-1791)/An Extensive View of Henley on Thames and Surrounding Countryside, likely a view from Fawley Court /pen, ink and watercolour, 28cm x 33cm
• An oval umbrella stand decorated
  An oval umbrella stand decorated a Venetian scene, 53cm high, containing walking sticks, hunting crops, a shepherd's crook etc./Provenance: The Estate of the late Diana & Gospatric Home, Lily Farm, Bucks/see illustration
• An interesting quantity of
  An interesting quantity of country house sundries in a leather jewel case inscribed Mrs R V Berkeley, Spetchley Park, Nr Worcester (broken lock)
• MERTON CLIVETTE (1868-1931):
  MERTON CLIVETTE (1868-1931): OUTCROPPING AT THE SHORE #182 Gouache on paper 22 1/2 x 28 1/2 in. signed lower left.  Provenance: Estate of Merton Clivette; thence by descent in the family.
• A Regency fan with painted oval
  A Regency fan with painted oval vignette of a couple seated in a garden landscape, the surround painted scrolls and flower sprays, the ivory sticks with ebonised and gilded decoration, framed, 38cm x 62cm
• W/C - 'View of Washbourn
  W/C - 'View of Washbourn Gloucestershire' by Thomas Blinks (British 18th c.) titled and signed verso dated 1798 depicting a sunken country lane with Romanesque stone church alongside a traveler accosts men with teams of horses in gilt half round bo
• Claridge Turner (British, fl.
  Claridge Turner (British, fl. 1872-1893) "View of a Woman Walking on a Hilly Countryside Path at Sunset", oil on canvas, 16" x 24", signed and dated lower middle "Claridge Turner '77", verso bears canvas stamp "A. Rayner/82 Franciss". Presented in a handsome period carved giltwood exhibition frame. Reference: Christopher Wood, Dictionary of British Art, Victorian Painters.
• Coplestone Warre Bampfylde
  Coplestone Warre Bampfylde (1720-1791)/Three Extensive Thames Valley Landscapes including Views of Fawley Court and Temple Island, from Temple Island Meadows, Henley/pen, ink and watercolour drawings, 44.5cm x 25cm/Note: Fawley Court, designed originally by Sir Christopher Wren in 1684, was remodelled for Sambrooke Freeman (1721-1782) by James Wyatt in the 1770s in the Neoclassical style. Extensive landscaping and garden re-design was executed by Capability Brown in the 1760s. Freeman also commi
• PAINTING, BRITISH SCHOOL (19TH
  PAINTING, BRITISH SCHOOL (19TH CENTURY) British School (19th century), "Dashwood House, West Wycombe," oil on canvas, unsigned, titled stretcher bar verso, canvas (unframed): 38"h x 60"w. Provenance: The Estate of David Pleydell-Bouverie, grandson of the 5th Earl of Radnor (Glen Ellen, CA). Note: All proceeds to benefit the Bouverie Preserve of Audubon Canyon Ranch (Glen Ellen, CA).
• TWO BOOKS ON ITALIAN GARDENSItalian
  TWO BOOKS ON ITALIAN GARDENSItalian Villas and Their Gardens , by Edith Wharton, with pictures by Maxfield Parrish, New York: The Century Company, 1904, teg, cloth boards; Vienna and the Viennese , by Maria Hornor Lansdale, Philadelphia: Henry T. Coates and Company, 1902, illustrated, teg, cloth boards Provenance: Private Bluffton, South Carolina Collection Condition: Italian Villas.. . with bumped corners, light yellowing and foxing throughout, ex library; Vienna... with separation at binding, inscriptions
• MERTON CLIVETTE (1868-1931): CIRCLE
  MERTON CLIVETTE (1868-1931): CIRCLE OF FISH IN BLUE WATERS #129 Gouache on paper 22 1/2 x 28 1/2 in. Provenance: Estate of Merton Clivette; thence by descent in the family.
• Jekyll, Gertrude. Some English
  Jekyll, Gertrude. Some English Gardens, 1904. Colour plates after G. S. Elgood - Warwick, Countess of. An Old English Garden, 1898. Photographic plates. Both Folio, orig. cloth gilt. With 2 others (4)/Provenance: Spetchley Park
• A pair of reconstituted stone
  A pair of reconstituted stone jardini?res moulded with Tudor roses 44cm (17.25") high
• A glass claret jug with silver
  A glass claret jug with silver plated mounts the glass engraved with floral motifs approx. 30 cm high.
• Two Edwardian oak jardinière stands
  Two Edwardian oak jardinière stands
• A Wedgwood jasperware jardini?re
  A Wedgwood jasperware jardini?re applied with classical figure and vine swags 20.5cm (8") high
• BEATRICE PARSONS (1870-1955):
  BEATRICE PARSONS (1870-1955): BORDERS AT BLICKLING HALL NORFOLK Watercolor on paper signed lower right. With label from Christopher Wood London. 14 x 17 3/4 in. (sight) 22 1/2 x 25 1/2 in. (frame). Notes: Beatrice Parsons painted Lady Lothian's parterre in the first years of the 20th Century. The painting shows foreground plants which are easily identified: a judicious mixture of hardy perennials and colourful annuals obviously chosen for late-summer effects. In 1872 W.A. Nesfield was called in by the Countess of Lothian to lay out a new parterre at the same time that Sir Digby Wyatt completed the walled terrace and steps to the east and the central fountain basin and statues were brought from the ruined Elizabethan mansion Oxnead Hall near by. Nesfield brother-in-law of the architect Anthony Salvin often collaborated with Sir James Barry in so-called Italianate garden style using elaborate patterns of low box hedging to enclose beds of coloured gravels or annuals. Literature: Country Life May 22 1986. Penelope Hobhouse & Christopher Wood Painted Gardens English Watercolours 1850-1914 1988 pp. 104 - 105 plate 64. Estate of Katherine W. Mellon Stonington CT.
• Clive Madgwick
  Clive Madgwick (1934-2005)/Pheasants over the Cornfield/signed/oil on board, 19.5cm x 32.5cm/Provenance: The Estate of Anthony J Beeson