A few examples of appraisal values for
CRITERION

• CRITERION MODEL 280
  CRITERION MODEL 280 SPEAKERSCriterion Model 280 Speakers,
• Pr CRITERION Omni 2 Modernist
  Pr CRITERION Omni 2 Modernist Stereo Speakers. American Modern Walnut Cabinets with Speaker "Windows" Along top section. Dimensions: H: 19.75 inches: W: 13 inches: D: 13 inches --- Condition: Tested and currently working. Light wear. and edge nicks
• 8 vols. Benezit, E.
  8 vols. Benezit, E. Dictionnaire Critique et Documentaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs. N.p.: Librairie Grund, 1966. 8vo, orig. gilt-lettered maroon cloth; light wear. Plates. Internally clean. Property from the Estate of Dr. and Mrs. Meyer Naide, Philadelphia, PA Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman''s Conditions of Sale.
• Kritik der praktischen Vernunft
  Kritik der praktischen Vernunft by Immanuel Kant Frankfurt and Leipzig: 1791 New Edition. hard bound in paper boards and leather spine and corners 8vo. Text in German with wood block device on title page. This book is the second of Immanuel Kant's three critiques first published in 1788. It follows on from his Critique of Pure Reason and deals with his moral philosophy.
• A bronzed metal standard lamp,
  A bronzed metal standard lamp, modelled as an urn on a column with a tripod base, 172cm high excluding shade
• BILL NEBEKER (1942- ), THE CRITIC
  BILL NEBEKER (1942- ), THE CRITIC Title: Bill Nebeker (1942- ), The Critic Medium: bronze, 30/30 Dimensions: 9 x 11 1/4 x 6 Framed dimensions: 11 1/2 x 13 1/2 x 8 1/2
• ALBERT E. STERNER (AMERICAN,
  ALBERT E. STERNER (AMERICAN, 1863-1946) THE CRITIC, 1890 PEN AND INK ON PAPER: 9 X 11 1/2 IN. (SIGHT)ALBERT E. STERNER, (AMERICAN, 1863-1946) THE CRITIC, 1890, Pen and ink on paper: 9 x 11 1/2 in. (sight) Framed; lower right signed and dated: Albert E. Sterner / 90; verso label: Figaro Gallery Provenance: Estate of Ronald Sperling
• Aesthetic Movement Japanese
  Aesthetic Movement Japanese Bronze Crane Censor Japanese Meiji Period (1868-1912) of bronze and depicting crane with opening finely cast; ht. 9 in. (22.9 cm) Condition: Special Auction Notes: U.S bidders may pay with cash personal check money order bank check or wire transfer. Bidders outside the U. S. will be required to pay by wire transfer. No credit cards accepted. Bidders unknown to Cowan??Ts may be asked to provide additional personal identity or banking information.Please register early to allow sufficient time for bidder approval.
• Two Japanese scholar's objects:
  Two Japanese scholar's objects: blue and white porcelain, double-gourd ink stone, figures, buildings in a mountain landscape, two-character signature, 5-34 in., 2 in. hairline crack at base of smaller gourd, grinding area with cracks as made; table screen, rectangular with double Buddhist lion base, old man and boy under tree, verso with houses at lake, inscription and signature at left, base with partially faded red two-character mark, late 19thearly 20th century, 5 x 6 x 1-12 in., crazing, one lion with firing crack through brocade ball.
• MANNER OF WALTER CRANE WALLPAPER
  MANNER OF WALTER CRANE WALLPAPER FRIEZE, CIRCA 1890 block-printed paper, later framed, depicting the Judgment of Paris33cm x 67cm (frame 57.5cm x 91cm)
• A carved standard lamp on a
  A carved standard lamp on a circular base
• Stadimeter (for measuring
  Stadimeter (for measuring distances), telescopic, marked "U.S. Maritime Commission 1942", in fitted oak case. Excellent condition, minor corrosion.
• A GROUP OF TWO BACCARAT CRYSTAL
  A GROUP OF TWO BACCARAT CRYSTAL CANDLESTANDS , ETCHED A...A GROUP OF TWO BACCARAT CRYSTAL CANDLESTANDS , ETCHED AND MOLDED MARKS, 20TH CENTURY, comprising a "Medallion" three light crystal candelabra with a lobed baluster stem on a domed base centering oval cabochons above beaded trim, surmounted by a three branch stem with two "S" form arms flanking a columnar stem and each topped with a petaled dish style bobêche suspending prism and dart crystals enclosing a vasiform nozzle with petal rim, verso acid etched circular "BACCARAT FRANCE," height: 17 3/4", width: 12", depth: 5 1/2"; the frosted and clear crystal "Dolphin" candlestick modeled with a petal rimmed and reeded nozzle above a conforming bobêche with molded "BACCARAT No 5006," suspending prism and dart crystals, over a mythological dolphin form stem with scaly serpentine tail and incorporating a stepped circular base of ovule banding on a petal trimmed plinth, verso circular acid etched "BACCARAT FRANCE" mark, including a tapering cylindrical glass hurricane shade with flaring petal rim, height: 23", diameter: 7"; without shade, height: 14". Condition: Dolphin candlestand has a loss on the bobêche and lacking one crystal drop. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• (2) GREEK CLASSICAL STYLE
  (2) GREEK CLASSICAL STYLE COLUMN-KRATERS(pair) Greek classical style black-figure terracotta column-kraters (bowls for mixing wine and water), showing Satyrs and winged figures, (one) intact with fracture to pedestal foot, some chips, approx 12.5"h, 11.75"w, 9.25lbs total **Provenance: From a prominent Dallas, Texas estate**
• A three-panel scrap screen, 157cm
  A three-panel scrap screen, 157cm high
• 4PC SCIENTIFIC INSTRUMENT GROUP
  4PC SCIENTIFIC INSTRUMENT GROUP United States, Germany,20th CenturyIncludes a model 400-A Lumeron Photo Electric Colorimeter, a Brookfield Synchro-Lectric Viscometer Model RVF-100, twenty fritted filters in wood case, and a Carl Zeiss microscope in case.
• Hydrometer, Fabric Testing Device
  Hydrometer, Fabric Testing Device British, 20th century, Sikes hydrometer "As Used by the Inland Revenue", celluloid-backed thermometer with weights, used for testing the spirit content in a liquid, mahogany case 8-1/4 in. long, interior fabric slightly frayed and stained, otherwise good condition; balance device for testing the weight of fabric samples, two brass gram weights, original paper label "Use in Government Departments", in mahogany box 8-1/2 in. long, good condition, scattered light rust on arm of scale, losses to paper label
• Gould and Richter (British, 19th
  Gould and Richter (British, 19th Century) "Songbirds", pair of original hand-colored lithographs depicting Myceros Carnipes and Coccothraustes Icterioides, sight 20" x 14", legend lower margin, printed by Hullmandel. Glazed, French matted and presented in ebonized frames with gilt beaded liners.
• After Gould and Richter (British,
  After Gould and Richter (British, 19th Century) \"Hummingbirds\", pair of offset chromolithographs depicting \"Aphantochroa Cirrhochloris\" and \"Eulampis Jugularis\", sight 20\" x 11-1/2\", legend lower margin. Glazed, matted and presented in carved giltwood frames.
• THE STANDARD COMPUTING SCALE
  THE STANDARD COMPUTING SCALE Detroit, Michigan, early 20th century with patent date range of 1909-1911, barrel form, sturdy steel construction with thick glass pan and brass mounts.
• Gould & Richter (19th century),
  Gould & Richter (19th century), Platycercus Ignitus, Platycercus Pennautii, L
• LEATHER BOUND CRITICA SACRA, 17TH
  LEATHER BOUND CRITICA SACRA, 17TH C.Leather bound Critica Sacra , 17th c., lacking title page, 8 3/4" x 6 1/2". Provenance: From the Collection of Dr. and Mrs. Irving Williams, Lewisburg, Pennsylvania. Competitive in-house shipping is available for this lot. Condition: Heavy wear to cover.
• A French Gilt Bronze Barometer
  A French Gilt Bronze Barometer having a rooster finial flanked by two winged figures over the aneroid with draped and acanthus leaf decoration above the tapering standard set with a thermometer and tortoise shell veneer ending in a shell and foliate base. Height 51 inches.
• Friedrich Schroeder-Sonnenstern
  Friedrich Schroeder-Sonnenstern (Lithuanian 1892-1982) "Die Kultur Gater Transport" crayon and pencil on paper signed and dated "1957" lower right titled lower left sight 19 3/4 in. x 28 in. framed. Those works created from solitude and from pure and authentic creative impulses - where the worries of competition acclaim and social promotion do not interfere - are because of these very facts more precious than the productions of professionals. After a certain familiarity with these flourishing of an exalted feverishness lived so fully and so intensely by their authors we cannot avoid the feeling that in relation to these works cultural art in its entirety appears to be the game of a futile society a fallacious parade. Jean Dubuffet (French 1901-1985) In 1945 the French artist Jean Dubuffet traveled to a mental asylum in Switzerland to study the works of art produced by the inmates. The artistic creations of those suffering from mental illness had been observed and written about by psychiatrists for decades most significantly in Hans Prinzhorn's 1922 Artistry of the Mentally Ill. Dubuffet was enthralled by the creativity of the work he saw and believed that he had finally found the spontaneous raw art for which he had been searching -his "art brut" - an art uncontaminated by society tradition or the art market. Though frequently referred to as "the art of the mad" art brut was actually more inclusive encompassing all those on the margins of society - the poor the criminal as well as the mentally ill. Essential to Dubuffet's concept was the idea that these artists untrained and unaware of artistic traditions and techniques created only for themselves; their work was produced for reasons separate from its possible use as a commodity. One such artist was Schroeder-Sonnenstern. One of thirteen children Schroeder-Sonnenstern had a troubled childhood spending time in a facility for juvenile offenders. He had his first of several compulsory stays at a mental institution in 1910 where he was diagnosed with dementia praecox (schizophrenia). It was not until 1930 that he began to draw creating a highly imaginative very personal iconography. Schroeder-Sonnenstern's bizarre compelling compositions verge on the surreal; in fact in 1959 he exhibited at the Exposition Internationale du Surrealisme in Paris. His bright vivid colors smooth lines and fantastical figures combine to create works that are infinitely appealing as is evident in the present lot. Reference: Leo Navratali. "Art Brut and Psychiatry". Raw Vision Magazine Issue 15; Galerie St. Etienne New York Exhibition Essay "The Outsider Question" March 1993; Jane Kallir "European Self-Taught Art: Brut or Naive" Galerie St. Etienne New York Exhibition Essay January/March 2000; Michael Bonesteel "Sacred Monsters". Outsider Magazine. Intuit: The Center for Intuitive and Outsider Art Chicago.
• A brass standard lamp of reeded and
  A brass standard lamp of reeded and twisted column form on a tripod base of female monopodiae
• MEDICAL AND SCIENTIFIC
  MEDICAL AND SCIENTIFIC INSTRUMENTSMedical and scientific instruments to include a Camerons Diagnostoset, John Maris scale, etc.
• Gould & Richter (British, 19th
  Gould & Richter (British, 19th Century) \"Caprimulgus Europaeus\", chromolithograph, sight 13-1/2\" x 20\". Glazed, matted and framed.
• Metaphysische Anfangsgründe der
  Metaphysische Anfangsgründe der Naturwissenschaft by Immanuel Kant Riga: Johann Friedrich Hartknoch 1787. Hard bound 8vo text in German with ink inscription on fly page. With wood block device on title page in his Metaphysical Foundations Kant is now trying to specifically identify the fundamentals of physics by different meanings of the basic science for this concept shows the matter. Show Kant's Metaphysical Foundations as his laid down in the Critique of Pure Reason principles of experience are actually the foundation and justification for use of empirical knowledge and represent an important addition to his main work.
• Group of Four Crystallographic
  Group of Four Crystallographic Measuring Devices, first half 20th century, including two German vernier calipers, one retailed by Glogau & Co., Chicago, Illinois, l. 7-3/8" and 7-15/16", an outside micrometer by Browne & Sharpe, Providence, Rhode Island, l. 5", and a two-circle contact goniometer, Stoe & Cie, Heidelberg, Germany, h. 9", w. 6".
• An Oertling scientific balance
  An Oertling scientific balance gem scale.
• 1 vol. Kirwan, Richard. Essai
  1 vol. Kirwan, Richard. Essai sur le Phlogistique, et sur La Constitution des Acides. Paris, 1788. First French edition. 8vo, contemp. tree calf, gilt, red morocco spine labels; joints & extremities rubbed. Scattered light foxing. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman''s Conditions of Sale.
• ENGLISH CUT CRYSTAL AND BRONZE
  ENGLISH CUT CRYSTAL AND BRONZE TWO-LIGHT ARGAND LAMPEnglish Cut Crystal and Bronze Two-Light Argand Lamp , c. 1830, spiral and foliate standard with addorsed griffins, foliate-cut shades, h. 24 in., w. 14 1/2 in., d. 7 in
• A brass standard lamp with clear
  A brass standard lamp with clear flared glass shade on three claw feet, 165cm high
• Italian carved gilt wood
  Italian carved gilt wood barometer and thermometer early 20th c. with bird and floral decoration the center plaster bull's-eye with a raised lion and scroll decoration. 40"h.x17"w.
• After Gould and Richter (British,
  After Gould and Richter (British, 19th Century) "Glaucis Rucker" and "Threnetes Leucurus", pair of chromolithographs, sight 13-1/4" x 8-3/4". Glazed, matted and presented in woven-patterned wooden frames.
• A collection of curtain fragments
  A collection of curtain fragments