A few examples of appraisal values for
CRUIKSHANK

• G CRUIKSHANK, BOOK OF ILLUSTRATIONS
  G CRUIKSHANK, BOOK OF ILLUSTRATIONS FINELY BOUND A finely bound book containing multiple pieces by illustrator George Cruikshank. This book has been compiled with the illustrations done by Cruikshank and pulled from those stories. They were then pasted down in the pages in this book and then fully bound in leather with gilt titling on the spine. Page edges are gilt. Twelve pages at the end of the book are blank. Contains illustrations from the following pieces: George Cruikshank's Fairy Library, Published in 1853 by Routledge and Sons. Contains the stories Hop O' My Thumb, Jack and the Bean-Stalk, Cinderella, and Puss in Boots. The Greatest Plague of Life, or The Adventures of a Lady in Search of a Good Servant, by Henry Mayhew and illustrated by George Cruikshank. Published 1846 by David Bogue. The Green Bag: A Dainty Dish to Set Before a King, published 1820 by J. Robins and Co. The Political "A, Apple-Pie" or The Extraordinary red Book, illustrated by George Cruikshank. Published 1820. Almanacs, 1845, illustrated by George Cruikshank. The Oyster; Where, How, and When to Find, Breed, Cook, and Eat It, illustrated by George Cruikshank. The book is a wonderful collection of some of the best works of George Cruikshank.
• H B STOWE, UNCLE TOM'S CABIN, FIRST
  H B STOWE, UNCLE TOM'S CABIN, FIRST LONDON EDITION Uncle Tom's Cabin by Harriet Beecher Stowe. Illustrations by George Cruikshank. Published 1852 by John Cassell in London. First English edition. Book is quarter bound in black leather with green lined boards. Spine features gilt decoration and titling. 8vo.
• 2VOL THOMAS INGOLDSBY, INGOLDSBY
  2VOL THOMAS INGOLDSBY, INGOLDSBY LEGENDS 1886 Two volume complete set of The Ingoldsby Legends; or, Mirth and Marvels by Thomas Ingoldsby. With illustrations by Cruikshank and Leech. Published 1866 by W.J. Widdleton, New York. Tenth English Edition. Books are bound in black leather with marbled boards and gilt titling on the spine. 8vo.
• 3VOL C. DICKENS, OLIVER TWIST,
  3VOL C. DICKENS, OLIVER TWIST, 1ST ED, EARLY STATE Oliver Twist, or, The Parish Boy's Progress by Boz - Charles Dickens. 3 volumes. First edition, very early state. Half-titles found in volumes 1 and 2 and ads in volumes 1 and 3 as specified. Illustrated with 24 etched plates by George Cruikshank, including 3 frontispieces. Published by Richard Bentley in 1838. First edition, very early state with all first edition error points in Smith (30-37). Contains the Church plate. Half bound in red leather with marbled boards. Spine features raised bands and gilt titling.
• CHARLES DICKENS, OLIVER TWIST,
  CHARLES DICKENS, OLIVER TWIST, FIRST OCTAVO ED The Adventures of Oliver Twist by Charles Dickens. Published 1846 by Bradbury and Evans. First octavo edition. Book is bound in black leather with black boards and has raised bands on the spine. Gilt titling and decoration on the spine as well. Gilt top edges of the pages. 24 illustrations by Cruikshank though 2 are missing from this edition. 8vo. 311pp.
• 2VOL CHARLES DICKENS MEMOIRS OF
  2VOL CHARLES DICKENS MEMOIRS OF GRIMALDI, 1ST ED. 2 volume set. Memoirs of Joseph Grimaldi. Edited by Boz (Charles Dickens) and published 1838 by Richard Bentley. Illustrations by George Cruikshank. First edition, first state. This is a 2 volume set about the life of famous nineteenth century clown Joseph Grimaldi. Half bound in red leather with marbled boards and end papers. Gilt titling and decoration on spine as well as raised bands.
• 2VOL CHARLES DICKENS MEMOIRS OF
  2VOL CHARLES DICKENS MEMOIRS OF GRIMALDI, 1ST ED. 2 volume set. Memoirs of Joseph Grimaldi Edited by Boz (Charles Dickens) and published 1838 by Richard Bentley. Illustrations by George Cruikshank. First edition, first state. This is a 2 volume set about the life of famous nineteenth century clown Joseph Grimaldi. Quarter bound in brown leather with marbled boards. Gilt titling on a brown field on spine.
• This is a copy from the 19th
  This is a copy from the 19th century, or possibly the early 20th, of George Cruikshank's book of caricatures titled Scraps and Sketches. The title page is undated and is laid down on another, tipped-in page so that the back cannot be read, but the front cover of the full leather binding reads "Scraps and Sketches / by / George Cruikshank / Double Set of Plates / Plain and Coloured / 1828". A printed notation on one of the FFEP reads "MORRELL BINDER" in reference to the bookbindery established by W. T. Morrell in London in 1861. A penciled bibliographic notation on another FFEP states, "24 plates in 2 states: uncoloured & hand coloured / 1928-29-31-32". Thus, it is unclear exactly how old the book itself is or the coloring on the plates, though the binding must obviously postdate 1861. Reprints of Scraps and Sketches are known, though not in double sets of uncolored and colored plates.
• Robert Dighton etching "A View Near
  Robert Dighton etching "A View Near Hyde Park Corner" 1802, pen signed Mr. Tattersall, maple framed and matted; together with an Isaac Cruikshank in "My Pol and My Partner, Joe" mounted in an ornate gilt frame, 17" x 18" oa. Condition: Neither examined out of frame.
• GEORGE CRUIKSHANK, "MONTPELLIER
  GEORGE CRUIKSHANK, "MONTPELLIER ROTUNDA" ENGRAVING George Cruikshank (British, 1792-1878) "Montpellier Rotunda - Chellenham" Engraving with watercolor. Depicts various scenes of men and women. Part of the "Kensington Fine Art Association's Collection of Engravings and Etchings Picture Album by George Cruikshank." Image 7.75" H x 11.5" W, frame 9.75" H x 7.5" W. Provenance: Removed from a 30 Waterside Plaza estate. Toning, marks & water damage noted.
• GEORGE CRUIKSHANK, WATERCOLOR,
  GEORGE CRUIKSHANK, WATERCOLOR, PEN AND INK George Cruikshank (British, 1792-1878), Satirical Coat of Arms for the French Republic, signed lower left, matted, not framed, bookseller's cataloguing sheet laid in, 11"h x 8"w (sight), 13"h x 10.5"w (mat)
• ROBERT CRUIKSHANK (D.1856)
  ROBERT CRUIKSHANK (D.1856) EQUESTRIAN INK PAINTINGFramed ink wash painting with pencil under drawing on paper, The Fallen Rider, signed lower right Robert Cruikshank (Isaac Robert Cruikshank, England, 1789-1856), possibly a satirical take on The Death of General Wolfe, toning to the sheet, sight: approx 12"h, 15.5"w, overall: 17.5"h, 21"w, 5.25lbs **Provenance: from the estate of William Olivares-Blevins (1967-2017)**
• GEORGE CRUIKSHANK (1792-1898):
  GEORGE CRUIKSHANK (1792-1898): ILLUSTRATION OF A BAWDY PARTYInk on paper, signed 'Cruikshank' lower left. 4 1/2 x 7 3/4 in. (sheet), 14 3/4 x 17 3/4 in. (frame). Condition Sheet backed with paper, the lower corners made-up. Staining and soiling.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• ATTR. NORMAN PRICE YOUNG GIRL
  ATTR. NORMAN PRICE YOUNG GIRL PORTRAIT PAINTING New York, Ontario,1877-1951Depicts a young blonde girl wearing a knit bonnet and red coat holding an orange and doll. Price studied at the Ontario School of Art, Goldsmith's Institute, Westminster School of Art, Academie Julian, and under Cruikshank, J.P. Laurens, and R.E. Miller.
• SIXTEEN NOVELS BY WILLIAM
  SIXTEEN NOVELS BY WILLIAM HARRISON AINSWORTH, 19TH C.William Harrison Ainsworth (English, 1805-1882) 16 volumes Pub. George Routledge and Sons, London Circa 1857-1880 Three-quarters bound in brown calfskin leather over marbled boards, with all marbled edges and end papers. Gilt spines with raised bands. Octavo (8 1/2" x 6"). Each novel is illustrated throughout by artists George Cruikshank, Sir John Gilbert, and Hablot Browne. The set contains all of Ainsworth's most acclaimed works, including The Lancashire Witches , The Tower of London , Guy Fawkes , Rookwood , Jack Sheppard , and Old St. Paul's . Re-bound as a matching set circa 1880s. Condition Good condition, noting a little bit of foxing to the text block in some of the novels. The covers and binding are very good, noting a little rubbing and grime from handling and some mildly bumped corners.
• CANADIAN SILVER TABLE SPOONS,
  CANADIAN SILVER TABLE SPOONS, CRUIKSHANK, 18TH C.A pair of 18th century Canadian table spoons by Robert Cruikshank, Montreal. Stamped with Cruikshank mark and Montreal. Cruikshank worked in the last quarter of the 18th century and was one of the main suppliers of trade silver to the Northwest Company in addition to producing domestic wares and religious silver. Measuring, .5 x 1.75 x 8.5. FRANCAIS: Lot de deux cuillères de table canadiennes du 18e siècle par Robert Cruikshank, Montréal. Estampillé de la marque Cruikshank et Montréal. Cruikshank était l'un des principaux fournisseurs d'argent de commerce de la Northwest Company, en plus de produire des articles domestiques et de l'argent d’items religieux.
• PRINT, ISAAC CRUIKSHANK Isaac
  PRINT, ISAAC CRUIKSHANK Isaac Cruikshank (Scottish, 1756-1811), "Half Seas Over. Alias the Hopes of the Family," etching with hand coloring, published by S.W. Fores, circa 1794, overall (with frame): 18"h x 13.5"w
• A small collection of early 19th
  A small collection of early 19th Century coloured satires by Rowlandson Cruikshank and others including - \'\'Burning of Moscow\'\' 4.25ins x 7.5ins \'\'Napoleon Working the Gun at Toulon\'\' 4.5ins x 7.5ins \'\'Doctor Syntax made free of the Cellar\'\' 4.5ins x 7.5ins all originally book illustrations contained in plastic loose leaf wallet
• 13 CHARLES DICKENS BOOKS,
  13 CHARLES DICKENS BOOKS, HISTORIES, NOTES, LETTERS, IN...Thirteen (13) Charles Dickens books, including First Editions. 1st-3rd items: CHILD'S HISTORY OF ENGLAND, Vol. I-III, First Edition, by Charles Dickens, with illustrations by Francis W. Topham, published by Bradbury and Evans, London, 1852-54. Hardcover 16mos, 745 total gilt-edge pages, each with engraved frontispieces and one page of back advertisements. Note: Vol. I includes first issue points: "Christmas 1851" on Dedication page; missing "xi" page number. 4th-5th items: AMERICAN NOTES FOR GENERAL CIRCULATION, Vol. I-II, First Edition, by Charles Dickens, published by Chapman and Hall, London, 1842. Hardcover octavos, 614 total top gilt-edge pages, Vol. I with one back advertisement page, Vol. II with three double-sided back advertisement pages. Note: Vol I. includes first issue point: first pagination is page "xvi". 6th-8th items: THE LETTERS OF CHARLES DICKENS, Vol. I-III, First Edition, edited by His Sister-in-Law and his Eldest Daughter (Mamie Dickens and Georgina Hogarth), published by Chapman and Hall, London, 1880-82. Hardcover octavos, 1,235 total top gilt-edge pages, Vol. II and III with indexes, Vol. III with 32-page publisher's catalogue to back, dated November 1881. 9th-11th items: THE PIC NIC PAPERS, Vol. I-III, First Edition, edited by Charles Dickens, with illustrations by George Cruikshank, Hablot K. Browne (Phiz), and others, published by Henry Coburn, London, 1841. Hardcover octavos, 999 total top gilt-edge pages, with engraved frontispieces and eleven additional plates. 12th item: THE MUD FOG PAPERS, ETC., First Edition, by Charles Dickens, published Richard Bentley and Son, London, 1880. Hardcover octavo, 198 top edge gilt pages, three double-sided back advertisement pages. 13th item: SPEECHES LITERARY AND SOCIAL, by Charles Dickens, published by John Camden Hotten, London, n.d. Hardcover 12mo, 372 top gilt edge pages including index, laid down frontispiece portrait of Dickens with additional engraved portrait to title page, fifteen double-sided publisher's catalogue to back, dated 1871. All volumes rebound by Riviere and Son, London in red morocco leather with gilt-stamped covers and spine, five raised hubs, gilt dentelle with dark green paper pastedowns and endpapers, ex libris plates to interior of front covers. Original cloth blind stamped covers and spines laid down to back matter pages. Ranging in size from 6 1/4" H x 5" W x 7/8" D to 9" H x 6 1/4" W x 1 3/4" D. The Estate of Edith (Edie) M. Bass, Nashville, Tennessee, by descent from her parents, Walter Paul McBride and Claire Childs of Lake Forest, Illinois. Condition: Covers in overall very good condition with wear to hinges, corners slightly bumped. Pages in overall good, legible condition with toning/toning impressions, acid burn, scattered foxing spots, scuffs, creases, few pencil marks, light handling wear, few scattered minute tears, chipping to corners of some pages. Some pages unevenly cut. Plates are collated. 6th-8th items: Front cover to Vol. I is mostly separated from spine. 9th-11th items: Volume III plates are present, however, all face the incorrect pages, for example, "The Wizard" faces p. 134 not p. 234, "Matre Pierrot" faces p. 198 not p. 298. 13th item: Some pages to publisher's catalogue appear to be out of sequence.
• 10 ASST. CHARLES DICKENS BOOKS,
  10 ASST. CHARLES DICKENS BOOKS, INCL. 1ST EDITIONS, CRU...Ten (10) assorted writings, sketches, and plays, primarily by Charles Dickens, including SUNDAY UNDER THREE HEADS. 1st item: SUNDAY UNDER THREE HEADS, First Edition, by Charles Dickens under the pseudonym Timothy Sparks, with illustrations by Hablot K. Browne (Phiz), published by Chapman and Hall, London, 1836. Hardcover 12mo, 49 top edge gilt pages including engraved frontispiece, title page, two additional plates. Original pictorial wrappers laid down to back matter pages. 2nd item: THE LOVING BALLAD OF LORD BATEMAN, First Edition, First Issue, by Charles Dickens and William Makepeace Thackeray, with illustrations by George Cruikshank, published by Charles Tilt, London, and Mustapha Syried, Constantinople, 1839. Hardcover 12mo, 40 top edge gilt pages including Notes, engraved frontispiece, one page of musical notation, and ten additional plates. Original green cloth blind-stamped covers and spines laid down to back matter pages. Note: This copy includes first issue point "wine" instead of "vine" on line 2, stanza V, of p.13. 3rd item: THE VILLAGE COQUETTES: A COMIC OPERA IN TWO ACTS, First Edition, by Charles Dickens, music by John Hullah, published by Richard Bentley, London, 1836. Softcover octavo, 71 pages with two stitches to center-left. Housed in a red cloth four flap archival enclosure, ex libris plate to interior of left flap. 4th-6th items: Three (3) SKETCHES, including SKETCHES OF YOUNG LADIES, SKETCHES OF YOUNG GENTLEMEN, and SKETCHES OF YOUNG COUPLES, First Editions, by Charles Dickens and Edward Caswall under the pseudonym "Quiz", with illustrations by Hablot K. Browne (Phiz), published by Chapman and Hall, London, 1837-40. Hardcover 12mo/16mos, 248 top edge gilt total pages with engraved frontispieces, fifteen additional plates, YOUNG GENTLEMEN and YOUNG COUPLES with back advertisements. All with original pictorial wrappers laid down to back matter pages. 7th item: THE LAMPLIGHTER: A FARCE, First Edition, No. 49/250, by Charles Dickens, printed from a Manuscript in the Forster Collection at the South Kensington Museum, London, 1879. Hardcover octavo, 45 top edge gilt pages. Original grey wrappers tipped into back matter pages. 8th item: THE POOR TRAVELLER: BOOTS AT THE HOLLY-TREE INN: AND MRS. GAMP, First "Reading" Edition, by Charles Dickens, published by Bradbury and Hall, London, 1858. Hardcover 12mo, 114 top edge gilt pages with one back advertisement page. Original green wrappers laid down to back matter pages. 9th item: MR. NIGHTINGALE'S DIARY: A FARCE IN ONE ACT, First American Edition, by Charles Dickens, published by James R. Osgood and Company, Boston, 1877. Hardcover 16mo, 96 top edge gilt pages with four back advertisements pages. Original green cloth blind-stamped covers and spine laid down to back matter pages. 10th item: NO THOROUGHFARE. A DRAMA IN FIVE ACTS AND A PROLOGUE, by Charles Dickens and Wilkie Collins, published by Robert W. De Witt, New York, n.d. Hardcover octavo, 40 top edge gilt pages. Original wrappers tipped into back matter pages. 8" H x 4 3/4" W x 1/2" D. Most rebound by Riviere and Son, London in red morocco leather with gilt-stamped covers and spine, five raised hubs, gilt dentelle with dark green paper pastedowns and endpapers, ex libris plates to interior of front covers. 3rd item with slipcase in matching red morocco leather. Ranging in size from 5" H x 3 1/2" W x 5/8" D to 9 1/2" H x 6 1/4" W x 7/8" D. The Estate of Edith (Edie) M. Bass, Nashville, Tennessee, by descent from her parents, Walter Paul McBride and Claire Childs of Lake Forest, Illinois. Condition: Covers in overall very good condition with wear to hinges, corners slightly bumped. Pages in overall good, legible condition with toning/toning impressions, acid burn, scattered foxing spots, scuffs, creases, some minute tears to edges, few pencil marks, light handling wear. Some minor chipping to pages, primarily to corners and edges. Some pages are unevenly cut. Plates are collated. 2nd item: Does not include back advertisements. 3rd item: Tears, largest 1 1/4", to edges of pages. Some back pages are uncut. 4th-6th items: Some pages to YOUNG GENTLEMEN with damp staining to pages, largest 3/4" x 2 1/4", including plates.
• 5 DICKENS 1ST ED. BOOKS, INCL.
  5 DICKENS 1ST ED. BOOKS, INCL. EDITED BY AUTHORFive (5) First Edition books, written, edited, or with a preface by Charles Dickens. 1st-2nd items: MEMOIRS OF JOSEPH GRIMALDI, Vol. I-II, First Edition, edited by Charles Dickens, with illustrations by George Cruikshank, published by Richard Bentley, London, 1838. Hardcover octavos, 551 total top edge gilt pages, engraved frontispieces, eleven additional plates, Vol. II with 36-page publisher's catalogue. Note: "The Last Song" plate with "grotesque" border, believed to be in the second state. 3rd item: THE UNCOMMERCIAL TRAVELLER, First Edition, by Charles Dickens, published by Chapman and Hall, London, 1861. Hardcover octavo, 264 top gilt-edge pages with 32-page publisher's catalogue, dated December 1860. 4th item: PICTURES FROM ITALY, First Edition, by Charles Dickens, with illustrations by Samuel Palmer, published by Bradbury and Evans, London, 1846. Hardcover octavo, 270 top edge gilt pages with engraved title pages and additional illustrations, two double-sided pages of back advertisements. 5th item: EVENINGS OF A WORKING MAN, BEING THE OCCUPATION OF HIS SCANTY LEISURE, First Edition, by John Overs, with a preface relative to the author by Charles Dickens, published by T.C. Newby, London, 1844. Hardcover octavo, 205 gilt-edge pages and three pages of back advertisements. 6 5/8" H x 4 1/8" W x 7/8" D. All volumes rebound by Riviere and Son, London in red morocco leather with gilt-stamped covers and spine, five raised hubs, gilt dentelle with dark green paper pastedowns and endpapers, ex libris plates to interior of front covers. Original cloth blind stamped covers and spines laid down to back matter pages. Ranging in size from 7 1/8" H x 4 3/4" W x 1" D to 8" H x 5 1/4" W x 1 1/8" D. The Estate of Edith (Edie) M. Bass, Nashville, Tennessee, by descent from her parents, Walter Paul McBride and Claire Childs of Lake Forest, Illinois. Condition: Covers in overall very good condition with wear to hinges, minor abrasions, corners slightly bumped. Pages in overall good, legible condition with toning/toning impressions, acid burn, scattered foxing spots, scuffs, creases, few pencil marks, light handling wear. Some pages unevenly cut. Plates are collated.
• SHERATON REVIVAL INLAID REVOLVING
  SHERATON REVIVAL INLAID REVOLVING MAHOGANY BOOKCASE + 2...1st item: Sheraton Revival inlaid mahogany bookcase, comprised of a round inlaid rotating top above 8 bookshelves divided by geometric inlaid panels above four tapering spade feet joined by plain x-stretchers. 32 1/2" H x 18 3/4" dia. Late 19th to early 20th century. 2nd - 29th items: Twenty-eight (28) 19th and 20th century books, all hardbound in decorative leather or cloth covers, including: THE FORSYTE SAGA, Vol. I-III, by John Galsworthy, published by William Heinemann, Ltd. London, 1932-35; THE FORSYTE SAGA, by John Galsworthy, published by William Heinemann, Ltd. London and Toronto, 1948; A MODERN COMEDY, by John Galsworthy, published by William Heinemann, Ltd. London and Toronto, 1948; DR. JEKYLL AND MR. HYDE, Library of Classics Edition, by R. L. Stevenson, Collins Clear Type Press, London and Glasgow, n.d.; THE NOVELS OF LAURENCE STERNE IN FOUR VOLUMES, illustrated by George Cruikshank, published by The Navarre Society Ltd., London, n.d.; THE LIFE OF ARTHUR DUKE OF WELLINGTON, New Edition, by G. R. Gleig, published by Longmans, Green, and Company, London, 1894; BYRON SELECTIONS FROM POETRY LETTERS & JOURNALS, edited by Peter Quennell, published by The Nonesuch Press, London, 1949; STORIES OF KING ARTHUR AND THE ROUND TABLE, by Beatrice Clay, illustrated by Dora Curtis, published by J. M. Dent, London, n.d.; THE LIFE OF NAPOLEON BUONAPARTE[sic], Vol. I-IV, by W. Hazlitt, published by the Office of the Illustrated London Library, London, 1852; MEMOIRS OF THE COURT OF MARIE ANTOINETTE, QUEEN OF FRANCE, New Edition, Vol. I & II, by Madame Campan, published by Henry Colburn, London, 1843; LEAVES OF GRASS, Selected from the Complete Edition, by Walt Whitman, published by George G. Harrap and Company, Ltd., London, 1927; THE BREAKFAST TABLE SERIES, Vol. I-III, by Oliver Wendell Holmes, published by William Paterson and Company, London, n.d.; ENGLISH LITERATURE IN THE NINETEENTH CENTURY AN ESSAY IN CRITICISM, by Laurie Magnus, M.A., published by Andrew Melrose, London, 1909; THE MISCELLANEOUS WORKS OF SIR WALTER SCOTT, Bart., Vol. XXIV, published by Adam and Charles Black, Edinburgh, 1861; THE WAVERLEY NOVELS, Vol. XLI, by Sir Walter Scott, Bart., published by Adam and Charles Black, Edinburgh, 1868; JANE EYRE AN AUTOBIOGRAPHY, by Charlotte Bronte, illustrated by John H. Bacon, published by The Gresham Publishing Company, Ltd., London, n.d.; and THE LIFE AND ADVENTURES OF ROBINSON CRUSOE, by Daniel De Foe, published by Bickers and Son, London, 1909. Ranging in size from 7" H x 4 3/4" W x 1 1/4" D to 7 3/4" H x 5 3/8" W x 1 3/4" D. The Collection of William and Fletch Coke, Nashville, Tennessee. Condition: 1st item: Overall good condition, light general use wear, top does not revolve smoothly. 2nd-29th items: All items in overall good condition with normal shelf wear, scuffs, light staining, sunning, areas of loss to covers, corners bumped. Pages in overall good legible condition with toning/acid burn, foxing spots, ex libris plates, inscriptions from previous owners, general handling wear with some possible tears.
• LAW OF EVIDENCE, 5TH ED., SIGNED BY
  LAW OF EVIDENCE, 5TH ED., SIGNED BY WM. BRODNAX, 1788William H. Brodnax (1786-1834), member of the House of Delegates (1818-1819, 1830-1833) and of the Virginia constitutional convention of 1829, signed THE LAW OF EVIDENCE, Fifth Edition, by Lord Chief Baron Gilbert, printed in London, reprinted and sold by Joseph Cruikshank, Philadelphia, 1788. Hardcover octavo, 286 pages with additional Table of the Several Matters in the Foregoing Treatise, hardbound in brown leather with partial red leather label with gilt lettering, five raised hubs. Signed "William Brodnax/jus liber/July 1788" to front matter page with later signatures and "WILLIAM BRODNAX" ink stamp, front matter pages and title page. The Estate of Thomas Wellington Patton, Knoxville, Tennessee. Condition: Covers with expected wear, losses to leather, front hinge is loose from binding, corners bumped. Pages with toning, foxing spots, areas of dampstaining, mildew, and ink and pencil inscriptions from previous owners.
• 10 EARLY PRINTS INCLUDING
  10 EARLY PRINTS INCLUDING MERIWETHER LEWIS, NATIVE AMER...10 Engravings and other prints of subjects including Meriwether Lewis after St. Memin, a Virginia Native American woman, the children of Charles I after Anthony van Dyck, John Quincy Adams, J.C. Hobhouse, Quakers, and more. 1st item: Aquatint on laid paper of explorer Meriwether Lewis in Native American garb, holding a rifle and knife, by William Strickland, after the portrait by Charles B.J.F. de Saint Memin, published in The Analectic Magazine and Naval Chronicle in 1816 (sheet 8 1/2" x 4 7/8"). Note: This scarce early-19th century image of one of America's most famous explorers is notable for a couple of reasons. The full-length image of Lewis was a significant departure for the artist Saint-Memin, who almost always portrayed his sitters in bust-length profiles. And artist William Strickland was more famous as the architect of the U.S. Mint and Bank of the United States and the Tennessee State Capitol. 2nd item: Lithograph on wove paper depicting the same image as #1 in black and white, with title "Lewis in Indian Dress by St. Memin from the original in possession of Mrs. Julia Clark Voorhis" (sheet 16" x 12"), undated but likely mid-late 19th century (Voorhis was explorer William Clark's granddaughter). 3rd item: "Dame de Virginie: Habit of a Lady of Virginia," circa 1760 engraving on laid paper depicting a young Native American woman carrying a basket or jar (sheet 10 3/4" x 8"). 4th-10th items include "The Children of Charles I" by W. French after Anthony Van Dyck; Sir Christopher Wren and Hugh Howard by Alexander Bannerman after Sir Godfrey Kneller (circa 1804); "St. Antoine de Padoue, Prechant aux Poissons" by J.P. Le Bas after Salvator Rosa; "Meeting in a Narrow Lane," Quaker subject matter, from the Laurie & Whittle series of Drolls possibly by Isaac Cruikshank; Portrait of J.C. Hobhouse, author of "The Miscellany"; and portraits of early Tennessee prominent figures Felix Grundy and Jo Conn Guild. Sheet sizes of 4th through 10th items range 6" x 9" to 9" x 11". Condition: All with light toning, fading and discoloration, minor creases and foxing, overall good condition. Colored portrait of Lewis has 1 1/2" chip to top left edge. Black and white portrait of Lewis has 2 repaired tears lower right. Wren portrait has small losses to corners and left side. All prints except Quaker are encapsulated in protective plastic sleeves.
• SIX VOLUMES ON PARLOR RECREATIONS
  SIX VOLUMES ON PARLOR RECREATIONS AND CONJURING.[Amusements] Six Volumes on Parlor Recreations and Conjuring. American and English, 1850s-70s. Pictorial or gilt-lettered cloth. Including Amateur Amusements (New York: Hurst, ca. 1870s; Toole Stott 1105); The Art of Amusing (New York: Carleton, 1866; Toole Stott 89); Parlor Amusements (lacking title page); Evening Amusements (Philadelphia, [n.d.]; illus. Cruikshank); The Sociable (New York: Dick & Fitzgerald, (1858); Toole Stott 640); What Shall We Do To-Night (New York, 1873; Toole Stott 490). 8vo.
• LETTERS ON DEMONOLOGY AND
  LETTERS ON DEMONOLOGY AND WITCHCRAFT.Scott, Sir Walter. Letters on Demonology and Witchcraft. London: John Murray, 1830. Contemporary quarter calf, raised spine stamped in gilt, title compartment. Engraved frontispiece (disbound). Lacking the plates by Cruikshank. 8vo. Good.
• GOERGE CRUISHANK, W. M.
  GOERGE CRUISHANK, W. M. THACKERAY, 1ST EDITIONScomprising first editions of Cruikshank's Omnibus, London, 1842; The Comic Almanack for 1848 in original wrappers (12mo); and Thackeray's Essay on the Genius of George Cruikshank, London, 1840. Together with George Cruikshank's Table-Book,London, 1845. The largest: 9 1/4" high, 6 1/2" wide. Staining to contents of Omnibus, page 2 repaired. Some loose leaves in Thackeray's essay. Provenance: Property of a Roxbury, CT Collection.
• DICKENS/THACKERAY, LOVING BALLAD OF
  DICKENS/THACKERAY, LOVING BALLAD OF LORD BATEMANillustrated by George Cruikshank, 1st edition, 1st issue. London, Charles Tilt, 1839. Original pictorial cloth in Morocco case. 12mo. 4 7/8" high, 3 7/8" wide. Contents loose in binding, scuffs to spine.Provenance: Property of a Roxbury, CT Collection. We offer in-house packing and shipping of this item to an address in the United States for $45.00 via USPS Priority Mail. The price includes insurance up to $5,000.00. Tracking informationwill be sent to your email address. International buyers are responsible for arranging 3rd party shipping.
• G. CRUIKSHANK, "IMPERIAL PIETY",
  G. CRUIKSHANK, "IMPERIAL PIETY", ETCHING & DRAWING(Br. 1792 - 1878). Cruikshank's comment following the Battle of Sinop and subsequent massacre by Russian Imperial forces at the outset of the Crimean War, likely printed late 1853 or early 1854. Inscribed first proof and signed by Cruikshank in the plate, framed with a signed preparatory drawing for the same work; together with an autograph letter from the artist dated December 3, 1875 requesting a copy of W.M. Thackeray's articles on the artist's works published in the Westminster review. The larger frame size: 18" high, 24 3/4" wide. Toning to both, some creasing and staining to letter, staining to etching. Neither examined out of frame. Property from the Estates of Eve & Peter Mancino, Bridgewater, CT. Condition: Auction buying is wholesale and not the same as retail store or retail internet buying. There are no returns based on condition. Our auction items are mostly vintage, mostly from estates, and are not in perfect condition. The items are sold "as is", and we are acting as agents, not as principals. Accordingly, prospective buyers are entirely responsible for determining the physical condition of lots prior to and as a condition to bidding. Bidders are obligated to determine their level of interest in and value of the items based solely on their own review. To assist prospective bidders in this endeavor, we offer in person open-house preview days prior to the auction, and also provide written condition reports in response to emailed requests submitted to condition@woodburyauction.com at least two days prior to the auction. The printed catalog lot information is a best efforts presentation of our opinion, rendered on a time-sensitive schedule, and is provided for guidance only, without legal obligation, and does not constitute a "statement of fact". The absence of condition statements in a lot catalog entry does not mean that the item is in perfect condition or is without defects. Please understand that our duty is to present the items fairly for bidder consideration and that the bidder's duty is to make independent investigation of the condition of items before bidding.
• GROUP FOUR HAND COLORED
  GROUP FOUR HAND COLORED ENGRAVINGScomprising: Cruikshank "Interior of Modern Hell", Thomas Rowlandson "Taste", Buc'hoz, Pierre-Joseph "Oie Hope" and a poem. Not examined out of frames. Largest frame: 12" high, 10 1/8" wide. Stains, wear, losses. Property of a New London CT collector. Condition: Auction buying is wholesale and not the same as retail store or retail internet buying. There are no returns based on condition. Our auction items are mostly vintage, mostly from estates, and are not in perfect condition. The items are sold "as is", and we are acting as agents, not as principals. Accordingly, prospective buyers are entirely responsible for determining the physical condition of lots prior to and as a condition to bidding. Bidders are obligated to determine their level of interest in and value of the items based solely on their own review. To assist prospective bidders in this endeavor, we offer in person open-house preview days prior to the auction, and also provide written condition reports in response to emailed requests submitted to condition@woodburyauction.com at least two days prior to the auction. The printed catalog lot information is a best efforts presentation of our opinion, rendered on a time-sensitive schedule, and is provided for guidance only, without legal obligation, and does not constitute a "statement of fact". The absence of condition statements in a lot catalog entry does not mean that the item is in perfect condition or is without defects. Please understand that our duty is to present the items fairly for bidder consideration and that the bidder's duty is to make independent investigation of the condition of items before bidding.
• PRINCESS AUGUSTA'S ALBUM-WORKS ON
  PRINCESS AUGUSTA'S ALBUM-WORKS ON PAPER, 19TH C.interesting bound collection of 32 small drawings and watercolors with a possible royal provenance, including works by William Alfred Delamotte (Br. 1775-1863), Etienne Bouhot (FR. 1780-1862) and William Paul (Ger. 19thC.) and many unidentified examples. A number of British caricatures are included, in the manner of George Cruikshank and W. M. Thackeray. The album with gilt tooled covers and brass clasp, titled Augusta with royal crown. 11 3/4" high, 9 1/2" wide overall. Covers detached, wear and losses to same. Pages chipped at edges, many blank and lacking a number of works previously mounted. Property of a European collector. Possibly originally belonging to Princess Augusta of Hesse - Kassel, daughter-in-law of George III and wife of Prince Adolphus, Duke of Cambridge. See below link for additional images: https://drive.google.com/drive/folders/1dFLzW4Nc9OrHWvhJTnOTUxhIrw0R_Jbc?usp=sharing Condition: Auction buying is wholesale and not the same as retail store or retail internet buying. There are no returns based on condition. Our auction items are mostly vintage, mostly from estates, and are not in perfect condition. The items are sold "as is", and we are acting as agents, not as principals. Accordingly, prospective buyers are entirely responsible for determining the physical condition of lots prior to and as a condition to bidding. Bidders are obligated to determine their level of interest in and value of the items based solely on their own review. To assist prospective bidders in this endeavor, we offer in person open-house preview days prior to the auction, and also provide written condition reports in response to emailed requests submitted to condition@woodburyauction.com at least two days prior to the auction. The printed catalog lot information is a best efforts presentation of our opinion, rendered on a time-sensitive schedule, and is provided for guidance only, without legal obligation, and does not constitute a "statement of fact". The absence of condition statements in a lot catalog entry does not mean that the item is in perfect condition or is without defects. Please understand that our duty is to present the items fairly for bidder consideration and that the bidder's duty is to make independent investigation of the condition of items before bidding.
• GEORGE CRUIKSHANK (BRITISH, 1792
  GEORGE CRUIKSHANK (BRITISH, 1792 - 1878) MONK ON DONKEY...George Cruikshank (British, 1792 - 1878) Monk on Donkeys watercolor on paper Leonard Clayton, New York label on back 5 3/4" x 8 1/4" Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• ATTRIBUTED TO ISAAC
  ATTRIBUTED TO ISAAC CRUIKSHANK(Scottish, 1756-1811) Caricature of a Rat Chase, not apparently signed, ink and ink wash, watercolor on paper, sight 6-1/4 x 9 in.; gilt wood frame, 13-3/4 x 16 in. Provenance: Sotheby Parke Bernet, New York, January 9, 1980, lot 220; Private Collection Condition: toning, fading, some stains, not examined out of frame; frame with abrasions
• APPROXIMATELY 150 LEATHER BOUND
  APPROXIMATELY 150 LEATHER BOUND BOOKSApproximately 150 Leather Bound Books, to include mostly partial sets of classic works such as "The Works of Thomas Wentworth"; "Private Life of Marie Antoinette"; "Junius' Letters"; "Beaumont and Fletcher"; "Cruikshank of Home"; along with 50+ volumes of British poets, sold as is, lot has condition issues and odor, Provenance: Estate of Cyril H. Moore Jr, Kent, Connecticut. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• COLLECTION OF SATIRICAL ENGRAVINGS,
  COLLECTION OF SATIRICAL ENGRAVINGS, JAMES GILLRAY AND OTHERS EARLY 19TH CENTURY Hays, John, publisher The Modern Hercules on His Labours. London: 1806. 41 x 28cm, hand-coloured; Gillray, James Tiddy-Doll the great French-Gingerbread-Baker. London: H. Humphrey, 1806. 39.5 x 29.5cm, hand-coloured; [Idem] "More Pigs than Teats". London: H. Humprey, 1806. 36 x 27cm, hand-coloured; [Idem] Making Decent; - i.e. - Broad-bottomites getting into the Grand Costume. London: H. Humphrey, 1806. 48.5 x 30cm, hand-coloured; [Idem] The Cabinetical-Balance. London: H. Humphrey, 1806. 30.5 x 44cm, hand-coloured; [Idem] Le Diable-Boiteaux. London: H. Humphrey, 1806. 30 x 44.5cm, hand-coloured; [Idem] a Tub for the Whale! London: H. Humphrey, 1806. 37.5 x 29cm, hand-coloured; Holland, William, publisher Sancho the Second's Triumphal Entry into Barataria!!! London: 1806. 44.5 x 30cm, hand-coloured;Williams, Charles ["Argus"] Boney & the Great State Secretary. London: Walker, 1806. 28.5 x 37cm, hand-coloured; [Idem] God Save the King - by a New Set of Performers... London: Walker, 1806. 36 x 27.5cm, hand-coloured;[Idem] The Honey Moon. London: W. Holland, 1806. 38.5 x 27cm, hand-coloured; [Idem] Billy's Ghost, or, Seasonable Admonition. London: W. Holland, 1806. 38 x 28cm, hand-coloured; [Idem] Kissing Hands or New Appointments. London: E. Walker, 1806. 44.5 x 30.5cm, hand-coloured; [Cruikshank, Isaac] A Design for a Scene in the Intended new Melo Drama intitled the Forty Thieves. London: I. Hays, 1806. 38 x 27.5cm, hand-coloured;(14)the largest measuring 44.5 x 30cmProvenance: Property from Tornaveen House, Aberdeenshire
• 3 SKETCHES INCLUDING GEORGE
  3 SKETCHES INCLUDING GEORGE CRUIKSHANKGeorge Cruikshank (British, 1792-1878). Two sketches, one pencil on paper, one watercolor and ink, both initialed lower left, 3 1/4" x 2 3/4", 4 1/4" x 3 1/2". One military pen and ink on paper, initialed J.M.R., dated 1835. 14 1/" x 9 1/2". All with tears and creases to edges and corners, foxing and discoloration, pen and ink horizontal crease through center. Provenance: The Graham Collection, New York, 2/3/1972; private collection New York City; thence by descent. Condition: Notice to bidders: The absence of a condition report does not imply that the lot is in perfect condition. Photos are considered part of the condition report. Complete condition information is available by request, no later than 24 hours prior to the auction. All lots are offered and sold "as is", and Willow Auctions will not provide refunds based on condition. Timepiece movements, lighting and electrics have not been tested, and art has not been examined out of the frame unless otherwise stated.