A few examples of appraisal values for
DALZELL

• COLLECTION OF FANTASY & UNDERGROUND
  COLLECTION OF FANTASY & UNDERGROUND COMICS Including eight (duplicate) Mermaid prints by Bonnie Dalzell (Berkeley: Wuerth Letter Shop, 1968); James "Nybor" Odbert, "Fantasy Folio" (Imagination Unlimited, 1974) water damage at lower left corner; Alicia Austin (Am., b.1942) Woman Riding a Unicorn, signed l.r. and numbered 2/25, hand colored offset; Three items by Frank Brunner: "Cleopatra" print, litho, 1976, #713/1000; "Allice in Wonderland" (1977) a suite of six erotic lithographs, #279/1000, the first signed and numbered by the artist, with cert., the paper cover chewed; "Flesh & Fantasy" (1974) a suite of seven lithographs, #367/1000, the first signed and numbered by the artist, with original folder, envelope, and cert., with foxing; Three items by Lela Dowling: two copies of "Unicorns II," (1982) edition of 2000, each signed and numbered on the first plate, with folders and plastic pockets; and "Dragons II," (1983) ed. of 3000, signed and numbered on first plate, with folder and plastic pocket; Terry Austin, "Heroines," (1979) ed. of 1000, signed and numbered, the wrapper with insect damage; Richard Hescox, "A Fatal Beauty," (1980) ed. of 1000, signed and numbered, wrapper with insect damage; and others by P. Craig Russell, Frank Frazetta, and Ploog.
• THOMAS HART BENTON (AMERICAN,
  THOMAS HART BENTON (AMERICAN, 1889-1975). Mixed media on paper. "Silvermine, CO". Signed lower right. Dalzell Hatfield Galleries label affixed verso. Christie's lot sticker verso. From an Upper East Side, NYC collection. Dimensions: Sight: 8.5" high x 11.25" wide Condition: Framed behind glass, not examined out of frame. Toning.
• FERNAND RENARD (FRENCH, 1912-1990).
  FERNAND RENARD (FRENCH, 1912-1990). "Wheat, Flowers and Berries". Oil on canvas. Signed lower right. Dalzell Hatfield Gallery, Los Angeles label verso. Christie's sticker verso. Reverse canvas stamped Douane Centrale. From a Delaware estate. Dimensions: 24" h x 19.5" w. Condition: Craquelure and varnish crazing. Possible retouching below vase. Light scuff right. Otherwise good overall.
• TIFFANY & CO. STERLING SILVER
  TIFFANY & CO. STERLING SILVER PRESENTATION TRAY, 53 TROY OZ 15 ½" Round sterling silver tray with raised shield designs on the border; engraved in the center "Tom M. Girdler: Republic Steel Corporation: P.F. Boyer, John S. Brookes Jr.. James Bruce, N. J. Clarke, Drury W. Cooper, W. H. Coverdale, Victor Emanuel, Donald B. Gillies, W.W. Hancock, W.G. Mather, T. F. Patton, J. F. Schoellkopf, Charles S. Wachner, C. M. White, R. J. Wysor/ Consolidated Vulture Aircraft Corporation A. J. Brandt, Francis a. Callery, C. Coburn Darling, R. H. Deetjen, Victor Emanuel, David. G. Fleet, John D. Hertz, J. Mason Highland, Col. Louis A. Johnson, I. M. Laddon, Charles T. Leigh, Donald McDonnell, C. W. Perelle, R. S. Pruitt, V. C. Schorlemmer, H. Dalzell Wilson, Harry Woodhead/ C. R. Black JR Dinner, February 15, 1944.
• Gertrud and Otto Natzler. Round
  Gertrud and Otto Natzler. Round bowl. 1946, earthenware with Pompeian Sand Mat glaze. 3¾ h × 4¾ dia in. result: $1,250. estimate: $1,500–2,000. Signed to underside ‘Natzler’. This work is archive number 7049. Provenance: Dalzell Hatfield Gallery, Los Angeles | Private Collection, California
• Gertrud and Otto Natzler. Table
  Gertrud and Otto Natzler. Table lamp. 1957, earthenware with Green Crystalline glaze, wood, original linen shade. 10 h × 5½ dia in. result: $10,000. estimate: $10,000–15,000. The Natzlers created very few lamp bases, making the present work particularly rare. Signed to underside 'Natzler' with archive number 'H853'. Provenance: Dalzell Hatfield Gallery, Los Angeles | Collection of Dr. and Mrs. Morton Grossman, Los Angeles | Collection of their son, David Armstrong, Atlanta
• Gertrud and Otto Natzler. Oval
  Gertrud and Otto Natzler. Oval bowl. 1954, earthenware with Gray Opal glaze. 2 h × 5 w × 3¾ d in. result: $10,000. estimate: $1,500–2,000. Signed to underside ‘Natzler’. This work was identified by Gail Natzler as archive number F484. Provenance: Dalzell Hatfield Gallery, Los Angeles | Collection of David Armstrong, Atlanta
• Gertrud and Otto Natzler.
  Gertrud and Otto Natzler. Cylindrical bowl with base. 1948, earthenware with Iron Crater glaze. 3¾ h × 5½ dia in. result: $3,780. estimate: $2,500–3,500. Signed to underside ‘Natzler’. Provenance: Dalzell Hatfield Gallery, Los Angeles | Private Collection, Michigan
• Gertrud and Otto Natzler.
  Gertrud and Otto Natzler. Cylindrical bowl. 1959, earthenware with Pale Blue Crater glaze. 3½ h × 5? dia in. result: $10,710. estimate: $2,500–3,500. Signed to underside ‘Natzler’ with archive number 'K233'. Provenance: Dalzell Hatfield Gallery, Los Angeles
• Gertrud and Otto Natzler. Bowl.
  Gertrud and Otto Natzler. Bowl. 1948, earthenware with Sang Reduction Fired glaze with melt fissures. 3¼ h × 6½ dia in. result: $3,528. estimate: $1,000–1,500. Signed to underside 'Natzler'. Provenance: Dalzell Hatfield, Los Angeles | Estate of Lois Macht
• GRIGORY GLUCKMANN (1898 - 1973):
  GRIGORY GLUCKMANN (1898 - 1973): "RED & WHITE ROSES"oil on panel; signed lower right; titled to gallery label verso; Provenance: Dalzell Hatfield Galleries, Ambassador Hotel, Los Angeles; approximately: 8 x 12 inches; 16 1/2 x 21 inches frame
• 1722 PARLIAMENT ACT AND 3
  1722 PARLIAMENT ACT AND 3 BOXES1st item: 1723 (George II) English Parliament decree regarding taxes (duties) on the importation of commodities Coffee, Tea, Cocoa Nuts, Chocolate and Chocolate paste, and granting relief to Robert Dalzell, late Earl of Carnwath. Printed by John Baskett, 1724, pages numbered 215-248. Later leather binding, 13" x 8-1/4", with gilt lettering. 2nd item: World War I era Princess Mary brass box dated "Christmas 1914". These boxes, filled with gifts like chocolate or tobacco, were sent by the then-teenage daughter of English King George V as gifts to soldiers, sailors, nurses and others in uniform. 5" x 3-1/4" x 1-1/8". 3rd item: Sterling silver match box modeled as a letter, addressed to "George Aldridge, Rochester, NY." 1/4"H x 2" W x 1-1/4"D. Circa 1940. 4th item: Snuff or trinket box made from an Italian silver coin dated 1879. 1-1/2" diameter. Silver items: 1.36 oz troy combined weight. Condition: Rebound; scattered light foxing and scattered light staining to pages, overall very good condition.
• A. JACOBSEN, TUGBOAT "FRED B.
  A. JACOBSEN, TUGBOAT "FRED B. DALZELL" O/C(Danish, 1850-1921), signed, dated 1892, 705 Palisade Ave., West Hoboken, NJ. Frame size: 28 3/4" high, 41" wide. Relined. Purchased late 1970s. Provenance: Estate of George E. Ratcliffe, Darien, CT. A review of the Ratcliffe Collection archives has revealed that George Ratcliffe purchased both the “C.P. Raymond” and the “Fred B. Dalzell” (both painted by Antonio Jacobsen in 1892) as a pair in April 1978 from the Post Road Gallery in Larchmont, NY. In 1982 the ”C.P. Raymond” painting was consigned by Ratcliffe to and sold by a prominent marine arts gallery. The “Fred B. Dalzell” painting was mistakenly recorded in a recent estate inventory as the ”C. P. Raymond‚, but is indeed a painting of the “Fred B. Dalzell”. A second very closely related painting of the same vessel by Jacobsen, also dated 1892, was sold at Christie’s New York, September 2012, lot 43, and an image of that painting has been reproduced in various prints. Condition: Auction buying is wholesale and not the same as retail store or retail internet buying. There are no returns based on condition. Our auction items are mostly vintage, mostly from estates, and are not in perfect condition. The items are sold "as is", and we are acting as agents, not as principals. Accordingly, prospective buyers are entirely responsible for determining the physical condition of lots prior to and as a condition to bidding. Bidders are obligated to determine their level of interest in and value of the items based solely on their own review. To assist prospective bidders in this endeavor, we offer in person open-house preview days prior to the auction, and also provide written condition reports in response to emailed requests submitted to condition@woodburyauction.com at least two days prior to the auction. The printed catalog lot information is a best efforts presentation of our opinion, rendered on a time-sensitive schedule, and is provided for guidance only, without legal obligation, and does not constitute a "statement of fact". The absence of condition statements in a lot catalog entry does not mean that the item is in perfect condition or is without defects. Please understand that our duty is to present the items fairly for bidder consideration and that the bidder's duty is to make independent investigation of the condition of items before bidding.
• HARRY EVERETT TOWNSEND (AMERICAN,
  HARRY EVERETT TOWNSEND (AMERICAN, 1879 - 1941)Harry Everett Townsend (American, 1879 - 1941), "The Clavichord", oil on board, signed upper right "H. Townsend", 9" x 12", handwritten label on back "The Cavichord by Harry Townsend, 10 Stevens Street, Norwalk, Conn." Dalzell Hatfield Galleries label on frame. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past. Condition: Reports are available by request and answered in the order they are received
• MICHAEL FRARY (1918-2005) DRAGON
  MICHAEL FRARY (1918-2005) DRAGON CAVE, 20" X 16"Framed oil on Masonite painting, "Cave of the Dragon," signed lower right Frary (Michael Frary, Texas, 1918-2005), titled and dated [19]58 verso, Dalzell Hatfield Galleries label, sight: approx 19.5"h, 15.25"w, overall: 26.5"h, 22.5"w, 4.75lbs
• MICHAEL FRARY (1918-2005)
  MICHAEL FRARY (1918-2005) RENDEZVOUS, 24" X 20"Framed oil on Masonite painting, "Rendezvous/ Quandary," signed lower right Frary (Michael Frary, Texas, 1918-2005), titled verso, Dalzell Hatfield Galleries label with variant title, sight: approx 24.25"h, 20"w, overall: 25.25"h, 21"w, 5lbs
• DAN LUTZ, (1906-1978, SANTA
  DAN LUTZ, (1906-1978, SANTA BARBARA, CA), "GOLDEN FIELD", OIL ON CANVAS, 20" H X 24" WDan Lutz, (1906-1978, Santa Barbara, CA) "Golden Field" Oil on canvas Signed lower right: Dan Lutz, titled on a partial gallery label affixed to the frame verso 20" H x 24" W Provenance: Dalzell Hatfield Galleries, Ambassador Hotel, Los Angeles, CA Oil on canvas Dimensions: 20" H x 24" W Provenance: Dalzell Hatfield Galleries, Ambassador Hotel, Los Angeles, CA
• EDGAR EWING (1913-2006, LOS
  EDGAR EWING (1913-2006, LOS ANGELES, CA)Edgar Ewing (1913-2006, Los Angeles, CA), Two works "Demetra with Scarf (Mykonos)," 1957 Oil on canvas Signed and inscribed "Homage to Goya" in ink on the artist's label affixed to the backboard of the frame: Edgar Ewing; with the title, date, and some exhibition information typed onto this same label Sold together with an ink study on paper of the same date: "Demetra - Mykonos Greece," 1957 Double-sided India ink drawing on wove paper, partial watermark Johanna, under glass Signed and with a dated dedication below the image: "To Billie Dea Crowe with very best wishes - Edgar Ewing 1968," titled and dated upper left Oil on canvas: 42" H x 32" W; Drawing on paper: 18.5" H x 14.25" W Provenance: Gifted commission from the artist Thence by descent to the present owner Exhibitions: Dalzell Hatfield Gallery, Los Angeles, CA, n.d., according to a label affixed to the backboard of the painting's frame Notes: There is an unsigned, undated, red India ink sketch of an owl on a branch on the verso of the sheet with the ink study of Demetra. Dimensions: Oil on canvas: 42" H x 32" W; Drawing on paper: 18.5" H x 14.25" W Provenance: Gifted commission from the artist Thence by descent to the present owner
• AFTER SIR JACOB EPSTEIN,
  AFTER SIR JACOB EPSTEIN, (1881-1959, AMERICAN/BRITISH), RANI RAMA , PATINATED BRONZE, 22" H X 16" W X 10" DAfter Sir Jacob Epstein, (1881-1959, American/British) Rani Rama Patinated bronze Signed lower edge 22" H x 16" W x 10" D Provenance: Dalzell Hatfield Galleries, Los Angeles Butterfield & Butterfield, May 3 1981, Lot #112 Current owner, Trust, Pasadena, CA Patinated bronze Dimensions: 22" H x 16" W x 10" D Provenance: Dalzell Hatfield Galleries, Los Angeles Butterfield & Butterfield, May 3 1981, Lot #112 Current owner, Trust, Pasadena, CA
• MILLARD SHEETS (CALIFORNIA,
  MILLARD SHEETS (CALIFORNIA, 1907-1989) MIXED MEDIAMILLARD SHEETS (California, 1907-1989) mixed media on paper, "Near The Russian River," California seascape with rocks. Signed lower right and dated 1967. Label attached verso from the Dalzell Hatfield Galleries, Los Angeles. Image measures 15.25" x 23". In a wood frame; 24" x 32" overall.
• EDGAR EWING: "LION GATE,
  EDGAR EWING: "LION GATE, MYCENAE"oil on canvas signed and titled lower right Provenance: with label from Dalzell Hatfield Galleries, Ambassador Hotel, Los Angeles image: 18 x 24 inches; frame: 26 1/4 x 32 1/2 inches Condition:
• AFTER AUGUSTE RENOIR: "LA FLEUVE
  AFTER AUGUSTE RENOIR: "LA FLEUVE SCAMANDRE"etching; signed in printing; Provenance: Dalzell Hatfield Galleries, Ambassador Hotel, Los Angeles label verso; 9 1/2 x 7 inches image; 17 3/4 x 14 1/4 inches frame Condition:
• GRIGORY GLUCKMANN (1898 - 1973):
  GRIGORY GLUCKMANN (1898 - 1973): "RED & WHITE ROSES"oil on panel; signed lower right; titled to gallery label verso; Provenance: Dalzell Hatfield Galleries, Ambassador Hotel, Los Angeles; approximately: 8 x 12 inches; 16 1/2 x 21 inches frame Condition:
• MILLARD SHEETS (1907 - 1989):
  MILLARD SHEETS (1907 - 1989): "MEXICAN BABYSITTERS"signed lower left titled to stretcher verso Provenance: Dalzell Hatfield Galleries, Los Angeles (label verso); Eighth Annual Madonna Festival, May 3 to May 10, 1953 23 1/2 x 10 1/2 inches sight; frame: 33 x 20 inches Condition:
• ROBERT FRAME (1924 - 1999): "OPEN
  ROBERT FRAME (1924 - 1999): "OPEN WINDOW"oil on canvas signed lower left Provenance: Dalzell Hatfield Galleries, Los Angeles 40 x 32 inches Condition:
• EDGAR EWING (1913-2006): "BISHOP AT
  EDGAR EWING (1913-2006): "BISHOP AT THE BARBECUE"oil on panel signed lower right titled to label verso Provenance: Dalzell Hatfield Galleries, Los Angeles; Edgar Ewing label verso 26 1/2 x 10 1/2 inches; 34 1/2 x 19 inches frame Condition:
• GRIGORY GLUCKMANN (1898 -
  GRIGORY GLUCKMANN (1898 - 1973)Manana is Another Day; oil on board; signed lower right; Provenance: Dalzell Hatfield Galleries, Los Angeles; 25 x 23 inches; 32 1/4 x 30 1/4 inches frame Condition:
• REUVEN (ZELICOVICI) RUBIN (1893 -
  REUVEN (ZELICOVICI) RUBIN (1893 - 1974): SAFED MOSQUEwatercolor on paper; signed; Provenance: Dalzell Hatfield Galleries, Los Angeles and New York label; 15 1/4 x 14 inches sight Condition:
• ANATOL KRASNYANSKY (B. 1930):
  ANATOL KRASNYANSKY (B. 1930): RUSSIAN WINTERwatercolor; signed lower right; Provenance: Dalzell Hatfield Galleries, Los Angeles; 28 x 22 inches sight; 38 x 32 inches frame Condition:
• SIR JACOB EPSTEIN (1880 - 1959):
  SIR JACOB EPSTEIN (1880 - 1959): HEAD OF A WOMANbronze with verdigris patina, mounted on acrylic base; unsigned; Provenance: Roland Hartman Inc. New York; Dalzell Hatfield Galleries, Los Angeles, CA; Leicester Galleries, London; The Kelton Collection, The Estate of Richard Kelton, Los Angeles, CA, purchased May 1981; the bronze: 14 inches high; overall: 10 inches wide; 11 inches deep; 20 1/4 inches high Condition:
• GRIGORY GLUCKMANN (1898 - 1973):
  GRIGORY GLUCKMANN (1898 - 1973): STRIPED SKIRToil on panel; apparently unsigned; titled to gallery label verso; Provenance: Property from a Private Collection; Dalzell Hatfield Gallery, Los Angeles, CA label verso; 18 1/4 x 11 1/4 inches; 26 1/4 x 19 1/4 inches frame Condition:
• DAN LUTZ (1906-1978), "MINSTREL
  DAN LUTZ (1906-1978), "MINSTREL BAND", OIL ON CANVAS, 17.75" H X 36" WDan Lutz, (1906-1978) "Minstrel Band", Oil on canvas Signed lower right: Dan Lutz; titled on a gallery label affixed verso Oil on canvas Dimensions: 17.75" H x 36" W Provenance: Dalzell Hatfield Galleries, Los Angeles, CA Private Collection, Los Angeles, CA
• PABLO PICASSO ETCHING ON LAID
  PABLO PICASSO ETCHING ON LAID PAPERPABLO PICASSO (Spain, 1881-1973) etching on laid paper, "Femme Nue Devant une Statue," 1931, plate 6 from Vollard Suite [B.139; Ba.205], published by Vollard, Paris, pencil signed lower right, from edition of 310, 12.25" x 8.75" (image), 26.5" x 21.5" (frame). Purchased from the Dalzell Hatfield Galleries, Los Angeles, CA, label attached verso.
• ANATOLE KRASNYANSKY, UKRANIAN /
  ANATOLE KRASNYANSKY, UKRANIAN / AMERICAN (B.1930), CEREMONY, 1998, COLOR SERIGRAPH & INK, 11"H X 14 1/2"W (SIGHT), 23 1/2"H X 27"W (FRAME)Anatole Krasnyansky, Ukranian / American, (b.1930) Ceremony, 1998, color serigraph & ink signed lower left and numbered verso 37/150. Biography from the Archives of AskArt: Anatole Krasnyansky (born in 1930; Kiev, Ukraine) is a Ukrainian-American artist who has gained prominence by pioneering a new watercolor technique. Through experimentation, Krasnyansky's introduced paper texture into his creative process and made it a dynamic component of his watercolors, resulting in an expansion of the medium's potential. With this new creative process, Krasnyansky added texture and depth to the watercolor medium and expanded its expressive possibilities to a level usually associated with oil painting. He was born in Kiev, growing up and living during the times when Ukraine was a part of the U.S.S.R. Krasnyansky received master's degrees in fine art and architecture. He was already well known in the U.S.S.R. for his classical themes and keen perspective; however, he found that the freedom of expression that he needed in his artwork could not be found within the strictures of the Soviet Union and moved to the United States in 1975. Since his arrival to the U.S. in 1975, the artist has found important uses for his knowledge of architecture, design and his creative imagination, and he has realized his tremendous potential and achieved virtuosity in several different artistic areas. Bordering on the surreal, Krasnyansky's figures never depart from the recognizable. Altogether new in form, they contain echoes of the artist's Eastern heritage, the cubist ideas of Picasso and Braque and the modernity and energy of American culture... culminating in works of dazzling color and brilliant mastery of perspective and lines, born of years as an architect. Still each and everyone of Krasnyansky's works, since his move to the United States, has formed to his new style of creative imagery. Anatole began working as a scenic artist for ABC and CBS, including the production of two Academy Awards shows. He subsequently became a set designer for Universal Studios (credits including The Blues Brothers and Battlestar Galactica) and the Stage Art Director for the Odyssey Theatre. Krasnyansky has become known worldwide for his surrealist masked figures. Krasnyansky's work has been exhibited at the Dalzell Hatfield Galleries in their exhibition "International Watercolor Masters", along with works from Marc Chagall, Camille Pissarro, and Diego Rivera. Krasnyansky's work has been featured in exhibitions at Stanford University and UCLA and has also been shown in solo exhibitions in Japan and around the United States. color serigraph & ink Dimensions: 11"H x 14 1/2"W (sight), 23 1/2"H x 27"W (frame)
• GABRIELE MüNTER (GERMAN, 1877 -
  GABRIELE MüNTER (GERMAN, 1877 - 1962) 13" x 17 ?" "Alte Wienerstrasse", 1934. Oil on cardboard, signed and dated in pencil verso, numbered upper left corner verso "31 / 34" and white label upper right corner verso with "986", original Dalzell Hatfield gallery to backing, in gilt wood frame, overall 21 ¼" x 25 ?".
• MILLARD SHEETS, SERIGRAPH,
  MILLARD SHEETS, SERIGRAPH, PIGEONSMid-century modern serigraph of pigeons by Millard Sheets (American, 1907-1989). ''Birds of a Feather'', pencil signed lower right margin. Dalzell Hatfield Gallery label verso. Overall framed size is 23" x 31". Excellent condition, original period frame. shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.