A few examples of appraisal values for
COPPINI

• POMPEO COPPINI (1870-1957) ALLEGORY
  POMPEO COPPINI (1870-1957) ALLEGORY OF EDUCATIONPatinated bonze relief sculpture, "The Allegory of Education," signed at base P. Coppini (Pompeo Coppini, Italy, Texas, 1870-1957), ed. 2/ 30, overall: approx 13"h, 10.75"w, 3.5"d, 12.75lbs **Provenance: through our consignor from the collection of San Antonio artist Beth Eidelberg**
• JEWELRY. ASSORTED GROUPING STERLING
  JEWELRY. ASSORTED GROUPING STERLING AND SILVER Jewelry. Including a pair of US Army/Air Force Arial Gunner sterling wings - stamped, "Sterling"; a Henning Koppel for Georg Jensen Amoeba sterling brooch - stamped, "Sterling Denmark 322 George Jensen; a sterling bracelet with applied 14kt yellow gold applied stations with archaic symbols; a sterling open work bracelet with carved cinnabar? - stamped, "S925"; a sterling modernist shooting star brooch stamped, "Sterling"; a sterling hair comb with an open work foliate design - stamped, "Sterling; a damaged carved quartz primitive head suspended from a leather cord with a sterling toggle clasp - stamped "925"; a Mexican sterling bracelet - stamped, "Mexico 925"; a Mexican sterling bug brooch with brass wings - stasmped, "Sterling"; a sterling dragon fly brooch - stamped, "925"; an Italian Coppini S.R.I. .800 silver open work brooch - stamped, "800 Coppini S.R.I." with an Italian national mark; a signed sterling bug pendant with an illegible maker's mark; an .800 silver oblong brooch with a central goat - stamped, "800"; a .950 silver brooch of a monkey; a sterling brooch of a lizard; a sterling brooch of a spider; a sterling brooch of a bird; a sterling gold washed brooch of a hand with faux gem accents; pair of Mexican sterling ear clips; pair of Mexican sterling ear clips with faux turquoise inserts; a sterling brooch with central bezel set polished stone cabochon; a silver pin depicting an archaic dog?; a Mexican sterling butterfly brooch; a sterling eagle brooch with exceptional plumage; a silver brooch depicting a building with scroll work; a silver conch brooch; a gold washed silver brooch of a lizard; a silver open work floral brooch; a silver bead necklace with a polished stone pendant; a silver anatomically correct stick figure brooch; a silver dinosaur brooch; a silver lizard brooch; a silver rocket ship brooch; a silver lizard brooch; a silver cross; a silver ring; and a silver bird brooch. total approx. weight of all items is 15.59 troy oz (gross) excluding quartz? head. From a Manhattan, NY estate. Dimensions: Jensen brooch measures approx. 45 mm w x 37.5 mm h. Condition: Good, with light surface scratches and minor dings/dents.
• SILVER. CONTINENTAL SILVER
  SILVER. CONTINENTAL SILVER HOLLOWWARE GROUPING. Including (4) Italian Fratelli Coppini .800 Silver tastevin cups executed in the repousse style with fruit swag - stamped, "800 Made In Italy Coppini" with a pictorial maker's mark"; and and .800 silver oblong lidded box with central bezel set copper ancient coin? - stamped, "800" with an illegible pictorial maker's mark. Total approx. weight of all items is 18.38 troy oz (gross). From a Miami, FL estate. Dimensions: tastevin measures approx. 3.50" in diameter. Condition: Good, with light surface scratches and minor dings/dents.
• FRATELLI COPPINI STERLING
  FRATELLI COPPINI STERLING NECKLACE WITH LAPIS: Fratelli Coppini 800 sterling pendant necklace is marked F LLI Coppini and marked Made in Italy 800. This maker's mark was used between 1872-1933. The pendant measures approx.2.5'' x 2.5'' and features a large cabochon lapis. 26'' necklace features 4 stations including: a lion, mirror Griffin, Cupid and a crown, snake & cross. CONDITION: No clasp. Connected with a closed ring.
• A Pair of Italian Silver-Gilt Table
  A Pair of Italian Silver-Gilt Table Articles Fratelli Coppini, Florence, 20th Century in the form of swans. marked '800' on underside 21 ozt 3 dwt Height 4 1/4 x width 7 inches. Property from the Estate of Patricia Ann Black Smyth, Santa Fe, New Mexico, Sold to Benefit Berea College, Berea, Kentucky
• TWO COPPINI 800-SILVER AND
  TWO COPPINI 800-SILVER AND PARTIAL GILT SHELL BOWL SPOONS, 4.5 OZT; 9 1/2 IN. (24.13 CM.)Two Coppini 800-Silver and Partial Gilt Shell Bowl Spoons,, Dimensions: 4.5 ozt; 9 1/2 in. (24.13 cm.)
• (3) Enamel dresser boxes & comb
  (3) Enamel dresser boxes & comb frame, c/o hexagonal with dancing girl & musicians marked 800 (1-3/4" x 1-5/8"), powder compact with bard & maids in garden marked Coppini & Co (3-5/8" x 2-5/8"), unmarked square powder compact with courting couple (2-1/4" sq), comb frame with courting couple (4-1/2" x 1"), scratches to the dark blue pieces and center piece of the comb
• EMILY DE CANTEBRANA EDWARDS (TEXAS,
  EMILY DE CANTEBRANA EDWARDS (TEXAS, 1888-1980), STILL LIFE OF WHITE FRANGIPANI, 1929., WHITE-LINE COLOR WOODCUT PRINT ON JAPAN, 11" X 8.5". FRAMED 21.5" X 18.75".EMILY DE CANTEBRANA EDWARDS, Texas, 1888-1980, Still life of white frangipani, 1929. From a small edition. Signed and dated in pencil lower right. Dimensions: White-line color woodcut print on Japan, 11" x 8.5". Framed 21.5" x 18.75". Provenance: Notes:Emily Edwards, artist, art historian, teacher and co-founder of the San Antonio Conservation Society, was born in San Antonio on October 7, 1888, the third of five children of Frank Mudge and Lillian (Brockway) Edwards. Her mother died in 1895. From 1898 to 1902 Emily and her three sisters boarded at the Ursaline Academy, where her talents as an artist were first manifested in sketches she made at an early age. She subsequently attended the San Antonio Female Institute for two years and studied drawing with sculptor Pompeo Coppini.In 1905 she moved to Chicago, where she stayed with relatives and attended the Art Institute of Chicago; she studied with Enella Benedict, Ralph Clarkson, Harry Walcott and John Vanderpoel. In her second year there she began working at the institute to pay her tuition. She also taught volunteer classes at Hull House, the settlement house established by Jane Addams, and taught at several girls' schools. From 1915 to 1917 she taught at the Francis Parker School, where the approach to learning through experience influenced her own teaching methods.In 1917 Edwards returned to San Antonio to teach art at Brackenridge High School. In 1920 she taught at a mountain mission in Charles Town, West Virginia, then worked as a designer in a New York City theater for a short period of time. She subsequently made puppets and staged puppet shows in Provincetown, Massachusetts. She taught at Hull House again before returning to San Antonio in the early 1920s.In 1924 Edwards and Rena Maverick Green co-founded the San Antonio Conservation Society. As its first president (1924–26), Edwards led the society's crusade to prevent the river bend area from being paved over by the city. In 1926 she produced an annotated historical map of San Antonio to raise funds for the society and staged a puppet show for the city council based on a childhood fable, The Goose that Lays the Golden Eggs, in which the goose represented the unique character ("local peculiarities") of San Antonio, while its golden eggs symbolized missions, tourists, natural beauty and civic pride. The original script called for hand-crafted puppets that resembled the city commissioners, who mediated an argument between Mr. and Mrs. San Antonio regarding the goose. The show was a hit, and the river was saved for posterity (see San Antonio River Walk [Paseo del Rio]).During the summers of 1925 and 1926 Emily Edwards traveled with a friend to Mexico, where she met the muralist Diego Rivera, who became a life-long friend. Her studies with Rivera stimulated an interest in Mexican murals, and Edwards subsequently spent ten years in Mexico, sketching in small villages and conducting research for a book on Mexican mural painting from the pre-Columbian era to modern times. She published a pamphlet, "The Frescoes by Diego Rivera in Cuernavaca" (1932), and a tourist guide, "Modern Mexican Frescoes" (1934), which was accompanied by a map to frescoes in the center of Mexico City. In 1932 she published a map of Mexico City, which was later reprinted and in the 1990s was displayed for sale at the San Antonio Museum of Art.During the 1930s Edwards established a modest reputation as an artist, exhibiting watercolors and color block prints of landscapes, children and Mexican subjects in Texas and New York. One of her prints was included in an International Exhibition of Prints in London. During her years in Mexico she was married to Librado de Cantabrana, with whom she had a child who died in infancy. She was divorced by the late 1930s, when she moved to Chicago to head the art program at Hull House.
• THREE 800 SILVER BOXES One
  THREE 800 SILVER BOXES One sterling silver with elegant design to exterior and stone lid, marked to interior "Coppini SRL 800",¾" x 1 ½" x 1 ?"; one teardrop-shaped box, lid with Arabic calligraphy, marked to the interior with 800,½" x 1" x½"; ovoid 800 silver box with Arabic calligraphy carved to inset stone lid, 1" x¾" x½".
• ITALIAN SILVER FLASK FUNNEL BY
  ITALIAN SILVER FLASK FUNNEL BY FRATELLI COPPINI 3" x 3" overall Italian 800 silver flask funnel by Fratelli Coppini, with vine handle and applied figure to the side. Marked appropriately near the rim. Weighs .685 toz.
• COPPINI & CO. ITALIAN SILVER &
  COPPINI & CO. ITALIAN SILVER & TURQUOISE BOX: Coppini & Co. 800 silver hinged lid box with inset turquoise engraved rim and base. Vermeil interior with mirror. Marked with Italian 800 silver hallmarks Coppini & C.. 1/4'' h. x 3 3/8'' x 2 5/8''. Approx. 2.5 troy oz. weighed with stone.
• COPPINI & CO. ITALIAN SILVER ENAMEL
  COPPINI & CO. ITALIAN SILVER ENAMEL BOX: Coppini & Co. 800 silver hinged lid box with inset enamel outdoor genre scene of lovers and sheep engraved rim and base. Vermeil interior with mirror. Marked with Italian 800 silver hallmarks Coppini & C.. 1/4'' h. x 2 1/4'' x 2''. Approx. 1.4 troy oz. overall.
• COPPINI, Pompeo, (American,
  COPPINI, Pompeo, (American, 1870-1957): George Washington, Bronzed Terracotta Sculpture, 33'' h., sold with custom wooden pedestal with inlaid bronze George Washington medallion, 29'' h. For more biographical information on this important American sculptor, please go to this link http://www.tshaonline.org/handbook/online/articles/CC/fco67.htmlCONDITION: Small blemish in base of sculpture, drill mark as seen in picture.