A few examples of appraisal values for
DAVINCI

• AFTER LEONARDO DAVINCI (ITALIAN,
  AFTER LEONARDO DAVINCI (ITALIAN, 1452-1519)After Leonardo DaVinci (Italian, 1452-1519), "Saint John the Baptist", decorative reproduction on panel, 17 7/8 in. x 15 in., framed. Condition: Overall poor condition. Ext. Frame: 24 3/4 in. x 21 3/4 in. x 2 in.
• After Leonardo da Vinci, Late
  After Leonardo da Vinci, Late 19th/Early 20th Century San Giovanni Battista di Leonardo da Vinci (Saint John the Baptist) oil on canvas titled and signed Prof. R. Barretta Museo Nazionale Napoli (verso) 19 3/4 x 14 1/2 inches. Property from the Estate of Catherine DeVoy, Milwaukee, Wisconsin
• IN THE MANNER OF LEONARDO DA VINCI,
  IN THE MANNER OF LEONARDO DA VINCI, CA. 18TH CENTURY 4 ?" x 3 ½" drawing; 8" x 5 ?" later paper Study of Madonna. Charcoal drawing with white highlights on elaborate watermark laid paper, hinged at four corners to a later period paper support, partial collector's stamp in lower right corner (purple circle 458), additional old writing on verso, in French matting, overall with mat 11 ?" x 9 ?", unframed.
• Leonardo DiVinci 'Virgin of the
  Leonardo DiVinci 'Virgin of the Rocks' Giclee Framed- 24x19''
• FLORAL ACT DAVINCI BLACK & WHITE
  FLORAL ACT DAVINCI BLACK & WHITE PHOTOGRAPH American school, 20th century. "Floral Act - Renaissance Series" -1994, black and white photograph. Ink signed "NS", titled, dated and numbered 1 of 50 lower margin. Approx. 22.75" x 19.5" (frame), 10" x 8" (sheet).
• Painting after Leonardo da Vinci
  Painting after Leonardo da Vinci (Italian, 1452-1519), Ecce Agnus Dei (Behold the Lamb of God), circa 1840, depicting a young, smiling John the Baptist pointing heavenward towards inscription Ecce Agnus Dei, oil on canvas, 18-1.2 x 14-78 in.; modern gilt wood frame.
• Salvador Dali (Spanish 1904-1989)
  Salvador Dali (Spanish 1904-1989) Leonardo da Vinci engraving edition 61/75 signed Dali (lower right) 7 x 5 inches.
• AFTER MICHELANGELO BUONARROTI
  AFTER MICHELANGELO BUONARROTI (Italian 1475-1564). David White marble; 20th century - 60 in. high
• JOHN PINCHES, GENIUS OF LEONARDO DA
  JOHN PINCHES, GENIUS OF LEONARDO DA VINCI A cased set of silver medallions celebrating Da Vinci's work 50 in total in a table top cabinet, with explanatory information etc.
• JOSEPH WALLACE KING "VINCIATA"
  JOSEPH WALLACE KING "VINCIATA" (NC/ITALY, 1911-1996), PORTRAIT OF A BOY Oil on canvas, circa 1960s, signed at lower right, presented in an ornate gilt frame with linen liner.
• After Leonardo da Vinci, 20th
  After Leonardo da Vinci, 20th Century The Last Supper oil on panel 66 1/8 x 104 3/4 inches (sight).
• AFTER LEONARDO DA VINCI, HEAD OF
  AFTER LEONARDO DA VINCI, HEAD OF WOMAN, PRINT ON CANVAS, FRAME: 28 X 22 INAfter Leonardo da Vinci, Head of Woman, Print on Canvas, Frame: 28 x 22 in
• After Giuseppe Vasi
  After Giuseppe Vasi (1710-1782)/Veduta in Prospettiva della Gran Fontana Dell 'Acqua Vergine Detta Di Trevi, Architettura D Nicola Salvi/black and white engraving, 51cm x 71.5cm/and other 17th and 18th Century engravings
• LEONARDO DA VINCI, THE MADRID
  LEONARDO DA VINCI, THE MADRID CODICES, #310, 1974, 6 VO...Leonardo da Vinci, The Madrid Codices, #310, 1974, 6 volumes, cased
• AFTER LEONARDO DI SER PIERO DA
  AFTER LEONARDO DI SER PIERO DA VINCI (ITALY, 1452 - 1519) "Five grotesque heads, and three heads of men in profile" c.1510-20, sanguine ink on laid paper, in oak frame, matted and glazed, OS: 12 3/4" square, SS: 2 3/4" square. Copied from the original, late 19th c. From the Royal Trust Collection: RCIN 912491. "A drawing of eight heads; there are three grotesques in the top tier and three male heads, possibly all of the same subject, in the middle tier. In the lower tier are two heads of male and female grotesques, facing each other in profile. As in RL 12493, these heads were copied from an extensive series of Leonardo's grotesques. The first two here are a study in morphological contrasts - a sloping forehead opposite a beetling brow, a long pointed nose opposite a flat nose and so on. The ape-like creature with a monstrous lip at upper right is an extreme example of Leonardo's ugly old women, and one of his few genuinely disturbing, rather than comic, inventions. The woman at lower right with an elaborate coiffure is yet another satire on aged vanity. Text adapted from Leonardo da Vinci: the Divine and the Grotesque Provenance Bequeathed to Francesco Melzi; from whose heirs purchased by Pompeo Leoni, c.1582-90; Thomas Howard, 14th Earl of Arundel, by 1630; Probably acquired by Charles II; Royal Collection by 1690"
• DEVITY, Antonio, (Italian,
  DEVITY, Antonio, (Italian, 1901-1993): Moulin Rouge, Paris, Oil/Canvas, 24'' x 48'', signed lower right, artist's stencil in the canvas verso, framed, 32'' x 56''.
• 18th Century Italian School
  18th Century Italian School Follower of Leonardo da Vinci (Italian, 1452-1519) MONA LISA oil on linen laid down on board, unsigned 23.8 x 20 in — 60.5 x 50.8 cm
• 3 PIECES RELIGIOUS ARTWORKAfter
  3 PIECES RELIGIOUS ARTWORKAfter Leonardo DaVinci The Last Supper print on fabric. After Carlo Maratta (Italian, 1625-1661) The Holy Night engraving. Printed by Roberto Hoesch. Retailed by David Ashley Inc. NYC. White metal relief plaque of Jesus Christ. Plaque: 11 3/4" x 9 1/4" (with frame: 17 3/4 x 14").
• AFTER LEONARDO DA VINCI, THE MONA
  AFTER LEONARDO DA VINCI, THE MONA LISA COLOR PRINT AND TWO PRINTS OF EUROPEAN ARCHITECTURAL BUILDINGSAfter Leonardo da Vinci, The Mona Lisa Color Print and Two Prints of European Architectural Buildings,
• 2 19C RENAISSANCE REVIVAL OLD
  2 19C RENAISSANCE REVIVAL OLD MASTER SEPIA DRAWING Italy,Early 19th CenturyOne depicting a potentially wounded man resting against a rock looking into the background observing a winged figure, the other a monk shoveling.
• Four Figural Stone Carvings 19th
  Four Figural Stone Carvings 19th century: "Leonardo Da Vinci" bust, inscribed on base, 8-1/8 in.; "Giotto" bust, 6-1/8 in.; bust of laughing boy, 5-7/8 in.; architectural fragment with man's head and partial inscription "VS IN DEO", 6-1/2 x 7 x 3 in.,
• DAVID DALLA VENEZIA
  DAVID DALLA VENEZIA (FRENCH/ITALIAN, B. 1965)David Dalla Venezia (French/Italian, b. 1965) , "Untitled", 2005, oil on canvas board, signed, dated "MMV" and inscribed "447" lower center, 10 5/8 in. x 8 5/8 in., framed; together with Galleria L'Occhio, Venice exhibition catalogue. (2 pcs.) Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.
• PORTRAIT OF LUCRETIA CRIVELLI AFTER
  PORTRAIT OF LUCRETIA CRIVELLI AFTER LEONARDO DA VINCI BY A. BIN: OIL/Canvas 21 1/2'' x 15'' signed in the stretcher verso encased in exceptional gilded and carved frame with repair 27'' x 20''.
• After Leonardo da Vinci/Self
  After Leonardo da Vinci/Self Portrait/oil on panel, 21.5cm x 17.5cm
• Joseph Wallace King Vinciata
  Joseph Wallace King Vinciata (American, 1911-1996) Giotto oil on panel signed Vinciata (lower right); signed and titled (verso) 14 x 14 inches. Property From The Estate of Edwin L. Cox, Dallas, Texas
• Attributed to Giovanni Ghisolfi
  Attributed to Giovanni Ghisolfi Italian (1623-1683) Architectural Capriccio with Figures oil on canvas 34 1/2 x 44 1/2 inches.
• DAVID by Joseph D'Ambrosio and
  DAVID by Joseph D'Ambrosio and Michelangelo Buonarroti Sherman Oaks, California; Joseph D'Ambrosio. Handmade paper by Madeline Pestiaux with photography by Wallace Rhodes. Poetry by David Michael Solomon and decorated by Michelangelo Buonarroti. Bound in cast paper and masonic sheep. #18 of an edition of 25, signed in pencil by the author and dated '93. House in a custom clam shell case. A copy of this book was on display at the Corcoran gallery in Washington D.C. for the Washington Book Fair in 1993. Aprx 10" x 13".
• Manner of Leonardo da Vinci
  Manner of Leonardo da Vinci Portrait of a Young Woman Holding a Book Estimate:$800-$1,200
• Joseph Wallace King Vinciata
  Joseph Wallace King Vinciata (American, 1911-1996) Girl with Gold Scarf oil on canvas laid to panel signed Vinciata (lower right); signed and titled (verso) 10 3/4 x 8 inches. Property From The Estate of Edwin L. Cox, Dallas, Texas
• AFTER MICHELANGELO MERISI, CALLED
  AFTER MICHELANGELO MERISI, CALLED CARAVAGGIO (italian, 1571-1610) "THE INCREDULITY OF SAINT THOMAS" Oil on canvas 36 1/2 x 50 1/2 in. note: After the original at Sanssouci, Potsam, Germany.
• 3 PIECES RELIGIOUS ARTWORKAfter
  3 PIECES RELIGIOUS ARTWORKAfter Leonardo DaVinci The Last Supper print on fabric. After Carlo Maratta (Italian, 1625-1661) The Holy Night engraving. Printed by Roberto Hoesch. Retailed by David Ashley Inc. NYC. White metal relief plaque of Jesus Christ. Plaque: 11 3/4" x 9 1/4" (with frame: 17 3/4 x 14").
• AFTER PIETRO VANNUCCI / PERUGINO
  AFTER PIETRO VANNUCCI / PERUGINO (ITALIAN, 1450-1523), LA MADONNA DEL SACCO 20th century oval painting on celluloid, after the Italian Master's oil on panel piece now located in the Palazzo Pitti, Florence, presented in a 19th century ornate carved giltwood frame.
• Valentine Valentini painting,
  Valentine Valentini painting, (Italian, b. 1858), portrait of a monk, signed lower left "V. Valentini/Firenze", oil on canvas, 14-1/8 x 10-1/4 in; unframed. Lined with wax and linen, retouch in background affecting 35 percent of surface. The Estate of the Late James Newland, Bristol, Virginia, by Descent to Consignor
• Image by Salvador Dali (Spanish
  Image by Salvador Dali (Spanish 1904-1989) "Renaissance" from the suite "Papillons Anciennes". Lithograph in colors on paper ca. 1977 with a pencil signature at the lower right and IXCV/C at the lower left mounted down and matted but not framed.
• C. DOLFIN (ITALY, BORN 1929),
  C. DOLFIN (ITALY, BORN 1929), IMPRESSIONIST STYLE VENETIAN SCENE Oil on canvas, signed "C. Dolfin" lower right, depicting a view of the Doge's Palace and Santa Maria della Salute, presented in a gilt frame with linen liner; retains a brief artist bio to recto.
• GIOVANNI BATTISTA PIRANESI
  GIOVANNI BATTISTA PIRANESI (ITALIAN, 1720-1778) "VEDUTA DELL'ARCO DI TITO" Etching, 1771.