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Dale Chihuly (American, b.1941),
Dale Chihuly (American, b.1941), ‘Cinnamon Machia’ Glass Vase, 2001 height 7.5 in — 19 cm
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DALE CHIHULY (AMERICAN, B. 1941)
DALE CHIHULY (AMERICAN, B. 1941) BLOWN GLASS FORM Signed and initialed 'P.P. -94' (to underside). Dale Chihuly (American, b. 1941)
Dale Chihuly has become an internationally celebrated personality in contemporary art and design, whose prominence in the field of contemporary studio glass is unmatched. During his many years as a teacher, Chihuly made a point of gathering artists from all media to work with him and with glass, with the aim of introducing new points of view and infusing new energy into the process of glassworking.
In 1969, he took leadership of an important glass program at the Rhode Island School of Design (RISD) in Providence, and two years later, he founded Pilchuck Glass School, the premier international school for glass artists, with the Seattle art patrons Anne Gould Hauberg and John Hauberg. Students combined glass and other media in both glassblowing and installation work—often compensating in creative presentation for what they lacked in technique—and they were always encouraged by Chihuly to approach the material in unorthodox ways. With these achievements alone, Chihuly would be recognized for his enduring impact on the American studio glass movement, but he has been able to pursue a prolific and successful career as an artist as well.
While Chihuly’s work has changed dramatically throughout his nearly 50-year career, certain preferences have remained the same. He has always worked glass in a variety of sizes, from small vessels to room-size installations. He has always been interested in sculpture and in outdoor projects where the landscape may be used as a point of departure. Color, on the other hand, has been a gradual acquisition, from the muted, relatively monochromatic 1970s works, such as the Blanket Cylinders and early Seaforms, to the brilliant colors of the Macchias and Venetians in the 1980s and beyond.
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DALE CHIHULY IMPERIAL IRIS
DALE CHIHULY IMPERIAL IRIS PERSIAN GLASS SCULPTUREDale Chihuly (American, born 1941) Two Imperial Iris Persian Forms, 1999. Composed of 2 elements. Features a flared, ribbed clam-shaped central piece with alternating bands of light and dark purple wi
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Dale Chihuly (American, b. 1941)
Dale Chihuly
(American, b. 1941)
Bel Fiore
glass
signed Chihuly
Width 13 inches.
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Dale Chihuly (American, b. 1941)
Dale Chihuly
(American, b. 1941)
Two-Piece Persian Glass Set in Parrot Green with Red Lip
numbered pp01
Larger component, width 12 1/2 inches.
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Dale Chihuly (American, b. 1941)
Dale Chihuly
(American, b. 1941)
Two-Piece Persian Glass Set in Amethyst with Green Lip
glass
numbered oo995
Larger component, width 12 inches.
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Dale Chihuly (American, b. 1941)
Dale Chihuly
(American, b. 1941)
A Tomato Red Macchia with Blue Diva Lip Wrap, 2000
glass
signed and dated Chihuly '00 on the side of the exterior.
Height 26 1/2 x width 38 1/4 inches.
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Dale Chihuly (American, b. 1941)
Dale Chihuly (American, b. 1941)
Portland Press Editions, USA
Yellow Basket with Royal Blue Lip Wraps
glass
with etched signature and PP02 (underside)
7 1/2 x 8 inches.
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2PCS AMERICAN ART GLASS IN THE
2PCS AMERICAN ART GLASS IN THE STYLE OF CHIHULY Two pieces of American Art Glass in the style of a Dale Chihuly (American b. 1941), the first, a red Persian, having an inner fluted ball form in red with burgundy stripes and a black rim band, nestled inside inside the sedond, a shell form in red with navy stripes, and a navy rim band, the shell form signed Chihuly and dated 1995 underneath. Approximate Dimensions:Ball h. 3.75", dia. 3.5"; shell form h. 5.5", w. 10.5", d. 6".
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DALE CHIHULY (AMERICAN, B. 1941)
DALE CHIHULY (AMERICAN, B. 1941) apprx. 9" x 11 ½" x 13 ¼" "Amethyst Persian", 2005. Two-piece blown glass sculpture in vibrant purples and greens, base with bright green-yellow lip wrap, etched signature "Chihuly" on the outside and "PP05" on base of ball foot. Provenance: Life time collection of esteemed Professor and his Vice-Chancellor wife, Pittsburgh, PA.
Offered with custom made display case, apprx. 14 ½" x 12 ½" x 12 ½" and incredible books: "Chihuly Projects," by Dale Chihuly, Essays by Barbara Rose and Dale M. Lanzone, Abrams Books; "Chihuly Persians," Essay by Tina Oldknow, Portland Press, 1999; and "Chihuly XIV," Hawk Galleries booklet, Oct. 2, 2009 - Jan. 31, 2010.
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DALE CHIHULY (B. 1941): RADIANT
DALE CHIHULY (B. 1941): RADIANT PERSIAN PAIRGlass, apparently unmarked.
5 3/4 x 8 6 1/2 in.
Condition
Minor wear and in good condition.
Notwithstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
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DALE CHIHULY (B. 1941):
DALE CHIHULY (B. 1941): BASKETDale Chihuly (B. 1941): Basket, blue glass; etched signature, further inscribed "PP00" Dimensions: 5 1/2 x 5 1/2 x 5 in. (14 x 14 x 12.7 cm.) Condition:
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DALE CHIHULY (AMERICAN, B.1941)
DALE CHIHULY (AMERICAN, B.1941) "ROMAN RED SEAFORM PAIR" 2006 Blown glass, from Chihuly's Seaforms series, with original box and display case. Inscribed Chihuly PP06.
Dale Chihuly (American, b. 1941)
Dale Chihuly has become an internationally celebrated personality in contemporary art and design, whose prominence in the field of contemporary studio glass is unmatched. During his many years as a teacher, Chihuly made a point of gathering artists from all media to work with him and with glass, with the aim of introducing new points of view and infusing new energy into the process of glassworking.
In 1969, he took leadership of an important glass program at the Rhode Island School of Design (RISD) in Providence, and two years later, he founded Pilchuck Glass School, the premier international school for glass artists, with the Seattle art patrons Anne Gould Hauberg and John Hauberg. Students combined glass and other media in both glassblowing and installation work - often compensating in creative presentation for what they lacked in technique - and they were always encouraged by Chihuly to approach the material in unorthodox ways. With these achievements alone, Chihuly would be recognized for his enduring impact on the American studio glass movement, but he has been able to pursue a prolific and successful career as an artist as well.
While Chihuly’s work has changed dramatically throughout his nearly 50-year career, certain preferences have remained the same. He has always worked glass in a variety of sizes, from small vessels to room-size installations. He has always been interested in sculpture and in outdoor projects where the landscape may be used as a point of departure. Color, on the other hand, has been a gradual acquisition, from the muted, relatively monochromatic 1970s works, such as the Blanket Cylinders and early Seaforms, to the brilliant colors of the Macchias and Venetians in the 1980s and beyond.
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Dale Chihuly. Gray Macchia group.
Dale Chihuly. Gray Macchia group. 1982, hand-blown glass. 12 h × 25 w × 26¾ d in. result: $12,255. estimate: $10,000–15,000. Group is composed of five elements, originally six. Etched signature and date to underside of three elements ‘Chihuly 1982’. Provenance: Acquired directly from the artist
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Dale Chihuly. Black Seaform set.
Dale Chihuly. Black Seaform set. 1981, hand-blown glass. 7 h × 18 w × 18 d in. result: $12,445. estimate: $7,000–9,000. Set is composed of nine elements. Etched signature and date to underside of largest element ‘Chihuly 1981’. Provenance: Acquired directly from the artist
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Dale Chihuly. May Green Putti
Dale Chihuly. May Green Putti Venetian. 1990, hand-blown glass. 21¾ h × 13 dia in. result: $10,320. estimate: $8,000–12,000. Etched signature and date near base ‘Chihuly 90’. This work is registered with Chihuly Studio as number 91.74.pu1. Provenance: Holsten Galleries, Stockbridge, MA
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BOOKS ON DALE CHIHULY ART GLASS,
BOOKS ON DALE CHIHULY ART GLASS, 6 Group of reference / coffee table books on the art glass of Dale Chihuly, including 'Chihuly Over Venice' by Portland Press, 1996, 'Chihuly: Form From Fire' by Portland Press, 'The Art of Dale Chihuly' by Chronicle Books, 'Chihuly Persians' by Portland Press, 'Chihuly Alla Machia' by Portland Press, 'Chihuly Black' set of twelve note cards and envelopes. Tallest: 12.25" H x 9.25" W.
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STEPHEN DEE EDWARDS STUDIO ART
STEPHEN DEE EDWARDS STUDIO ART GLASS SCULPTURE Stephen Dee Edwards studio art glass sculpture of an abstracted sea creature or physalia, the frosted glass with areas of incised decoration, in the style of Dale Chihuly. 14" H x 15" diameter.
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(9) DALE CHIHULY ART GLASS COFFEE
(9) DALE CHIHULY ART GLASS COFFEE TABLE BOOKS(lot of 9) Dale Chihuly art books, titles include: (1) "Chihuly in the Light of Jerusalem," William Warmus, (1) "Chihuly Drawing," Dale Chihuly and Nathan Kernan, (1) "Chihuly," Donald B. Kuspit, (1) "Chihuly Jerusalem 2000," Tower of David, Museum of the History of Jerusalem, (1) "Chihuly Projects," Dale Chihuly, Barbara Rose, Dale M. Lanzone, (1) "Chihuly Bellagio: Fiori di Como," Las Vegas, Nevada, (1) "Chihuly's Pendletons," Dale Chihuly, (1) "Venetians," Dale Chihuly, (1) "Chihuly: Form From Fire," Walter Darby Bannard and Henry Geldzahler, largest: approx 14.25"1, 9.75"w; 31.5lbs total
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DALE CHIHULY (AMERICAN, B. 1941).
DALE CHIHULY (AMERICAN, B. 1941). Lithograph. Untitled. Signed lower left. No. 28 from an edition of 100. From a White Plains, NY collection. Dimensions: 34.25" high x 22.75" wide Condition: Spot at upper right. Framed behind glass, not examined out of frame.
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DALE CHIHULY (AMERICAN, B. 1941).
DALE CHIHULY (AMERICAN, B. 1941). Large Persian Glass Sculpture, Signed. From an east 96th St NYC estate. Dimensions: Approx. 23" h x 12" w. Condition: Good.
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DALE CHIHULY ( AMERICAN, B.
DALE CHIHULY ( AMERICAN, B. 1941). Yellow with blue lip wrap and striping. Engraved "PP00" at the pontil and signature at lower body. From a Great Neck, Long Island, NY estate. Dimensions: Approximately 7" x 8" Condition: Good.
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DALE CHIHULY ( AMERICAN, B.
DALE CHIHULY ( AMERICAN, B. 1941). Large Glass Sea Form Vase. Signed on the base. From a Great Neck, Long Island, NY estate. Dimensions: 9 h x 8.5" w x 9" d. Condition: Good.
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DALE CHIHULY ( AMERICAN, B.
DALE CHIHULY ( AMERICAN, B. 1941). Dale Chihuly Blown Glass Two-Piece Seaform Set Portland Press Edition, 2000. In blue colored glass with a yellow lip wrap, smaller element engraved PP00 and Chihuly. Length of larger element (10.75"). From a Great Neck, Long Island, NY estate. Condition: Good.
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DALE CHIHULY ( AMERICAN, B.
DALE CHIHULY ( AMERICAN, B. 1941). "Cinnamon Macchia", Portland Press 2001 Studio Edition, etched signature to underside "Chihuly PP01", blown glass with red lip wrap, (7" x 6.5" x 6.25"). From a Great Neck, Long Island, NY estate. Condition: Good.
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DALE CHIHULY (USA B. 1941). 1
DALE CHIHULY (USA B. 1941). 1 Signed and numbered PP09. From an East Side NYC estate. Dimensions: 4" h x 8" x 3.25" & 4.75" h x 11" x 8.75". Condition: Good.
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Anderson Parks (20th C, Washington)
Anderson Parks (20th C, Washington) acrylic sculpture, acrylic multi-sided wedge with spliced planes of white marbled acrylic, Parks Anderson is an American visual artist, the Seattle sculptor has worked with Dale Chihuly for over 20 years, having pieces displayed in many museums including LACMA, signed at base, 24-1/2" H, 6-1/4" W, 6" D
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DALE CHIHULY, (3) SMALL GLASS
DALE CHIHULY, (3) SMALL GLASS VESSEL SCULPTURES Dale Chihuly (American, b. 1941), hand-blown glass, striped red, blue and amber amorphous bowls with turquoise rim, unsigned and likely pieces from larger nest, 2"h x 4.5"l x 3"w (largest), 1"h x 3"dia (smallest)
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DALE CHIHULY, (AMERICAN, B.
DALE CHIHULY, (AMERICAN, B. 1941), BLUE SEAFORM WITH RED LIP WRAP, 1992, HANDBLOWN GLASS, HEIGHT: 7 1/2 IN., WIDTH: 14 1/2 IN., DEPTH: 8 1/2 IN.DALE CHIHULY, (American, b. 1941) Blue Seaform with Red Lip Wrap, 1992, handblown glass signed and dated Chihuly 92 on base 1992, handblown glass Dimensions: height: 7 1/2 in., width: 14 1/2 in., depth: 8 1/2 in. Provenance: The Collection of a Bar Harbor, Maine Couple. Condition: Overall good condition. No noticeable chips, cracks, or scratches. The work appears more blue overall than it does in these images. Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
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Dale Chihuly (b. 1941) 'Macchia
Dale Chihuly
(b. 1941)
'Macchia Basket', 1983
blown glass
signed 'Chihuly Thanks Joel 1-2-1983'
H 7 1/2 x W 11 x D 7 1/4 inches
Property from a Private Collector, Mequon, Wisconsin
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An unsigned leaded glass wall
An unsigned leaded glass wall multi-dimensional leaded glass wall sculpture in wooden frame, by artist Craig Stockwell. Given as a gift to the parents of the consignor the by artist while he was at RISD studying with Chihuly. 30”H x 23”W overall Craig Stockwell (b. Cambridge, Mass. 1952) began his studies at Dartmouth College and Rhode Island School of Design. At RISD he studied with glass artist Dale Chihuly and went on to do work in glass in Minneapolis, Boulder, and Boston. His work moved on to conceptually based sculptural installations and was shown in New York, notably at PS 1 (MOMA). CT Transfer Fee $30
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Dale Chihuly (American, b.1941),
Dale Chihuly (American, b.1941), Yellow Glass Basket Group with Dark Red Lip Wraps, 1992 5 x 6.5 x 6 in — 12.8 x 16.5 x 15.2 cm
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Dale Chihuly (American, b.1941),
Dale Chihuly (American, b.1941), Laguna Persian Green Glass Group with Orange Lip Wraps, 2018 comprising two pieces, with acrylic display case approx. 6 x 12.5 x 8 in — 15.5 x 32 x 20 cm
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DALE CHIHULY / LARGE 'VENETIAN'
DALE CHIHULY / LARGE 'VENETIAN' VASE (1990)Dale Chihuly
(American, b. 1941)
Venetian , 1990
Hand-blown & applied glass
37" x 11" x 13 1/2"
"Tensions abound in the Venetians. Every attachment seems to indicate flux, a relentless organic force impinging on the physical integrity of the classic form. Hot glass simulates or is affected by natural properties and realities -- its fluidity and the spontaneity of working equates to the mysterious metamorphoses of living organisms, while physical forces of gravity can be utilized or challenged to suggest an independent vitalism. The vegetative and biomorphic decoration and ornamentation of the Venetians seem to both confirm and contradict the laws of nature. The works expand aggressively into space, like a living and growing thing. And like living things, eachwork of the Venetians has an individual character, a personality if you will, much more so than Chihuly's other series." - Ron Glowen, from Dale Chihuly Japan 1990
Chihuly's Venetian series was begun in collaboration with Italian master Lino Tagliapietra, and refined with assistance from Pilchuck artist and leading Chihuly gaffer Richard Royal. The Venetians were initially inspired Art Deco Venetian glass, but later grew more eccentric, with references to a wider variety of European decorative arts including French Art Nouveau forms. The Venetians remain among Dale Chihuly's most vibrant and popular major series.
As is characteristic of the Venetians , Chihuly here has used a symmetrical base and added extravagant organic flourishes. A large composition of four spiraling free-form yellow leaves and a twisting orange coil applied around a cylinder vase with gold foil inclusions. Incised signature and date at the base of the coil.
Also supplied with the lot are six Dale Chihuly books and catalogues:
Dale Chihuly: Objets de Verre (Atomic Press, 1986)
Venetians (Twin Palms Publishers, 1989)
Dale Chihuly Japan 1990 (Japan Institute of Arts and Crafts, 1990)
Chihuly in Australia (Portland Press, 1993)
Chihuly: Form from Fire (Museum of Arts and Sciences, 1993)
Chihuly: Garden and Glass (Chihuly Workshop, 2013)
Condition
All elements appear to be in very good, original condition, with no apparent issues noted.
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LEE LYON / MASSIVE EMBELLISHED
LEE LYON / MASSIVE EMBELLISHED PINCH POT (1980S)Lee Lyon
(American, 1924-2016)
Pinch pot, circa late 1980s
Glazed stoneware and trade beads
20 1/2" x 19"
An oversize ceramic pot, thrown base with hand-built walls atop a wooden support plinth, embellished with applied glazed ceramic shapes and African trade beads. An unsigned early work by Lee Lyon, of Spiro Lyon glass studio, created before he studied glass blowing at Dale Chihuly's Pilchuck Glass School in Washington state.
Provenance: A private Mission Hills collection, acquired directly from the artist.
Condition
One of the applied ceramic shapes on the underside of the pot has broken off and been lost.
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BENJAMIN MOORE LARGE CHARTREUSE
BENJAMIN MOORE LARGE CHARTREUSE "INTERIOR FOLD" PLATTERBenjamin Moore
(American, 1952-2021)
Chartreuse Interior Fold Platter , 1996
Art glass vessel
5 1/4" x 18 1/2"
A large example of the influential American glassblower's signature series. Signed and dated along the base.
Benjamin Moore is best known as a longtime faculty member of Pilchuck Glass School, where he helped push forward the boundaries of American art glass alongside his mentor Dale Chihuly. It was Moore who first invited Venetian glass master Lino Tagliapietra to visit Pilchuck in 1979, a pivotal moment in the trajectory of art glass in the United States. Today, Moore's pristine and colorful works may be found in notable collections around the world, including the Corning Museum of Glass (New York), the Venini Collection (Murano), and the High Museum of Art (Atlanta).
Condition
Excellent condition.