EDWARD S. CURTIS, THE NORTH AMERICANEDWARD S. CURTIS, THE NORTH AMERICAN INDIAN PORTFOLIO XV, 1926Edward S. Curtis, (1868 - 1952) The North American Indian Portfolio XV, 1926, 36 photogravures on Japanese Gampi tissue with original Van Gelder overmats signed in the plate below image: E. S. Curtis Featuring the Southern California, Shoshoneans, Dieguenos, Plateau Shoshonean and Washo tribes of California. LIMITED EDITION: This Portfolio is from set #96, printed on handmade Japanese gampi tissue paper, quarto, original ¾ brown crushed levant by H. Blackwell of Boston, over beige linen-covered boards, original gilt lettered, with photogravure plates by Suffolk Engraving Company of Boston after photographs by Edward S. Curtis, edited by Frederick Webb Hodge, Chief of the Bureau of American Ethnology, field research conducted under the patronage of J. Pierpont Morgan. PORTFOLIO: 36 large format photogravures, including a List of Plates reference that is hand letterpress printed on hand-made paper. Loose bound in a hand-made, 3-flap portfolio. 36 photogravures on Japanese Gampi tissue with original Van Gelder overmats Dimensions: Folio: 23 x 19 in. (58.42 x 48.26 cm.), Prints: 18 x 22 in. (45.72 x 55.88 cm.) Provenance: Edward S. Curtis Studio William Henry Moore The Moore Memorial Library The Christopher G. Cardozo Collection, 2001
Portfolio 13pc Darius Kinsey ReprintPortfolio 13pc Darius Kinsey Reprint Logging Photos 11''x14''
EDWARD S. CURTIS, THE NORTH AMERICANEDWARD S. CURTIS, THE NORTH AMERICAN INDIAN PORTFOLIO XI, 1916Edward S. Curtis, (1868 - 1952) The North American Indian Portfolio XI, 1916, 36 photogravures on Japanese Gampi tissue with original Van Gelder overmats signed in the plate below image: E. S. Curtis Featuring Nootka and Haida tribes of the Pacific Northwest. LIMITED EDITION: This Portfolio is from set #96, printed on handmade Japanese gampi tissue paper, quarto, original ¾ brown crushed levant by H. Blackwell of Boston, over beige linen-covered boards, original gilt lettered, with photogravure plates by John Andrew & Son of Boston after photographs by Edward S. Curtis, edited by Frederick Webb Hodge, Chief of the Bureau of American Ethnology, field research conducted under the patronage of J. Pierpont Morgan. PORTFOLIO: 36 large format photogravures, including a List of Plates reference that is hand letterpress printed on hand-made paper. Loose bound in a hand-made, 3-flap portfolio. 36 photogravures on Japanese Gampi tissue with original Van Gelder overmats Dimensions: folio: 23 x 19 in. (58.42 x 48.26 cm.), prints: 18 x 22 in. (45.72 x 55.88 cm.) Provenance: Edward S. Curtis Studio William Henry Moore The Moore Memorial Library The Christopher G. Cardozo Collection, 2001
[PORTFOLIO] The Twenty-first Century[PORTFOLIO] The Twenty-first Century Print Portfolio.
Estimate:$500-$750
[Portfolio] a group of fifteen[Portfolio] a group of fifteen New Orleans photographs on paper New Orleans Portfolio I including Sandra Russell Clark Luis Castrillo Christopher R. Harris Barry Kaiser Ray Kutos Tom McNease John Monroe Owen Murphy Joshua Mann Pailet Jack Pickett David Richmond Josephine Sacabo Louis Sahuc Mark J. Sindler and Ron Todd a Special Edition dedicated by the Artists to The New Orleans Photography Fellowship Inc. 1983 pencil-numbered "1" all 11 in. x 14 in in a portfolio case.
EDWARD S. CURTIS, THE NORTH AMERICANEDWARD S. CURTIS, THE NORTH AMERICAN INDIAN PORTFOLIO IX, 1913Edward S. Curtis, (1868 - 1952) The North American Indian Portfolio IX, 1913, 36 photogravures on Japanese Gampi tissue with original Van Gelder overmats signed in the plate below image: E. S. Curtis Featuring the Salishan, Chimakum, Quilliute and Willapa tribes of the Pacific Northwest. LIMITED EDITION: This Portfolio is from set #96, printed on handmade Japanese gampi tissue paper, quarto, original ¾ brown crushed levant by H. Blackwell of Boston, over beige linen-covered boards, original gilt lettered, with photogravure plates by John Andrew & Son of Boston after photographs by Edward S. Curtis, edited by Frederick Webb Hodge, Chief of the Bureau of American Ethnology, field research conducted under the patronage of J. Pierpont Morgan. PORTFOLIO: 36 large format photogravures, including a List of Plates reference that is hand letterpress printed on hand-made paper. Loose bound in a hand-made, 3-flap portfolio. Before embarking on his thirty-year odyssey of studying and photographing Native Americans in the summer of 1900, Curtis first made photographs of Indians in his adopted Pacific Northwest several years earlier. A professional studio portrait photographer by training, Curtis was also an avid outdoorsman and amateur landscape photographer. It was while pursuing these latter activities in the Puget Sound area surrounding Seattle that he began to photograph Native Americans and their daily life. He apparently started this work without a great deal of specific ethnographic intention, yet several of his early Native American images won multiple awards. The most acclaimed, "Homeward ", plate 318 in this portfolio, won both national and international accolades in 1898. portrait is that of Princess Angeline, plate 314. Named Kikisoblu, she was the oldest daughter of Chief Seattle, and is believed to have been the first Native American that Curtis photographed. She is also pictured in "The Mussel Gatherer", plate 313. Curtis created an evocative and unique visual record of North American Indian women, which are very prominent in this portfolio. Shown in portraits, the making of arts and in food gathering, is testament to the fact that Curtis was able to photograph Indian women so frequently, in such a variety of situations and activities and often with great intimacy, is a testament to his strong relationship with Native Americans and the great trust they placed in him. 36 photogravures on Japanese Gampi tissue with original Van Gelder overmats Dimensions: folio: 23 x 19 in. (58.42 x 48.26 cm.), print: 18 x 22 in. (45.72 x 55.88 cm.) Provenance: Edward S. Curtis Studio William Henry Moore The Moore Memorial Library The Christopher G. Cardozo Collection, 2001
EDWARD S. CURTIS PORTFOLIO BOOKEDWARD S. CURTIS PORTFOLIO BOOK Edward Sheriff Curits - Portraits from North American Indian Life, published 1972 by Promontory Press, New York, a portfolio of the prolific work of Curtis as he profiled the Native American tribes of the American West, over 85 lithographic prints highlighting some of Curtis's most iconic subjects; each plate 11.5"H 15.5"W
EDWARD S. CURTIS PORTFOLIO BOOKEDWARD S. CURTIS PORTFOLIO BOOK Edward Sheriff Curits - Portraits from North American Indian Life, published 1972 by Promontory Press, New York, a portfolio of the prolific work of Curtis as he profiled the Native American tribes of the American West, over 85 lithographic prints highlighting some of Curtis's most iconic subjects; each plate 11.5"H 15.5"W
EDWARD S. CURTIS, THE NORTH AMERICANEDWARD S. CURTIS, THE NORTH AMERICAN INDIAN PORTFOLIO XII, 1922Edward S. Curtis, (1868 - 1952) The North American Indian Portfolio XII, 1922, 36 photogravures on Japanese Gampi tissue with original Van Gelder overmats signed in the plate below image: E. S. Curtis Featuring the Hopi tribe of the Southwest. LIMITED EDITION: This Portfolio is from set #96, printed on handmade Japanese gampi tissue paper, quarto, original ¾ brown crushed levant by H. Blackwell of Boston, over beige linen-covered boards, original gilt lettered, with photogravure plates by Suffolk Engraving Company of Boston after photographs by Edward S. Curtis, edited by Frederick Webb Hodge, Chief of the Bureau of American Ethnology, field research conducted under the patronage of J. Pierpont Morgan. PORTFOLIO: 36 large format photogravures, including a List of Plates reference that is hand letterpress printed on hand-made paper. Loose bound in a hand-made, 3-flap portfolio. In the summer of 1900, after his brief expedition with George Bird Grinnell to the Great Plains, Curtis made his first independent, self-financed trip into the field. For this important trip, he chose to photograph the Hopi, Navajo, and Apache of the Southwest. He was intrigued by what he had read and heard about their rich, traditional culture and their spectacular ceremonies. Curtis's initial intrigue was confirmed during this visit, and from 1900 to 1925 Curtis would study and photograph the various tribes of the Southwest more frequently than those of any other area. He ultimately devoted more volumes of The North American Indian to the Southwest than to any other region. Portfolio XII focuses exclusively on the Hopi, showing aspects of their architecture, mythology, arts and dress. Many of Curtis' most compelling photographs can be found in this portfolio. There are the striking portraits of "A Hopi Man" and "A Walpi Man". "The Potter" depicting the skilled artisan named Nampeyo. And four incredible portraits of Hopi Snake Priests, in addition to images of their Buffalo and Snake Dance ceremonies. Said Curtis, "I couldn't make pictures of their religious ceremonies unless I entered into their inner life and understood it from their standpoint." Curtis's immersion in the cultures of the Southwest Indians, which were so inextricably intertwined with the land itself, is clearly evident in the photographs he made in the region. 36 photogravures on Japanese Gampi tissue with original Van Gelder overmats Dimensions: folio: 23 x 19 in. (58.42 x 48.26 cm.), prints: 18 x 22 in. (45.72 x 55.88 cm.) Provenance: Edward S. Curtis Studio William Henry Moore The Moore Memorial Library The Christopher G. Cardozo Collection, 2001
EDWARD S. CURTIS, THE NORTH AMERICANEDWARD S. CURTIS, THE NORTH AMERICAN INDIAN PORTFOLIO II, 1908Edward S. Curtis, (1868 - 1952) The North American Indian Portfolio II, 1908, 36 photogravures on Japanese tissue with original Van Gelder overmats signed in the plate below image: E. S. Curtis Featuring the Southwestern tribes of the Pima, Papago, Qahatika, Mohave, Yuma, Maricopa, Walapai, Havasupai and the Apache-Mohave. LIMITED EDITION: This Portfolio is from set #96, printed on handmade Japanese gampi tissue paper, quarto, original ¾ brown crushed levant by H. Blackwell of Boston, over beige linen-covered boards, original gilt lettered, with photogravure plates by John Andrew & Son of Boston after photographs by Edward S. Curtis, edited by Frederick Webb Hodge, Chief of the Bureau of American Ethnology, field research conducted under the patronage of J. Pierpont Morgan. PORTFOLIO: 36 large format photogravures, including a List of Plates reference that is hand letterpress printed on hand-made paper. Loose bound in a hand-made, 3-flap portfolio. 36 photogravures on Japanese tissue with original Van Gelder overmats Dimensions: folio: 23 x 19 in. (58.42 x 48.26 cm.), prints: 18 x 22 in. (45.72 x 55.88 cm.) Provenance: Edward S. Curtis Studio William Henry Moore The Moore Memorial Library The Christopher G. Cardozo Collection, 2001
EDWARD S. CURTIS, THE NORTH AMERICANEDWARD S. CURTIS, THE NORTH AMERICAN INDIAN PORTFOLIO XX, 1930Edward S. Curtis, (1868 - 1952) The North American Indian Portfolio XX, 1930, 35 photogravures on Japanese Gampi tissue with original Van Gelder overmats signed in the plate below image: E. S. Curtis Featuring the Nunivak, King Island, Little Diomede Island, Cape Prince of Wales and Kotzebue tribes of Alaska LIMITED EDITION: This Portfolio is from set #96, printed on handmade Japanese gampi tissue paper, quarto, original ¾ brown crushed levant by H. Blackwell of Boston, over beige linen-covered boards, original gilt lettered, with photogravure plates by Suffolk Engraving Company of Boston after photographs by Edward S. Curtis, edited by Frederick Webb Hodge, Chief of the Bureau of American Ethnology, field research conducted under the patronage of J. Pierpont Morgan. PORTFOLIO: 35 large format photogravures, including a List of Plates reference that is hand letterpress printed on hand-made paper. Loose bound in a hand-made, 3-flap portfolio. Curtis' fieldwork for The North American Indian came to a close during the summer of 1927, when he spent the season with the Eskimos of subarctic and arctic Alaska. Curtis noted that the distinguishing characteristic of these peoples was their adaptability, for they would not have survived in, much less settled in, an area of such severe climate if they were not. Their sophisticated ability to cure and work skins into parkas, boots, and mittens was unparalleled anywhere in North America. The Eskimos were also brilliant makers of equipment, since hunting was an unforgiving pursuit in arctic and subarctic conditions; their kayaks, fishing hooks, spears, and traps were all ingeniously contrived and the hunting weaponry exceptionally deadly. From "Woman and Child - Nunivak", "Ready for Sealing - Nunivak" and "Launching the Boat - Little Diomede Island", it is these aspects which are highlighted in the images of this portfolio. In many ways, Curtis's return to Alaska provided a fitting end to The North American Indian. It brought a sense of closure to the project, but it also must have helped him put his thirty-year odyssey into perspective. As he stated in the introduction to volume twenty, "…great is the satisfaction the writer enjoys when he can at last say to all those whose faith has been unbounded, "It is finished"". 35 photogravures on Japanese Gampi tissue with original Van Gelder overmats Dimensions: Folio: 23 x 19 in. (58.42 x 48.26 cm.), Prints: 18 x 22 in. (45.72 x 55.88 cm.) Provenance: Edward S. Curtis Studio William Henry Moore The Moore Memorial Library The Christopher G. Cardozo Collection, 2001
ASIS / CRUZ-DIEZ / DEMARCO / SEMPREASIS / CRUZ-DIEZ / DEMARCO / SEMPRE / SOBRINO PORTFOLIOASIS / CRUZ-DIEZ / DEMARCO / SEMPRE / SOBRINO Portfolio, in original black portfolio case, with title page, five prints (Asis in two parts), each work numbered 16/100, Asis and Cruz-Diez works dated '76 Provenance: The Collection of a Massachusetts Gentleman. Condition:
Portfolio of Harry Furniss (1854-1925Portfolio of Harry Furniss (1854-1925 British) Sketches and Letters 15pc
TORONTO TWENTY PORTFOLIO (CANADIANTORONTO TWENTY PORTFOLIO (CANADIAN 20TH CENTURY) 1965 Various print media: 26 x 20 in. Folio containing 20 of the 20 prints ed. 33/100 each signed and dated; including works by Dennis Burton Jack Bush Graham Coughtry Greg Curnoe Sorel Etrog Gerald Gladstone Richard Gorman Robert Hendrick William Kurelek Les Levine Robert Markle Waltraud Markgraf Richard Nakamura Gordon Rayner William Ronald Michael Snow Mashel Teitelbaum Tony Urquhart and Joyce Wieland. The Art Gallery of Toronto sponsored the production of this portfolio in 1965.
PORTFOLIO, EDWARD PUTZAR EdwardPORTFOLIO, EDWARD PUTZAR Edward Putzar (American, 20th century), "Sequence One," 1948-1963, portfolio of thirteen (13) gelatin silver prints, signed, titled, and dated inside left cover of portfolio and verso of mat for image 13, images (each): 8"h x 10"w (11)/ 10"h x 8"w (2), sheets (each): overall (with portfolio case): 20"h x 16.25"w. Provenance: Private Collection (Berkeley, CA).
Paul Strand, The Mexican Portfolio
20Paul Strand, The Mexican Portfolio
20 photogravures in a hard cover portfolio slipcase. signed and numbered 904 / 1000.
17 x 13 1/4 inches.
Thirteen-Piece LimogThirteen-Piece Limog
EDWARD SHERIFF CURTIS (AMERICANEDWARD SHERIFF CURTIS (AMERICAN 1868-1952), THREE PHOTOGRAVURES FROM THE NORTH AMERICAN INDIAN PORTFOLIO, FRAMED, 26 X 21 INCHESEdward Sheriff Curtis (American 1868-1952), Three Photogravures From the North American Indian Portfolio, Framed, 26 x 21 inches
13 pc. Stamp Collection portfolio's13 pc. Stamp Collection portfolio's booklets special editions & more
Chanel Boutique portfolio includingChanel Boutique portfolio including 25 photographic prints illustrating the 'Collection Croisiere'. Overall: 12 1/2"H x 17"W. Good condition with wear to cover.
Edward Curtis Photogravure KlamathEdward Curtis Photogravure Klamath Warrior Head-dress from Portfolio 13 and printed on Van Gelder?paper 22.25 x 17.5 in.1923
CHARLES AMAND-DURAND AFTER REMBRANDTCHARLES AMAND-DURAND AFTER REMBRANDT PORTFOLIOcomprising approximately 89 heliogravures, each himged to paper, unframed; each with red stamped mark to verso; with cloth-covered folder; together with seven additional prints after Rembrandt, each also hinged to paper, and not bearing a stamped mark; various sizes; each backing sheet 18 3/4 x 12 1/2 inches; the folder: 19 1/4 x 13 1/4 inches Condition:
"PORTRAITS IN WORDS AND IMAGES""PORTRAITS IN WORDS AND IMAGES" FULL SET PORTFOLIO Full set of eighteen prints combined in the "Portraits in Words and Images" limited edition by Manhattan Graphic Centers in 1994, artworks on various supports by Miriam Bell, Vera Campion, Bruce Cleveland, Helene Cote, Alice Craemer, Susan Fateh, Caroline Feudale, Florrie Gotlib, Joan Greenfield, Meredith Mayer, Richard MIlls, Bill Nimkin, Margaret Nussbaum, Sarah Plimpton, Sigrid Sperzel, Daniel Surak, Phyllis Trout and Caroline Waloski, all together in their original portfolio wrapper. 16.5" H x 12" W x 1" D.
CHARLES AMAND-DURAND AFTER ALBRECHTCHARLES AMAND-DURAND AFTER ALBRECHT DURER PORTFOLIOcomprising 78 heliogravures, each hinged to paper, unframed, each with red stamped mark to verso; with cloth-covered box; together with one additional print, also hinged to paper, and not bearing red stamp; various sizes; each backing sheet 17 1/2 x 12 1/4 inches; the box 21 x 16 1/2 inches Condition:
A Portfolio of Pictures from IndiaA Portfolio of Pictures from India comprising 24 photographs of portraits and landscape views. Height 14 5/8 x width 11 3/4 inches.
THREE PORTFOLIOS OF GREAT MASTERSTHREE PORTFOLIOS OF GREAT MASTERS AND OTHER PRINTSThree Portfolios of Great Masters and other Prints
THE CONNALLY COLLECTION PORTFOLIOTheTHE CONNALLY COLLECTION PORTFOLIOThe Connally Collection Portfolio, Set of twelve unframed prints selected by Governor of Texas John B. Connally (1917 - 1993) edition 396 of 1000 G. Harvey (1933 - 2017) "Too Wet To Plow" Kenneth Riley (1919 - 2015) "The Yuma Connection" Morris Rippel (1930 - 2009) "The Geese of Golondrinas" Robert Summers (b. 1940) "Putting Out A Scorcher" Willard Acheff (b. 1947) "Acoma" Melvin Warren (1920 - 1995) "Saddling the Blue Roan" Harvey W. Johnson (1921 - 2005) "The Traders' Soldier" Tim Cox (b. 1957) "Gathering At The Creek" Gordon Snidow (b. 1936) "Sam And The Cowboss" Ray Swanson (1937 - 2004) "Navajo Sunshine" James Boren (1921 - 1990) "West of Bandera" Robert Pummill (b. 1936) "Hitchin' A Ride" Dimensions: Clamshell Portfolio: 23 1/2 x 31 1/2 x 1 1/2 in. (59.69 x 80.01 x 3.81 cm.) Provenance: Private Collection, New Mexico
"NAKED PORTFOLIO" FULL SET OF 19"NAKED PORTFOLIO" FULL SET OF 19 PRINTS, 1998 Full set of nineteen prints combined in the "Naked Porfolio" edited by Manhattan Graphic Centers in October 1998, artworks on various supports by Anneli Arms, Cynthia Back, Federico Camara, Bruce Cleveland, Syd Gelbwaks, Florrie Gotlib, Tsutomu Kajimoto, Natahn Kanofsky, John LoCicero, Sloane Madureira, James Martin, Meredith Mayer, Bill Nimkin, Judy Peck, Marilyn Silberstang, Kryssi Staikidis, Tom Taylor, Penelope Weiss and Barbara Yoshida, all together in their original portfolio wrapper, portfolio numbered 21/23. 16.5" H x 12" W x 1" D.
3 vols. George Hurrell: The Portfolios3 vols. George Hurrell: The Portfolios of George Hurrell. Santa Monica, 1991. Folio, orig. white cloth; light edge wear, d/j. Photo plates. Bright copy. * Vieira, Mark A. Hurrell's Hollywood Portraits. The Chapman Collection. (New York): Abrams, (1977). 6th ptg. 4to, orig. cloth; corners slightly bumped, d/j (minor edge wear). Photo illus. throughout. Former owner's presentation on front free endpaper. * Stine, Whitney. "The Hurrell Style. New York: John Day, 1976. 2nd ptg. 4to, orig. stiff pictorial wrappers; slightly creased. Photo illus.
GEORGE HURRELL PORTFOLIO, PHOTOSGEORGE HURRELL PORTFOLIO, PHOTOS OF MOVIE STARS George Hurrell (1904–1992) 37" x 54" x 2" Boxes, Series #3, Set #33 of 50, Parts 1&2, published by Producer's Film Center of Hollywood, CA. Hurrell Portfolio III (ten celebrity photographs), originals 1932-44 / this portfolio of reprints issued in 1979 gelatin silver satin prints mounted on foamcore. Unframed. 36 h × 48 w in (91 × 122 cm). Portraits of Joan Crawford, Gilbert Roland, Ann Sheridan, James Cagney, Gene Tierney, Charles Boyer, Jascha Heifetz, John Barrymore, Veronica Lake, and Anna May Wong. These works are hand-developed, photographer hand-signed prints from the original negatives. Signed and numbered to lower edge of each example ’33/50 Hurrell’. This portfolio is number 33 from the edition of 50, 1979.
Only top two images examined after opening box for part 1. Both boxes are original and were sealed. None removed to avoid damage from handling.
PORTFOLIO, AFTER MAURICE DE VLAMINCKPORTFOLIO, AFTER MAURICE DE VLAMINCK After Maurice de Vlaminck (French, 1876-1958), "Notre Pain Quotidien," 1963, portfolio of twelve (12) pochoir facimilies with accompanying text by Georges Duhamel, printed by Daniel Jacomet, published by Aux Depens d'un Amateur, Paris, edition X/XI, sheets (overall/each): 21"h x 16.75"w, overall (with portfolio case): 21.75"h x 17.25"w. Provenance: Gifted by noted French printer Daniel Jacomet to the owner of Paris Art Gallery (San Francisco, CA); then to Private Collection (Berkeley, CA).
Thirteen PiecThirteen Piec
A portfolio containing antiqueA portfolio containing antique and vintage works on paper, including: signed etchings and engravings, signed celebrity photo, signed mezzotint portraiture, original pen and ink illustrations, monochromes, silver gelatin prints, original signed illustrations by Gladys Emerson Cook, rare Coca-Cola motif craft card, Japanese woodblock prints, indigenous watercolors, and window decoration models for stained glass. Portfolio 2”H x 17.75”W x 12”D Condition: in plastic lining, overall good CT Transfer Fee $10
GROUP OF THIRTEEN CIRCUS-RELATEDGROUP OF THIRTEEN CIRCUS-RELATED CABINET PHOTO PORTRAIT...Group of Thirteen Circus-Related Cabinet Photo Portraits. Various dates and publishers, including Marceau Bellsmith, Bradley & Rulofson, Gulenkunst Co., Scholl, Knaff, Wheeler, Bourghottzer, and four portraits by ObermŸller & Kern. Twelve cards are portraits, one card shows a circus scene. Various sizes, most being 4 _ x 6 _". A few cards have chipped corners, otherwise good to very good.
AFTER EDWARD SHERIFF CURTIS (AMERICANAFTER EDWARD SHERIFF CURTIS (AMERICAN 1868-1952), THREE PHOTOGRAVURES FROM THE NORTH AMERICAN INDIAN PORTFOLIO, FRAMED, 26 X 21 INCHESAfter Edward Sheriff Curtis (American 1868-1952), Three Photogravures from The North American Indian Portfolio, Framed, 26 x 21 inches
PORTFOLIO "MAPPE 10" 10 prints,PORTFOLIO "MAPPE 10" 10 prints, each pencil signed and numbered in the margin, some also dated in pencil. Edition 58/100 (one numbered 58/125); Dieter Brusberg, publisher. With prints by Gerhard Altenbourg, Erich Hauser, Arnold Leissler, Wolfgang Oppermann, Bernhard Schultze, Kumi Sugai, Rolf Szymanski, Joe Tilson, Jan Voss and Paul Wunderlich. Largest sheet, 20 7/8 x 26 3/8 in. With original portfolio cover and justification page. provenance: Private Collection, Pennsylvania. ,200 Sheets are in generally good condition. Prints are unframed in original portfolio.