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An Ecclesiastical Cope the
An Ecclesiastical Cope the reverse with Latin inscription and an applied depiction of Christ crowned with thorns decorated throughout with animals in gold on a violet ground having gold lining and bullion fringe. Length overall 57 inches.
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SAYING GRACE BY NORMAN ROCKWELL
SAYING GRACE BY NORMAN ROCKWELL Lithograph in colors on woven paper, depicting woman and young boy with their heads bowed in prayer, others in the diner looking on, after the painting commissioned for the 1951 Thanksgiving issue of The Saturday Evening Post, penciled signed lower right and marked 180/200 in lower left, unframed; plate 28"H 26.5"W sheet 32"H 29"W
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An Ecclesiastical Cope the
An Ecclesiastical Cope the reverse depicting the Holy Trinity beneath lancet arches on a gold ground the front with four saints holding various attributes the stole with winged putto masks before quatrefoil tracery having a gilt foliate morse and bullion fringe throughout. Length overall 65 inches.
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Cow weathervane.
Cow weathervane.
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Willow gathering basket.
Willow gathering basket.
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(CHRISTIAN RELIGION) C. Cornelio a
(CHRISTIAN RELIGION) C. Cornelio a Lapide; Commentarii in IV. Evangelia (Antwerp: Verdussen, 1695) 2 vols in 1, folio, later half leather, cloth boards
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Robert Henri (American 1865-1929)
Robert Henri (American 1865-1929) Three Graces ink on paper signed Robert Henri and initialed J.C.L. (lower right) 6 1/2 x 4 3/4 inches.
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Grace A. Paull (American, b.
Grace A. Paull (American, b. 1898) "Up-State Village" lithograph signed and dated in pencil "Grace Paull /48" lr, titled ll 10 x 13", framed
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Follower of Boucher/Cupid and the
Follower of Boucher/Cupid and the three Graces/watercolour, 21.5cm x 16cm
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Early gathering basket.
Early gathering basket.
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Religious icon cross. 12'' x 7''.
Religious icon cross. 12'' x 7''.
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An Ecclesiastical Embroidered
An Ecclesiastical Embroidered Cope and Sash the reverse depicting Christ with a Latin inscription and a braided tassel the front with embroidered scrolls and applied thuribles issuing smoke having Maltese crosses throughout on a red ground. Length overall 54 inches.
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AFTER ADRIAEN VAN OSTADE (DUTCH,
AFTER ADRIAEN VAN OSTADE (DUTCH, 1610-1685) 611/16" x 5 ½" plate; 6 ?" x 515/16" paper "Saying Grace". Later etching in reverse after the original 17th century print, unframed. Collector of Paul Geneaux collector's stamp verso (Paul Geneux, 20th Century, drawings and prints).
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John Coleman (American, b. 1949)
John Coleman
(American, b. 1949)
Graceful Spirit, edition 5/30, 2016
bronze
signed John Coleman, titled, numbered and dated (base)
height 24 x width 17 1/2 x depth 14 inches
Property from the Collection of Robert P. Hunter, Jr. and Barbara Hunter, Alpharetta, Georgia
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A Copeland ribbon plate, circa
A Copeland ribbon plate, circa 1873, painted with a seated maiden with a book on her lap, wearing a white dress and ostrich feather hat, signed S Alcock and inscribed to reverse 'Summer days when we were young', Wordsworth, 24cm diameter
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GRACE NAPPER (NC, 20TH-21ST
GRACE NAPPER (NC, 20TH-21ST CENTURY), BRONZE MODEL OF A SEATED PIG Patinated cast bronze, signed "Grace Napper" to ground terrace edge, mounted atop a dark patinated bronze stand.
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Two paper clips.
Two paper clips.
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GRACE HARTIGAN: "CROW HORSE"circa
GRACE HARTIGAN: "CROW HORSE"circa 1973 watercolor on paper collage signed, titled, and dated Condition:
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French bronze statue of \"Three
French bronze statue of \"Three Graces\""; mounted on triangular stand
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Pair cloaked Capo di Monte monks;
Pair cloaked Capo di Monte monks; one bearded friar carries a wring necked goose and appropriate libation; the second holy man carries his beads and bible, ink marked. 6 1/2" Good condition.
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Theophylact, Archbp. Institutio
Theophylact, Archbp. Institutio Regia, Paris 1651. 4to., modern blue morocco gilt bound by S. Ridge, Grantham. Syston Park bookplate . Text in Greek and Latin. Engraved vignette on title and headpieces
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A "Three Graces" Watch Holder
A "Three Graces" Watch Holder Hand decorated figural with three pretty maidens posing below a flower adorned watch holder with doves above gilt accents and gilt line around the base.
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JEAN-BAPTISTE CARPEAUX (FRENCH
JEAN-BAPTISTE CARPEAUX (FRENCH 1827-1875)Les Trois Graces (The Three Graces)
patinated bronze
height: 80 cm (31 1/2 in.)
signed with PROPRIETE CARPEAUX stamp on base
RELATED LITERATURE
Michel Poletti and Alain Richarme, Jean-Baptiste Carpeaux, Sculpteur: Catalogue Raisonne de l'Oeuvre Edite, (Paris: Editions de l'Amateur, 2003), p. 101, SE 23
LOT NOTES
This lot is a prime example of Carpeaux's work drawing heavily from his own, La Danse (The Dance), a complex and large sculpture commissioned for the facade of Paris' Opera Garnier. La Danse sculpture was unveiled in July 1869, with much criticism for the highly realistic and sensual female nudes. The sculpture was removed shortly after the installation due to the Franco-Prussian War in 1870 and the death of Carpeaux in 1875. Carpeaux studio designed a series of nine reductions and reconfigurations of La Danse, including the Les Trois Graces. The sculpture now resides in the collection of the Musee d'Orsay Paris.
CONDITION
The sculpture is in good age-appropriate condition. Scuffs present to the ankle of one Grace. A loss of the patina to the hair of another.
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C. 1920 Irish Mail.
C. 1920 Irish Mail.
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Early hand colored Albrecht Durer
Early hand colored Albrecht Durer woodcut ''Allegory of the tyranny wisdom justice & religion''.
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+ALPHONSE MUCHA (CZECH
+ALPHONSE MUCHA (CZECH 1860-1939), "FORGIVE US OUR TRESPASSES", 1899, FROM THE WORK "LE PATER", LITHOGRAPH, DEPICTS ART NOUVEAU DESIGN WITH FEMALE FIGURES IN MANDALA AT CENTER WITH TEXT, PASTEL HUES, NICELY FRAMED AND...+Alphonse Mucha (Czech 1860-1939), "Forgive Us Our Trespasses", 1899, from the work "Le Pater", lithograph, depicts Art Nouveau design with female figures in mandala at center with text, pastel hues, nicely framed and matted behind glass, not examined out of frame, "Ellen Traut Collection, Hartford, CT" stamped verso, wear consistent with age, some waving of paper suggests work is hinged to mat and not laid down, ss: 15" h. x 11" w. [PROVENANCE: Purchased from unknown dealer for $900, copy of invoice available to successful buyer.]
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Sister Gertrude Morgan (American,
Sister Gertrude Morgan (American, 1900-1980) "Lord, I'm Doing All The Good I Can", mixed media on paper, 5" x 4-1/4", ink inscribed upper half "Lord, I'm doing all the good I can. I am your missionary worker. Lord, I'm doing all the good I can." Glazed and presented in a polychromed frame.
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GOD IS OUR REFUGE BY ELIJAH
GOD IS OUR REFUGE BY ELIJAH PIERCE (COLUMBUS OHIO 1892-1984). Wood signed and dated February 18 1960. Relief carved panel with verse and imagery. Original polychrome paint. In a frame with cardboard backing 14 1/2''h. 18''w. This plaque and lot 10 were both acquired from Pierce by the parents of the current owner. This plaque is inscribed on verso '' Mr + Mrs James Morgan Started feb. 18. 1860. God is our refuge and strength + Present Help in time of Trouble Psalms 46.1. Presented by Mrs + E. Pierce its A Part of me.'' There is a small repair to the frame.
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SOUFRE GREDupin, Leon. Soufre
SOUFRE GREDupin, Leon. Soufre Gr_. Paris: Joseph-Charles, 1933. Attractive lithograph of a bunch of grapes. 23 _ x 31 _”. Minor closed tears at extremities; A-.
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George Bauer Dunbar
George Bauer Dunbar (American/Louisiana b. 1927) "Copreus" 2001 tan and black clay with palladium leaf signed lower right titled and dated on Galerie Simonne Stern label en verso 48 in. x 55 in. framed. Provenance: Estate of Richard Godchaux Hirsch New Orleans.
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Lot 3 various stained glass
Lot 3 various stained glass windows.
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Vintage French style print.
Vintage French style print.
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c. 1920 Pierce made in Angola NY.
c. 1920 Pierce made in Angola NY.
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"TRAICTé DE LA CONFESSION ET
"TRAICTé DE LA CONFESSION ET COMMUNION" 4" x 2 ½" Pocket-sized, well worn copy of Treaty of Confession and Communion, 1616, printed by Chez Gabriel Clopejau, bound in vellum. Translated in French for Jean Chabanel Tholozain.
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Book dated 1821.
Book dated 1821.
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Boleslaw Jan Czedekowski (Polish,
Boleslaw Jan Czedekowski (Polish, 1885-1969) "The Three Graces", 1933, oil on canvas, 77" x 56", signed and dated lower left "Czedekowski B. 1933", "Societe des Artistes, Francais, Salon de 1933" stamp on stretcher verso, verso retains various labels: "Lucien Lefebvre-Foinet, Paris", "Robinot Freres & Co., Paris, Exposition des Bruxelles, No. 28", two Polish exhibition entry labels, for the cities of Lvov and Krakow; and a partial French exhibition label dated 1933. Presented in a period giltwood frame.