A few examples of appraisal values for
DA VINCI

• AFTER LEONARDO DAVINCI (ITALIAN,
  AFTER LEONARDO DAVINCI (ITALIAN, 1452-1519)After Leonardo DaVinci (Italian, 1452-1519), "Saint John the Baptist", decorative reproduction on panel, 17 7/8 in. x 15 in., framed. Condition: Overall poor condition. Ext. Frame: 24 3/4 in. x 21 3/4 in. x 2 in.
• IN THE MANNER OF LEONARDO DA VINCI,
  IN THE MANNER OF LEONARDO DA VINCI, CA. 18TH CENTURY 4 ?" x 3 ½" drawing; 8" x 5 ?" later paper Study of Madonna. Charcoal drawing with white highlights on elaborate watermark laid paper, hinged at four corners to a later period paper support, partial collector's stamp in lower right corner (purple circle 458), additional old writing on verso, in French matting, overall with mat 11 ?" x 9 ?", unframed.
• After Leonardo da Vinci, Late
  After Leonardo da Vinci, Late 19th/Early 20th Century San Giovanni Battista di Leonardo da Vinci (Saint John the Baptist) oil on canvas titled and signed Prof. R. Barretta Museo Nazionale Napoli (verso) 19 3/4 x 14 1/2 inches. Property from the Estate of Catherine DeVoy, Milwaukee, Wisconsin
• Painting after Leonardo da Vinci
  Painting after Leonardo da Vinci (Italian, 1452-1519), Ecce Agnus Dei (Behold the Lamb of God), circa 1840, depicting a young, smiling John the Baptist pointing heavenward towards inscription Ecce Agnus Dei, oil on canvas, 18-1.2 x 14-78 in.; modern gilt wood frame.
• Leonardo DiVinci 'Virgin of the
  Leonardo DiVinci 'Virgin of the Rocks' Giclee Framed- 24x19''
• JOSEPH WALLACE KING "VINCIATA"
  JOSEPH WALLACE KING "VINCIATA" (NC/ITALY, 1911-1996), PORTRAIT OF A BOY Oil on canvas, circa 1960s, signed at lower right, presented in an ornate gilt frame with linen liner.
• AFTER LEONARDO DA VINCI, HEAD OF
  AFTER LEONARDO DA VINCI, HEAD OF WOMAN, PRINT ON CANVAS, FRAME: 28 X 22 INAfter Leonardo da Vinci, Head of Woman, Print on Canvas, Frame: 28 x 22 in
• 18th Century Italian School
  18th Century Italian School Follower of Leonardo da Vinci (Italian, 1452-1519) MONA LISA oil on linen laid down on board, unsigned 23.8 x 20 in — 60.5 x 50.8 cm
• Salvador Dali (Spanish 1904-1989)
  Salvador Dali (Spanish 1904-1989) Leonardo da Vinci engraving edition 61/75 signed Dali (lower right) 7 x 5 inches.
• After Leonardo da Vinci, 20th
  After Leonardo da Vinci, 20th Century The Last Supper oil on panel 66 1/8 x 104 3/4 inches (sight).
• JOSEPH WALLACE KING "VINCIATA"
  JOSEPH WALLACE KING "VINCIATA" (NC/ITALY, 1911-1996), PORTRAIT OF A MAN WITH DISTANT CITY Oil on canvas, appears unsigned, framed.
• AFTER LEONARDO DA VINCI, THE MONA
  AFTER LEONARDO DA VINCI, THE MONA LISA COLOR PRINT AND TWO PRINTS OF EUROPEAN ARCHITECTURAL BUILDINGSAfter Leonardo da Vinci, The Mona Lisa Color Print and Two Prints of European Architectural Buildings,
• Joseph Wallace King Vinciata
  Joseph Wallace King Vinciata (American, 1911-1996) Giotto oil on panel signed Vinciata (lower right); signed and titled (verso) 14 x 14 inches. Property From The Estate of Edwin L. Cox, Dallas, Texas
• AFTER LEONARDO DI SER PIERO DA
  AFTER LEONARDO DI SER PIERO DA VINCI (ITALY, 1452 - 1519) "Five grotesque heads, and three heads of men in profile" c.1510-20, sanguine ink on laid paper, in oak frame, matted and glazed, OS: 12 3/4" square, SS: 2 3/4" square. Copied from the original, late 19th c. From the Royal Trust Collection: RCIN 912491. "A drawing of eight heads; there are three grotesques in the top tier and three male heads, possibly all of the same subject, in the middle tier. In the lower tier are two heads of male and female grotesques, facing each other in profile. As in RL 12493, these heads were copied from an extensive series of Leonardo's grotesques. The first two here are a study in morphological contrasts - a sloping forehead opposite a beetling brow, a long pointed nose opposite a flat nose and so on. The ape-like creature with a monstrous lip at upper right is an extreme example of Leonardo's ugly old women, and one of his few genuinely disturbing, rather than comic, inventions. The woman at lower right with an elaborate coiffure is yet another satire on aged vanity. Text adapted from Leonardo da Vinci: the Divine and the Grotesque Provenance Bequeathed to Francesco Melzi; from whose heirs purchased by Pompeo Leoni, c.1582-90; Thomas Howard, 14th Earl of Arundel, by 1630; Probably acquired by Charles II; Royal Collection by 1690"
• After Leonardo da Vinci/Self
  After Leonardo da Vinci/Self Portrait/oil on panel, 21.5cm x 17.5cm
• ADOLPHE MONTICELLI (ATTRIB.),
  ADOLPHE MONTICELLI (ATTRIB.), PAINTING Attributed to Adolphe Monticelli (French, 1824-1886), Venus and Putti, oil on panel, signed "Monticelli" lower left, 18"h x 24.75"w (panel), 28"h x 34.5"w (frame)
• After Giuseppe Vasi
  After Giuseppe Vasi (1710-1782)/Veduta in Prospettiva della Gran Fontana Dell 'Acqua Vergine Detta Di Trevi, Architettura D Nicola Salvi/black and white engraving, 51cm x 71.5cm/and other 17th and 18th Century engravings
• JOSEPH WALLACE KING "VINCIATA"
  JOSEPH WALLACE KING "VINCIATA" (NC/ITALY, 1911-1996), A YOUNG MAN Oil on board, unsigned, presented in the original frame.
• DAVID DALLA VENEZIA
  DAVID DALLA VENEZIA (FRENCH/ITALIAN, B. 1965)David Dalla Venezia (French/Italian, b. 1965) , "Untitled", 2005, oil on canvas board, signed, dated "MMV" and inscribed "447" lower center, 10 5/8 in. x 8 5/8 in., framed; together with Galleria L'Occhio, Venice exhibition catalogue. (2 pcs.) Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.
• JOSEPH WALLACE KING "VINCIATA"
  JOSEPH WALLACE KING "VINCIATA" (NC/ITALY, 1911-1996), YOUNG BOTTICELLI Oil on masonite, with title and indiscernible date at upper left, framed.
• ACHILLE BOSCHI, (3) OIL ON BOARD
  ACHILLE BOSCHI, (3) OIL ON BOARD PORTRAITS Achille Boschi (Italian, 1852-1930), "Michelangelo", "Raphael" and "Leonardo da VInci" portraits, "A. Boschi's Picture Gallery" on verso of each, with name of subject and name of owner, in giltwood frame with carved acanthus leaf border, 8.5"h x 6.75"w (boards), 16"h x 28.5"w (frame)
• Manner of Leonardo da Vinci
  Manner of Leonardo da Vinci Portrait of a Young Woman Holding a Book Estimate:$800-$1,200
• 3 PIECES RELIGIOUS ARTWORKAfter
  3 PIECES RELIGIOUS ARTWORKAfter Leonardo DaVinci The Last Supper print on fabric. After Carlo Maratta (Italian, 1625-1661) The Holy Night engraving. Printed by Roberto Hoesch. Retailed by David Ashley Inc. NYC. White metal relief plaque of Jesus Christ. Plaque: 11 3/4" x 9 1/4" (with frame: 17 3/4 x 14").
• Four Figural Stone Carvings 19th
  Four Figural Stone Carvings 19th century: "Leonardo Da Vinci" bust, inscribed on base, 8-1/8 in.; "Giotto" bust, 6-1/8 in.; bust of laughing boy, 5-7/8 in.; architectural fragment with man's head and partial inscription "VS IN DEO", 6-1/2 x 7 x 3 in.,
• AFTER PIETRO VANNUCCI / PERUGINO
  AFTER PIETRO VANNUCCI / PERUGINO (ITALIAN, 1450-1523), LA MADONNA DEL SACCO 20th century oval painting on celluloid, after the Italian Master's oil on panel piece now located in the Palazzo Pitti, Florence, presented in a 19th century ornate carved giltwood frame.
• ANTOINE SEBASTIEN FALARDEAU
  ANTOINE SEBASTIEN FALARDEAU (CANADIAN, 1822-1889), PORTRAIT OF LEONARDO DAVINCI, OIL ON CANVAS, 1857, AFTER A 17TH CENTURY POSTHUMOU...Antoine Sebastien Falardeau (Canadian, 1822-1889), Portrait of Leonardo DaVinci, oil on canvas, 1857, after a 17th century posthumous portrait of Leonardo, anonymous artist, previously believed to be a self-portrait, original hanging in the Pitti Gallery, Florence, Italy, ornate gilt wood frame, wear consistent with age including toning, craquelure, ss: 30" h. x 24" w. [PROVENANCE: Deaccessioned to benefit the Slater Memorial Museum's acquisition fund.] [PLEASE BRING APPROPRIATE ASSISTANCE AND VEHICLE, AS GALLERY STAFF CANNOT ASSIST WITH MOVING LARGER/HEAVIER PIECES AFTER PURCHASE]
• TWO FRAMED PRINTS AFTER OLD MASTERS
  TWO FRAMED PRINTS AFTER OLD MASTERS To include a large offset lithograph after Leonardo da Vinci's The Virgin and Child with Saint Anne and Saint John the Baptist, 20th century; to also include a mechanically printed photocollage with imagery of Jacques-Louis David's The Death of Marat and others; both framed.
• Joseph Wallace King Vinciata
  Joseph Wallace King Vinciata (American, 1911-1996) Girl with Gold Scarf oil on canvas laid to panel signed Vinciata (lower right); signed and titled (verso) 10 3/4 x 8 inches. Property From The Estate of Edwin L. Cox, Dallas, Texas
• VIRGILIO GUIDI, OIL ON CANVAS
  VIRGILIO GUIDI, OIL ON CANVAS Virgilio Guidi (Italian,1892-1984), Bacino di San Marco, signed verso, unframed, 20"h x 29"w (canvas)
• PORTRAIT OF LUCRETIA CRIVELLI AFTER
  PORTRAIT OF LUCRETIA CRIVELLI AFTER LEONARDO DA VINCI BY A. BIN: OIL/Canvas 21 1/2'' x 15'' signed in the stretcher verso encased in exceptional gilded and carved frame with repair 27'' x 20''.
• FRANCESCO VINEA(1845-1902) Man in
  FRANCESCO VINEA(1845-1902) Man in Renaissance Military Costume, inscribed verso, watercolor over graphite, 6-15/16 x 5-3/4 in.; wood frame, 15-5/8 x 14-5/8 in. Provenance: Ex-collection of Giovanni Piancastelli (Bologna, Italy, 1845-1926) (labels verso); From the album owned by Reverend Father Francis Agius (1891-1958), Long Island, New York; Private Collection Note: Literature: Olson, Roberta J. M. Italian 19th Century Drawings and Watercolors: An Album : Camuccini & Minardi to Mancici & Balla. 1976, no. 78. Condition: slight toning, not removed from frame
• 2 19C RENAISSANCE REVIVAL OLD
  2 19C RENAISSANCE REVIVAL OLD MASTER SEPIA DRAWING Italy,Early 19th CenturyOne depicting a potentially wounded man resting against a rock looking into the background observing a winged figure, the other a monk shoveling.
• AFTER RAPHAEL. "MADONNA DEL
  AFTER RAPHAEL. "MADONNA DEL CARDELLINO," OIL Late 19th century copy of the original in the Uffizi Gallery, oil on canvas, unsigned, 41 1/2 x 30 1/4 in., framed.
• Socrate Butazzi painting, after
  Socrate Butazzi painting, after Raphael, "Madonna de Cardellino" (or Madonna of the Goldfinch) after Raphael Sanzio, 1483-1520, verso "Socrate Buttazi/Via Verdi 13 p2: Firenze", Italian, late 19th/early 20th century, 43-5/8 x 31-3/4 in.; fine late 19th/early 20th century Florentine carved and gilt wood frame stamped verso "…Megri Firenze". Original stretcher and tacking edge, grime, abrasions, craquelure; frame with abrasions, some flaking of gilt surface, sticker.
• After Leonardo da Vinci (1452-1519)
  After Leonardo da Vinci (1452-1519) Italian MONA LISA Oil on canvas 31" (height) 78.7cm (height) 24.5" (width) 62.2cm (width)
• C. DOLFIN (ITALY, BORN 1929),
  C. DOLFIN (ITALY, BORN 1929), IMPRESSIONIST STYLE VENETIAN SCENE Oil on canvas, signed "C. Dolfin" lower right, depicting a view of the Doge's Palace and Santa Maria della Salute, presented in a gilt frame with linen liner; retains a brief artist bio to recto.