A few examples of appraisal values for
D BARKER

• TWO ENGLISH STERLING SILVER
  TWO ENGLISH STERLING SILVER SALVERSTwo English sterling silver salversvarious makersearly 20th centuryWilliam Comyns & Sons, London, 1905, monogram: AFW and Barker Brothers, Chester, 1919.the larger height 1 1/4in (3cm); diameter 12in
• Two Pairs of English Silver
  Two Pairs of English Silver Seal-Topped Berry Spoons and a Sugar Sifter, Holland, Aldwinckle & Slater, London, 1906 and Barker Bros., Birmingham, 1931 contained in two fitted cases largest spoon length 7 in — 17.7 cm
• STAFFORDSHIRE REDWARE CHINOISERIE
  STAFFORDSHIRE REDWARE CHINOISERIE COFFEE-POT AND COVER, CIRCA 1765-1770 HEIGHT: 8 1/2 IN. (21.6 CM.)STAFFORDSHIRE REDWARE CHINOISERIE COFFEE-POT AND COVER, CIRCA 1765-1770, attributed to Thomas Baker, The Foley, Fenton, of pear-shape with molded basketweave spout and acanthus topped C-shaped handle, the body sprigged in low relief front and back with two Chinese figures, one with a bird in a loop, the other with a parasol, below floral devices, the trellis and foliate scrollwork topped by a bell, the conforming domed cover with a knob finial Dimensions: Height: 8 1/2 in. (21.6 cm.) Provenance: With Ted Few, London, October 2018, 500 pounds Gift of J.V.G. Mallet, December 2018 From the Collection of Diana Edwards Murnaghan, No. 503 Catalogue note: Similar decoration on a coffee-pot is illustrated by David Barker and Pat Halfpenny in "Unearthing Staffordshire" (1990). This type of low-relief sprigged decoration is generally achieved using a metal mold. For a similarly sprigged teapot see Potomack, September 30, 2021, lot 2198.
• STAFFORDSHIRE 'TORTOISESHELL'
  STAFFORDSHIRE 'TORTOISESHELL' CREAMWARE TEAPOT AND COVER, CIRCA 1755-60 HEIGHT: 4 IN. (10.2 CM.)STAFFORDSHIRE 'TORTOISESHELL' CREAMWARE TEAPOT AND COVER, CIRCA 1755-60, attributed to Thomas Whieldon and Josiah Wedgwood, globular with crabstock handle and spout, the cover with an upright flower finial, each side applied with a large formal rose and scrolling vine, sponged overall in a mottled grey, the leaves and high points picked out in ochre and copper-green oxides, under a lead glaze Dimensions: Height: 4 in. (10.2 cm.) Provenance: The Zeitlin Collection, no. WH41 (label) With M.S. Rau Antiques, New Orleans, March 2000 ($1,600) From the Collection of Diana Edwards Murnaghan, No. 328 Catalogue note: Described by Josiah Wedgwood on a bill dated November 9, 1762 as 'cloudy' or grey tortoise (30-22806). A partnership between Thomas Whieldon and Josiah Wedgwood began in 1754 to produce earthenware and salt-glazed stoneware. Much of their production was experimental and very few pieces exist. See David Barker and Pat Halfpenny, "Unearthing Staffordshire", (1990), p. 41, no. 22, for a teapot of like type. Here noted, "The attribution of this piece is dependent upon the exact match of the sprigged designs with those excavated at Fenton Vivian. The cover, with its upright flower knop with leaves at its base, is particularly distinctive, being one of the most common types of tortoiseshell cover found on the site."
• NEW YORK WATERCOLOR AND CUTWORK
  NEW YORK WATERCOLOR AND CUTWORK SILHOUETTENew York watercolor and cutwork silhouette of Mr. David Barker and family , signed Weston and dated 1839 , 9 1/2" x 13 1/2". Provenance: The Collection of Ellen & Richard Levine, New York. Competitive in-house shipping is available for this lot. Condition: Frame - 13 1/4" x 17 1/4". Good condition with a couple light scratches around gentleman.
• 2) GEORGIAN STYLE SILVERPLATE WATER
  2) GEORGIAN STYLE SILVERPLATE WATER URN & COMPOTE(lot of 2) English silver plate group: (1) Georgian style hot water urn, likely Sheffield, 19thc., having gadrooned accents and handles, engraved heraldic crest to the front, palmette topped tapering uprights on paw feet, open center (lacking warmer), on round ball feet, one handle lacking cap, dent to underside, spigot marked patent, approx 17"h, 13"w, 13"d; (1) Ellis and Barker, England, ornately chased pedestal bowl, floral and foliate rim, enclosing pierced border and central well with overall floral and foliate motif, on a low pedestal foot, bearing Menorah mark and England underfoot, numbered 39, approx 3.5"h, 10.5"w; 14lbs
• Two English Silver Pierced
  Two English Silver Pierced Two-Handled Baskets, Adie Bros. and Barker Bros., Birmingham, 1939/41 with blue glass liners width 4.6 in — 11.8 cm; width 5.8 in — 14.7 cm
• Edwardian Silver Footed Bowl and
  Edwardian Silver Footed Bowl and a Sauce Boat, Vale Bros. & Sermon and Barker Bros., Chester, 1903 and 1909 bowl height 4.1 in — 10.4 cm, diameter 5.6 in — 14.2 cm; sauce boat length 7.5 in — 19.1 cm
• PAINTING, GEORGE EDMUND BARKER JR
  PAINTING, GEORGE EDMUND BARKER JR George Edmund Barker Jr (American, 1882-1965), "Cocoran," oil on canvas board, stamped and titled verso, overall (with frame): 11"h x 14"w
• PAINTING, GEORGE EDMUND BARKER JR
  PAINTING, GEORGE EDMUND BARKER JR George Edmund Barker Jr (American, 1882-1965), "Looking Towards Baldy," 1938, oil on canvas board, artist stamp, titled, and dated verso, overall (with frame): 14.75"h x 16.75"w
• CECILIA BEAUX, (AMERICAN,
  CECILIA BEAUX, (AMERICAN, 1855-1942), WILLIAM BIDDLE, OIL ON PANEL, 13 X 9 1/2 IN., FRAME: 20 X 16 1/4 IN.CECILIA BEAUX, (American, 1855-1942) William Biddle, oil on panel oil on panel Dimensions: 13 x 9 1/2 in., frame: 20 x 16 1/4 in. Provenance: The artist; to her niece, Ernesta Drinker Barlow; a gift to noted interior designer Harold B. Cultra; by bequest to Richard Barker; to his estate; with Alfred J. Walker Fine Art (Boston); by descent within a Hamilton, Massachusetts Family. The internationally acclaimed American figure painter Cecilia Beaux was heralded by her friend and fellow artist William Merritt Chase (1849–1916) in 1899 as "not only the greatest living woman painter, but the best that has ever lived." Though Beaux rejected the term "woman painter," and instead, predicted as early as 1915 that "an hour when the term ‘Women in Art' will be as strange sounding a topic as ‘Men in Art' would be now." Beaux embraced the framework of her family for the creation and reception of her work throughout her career. This portrait depicts her uncle and guardian William Foster Biddle, who was instrumental to her introduction to fine art and Philadelphia society. Thanks to her uncle's encouragement of her burgeoning talent, Beaux's sitters were not confined to women and children, and she received formal commissions from Philadelphia's leading citizens and institutions. By the age of 18, Beaux was earning a living through commercial art and her works were exhibited internationally including the 1900 Exposition Universelle in Paris where she received the Gold Medal. In 1933 Beaux received the Chi Omega Gold Medal from Lady Eleanor Roosevelt who celebrated the artist as, "the American woman who had made the greatest contribution to the culture of the world." Condition: Could do with a cleaning; minor horizontal craquelure along top and bottom thirds of work; UV examination reveals scattered inpainting throughout, most notably an approx. 8 in. horizontal repair across gentleman's chest. Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
• 6 PCS, WATERFORD CRYSTAL, BARKER
  6 PCS, WATERFORD CRYSTAL, BARKER ELLIS & GORHAM British and American, contemporary. Four Waterford Crystal double old fashioned glasses in the "Westhampton" pattern together with Gorham and Barker Ellis silverplate ice buckets. Appropriately marked. Approx. h. 4" (glasses), h.10.25" (tallest ice bucket)
• (104) ENGLISH SILVERPLATE
  (104) ENGLISH SILVERPLATE FLATWARE SET IN OAK CASE(lot of 104) English silverplate flatware service, Atkin Brothers and Barker Brothers, most of the service with beaded edge handles, including: (12) knives, 10 1/8"l (12) dessert knives, 8.5"l, (12) table forks, 8.5"l, (12) dessert forks, 7 1/8"l, (12) dessert spoons, 7.25"l, (12) teaspoons, 5 7/8"l, (6) egg spoons, 5"l, (4) salt spoons, 3.25"l, (8) tablespoons, 9"l, (2) sauce ladles, 7.5"l, (1) gravy spoon, 13"l, (1) soup ladle, 12"l, (1) sugar tongs, 6 1/8"l (4) knife rests, 3.25"l, (1) honing steel, 11.25"l, (2 piece) carving set, 12.25"l, (2 piece) carving set, 14"l, housed in an oak fitted flatware case, approx 10"h, 18"w, 12.5"d, 36lbs total (for shipping purposes only)
• COLLECTION OF SMALL SILVERPLATED
  COLLECTION OF SMALL SILVERPLATED ITEMSCOLLECTION OF SMALL SILVERPLATED ITEMS, including an English silverplated wine coaster with 'England' and Barker Ellis marks, with pierced gallery and wood base; a small plated Crescent Silver Co. salver with pierced gallery and incised foliate scroll, atop four compressed bun feet, dia: 7 in.; set of 6 unmarked bread and butter plates with plain wide rims, dia: 6 in.; 7 Rogers Bros. monogrammed forks; an oval monogrammed coin purse with kiss lock, w: 3 1/2 in.; a pair of Scandinavian EPNS souvenir spoons in a tartan paper box; a Reed & Barton plated shell bowl sugar spoon; a Continental heart-shaped trinket box with open lattice top, scrolling rocaille designs to borders, red card interiors, w: 4 3/4 in.; and a small tea infuser in the form of a house, h: 1 1/2 in. (21) Provenance: Estate of Shirley Z. Johnson, board member of the National Museum of Asian Art
• GEORGE V SILVER TEAPOT, CHESTER
  GEORGE V SILVER TEAPOT, CHESTER 1919, HERBERT EDWARD BARKER & FRANK ERNEST BARKER (BARKER BROTHERS) WIDTH OVER SPOUT: 11 IN. (27.94 CM.)GEORGE V SILVER TEAPOT, CHESTER 1919, HERBERT EDWARD BARKER & FRANK ERNEST BARKER (BARKER BROTHERS), in the Art Deco style, the low pot with rounded sides and corners, with a reeded band to shoulders, angular wood handle and scrolling spout, wood handle and finial, all atop four ball feet, no monogram, 19.5 ozt gross Dimensions: Width over spout: 11 in. (27.94 cm.)
• GORHAM SILVER CRESTED FOUR-PIECE
  GORHAM SILVER CRESTED FOUR-PIECE TEA SET AND BARKER BROS. SILVER CRESTED RECTANGULAR TWO-HANDLED TRAY, BIRMINGHAM 1936GORHAM SILVER CRESTED FOUR-PIECE TEA SET AND BARKER BROS. SILVER CRESTED RECTANGULAR TWO-HANDLED TRAY, BIRMINGHAM 1936, the set model number A3180, each piece crested to one side and monogrammed in script to the other above a fluted band to lower section, including a teapot, coffee pot, milk jug and covered two-handled sugar bowl; together with a Barker Brothers Ltd., Birmingham 1936 silver crested elongated silver two-handled tray with 'pie crust' borders and scrolling handles (5)
• ENGLISH CREAMWARE RETICULATED
  ENGLISH CREAMWARE RETICULATED FACE MASK JUG, AN ENGLISH CREAMWARE MODEL OF A SQUIRREL AND TWO ANIMAL BOXES AND COVERSENGLISH CREAMWARE RETICULATED FACE MASK JUG, AN ENGLISH CREAMWARE MODEL OF A SQUIRREL AND TWO ANIMAL BOXES AND COVERS, circa 1760-70, Staffordshire, the jug probably William Greatbatch, the squirrel probably Thomas Whieldon; the first of barrel form with face mask spout, pierced gallery and ear-shaped handle, striated overall in green, yellow and grey and speckled manganese, h: 3 in.; the creamware squirrel modeled eating a nut, h: 2.5 in.; the duck-form box and cover, circa 1800, modeled preening, l: 3.75 in.; the Staffordshire frog-form box and cover, 19th Century, modeled resting on a lily pad base, l: 3.75 in. (4) Provenance: With Jerome W. Blum, Lisbon, CT, 7 April, 1990 (the cream jug); With S.J. Webster-Speakman, Cambridge, England, 15 September, 1986 (the squirrel); With Lindsay Grigsby, Richmond, VA, January 1990 (the duck); With J.D. Querry Antiques, Martinsburg, PA, 21 March, 1986 (the frog); Estate of Tom and Lee Stanley English Creamware Collection Literature: David Barker, "William Greatbatch: A Staffordshire Pottery," Jonathan Horne: London, 1991, pl. 73 for shards from the Greatbatch archaeological site enameled with a similar pattern as those found on the cream-jug. For a similar large squirrel see, The British Museum Collection, no. 1887, 0307, H. 42 (See Hobson H42).
• PAIR OF COCKPIT HILL CREAMWARE
  PAIR OF COCKPIT HILL CREAMWARE POLYCHROME-DECORATED 'BASKET AND PINEAPPLE' RELIEF-MOLDED SAUCEBOATSPAIR OF COCKPIT HILL CREAMWARE POLYCHROME-DECORATED 'BASKET AND PINEAPPLE' RELIEF-MOLDED SAUCEBOATS, circa 1765, Derbyshire, each side molded with a foliate scroll cartouche containing a pineapple growing in a pot, enriched in yellow, iron-red and green, l: 6 in. (2) Provenance: With Alistair Sampson Antiquities, London, 21 June, 1984; Estate of Tom and Lee Stanley English Creamware Collection Literature: For a teapot with similar molding, attributed to Cockpit Hill, see Donald Towner's "Creamware," pl. 46a, p. 103. Variations of this molded pattern were likely made by several manufacturers. For a discussion of shards found on the Greatbatch site, see David Barker, "William Greatbatch" (1991), pp 249-250. Compare: The Harriet Carlton Collection, Sotheby's, New York, lot 153, for a salt-glazed stoneware example of this form, as probably Cockpit Hill.
• TWO WILLIAM GREATBATCH CREAMWARE
  TWO WILLIAM GREATBATCH CREAMWARE POLYCHROME-DECORATED RELIEF-MOLDED WARESTWO WILLIAM GREATBATCH CREAMWARE POLYCHROME-DECORATED RELIEF-MOLDED WARES, circa 1770, Staffordshire, in the 'fruit basket' pattern, the globular teapot with fitted cover and upright flower finial, acanthus molded spout and ear-shaped handle, the lower body molded as a stave-work basket, h: 4 5/8 in.; the shaped plate molded with fruit filled scrollwork cartouches, both enriched in grey-blue, ochre-yellow, green and manganese, dia: 8.25 in. (2) Provenance: With Wynn A. Sayman, Richmond, MA, 14 December, 1988 (the teapot & cover); Mrs. William S. Lasdon, Christie's East, January 29, 1986, lot 159 (the plate); The Herbert and Sylvia Jacobs Collection, no. 585, Christie's, New York, 30 January, 1994, sale 7826, lot 128 (the plate); Estate of Tom and Lee Stanley English Creamware Collection Literature: David Barker, "William Greatbatch: A Staffordshire Potter," Jonathan Horne: London, 1991, p. 142, pl. 157 (the teapot and cover). David Barker, "William Greatbatch: A Staffordshire Potter," Jonathan Horne: London, 1991, p. 243, pl. 160 (the plate).
• CECILIA BEAUX PENCIL DRAWING OF A
  CECILIA BEAUX PENCIL DRAWING OF A YOUNG WOMANCecilia Beaux (American 1855-1947) , pencil drawing of a young woman knitting, initialed lower right, 5" x 7". Provenance: Niece of the artist; gift to Harrison B. Cultra; inheritance to Richard Barker; purchased from the Barker estate. Condition: A little light toning along lower edge. Good condition. No apparent damages or repairs. Inscription to right of initials reads "______ 1878". Examined out of frame.
• STAFFORDSHIRE CREAMWARE TEAPOT,
  STAFFORDSHIRE CREAMWARE TEAPOT, ATTRIBUTED THOMAS WHIELDON, CIRCA 1755-60 HEIGHT: 4 1/2 IN. (11.43 CM.)STAFFORDSHIRE CREAMWARE TEAPOT, ATTRIBUTED THOMAS WHIELDON, CIRCA 1755-60, Staffordshire mottled-ground creamware teapot and a replacement wooden cover, the pot attributed to Thomas Whieldon, Fenton Vivian, circa 1755-60, with crabstock spout and handle issuing an applied flowering rose vine, splashed in yellow and green Catalogue note: See David Barker and Pat Halfpenny, Unearthing Staffordshire, p. 41, no. 22, for a teapot of like type. Here noted, "The attribution of this piece is dependent upon the exact match of the sprigged designs with those excavated at Fenton Vivian. The cover, with its upright flower knop with leaves at its base, is particularly distinctive, being one of the most common types of tortoiseshell cover found on the site." Dimensions: Height: 4 1/2 in. (11.43 cm.) Provenance: Elizabeth Chellis Collection Collection of Nancy and Andrew Ramage
• AMERICAN STERLING FIVE-PIECE COFFEE
  AMERICAN STERLING FIVE-PIECE COFFEE AND TEA SERVICE WITH SILVERPLATE TWO-HANDLE TRAY, FRANK M. WHITING AND BARKER ELLIS, EARLY 20TH CENTURYAmerican Sterling Five-Piece Coffee and Tea Service with Silverplate Two-Handle Tray, Frank M. Whiting and Barker Ellis, Early 20th Century Consisting of a coffeepot, teapot, covered sugar, creamer, and cachepot; undersides stamped with volume/ HANDCHASED/standard/maker/mark/model/piece number. Dimensions: Height of coffeepot: 11 3/8 in (28.9 cm)Length of tray: 26-1/8 in (66.4 cm)Total gross weight: 80.4 oz Provenance: Property of Various Owners
• Silverplated trays and table
  Silverplated trays and table items to include a plated ice bucket, a scroll edge tree and well meat tray, a multi-well footed turning tray, a pair of silverplated copper gadrooned edge trays, an Ellis and Barker silverplated tray and assorted silverplated table items. Also to include a sterling weighted candlestick and (2) pepper mills.
• Bates (H E) and Barker (C) Achilles
  Bates (H E) and Barker (C) Achilles the donkey, Achilles and Deana and Achilles and the Twins (3)
• ENGLISH STERLING SILVER SOLID
  ENGLISH STERLING SILVER SOLID FOOTED BASKET, CHESTER, BY BARKER BROS., DATED 1908 9 ¾" x 11 ?" x 9 ?" Oval form solid sterling silver footed basket with arched handle, serpentine everted rim; with maker's hallmark "HEB over FEB in a shield" for Barker Bros (Herbert Edward Barker & Frank Ernest Barker) on the inside border. Weights 17.17 toz.
• A Group of Four Works on Paper by
  A Group of Four Works on Paper by 20th Century American Artists Second Half 20th Century The Emergence of the Cardinal, 1963-1964 by Dennis Loy (American, 1939-2012), etching, signed, dated, titled and inscribed in pencil; Persian Series, 1961 by Walter William Barker, Jr. (American, 1921-2004), watercolor on paper, signed Barker and dated (lower right); The Great Pond, 1960 by Herbert L. Fink (American, 1921-2006), etching on paper, signed, dated, titled, and numbered 65/100 in pencil; Charles Henry & Anna Baldwin Bull House (built 1856), 1651 Maine Street, Quincy, Illinois, 1974 by José López (Cuban/American, 1941-1992) and Luis Medina (Cuban/American, c. 1942-1985), silver gelatin print. First: 10 1/2 x 9 3/4 inches (plate). Property from the Collection of George Irwin, Quincy, Illinois, Sold to Benefit Krannert Art Museum
• An English Silverplate Inkstand
  An English Silverplate Inkstand Barker Ellis of rectangular form with rounded corners and flattened ball feet having two glass inkpots together with a silverplate skewer form paper knife. Width 9 1/4 inches.
• MINIATURE ON PAPER PORTRAIT OF JOHN
  MINIATURE ON PAPER PORTRAIT OF JOHN FLETCHER BARKER . American 1830-1845 graphite on paper. Half-length portrait of a gentleman seated in a fancy Windsor chair. In a period curly maple frame 8''h. 7''w. Ex Don Walters (Massachusetts). The portrait is identified on the back as John Fletcher Barker born in 1800. Genealogical research has found Barker born in 1799 in Virginia and married to Catherine Weaver in Kentucky. Minor staining around border.
• Silver Plated Serving Pieces
  Silver Plated Serving Pieces English and American an assembled group of eight silver plated serving pieces including two spoons hallmarked J.B.Ltd / Sheffield England a spoon hallmarked Cooper Bros. & Sons Ltd. / Sheffield England a ladle hallmarked Rogers a fork hallmarked Community Silver a fork/spoon combination serving tongs hallmarked Barker Bros. / England and a fish service hallmarked RFM&S EP; largest lg. 12 in.
• BOOKS: Clive Barker extensive
  BOOKS: Clive Barker extensive collection of Barker and Barker-esque comics and illustrated novels including: Taboo I & II; Living Dead London; Demons and Deviants; a run of Fantalizing Stories (Kitchen Sink imprints included) and the like over thirty-five items.