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FOUR CURRIER & IVES' COLORED
FOUR CURRIER & IVES' COLORED LITHOGRAPHSFour Currier & Ives' colored lithographs of 19th Century clipper shipsLot includes four Currier & Ives (1834-1907) lithographs on wove paper: 1. Clipper Ship "Sovereign of the Seas"1852; aft
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A GROUP OF THIRTEEN 19TH CENTURY
A GROUP OF THIRTEEN 19TH CENTURY PRINTSA group of thirteen 19th Century prints including Audubon, Currier & Ives and J.F. Cropsey among others...............lot includes thirteen 19th century colored lithographs and engravings from Currier
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A FLOOR SCREEN INSET WITH CURRIER &
A FLOOR SCREEN INSET WITH CURRIER & IVES PRINTSA fruitwood three panel floor screen inset with Currier & Ives prints20th centuryeach panel height 80 1/2in (204.5cm); width 16in (41cm) Provenance:The Collection of Fritz & Lucy Jewett, San Francisco
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A GROUP OF AMERICAN STERLING SILVER
A GROUP OF AMERICAN STERLING SILVER HOLLOWWAREA seven piece group of American sterling silver hollowwarevarious makers20th centuryComprising a Currier & Robie porringer, inscribed to underside, a Gorham gravy boat and stand, a Gorham Chippendale
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AFTER NATHANIEL CURRIER, CLIPPER
AFTER NATHANIEL CURRIER, CLIPPER SHIP SWEEPSTAKESAfter Nathaniel Currier(American, 1813 -1888)Clipper Ship Sweepstakes, 1853lithograph in colors on wove paperClipper Ship Sweepstakes; printed by F.F. Palmer and published by N. Currier, 185320 x 2
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A GROUP OF THREE 19TH CENTURY
A GROUP OF THREE 19TH CENTURY CLIPPER SHIPSA group of three 19th century Clipper Shipslot includes three lithographs in colors; three by Nathaniel Currier: 1. Clipper Ship "Red Jacket" 1855. 2. Clipper Ship "Nightin Gale" 1
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14 PIECE GROUP OF SILVER
14 PIECE GROUP OF SILVER CONDIMENT & TABLEWARESAn assembled fourteen piece International group of sterling silver condiment and table warevarious makerslate 19th-20th centuryComprising Currier & Robie four salt cellars and three pepper casters, an
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CURRIER AND IVES, PUBLISHERS,
CURRIER AND IVES, PUBLISHERS, LITHOGRAPHSCurrier and Ives, Publishers (American, Active 1852-1880)Old Oaken Bucket, The Wayside Inn (2)lithographs with hand-coloring on wove paperslot consists of: 1.The Old Oaken Bucket; after Fanny F. Palme
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GROUP OF FRAMED ITEMSGroup of
GROUP OF FRAMED ITEMSGroup of framed items to include a sampler, two N. Currier prints, a Daniel Boone print, and a framed children's verse, largest frame size - 20" x 16".
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GROUP OF SEVEN COLORED
GROUP OF SEVEN COLORED LITHOGRAPHSGroup of seven colored lithographs by N. Currier, Bramell, etc., smallest - 7" x 8".
Condition:
Some losses.
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TWO CURRIER & IVES COLORED
TWO CURRIER & IVES COLORED LITHOGRAPHSTwo Currier & Ives colored lithographs, to include The Lake of Killarney and The Wreck of the Atlantic , together with three N. Currier colored lithographs.
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FIVE COLORED LITHOGRAPHSFive
FIVE COLORED LITHOGRAPHSFive colored lithographs by N. Currier, Currier & Ives, etc.
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2 LITHOGRAPHSca. 1860; one
2 LITHOGRAPHSca. 1860; one Currier & Ives "The Turn of the Tune", the second published by N. Currier "Quail Shooting", 20 1/2"x 13" sight, 27 1/2"x 20 1/2" largest; Condition: minor foxing on "The Turn", otherwise good original condition in later frames
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CHARLES DICKENS, REPORT OF
CHARLES DICKENS, REPORT OF DICKENS DINNER, 1842 Report of the Dinner Given to Charles Dickens, published by William Crosby and Company, Boston, 1842, February 1, 1842. 66 pages in the original wrappers. Reported by Thomas Gill and William English, reporters on the Morning Post. Most of the speeches revised by their authors. Here is an original example of this rare work, regarding a dinner hosted in Boston where Charles Dickens gave a speech on International Copyright. This work was published following Dickens' first trip to America. His visit brought him to such places as Virginia, Missouri,New York and Massachusetts. He particularly enjoyed the city of Boston, which is where this celebratory dinner was held. It is a faithful account of the speeches made that evening. In attendance at the dinner were Oliver Wendell Holmes, Washington Allston, George Bancroft, and Nathan Hale Jr among many noted literary figures. Dickens' personal speech is assigned to pages 10-15, where he introduces the subject of International Copyright. Provenance of H. Gardiner Esq, with respect of the publisher. BAL 4437, 633, 8735(n), etc. ECKEL, p.233. GIMBEL B112. WILSON II:480. CURRIER & TILTON, p.560.
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C DICKENS, DICKENS DINNER IN
C DICKENS, DICKENS DINNER IN BOSTON, FINELY BOUND Report of the Dinner Given to Charles Dickens in Boston, February 1, 1842. Reported by Thomas Gill and William English, Reporters of the Morning Post. Most of the Speeches Revised by Their Authors. Published by William Crosby and Company. Finely bound in what appears to be original bindings with black leather and marbled boards. Gilt titling on the spine. 66 pp. 8vo Dickens's speech on the occasion appears on pp. 10-15, in company with the toasts, greetings or messages by the Danas (both elder and younger), Holmes, and many others. Uncommon. BAL 4437, 633, 8735(n), etc. Eckel, p.233. Gimbel B112. WIlson II:480. Currier and Tipton, p.560.
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A STERLING SILVER CREAMER AND SUGAR
A STERLING SILVER CREAMER AND SUGAR BY CURRIER & ROBY New York, pattern number 1775, stepped shoulders and bases, central script monograms.
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ASSORTED COLLECTION OF AMERICAN
ASSORTED COLLECTION OF AMERICAN STERLING SILVER FLATWARE (16) pieces total to include: a Tiffany & Co. cream ladle; a Gorham King Edward tomato server; a pair of Towle French Provincial sugar tongs, (4) Currier & Roby Onslow salt spoons, gold wash bowls; a Whiting lemon fork with floral decorated handle, a William B. Kerr & Co. pictorial baby fork; and International Devonshire baby spoon, a pair of Gorham Old French salt spoon with gold wash bowls; a Watson blue enameled bon bon spoon and lemon fork; and a lemon fork, marked "Sterling", without a maker's mark; and a Towle Louis XIV sterling handled butter spreader; all except for Tiffany ladle without monograms.
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AN ASSEMBLED STERLING SILVER COFFEE
AN ASSEMBLED STERLING SILVER COFFEE SERVICE, RETAILED BY ENSKO NEW YORK Includes a serving tray, mark of Currier & Roby, pattern number 2436, scalloped rectangular form raised on four scrolled feet, engraved to underside "From Mother Christmas 1941" (14 1/8 x 14 1/8 in.) ; a coffee pot, Reproduction of Thomas Evesdon, London (1725), pattern number 1717 (9 in.); a waste bowl, Reproduction George I (1725), pattern number 1717; a creamer, pattern number 1700; all with "CHN" monogram and retailer marks; and a footed nut bowl, without marks, silver content unknown.
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CURRIER & IVES. "THE CITY OF
CURRIER & IVES. "THE CITY OF WASHINGTON," LITHOGRAPH Color lithograph, 1892, sight size: 17 1/4 x 34 1/2 in., framed size: 25 3/4 x 42 1/4 x 1 inches.
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PENNSYLVANIA PAINTED FRAME, 19TH
PENNSYLVANIA PAINTED FRAME, 19TH C.Pennsylvania painted frame, 19th c. , with half round applied walnut columns and housing an N. Currier lithograph of General Z. Taylor, 17 1/4" x 13 1/4". Provenance: A Wilmington estate.
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Condition:
Good condition. No apparent damages or repairs.
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FOUR LITHOGRAPHSFour lithographs,
FOUR LITHOGRAPHSFour lithographs, including two Currier & Ives, largest - 25 1/2" x 20".
Condition:
Staining.
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CURRIER & IVES LITHOGRAPHCurrier
CURRIER & IVES LITHOGRAPHCurrier & Ives lithograph The Grand Display of Fireworks and Illuminations…between New York and Brooklyn , dated 1883 , 14 1/2" x 18", frame - 22 1/4" x 25".
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CURRIER & IVES LITHOGRAPH,
CURRIER & IVES LITHOGRAPH, ETC.Currier & Ives Civil War Soldiers Memorial lithograph, 152d Regiment, Company H New York Volunteers, 19 1/2" x 15 1/2", frame - 21 1/2" x 17 1/2", together with a signed etching of the King Manor House, Jamaica New York, 9 1/2" x 12 1/4" and a cut down Currier & Ives Marriage , 11 1/2" x 8 1/2". Provenance: Property of the Fenimore Art Museum sold to benefit the Acquisitions Fund.
Condition:
Currier - Toning, some gilt loss to frame. Manor House - stains to matt.
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CURRIER & IVES LITHOGRAPHCurrier
CURRIER & IVES LITHOGRAPHCurrier & Ives lithograph Staten Island and the Narrows , 17 1/2" x 22", frame 22" x 29 1/4". Provenance: Property of the Fenimore Art Museum sold to benefit the Acquisitions Fund.
Competitive in-house shipping is available for this lot.
Condition:
Several edge tears, toning, not examined out of frame.
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STERLING SILVER BOWLS INCL.
STERLING SILVER BOWLS INCL. CARTIER, 3 Three sterling silver bowls, two by Currier and Roby with one marked for Cartier, the third marked Cartier. Largest: 3" H x 6" diameter.
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CURRIER LITHOGRAPH, THE PURSUIT
CURRIER LITHOGRAPH, THE PURSUIT Currier lithograph depicting "The Pursuit" by A. F. Tait. Image: 20" H x 26" W; frame: 28.5" H x 35" W x 0.75" D. Toning, creasing, and general wear throughout.
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CURRIER & ROBY STERLING 5-PIECE TEA
CURRIER & ROBY STERLING 5-PIECE TEA SERVICE Currier & Roby (New York) sterling silver five-piece tea service, engraved floral motif decoration and acorn finials, comprising two hinged lid pots with wood handles, a covered sugar bowl, cream pitcher, and a waste bowl, monogrammed, all pieces marked "Sterling," some with maker's marks. Larger pot: 11.5" H x 10.25 (handle to spout). Approx: 84.81 ozt (inclusive of wood handles).
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N. CURRIER, (3) HAND-COLORED
N. CURRIER, (3) HAND-COLORED LITHOGRAPHS, C. 1850 Nathaniel Currier (American, 1813-1888), The Battery, New York. By Moonlight."; "New York Bay From the Telegraph Station", and "Castle Garden, New York From the Battery." (1848), each matted in museum quality frame under glass, 8.75"h x 12.25"w, 8.75"h x 11.75"w and 9"h x 13"w (sight), 19"h x 22.5"w (frames)
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CURRIER & IVES, HAND-COLORED
CURRIER & IVES, HAND-COLORED LITHOGRAPH, 1872 Nathaniel Currier (American, 1813-1888) and James Merritt Ives (American, 1824-1895), "The Great East River Bridge. To Connect the Cities of New York & Brooklyn.", matted in museum quality frame, un der glass, 10"h x 13.25"w (sight), 19"h x 22.5"w (frame)
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CURRIER & IVES, (4) HAND-COLORED
CURRIER & IVES, (4) HAND-COLORED LITHOGRAPHS Nathaniel Currier (American, 1813-1888) and James Merritt Ives (American, 1824-1895), includes "The Narrows New York Bay", "Bethesda Fountain Central Park", "Rustic Bridge Central Park", and "U.S. Post Office New York", each matted in museum quality frame under glass, each approx. 10"h x 13"w (sight), 19"h x 22.5"w (frames)
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J. SHAW, N. CURRIER, (2)
J. SHAW, N. CURRIER, (2) HAND-COLORED PRINTS "Hell Gate", c. 1820, after Joshua Shaw, engraved by John Hill, published by M. Carey & Son, Philadelphia, matted and framed under glass, 11.5"h x 14"w (sight), 21.75"h x 24"w (frame); with, Nathaniel Currier (American, 1813-1888), "City of New York, From New Jersey", 1849, hand-colored lithograph, matted and framed under glass, 8.75"h x 13.25"w (sight), 19"h x 22.5"'w (frame)
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C. PARSONS, CITY OF NEW YORK
C. PARSONS, CITY OF NEW YORK LITHOGRAPH, C. 1856 Published by N. Currier, hand-colored lithograph sketched and drawn by Charles Parsons, likely first state, framed under Plexiglas, 22.5"h x 29.5"w (sight), 35.5"h x 41"w (frame)
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N. CURRIER, (4) HAND-COLORED
N. CURRIER, (4) HAND-COLORED LITHOGRAPHS, 1849-52 Nathaniel Currier (American, 1813-1888), "The High Bridge at Harlem, N.Y.", two views, with the 152 Nassau St. address, 9"h x 12.75"w (sight) and 9.5"h x 13.5" (sight); with, "City Hall, New York" and "Broadway, New York. South from the Park.", 8.5"h x 12.5"w and 8.75"h x 13"w (sight), all matted in museum quality frames under glass, 19"h x 22.5"w (frames)
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'LIFE IN THE WOODS, RETURNING TO
'LIFE IN THE WOODS, RETURNING TO CAMP' LITHOGRAPHFramed lithograph, "Life in the Woods, Returning to Camp," after Currier and Ives (New York), printed by Aaron Ashley, 1982 mark as pictured, sight: 18.5"h, 24.25"w, overall: 28.5"h, 35.5"w, 12.25lbs
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CURRIER AND IVES PRINT "THE SNOW
CURRIER AND IVES PRINT "THE SNOW STORM". Hand colored lithograph on paper. Oxen sledge, C# 5580, new Best 50. Toning. Framed, 15.75"h. 18.75"w.
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CURRIER AND IVES "DREADNOUGHT" SHIP
CURRIER AND IVES "DREADNOUGHT" SHIP PRINT. Hand colored lithograph on paper. "The Celebrated Clipper Ship 'Dreadnought'". Some edge wear and stains. Broken glass. Framed, 15"h. 17.25"w.