A few examples of appraisal values for
CRAMPS SONS

• AFTER DANA C. CHANDLER, JR. (AKIN
  AFTER DANA C. CHANDLER, JR. (AKIN DURO), (AMERICAN B.1941), 'FATHER AND SON IN BLACKNESS,' TWO SILKSCREENS ON RED PAPER, UNFRAMED: 17 X 11 IN. (43.2 X 27.9 CM.)After Dana C. Chandler, Jr. (Akin Duro), (American b.1941), 'Father and Son in Blackness,' Two Silkscreens on Red Paper,, 'My Son/My beautiful, black Son!/ You are my.../Future/And/I will be/ Your strong black/ Past!' Dana C. Chandler, Jr., or Akin Duro, is an activist, artist and professor. He is known for his Black Power art and for using his art for activism. He was part of the black integrationist movement in Boston and taught at Simmons College. Dimensions: Unframed: 17 x 11 in. (43.2 x 27.9 cm.) Provenance: Property from the Estate of Dr. James K. Hill
• IGNACE JOSEPH DE CLAUSSIN
  IGNACE JOSEPH DE CLAUSSIN (FRENCH, 1795-1844), LE FILS DE REMBRANDT (REMBRANDT'S SON) Etching on laid paper, possibly a restrike etching, with "Le fils de Rembrandt" in the plate lower center, matted and framed.
• Charles Kenyon (American,
  Charles Kenyon (American, 1853-1965) "My Son, the Suitor Arrives", first quarter 20th century, depicting a galants scene in a park in the Louis XV style, signed lower left, 24" x 36". Presented in a good, period, carved giltwood and plaster frame in the Louis XV style.
• Douglas Clark (American b. 1965)
  Douglas Clark (American b. 1965) Boy Holding a Crab. Cast bronze with dark charcoal patina full-length nude young boy holding an urn in his right hand and holding a crab aloft in his left.
• Hans Sebald Beham (German
  Hans Sebald Beham (German 1500-1550) The Prodigal Son Tending the Swine engraving 3 x 4 1/2 inches.
• Sonny Boy by Ferdinand Preiss
  Sonny Boy by Ferdinand Preiss Ferdinand Preiss (German 1882-1943) 20th Century. Carved ivory figure of a boy?with iridescent polychrome highlights on bronze on marble base inscribed F .Preiss/ Germany on base artist's mark on base and on figure; Ht. 8.25 in.Artist also known as Fritz Preiss or Johann Philipp Preiss. Condition: Vertical hairline cracks down both legs of figure and through head of figure.? Paint worn in places especially on figure's left shoe.
• THE SON - A MIAMI CHIEF COLOR
  THE SON - A MIAMI CHIEF COLOR LITHOGRAPHThe Son - A Miami Chief color lithograph, painted 1837 by J. O. Lewis, Lehman & Duval lithographer, image- 15 1/2" x 9 1/4", overall - 21" x 15 1/2". Provenance: From the family of Wilmar Sick, Baltimore, Maryland. Competitive in-house shipping is available for this lot. Condition: Stain to lower edge and matt, light toning, 2'' tear to right edge. NEOOF.
• Merlin and Sons Baby Grand Piano
  Merlin and Sons Baby Grand Piano with Bench. From a Lexington Ave NYC estate.
• AFTER DOUGLAS CLARK (American b.
  AFTER DOUGLAS CLARK (American b. 1965). Boy Holding A Crab Patinated metal garden sculpture - 45 in. x 22 in. x 13 in.
• A Pair of English Engravings of
  A Pair of English Engravings of "The Cholic" and "The Headache" late 19th/early 20th c. after George Cruikshank (English 1792-1878) each inscribed "G. Cruikshank fec." lower left each sight 9 in. x 11 in. matted and framed alike.
• Douglas Duer (American 1887-1964)
  Douglas Duer (American 1887-1964) oil on canvas illustration of a father and son in a wagon signed lower middle 22" x 16". ?
• TOM CRAMER (OREGON, BORN 1960)
  TOM CRAMER (OREGON, BORN 1960) TWO OILS AND WOOD BTOM CRAMER (Oregon, born 1960) two oils and wood burnings on board: "Analgesic" and "Traffic Jam," abstract designs. Both signed and dated 2019, titled and signed again on versos. Images measure 24" x 15" and 32.25" x 15.25". In thin wood frames.
• Charlie Lucas (American/Alabama, b.
  Charlie Lucas (American/Alabama, b. 1951) "Pain Like Rats in the Brain", acrylic on paper, sight 22" x 28", monogrammed lower left: "CL". Glazed and presented in a gold metal frame.
• 19TH CENTURY GENRE PAINTING
  19TH CENTURY GENRE PAINTING FATHER AND SON: Father Holding a Pocket Watch to His Infant Son's Ear, monogrammed lower right JL, Oil/Canvas, 16'' x 13.75'', period frame is 19'' x 16.75''. CONDITION: Heavy craquelure throughout, patch visible verso, several minute flecks of loss, frame has been repaired and painted over.
• Chilmark Pewter Figurine ''Godspeed
  Chilmark Pewter Figurine ''Godspeed my son'' by Francis J. Burnum 2 1/2'' plus wooden base.
• William Zorach (American 1887-1966)
  William Zorach (American 1887-1966) "Father and Son". Linoleum cut print on paper signed in pencil in the lower right margin ca. 1918 apprx. 7-1/2" x 10-1/2" paper size matted and framed under glass overall apprx. 11" x 14-1/2". Acquired from the artist; new to the market.
• 1 vol. Branagan, Thomas. A
  1 vol. Branagan, Thomas. A Preliminary Essay on The Oppression of The Exiled Sons of Africa... Philadelphia: John W. Scott, 1804. 12mo, contemp. tree sheep, gilt-ruled spine; scuffed, corners rubbed, front joint stressed. Frontis. Some spotting, small wound to imprint date. Early owners' signatures on front endpaper & verso of frontis. American Imprints 5902 (locating 4 copies)
• GROUP OF 2 BRONZE SCULPTURES
  GROUP OF 2 BRONZE SCULPTURES GROUP OF 2 BRONZE SCULPTURES, ONE TITLED "BOY WITH THORN" AFTER D'ANGERS, THE OTHER A SEATED YOUNG CHILD MARKING A STONE TABLET
• PLAINS LEATHER BOY'S SHIRT With
  PLAINS LEATHER BOY'S SHIRT With fringe and okra paint.
• CURTIS Edward (American 1968-1952):
  CURTIS Edward (American 1968-1952): ''A Son of the Desert-Navajo'' Photogravure 22 1/4'' x 17 7/8'' with margins titled lower left from a photograph 1904 by E. Curtis photogravure by John Andrew & Sons unframed. Finely printed from the original plate in 1982 by master printmaker author and teacher Deli Sacilotto edition size less than 15.CONDITION: Impression upper right corner in the margin.
• Bronze Figural Sculpture. BONNIE
  Bronze Figural Sculpture. BONNIE MACLEARY. "Ouch" Playful theme of Young Boy with Crab. Nice warm green patina. Dimensions: H: 7 inches: W: 3 inches: D: 2 inches --- Condition: Scuffs and scratches with patina wear to boy's back. Some other surface wear
• Painting attributed to Gustav
  Painting attributed to Gustav Hensel, The Prodigal Son, signed lower right "B. Hensel", attributed to Gustav Adolph Hensel, German/California, 1874-1953, oil on canvas, 12 x 8 in.; original early 20th century carved and gilt wood and composition frame. Original stretcher and tacking edge, crackle, stretcher marks, light grime; frame with losses to gilding.
• BRONZE BOY ON GREEN MARBLE
  BRONZE BOY ON GREEN MARBLE VASEFigure of young boy walking with grapes held over his shoulder on a stick 8.5'' h. with 3'' square green marble base. Private collection Metamora MI.
• A Hellenistic Style Alabaster
  A Hellenistic Style Alabaster Sculpture of a Boy with a Thorn also called the Fedele or Spinario depicting the seated boy pulling a thorn from his foot together with an alabaster example. Height 12 1/2 inches.
• THOMAS CRESWICK R.A. (1811-1869):
  THOMAS CRESWICK R.A. (1811-1869): FATHER AND CHILDREN CROSSING THE RIVER Oil on canvas 16 1/2 x 21 1/4 in.
• DON CROOK (WASHINGTON, BORN 1934)
  DON CROOK (WASHINGTON, BORN 1934) PASTEL ON PAPER,DON CROOK (Washington, born 1934) pastel on paper, "Big Trouble," a boy in a barn with spilled milk. Signed and titled lower right. Image measures 21" x 16". In a wood frame; 31.5" x 27.5" overall.
• R.C. GORMAN, "DAUGHTER OF THE MOON"
  R.C. GORMAN, "DAUGHTER OF THE MOON" LITHOGRAPH R. C. Gorman (American/Dine 1932-2005), "Daughter of the Moon," 1994, limited edition lithograph depicting a western desert landscape scene beneath a starry night sky with a female figure seated in profile in the sky holding a crescent moon, pencil signed and dated at lower left, edition 125/225 noted in pencil at lower right, framed, with COA from The Village Gallery. Provenance: Private Collection, Concord, NC. Approx. sight h. 32", w. 38.5"; overall h. 43.25", w. 49.5", d. 1".
• BRITISH HENRY ELDEST SON OF CHARLES
  BRITISH HENRY ELDEST SON OF CHARLES BRANDON DUKE OF SUFFOLK and CHARLES 2ND SON OF CHARLES BRANDON DUKE OF SUFFOLK Colored engraving: 7 1/2 x 6 1/2 in. Framed
• W/C - Gypsy Mother holding Infant
  W/C - Gypsy Mother holding Infant two other children and dog with her outside their caravan father slumbering inside unsigned ca 1880s in painted half-round frame black mat with gold liner SS: 21 1/4'' x 18 3/4'' oval OS: 24 1/4'' x 22 1/2'' puncture
• [Advertising] Son of Ballydam /
  [Advertising] Son of Ballydam / Daughter of Roman Advertisements  Lot of 2 framed together. Ca 1960. Each 28.5'' x 19.5'' irregular on heavy stock featuring a horse in front of the Churchill Downs grandstand the text Name the Colt/Filly and He's/She's Yours PLUS $1 000.00. Credit to artist F. Brewer Jr. Condition: Light wear at edges else very good.
• James "Son Ford" Thomas
  James "Son Ford" Thomas (American/Mississippi, 1926-1990) "Coffin", sun-dried mud sculpture, c. 1980's, inscribed at end: "Son Ford", h. 2-1/2", w. 8-1/2", d. 4".
• James "Son Ford" Thomas
  James "Son Ford" Thomas (American/Mississippi, 1926-1990) "Skull", sun-dried mud, tinfoil and denture sculpture, c. 1980's, h. 6-1/2".
• Alexander Runciman (Scottish
  Alexander Runciman (Scottish 1736-1785) "Sorrowing Mother with Two Children-A Babe and a Youth" c. late 1760s/early 1770s sepia ink and wash with white gouache on cream-colored wove paper without discernible watermark signed with monogram "AR" at right center with indecipherable 2-line inscription en verso 4 5/8 x 5 1/4 in. in a modern mount. Provenance: James R. Lamantia Jr. New Orleans and New York. Note: This is an important and influential drawing by the underappreciated artist Alexander Runciman who was a pioneer in the introduction of grand-manner history painting to Scotland. He and his brother John (1744-1768/69) traveled to Rome in the mid-1760s and John died in Italy; this drawing seems likely to reflect Alexander's study of Renaissance and Mannerist art either during his years in Rome (1767-1771) or soon thereafter when Runciman proposed a series of classical themes for the decoration of his masterwork the interior of Penicuik House for Sir James Clerk third Baronet of Penicuik (1709-1782). Those interiors-representing much of Runciman's output-were destroyed by fire in 1899; but large numbers of his drawings still exist at the National Gallery of Scotland by which his classicizing as well as his medievalizing style can be studied (the principal component at Penicuik had been the Hall of Ossian whose decorations were based on the fantastical contemporary poetry of James Macpherson 1736-1796). This powerful drawing probably depicts one of the heroines of classical antiquity for on the right two large columns are lightly sketched; the familiar pyramidal configuration is strongly articulated by the bowed head and enveloping figure of the grieving mother and brilliantly articulated by the pathos of the childrens' bodies arranged on a single diagonal. The composition was presumably painted or redrawn by Runciman for it informs many of the parallel configurations of Henry Fuseli (1741-1825 who knew Runciman in Italy and in 1771 called him "the best Painter of us in Rome") as well as many others of their intimate circle. References: Duncan Macmillan "Alexander Runciman " Grove Dictionary of Art Jane Turner ed. London 1996 34 vols. vol. 27 pp. 333-334; Frederick Cummings and Allen Staley Romantic Art in Britain: Paintings and Drawings 1760-1860 Philadelphia 1968 pp. 85-87 nos. 40-42; Sir Ellis Waterhouse Painting in Britain 1530-1790 Harmondsworth 1969 pp. 202-203; Peter Tomory The Life and Art of Henry Fuseli New York 1972.
• Three African-American drawings:
  Three African-American drawings: standing girl, titled verso "Had the Belly Ache", 11-1/4 x 7-1/4 in., stain at top, glue residue verso ; woman seated in chair reading a book, inscribed verso "Original Asheville", 11-1/8 x 9 in.; young girl, partial inscription verso, 7 x 5-1/4 in., all signed "CWP" (C. Webb…), pencil and crayon on paper, unframed, early 20th century. Light foxing and toning.
• Benton Murdoch Spruance SOUVENIR OF
  Benton Murdoch Spruance SOUVENIR OF LIDICE FATHERS AND SONS Two lithographs Estimate:$700-$1,000
• GUILLAUME AZOULAY: "LA MERE ET SONS
  GUILLAUME AZOULAY: "LA MERE ET SONS FILS"colored print on paper signed lower right "Guillaume Azoulay" dated "86" with copyright symbol titled and numbered AP 12/45 lower left 19 x 16 1/2 inches sight; 31 x 29 frame Condition: