A few examples of appraisal values for
COMING IN FOR A LANDING

• JOHN SUDY. IN FOR A LANDING,
  JOHN SUDY. IN FOR A LANDING, WATERCOLOR Watercolor on paper, signed lr, sheet size: 18 x 14 in., framed.
• JULIAN TREVELYAN (BRITISH,
  JULIAN TREVELYAN (BRITISH, 1910-1988), AIRPORT AND NIGHT LANDING (TWO WORKS) Etching and aquatint in colors on wove sheets, 1972 and 1974, each pencil signed, titled, and one marked as artist's proof, the full sheets, unframed.
• INGAP THREE PROP AIRPLANE Italy
  INGAP THREE PROP AIRPLANE Italy lithographed tin great engine graphics at nose two seated pilots marked ''213-A.I. '' key wind driven. 16'' wing. (VG - Exc. Cond.)
• Twin-engine pusher transport
  Twin-engine pusher transport plane model, all mahogany, wind-tunnel testing indicated, high tapered wing design similar to a DC-3, two air-cooled inverted six-cylinder engines in nacelles below the wing, landing gear attached to nacelles, conventional empennage, no propellers mounted but spinners present, side-by-side pilotcopilot seating, rectangular piece of wood removable near base of tail possibly to mount a retractable tail wheel, French, 1935-1950, fuselage length 30-12 in., wing width 44-12 in.
• (LOT OF 4) PHOTOGRAPHIC REPRINTS OF
  (LOT OF 4) PHOTOGRAPHIC REPRINTS OF EARLY AVIATION (Lot of 4) Photographic reprints of early aviation, framed: Boeing 314 approaching the Golded Gate Homebound from Hawaii 1939; "China Clipper" Departing San Francisco; Pan Pacific "China Clipper" Leaving San Francisco 1936, Pan American Clipper Departing San Francisco for Honolulu 1935, each 11.75"h x 14.75"w
• SUSAN SIMON "LANDING GEAR
  SUSAN SIMON "LANDING GEAR ENGAGED" DIGITAL PHOTOGRAPHPhotographer Susan Simon experiments with the use of light in her images. She works to capture Cape Cod’s variable light, the reflections of sky in water, and the curves of marsh and dune. In addition to seascapes and landscapes, her special focus for the past few years has been on flowers and the shapes and surprises found with a macro lens, including the wonder and uniqueness of every wave, and the osprey who nest near her favorite beach. Dimensions: Framed 20" x 16"
• MANNER OF MICHELE FELICE CORNE.
  MANNER OF MICHELE FELICE CORNE. Landing at Plymouth. Oil on canvas laid to board. Inscriptions to bottom of board read "Landing of our forefathers at Plymouth, December 22, 1620". Verso reads "F.C. HUNT". From a Norwalk, CT estate. Dimensions: 21" h x 23" w. Condition: Craquelure. Minor scuffs and scratches. Dark Varnish difficult to determine earlier restoration.
• JULIAN TREVELYAN (BRITISH,
  JULIAN TREVELYAN (BRITISH, 1910-1988), NIGHT LANDING AND HANGARS (TWO WORKS) Etching and aquatint in colors, 1973 and 1974, each pencil signed, titled, and marked as artist's proof, the full sheets, unframed.
• JOHN GAWNE (1952- ), APPROACHING
  JOHN GAWNE (1952- ), APPROACHING STORM Fine Art
• Biplane wind-tunnel model airplane,
  Biplane wind-tunnel model airplane, mahogany fuselage and empennage, aluminum wings, balloon-tire landing gear and struts, wind-tunnel testing indicated, dual cockpit, water-cooled tractor engine (similar to OX-5), French, 1920-1930, fuselage length 23-78 in., wing width 37-38 in.
• ALEXANDER LEYDENFROST, (1888-1961),
  ALEXANDER LEYDENFROST, (1888-1961), SURREALIST PLANE LANDING, MIXED MEDIA ON PAPER, SIGHT: 16.125" H X 20.25" WAlexander Leydenfrost, (1888-1961) Surrealist plane landing, Mixed media on paper Signed lower left: A. Leydenfrost Mixed media on paper Dimensions: Sight: 16.125" H x 20.25" W
• J. R. MILES (ENGLISH, 19TH/20TH
  J. R. MILES (ENGLISH, 19TH/20TH C.), OIL ON RELINED CANVAS, BOAT COMING ASHORE FILLED WITH PEOPLE, FOUR MEN ON SHORE ASSIST WITH LAN...J. R. Miles (English, 19th/20th C.), oil on relined canvas, boat coming ashore filled with people, four men on shore assist with landing, a wave crashes over boat as storm brews in distance, signed lower right, ss: 21 1/2" h. x 35 1/4" w.
• An Aircraft rev counter
  An Aircraft rev counter
• TWO LEARJET AIRPLANE MODELS ON
  TWO LEARJET AIRPLANE MODELS ON STANDS, L: 13 INTwo Learjet Airplane Models on Stands, L: 13 in
• After Richard Evett Bishop
  After Richard Evett Bishop (American, 1887-1975) "Coming In", "Above" and "Getting Out", trio of offset lithographs, sight 10" x 6-1/2", each titled lower left and litho-signed lower right "R. E. Bishop". Glazed, matted and presented in ebonized and parcel-gilt frames.
• BUDDY 'L' CATAPULT AIRPLANE C. 1932
  BUDDY 'L' CATAPULT AIRPLANE C. 1932 pressed steel grey hanger has double opening doors rear lever activates opening and interior spring mechanisms allowing solo monocoupe airplane to release great paint and decals. 12 1/4'' l. (VG Plus Cond.)
• A model Hawker Tempest Mk V
  A model Hawker Tempest Mk V airplane, 102cm long
• TANK WITH CIRCLING AIRPLANE Japan
  TANK WITH CIRCLING AIRPLANE Japan lithographed tin depicts soldier with binoculars peering from tank hatch while airplane circles above well detailed friction powered. 5 1/8'' l. (Exc. Cond.)
• FRENCH PASSENGER AIRPLANE C. 1930's
  FRENCH PASSENGER AIRPLANE C. 1930's France lithographed tin four prop plane with electric light at nose reads ''Fanny'' on fuselage clockwork appears at landing wheels dual tail fin design. 20'' wing. (Exc. Cond.)
• LANDING MALLARD BY RUSS BURR Laurie
  LANDING MALLARD BY RUSS BURR Laurie was from Hingham, MA and a friend of Joe Lincoln. This bird's pose is called setting in, i.e., as if he was landing. Laurie made very few. Unsigned. 6 3/4" x 5 1/2" x 3". Surface original and excellent in all respects
• LARGE JAMES ROSENQUIST 'YELLOW
  LARGE JAMES ROSENQUIST 'YELLOW LANDING' SILKSCREENJames Rosenquist, America (1933 - 2017). 'Yellow Landing'. Silkscreen on paper. #40/86. 1974. Signed and numbered in pencil. Blindstamped bottom middle. 32.5" H x 74.5" W, 33.5" x 75.5" framed . Provenance: The Jared Sable Gallery.
• Record Plane No. 010 1/2 More
  Record Plane No. 010 1/2 More Information Excellent.
• JAN MARTIN MCGUIRE (AMERICAN B.
  JAN MARTIN MCGUIRE (AMERICAN B. 1955) A PAINTING, "FINA...JAN MARTIN MCGUIRE (American b. 1955) A PAINTING, "Final Approach," acrylic on board, signed L/R, "Jan Martin McGuire." 9" x 29 1/2" Note: A panoramic view of an outspread vulture descending. Condition: Minor expected surface wear, overall in good condition. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• A. Caussin Watercolor ''Coming
  A. Caussin Watercolor ''Coming Ashore'' well done image area 12'' x 9''.
• ROY B. AHLGREN (AMERICAN, 1927 -
  ROY B. AHLGREN (AMERICAN, 1927 - 2011) 30" x 36" "The Landing", 1993. American Modernist acrylic on canvas, signed and dated lower right, label on verso with title, date, and medium, unframed.
• Hand crafted metal tri-plane model;
  Hand crafted metal tri-plane model; early 20th century style open framework with tandem wheel and skid landing gear. 18"L. x 18"W.
• JML FRENCH PASSENGER AIRPLANE
  JML FRENCH PASSENGER AIRPLANE France lithographed tin striking yellow colors w/red propellers and blue trim key wind barrel spring powered three prop version. Ex. Donald Kaufman Collection. 19 1/2'' wingspan. (Exc. Cond.)
• COMING SOONComing Soon
  COMING SOONComing Soon
• ANTHON J. RUDISILL (B.1934)
  ANTHON J. RUDISILL (B.1934) "ARRIVING PINTAILS"Anthony J. Rudisill (American, b.1934) "Arriving Pintails," watercolor and gouache painting on paper, signed. Framed. Size: 18" x 24", 46 x 61 cm (sight).
• (AVIATION) HUGHES HOWARD A
  (AVIATION) HUGHES HOWARD A collection of 68 photographs from Hughes' Around-the-World flight pasted to think sheets of album paper some starting to detach.
• RAPID FIRE PURSUIT PLANE WITH BOX
  RAPID FIRE PURSUIT PLANE WITH BOX Gotham Set lithographed tin airplane with colorful cardboard and wooden base targets includes bag of peas that are to be shot from interior of plane by hand pull. Box 10'' x 16''. Edge wear and taping to box (Good Cond.); toy (Exc. Cond.)
• (AVIATION. HUGHES HOWARD) LODWICK
  (AVIATION. HUGHES HOWARD) LODWICK AL A sparkplug from Hughes' Around-the-World flight presented to Albert Lodwick ''for his help in making the flight successful.''
• SIGNED WILLIAM DRAPER WWII PAINTING
  SIGNED WILLIAM DRAPER WWII PAINTING - LANDING AT GUAMWilliam Franklin Draper (American, 1912-2003). Study for mural "Landing at Guam" oil on heavy gauge illustration board, ca. 1943 CE. Signed "Wm. F. Draper" on lower right. An action-packed composition by combat artist William Draper featuring soldiers rushing to the coast of Guam during World War II. Notice that Draper painted the scene as viewed through the window of a ship, replete with spouts of water projecting up from the embattled waters, a burning vessel with red flames and plumes of smoke in the sea, and a crowd of soldiers making their way to shore. In 1942, William Draper joined the Navy, and served as a combat artist when stationed on the Aleutian Islands and in the South Pacific. He observed and painted battle scenes on Bougainville, Guam, Saipan, and other locations, as well as genre scenes of soldiers who were not engaged in combat but rather between battles. This piece was a study for a mural entitled "Landing at Guam" that Draper painted for the US Naval Academy in Annapolis, Maryland. Combat artists like Lieutenant Draper certainly did not shy away from dangerous wartime conditions but rather bravely recorded the alarming events as they unfolded. Size: 13.625" L x 34" W (34.6 cm x 86.4 cm) William Franklin Draper was born in Hopedale, Massachusetts on December 24, 1912. A child prodigy, he studied classical piano at Harvard University. He later changed his focus to fine art and studied with Charles Webster Hawthorne and Henry Hensche in Provincetown, Rhode Island. Draper also attended the National Academy of Design in New York and the Cape Cod School of Art in Massachusetts. Then he traveled to Spain and studied with Harry Zimmerman, moved on to France and attended the Academie de la Grande Chaumiere. In 1937, he moved to Boston to study sculpture with George Demetrius and also studied with Jon Corbino in beautiful Rockport, Massachusetts. In 1942, Draper joined the Navy and served as a combat artist when stationed on the Aleutian Islands and in the South Pacific. He observed and painted battle scenes on Bougainville, Guam, Saipan, and other locations, as well as genre scenes of soldiers who were not engaged in combat but rather at work and at play. National Geographic magazine reproduced 25 of his war images in four issues in 1944. In 1945, the Corcoran Gallery of Art in Washington D.C. organized a group exhibition of works by five official war artists, including Draper. That same year the Metropolitan Museum of Art included Draper in an exhibition entitled, ''The War Against Japan.'' Draper was also featured in a PBS television show about combat artists entitled, "They Drew Fire" in May of 2000. After the war, Draper opened a studio on Park Avenue in New York City and continued to not only paint, but also play classical and jazz piano. Draper's career spanned seven decades. In addition to painting WWII battle scenes, he painted landscapes, floral still lifes, interiors, and was an accomplished portraitist. In fact, Draper's subjects included a portrait of John F. Kennedy that hangs in the National Portrait Gallery in Washington D.C. based upon an oil sketch for which the president sat in 1962. Draper was actually the only artist who painted JFK from life. Draper showed at Knoedler, the Graham Gallery, Portraits, Inc., the Far Gallery, The Findlay Galleries (New York, NY) and the Robert C. Vose Galleries (Boston, MA). His work has been included in shows at the National Portrait Gallery and the Corcoran Gallery of Art (Washington, D.C.), The National Academy of Design (New York, NY), The Boston Museum of Fine Arts, (Boston, MA) the Fogg Art Museum, (one of the Harvard Art Museums, Cambridge, MA), the National Gallery, (London), Salon de la Marine (Paris) and in museums in Australia. Draper also taught at the Art Students League of New York, and received a lifetime achievement award from the Portrait Society of America in 1999. Provenance: The William F. Draper Collection, New York City, USA, acquired via descent from the late William Franklin Draper (1912-2003), an accomplished American artist whose career spanned seven decades. Known as the "Dean of American Portraiture," William Draper was the only artist to paint President John F. Kennedy from life, and his oeuvre includes marvelous landscapes from his world travels, military paintings as he was one of only seventeen Combat Artists in WWII, and portraits of illustrious individuals. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #153869 Condition: Signed by the artist on the lower right. A few scuffs with pigment losses to the painting as shown. A few stains and scuffs with pigment losses to the grey background as shown. Minute old loss to board at center of upper edge, presumably from nail used to attach framing. Painting is a bit loose within the frame. Frame could be removed if desired. Draper Estate stamp on verso. "Sketch for Mural 'Landing at Guam' at US Naval Academy" is handwritten on verso.
• Record No. 5 1/2 plane. More
  Record No. 5 1/2 plane. More Information Excellent.
• (AVIATION) HUGHES HOWARD A
  (AVIATION) HUGHES HOWARD A collection of 72 photographs from Hughes' Around-the-World flight pasted to think sheets of album paper some starting to detach.
• ARMIN LANDECK (american 1905-1984)
  ARMIN LANDECK (american 1905-1984) "APPROACHING STORM" 1937, edition of 100. Pencil signed in the margin. Drypoint. 9 3/16 x 8 1/2 in. [Kraeft 65]. Unframed provenance: Private Collection, Philadelphia, Pennsylvania. Matted and ''shrink wrapped'' in plastic. Not examined out of plastic. Sheet with margins (we cannot tell if they are full margins. Some extraneous ink/soiling (?) visible in upper right corner margin. Overall apparent good condition.