A few examples of appraisal values for
DAWN OF THE BLACK

• David Ellsworth b.1944. Black Pot -
  David Ellsworth b.1944. Black Pot - Dawn. 2010, ash, hollow-form, turned on a lathe, charred, sanded and burnished, black and natural. 7 h × 9 dia in. result: $1,750. estimate: $1,500–2,500. Signed, titled and dated to underside ‘2010 Ellsworth Black Pot - Dawn’.Of the primary market; suggested retail: $5,500Please note: This work will ship directly from the artist or the artist's representative. Provenance: Courtesy of Momentum Gallery, Asheville, NC
• CARL MORRIS ACRYLIC AND SUMI INK ON
  CARL MORRIS ACRYLIC AND SUMI INK ON PAPER (American 1911-1993) titled ''Black Dawn '' geometric shapes with a spot of red. Image measures 15'' x 16.5'' signed ''Carl Morris '' dated(19)54. Kraushaar Galleries label attached verso as well as a paper label from The Museum of Modern Art New York. Nicely matted and framed.
• Dawn by Frank Weston Benson Frank
  Dawn by Frank Weston Benson Frank Weston Benson (American 1862-1951) ?1924. Etching on paper from an edition of 271 signed in graphite l.l. catalogue raisonn? Paff 232; 7 x 10 in. (plate). Property of the Toledo Museum of Art Sold to Benefit the Acquisition Fund Condition: Glued down to board.
• ORNULF OPDAHL "BREAK OF DAWN" 2002,
  ORNULF OPDAHL "BREAK OF DAWN" 2002, MODERN OIL Ornulf Opdahl (Norwegian, b. 1944), "Break of Dawn", 2002, oil on canvas abstract in gray tones, signed, titled, and dated en verso, Purdy Hicks Gallery label to back of frame, framed. Approx. canvas h. 19.625", w. 19.625". Frame h. 20.25", w. 20.25".
• BLACK & WHITE PHOTO OF A ZULU
  BLACK & WHITE PHOTO OF A ZULU WARRIOR h:53 w:42 in. Other Notes: DHS
• Black For
  Black For
• BLACK & WHITE PHOTO BABYLON BY
  BLACK & WHITE PHOTO BABYLON BY DARRYL SAVAGE h:51.50 w:43 in. Other Notes: DHS
• DAWN ADAIR DEDEAUX (AMERICAN/NEW
  DAWN ADAIR DEDEAUX (AMERICAN/NEW ORLEANS)Dawn Adair DeDeaux (American/New Orleans, b. 1952) , A Book of Judgments, 1991, collective book featuring the works of Orleans Parish prison inmates produced in workshops conducted by New Orleans artists, signed and numbered "5/25", h. 12 in., w. 19 1/4 in., d. 3 in., steel and mixed media binding.
• BLACK & WHITE PHOTO BABYLON BY
  BLACK & WHITE PHOTO BABYLON BY DARRYL SAVAGE h:51.50 w:43 in. Other Notes: DHS
• "Richard Barthelmess, The Dawn
  "Richard Barthelmess, The Dawn Patrol" movie poster; 28 3/4" x 19 1/2"; "The Michael Shaw Collection" 1930, Portal Publications-CA. Pressed seams, pinholes, and several small repaired tears. Linen backed.
• RAYMOND NORDWALL, DAWN OF THE
  RAYMOND NORDWALL, DAWN OF THE BATTLE, 1988Raymond Nordwall, (Pawnee/Cherokee/Chippewa, b. 1965) Dawn of the Battle, 1988, monotype signed and dated lower left: Raymond Nordwall 88 titled lower right: "Dawn of the Battle" monotype Dimensions: 27 1/4 x 38 1/2 in. (69.22 x 97.79 cm.), Frame: 38 x 49 1/4 x 1 in. (96.52 x 125.10 x 2.54 cm.) Provenance: The Estate of Buddy and Connie S. Sanchez
• 2 pieces. Movie Posters. (John
  2 pieces. Movie Posters. (John Wayne Re-releases): "The Dawn Rider." Monogram, n.d. Color litho insert format, 36 x 14 inches (915 x 355 mm). A few repairs & some wear to verso, minor wear & dust soiling to edges. Condition B/B+. Likely 1940s re-release of 1935 feature. * "Hell Town." Favorites, 1950 re-release. Format as preceding; a few repairs to verso edges. B+. Zane Grey.
• DAWN HARDY (B. 1959), HORSE AND
  DAWN HARDY (B. 1959), HORSE AND COLT, 1987Dawn Hardy, (b. 1959) Horse and colt, 1987, Patinated bronze on a marble base Edition: 22/25 Numbered, signed, and dated in the casting: © 87 Patinated bronze on a marble base
• (American, 20th century) "Richard
  (American, 20th century) "Richard Barthelmess, The Dawn Patrol" movie poster "The Michael Shaw Collection", Portal Publications-CA Pressed folds, pinholes, and several small repaired tears. Linen backed. 28 3/4" x 19 1/2"
• BLACK POWDER SIGNAL CANON .
  BLACK POWDER SIGNAL CANON .
• STERE GRANT. "THE DAWN," OIL
  STERE GRANT. "THE DAWN," OIL (Romanian/American 20th/21st century). Oil on board, signed "Stere Grant" ll, signed, dated and titled on verso, 13 1/4 x 14 in., framed.
• § CHARLES D'ORVILLE PILKINGTON
  § CHARLES D'ORVILLE PILKINGTON JACKSON (1887-1973) 'DAWN', 1925 bronze, signed and dated in the bronze PILKINGTON JACKSON/ 1925, raised on a stepped slate plinth63cm high, 76cm high including plinthProvenance: Stanley Cursiter and by descentNote: The sculptor Charles Pilkington Jackson set up his first studio in 1912 with the founder William McDonald. Commissions included collaborations with Sir Frank Mears and Sir Robert Lorimer. After the First World War, he set up on his own at 12, Church Lane, Edinburgh (now Gloucester Lane). During the 1920s Pilkington Jackson principally worked on memorials, among these the Elsie Inglis Memorial with Sir Frank Mears in 1922 and the Alloa War Memorial with Sir Robert Lorimer in 1925. He also produced some portraiture and allegorical work during this period including the current lot. 'Dawn' was cast by McDonald and Creswick between July 24th and March 1925, and the orb of the sun was cast separately. The marble base was supplied by Galbraith and Winton. Never on the open market before now this is the only example of this figure known to have been cast. The figure was given by Pilkington Jackson to the Orcadian artist Stanley Cursiter, in exchange for two oil paintings which the artist produced of Pilkington Jackson's studio at 12, Church Lane. The work of Carl Milles was an important influence on Pilkington Jackson, who visited the Swedish sculptor in 1929. After the Second World War, he continued to work, his career culminating in the monumental sculpture The Bruce at Bannockburn, cast in 1964.
• Black Sky by Ken Kiff Ken Kiff
  Black Sky by Ken Kiff Ken Kiff (American 1935-2001). ?Acrylic on heavy stock paper signed l.l.; 29 x 23 in. Daniel Jacobs and Derek Mason Collection
• W.E. Dwyer (American/New Orleans
  W.E. Dwyer (American/New Orleans 20th c.) "Dawn in the Bayou" oil on canvas signed and dated "67" lower right signed and inscribed en verso 18 in. x 36 1/4 in. in a period frame.
• 1967 HIGH TIDE OF BLACK
  1967 HIGH TIDE OF BLACK RESISTANCE BY JAMES FORMAN, TOWARD INTEGRITY IN AMERICAN HISTORY: LITERATURE OF BLACK HISTORY AND WHITE RACISM, AND TWO LEAFLETS 'WITHDRAW THE TROOPS FROM VIETNAM AND SEND THEM TO MISSISSIPPI' CLI1967 High Tide of Black Resistance by James Forman, Toward Integrity in American History: Literature of Black History and White Racism, and Two Leaflets 'Withdraw the Troops from Vietnam and Send Them to Mississippi' Clifton DeBerry,, James Forman was an activist during the Civil Rights Movement. He was an active participant in the Student Nonviolent Coordinating Committee (SNCC), the Black Panther Party, and the League of Revolutionary Black Workers. He was the Executive Secretary of the SNCC from 1961-1966. Clifton DeBerry was an American Communist who later ran for President under the Socialist Workers Party in 1964. He marched in many of the movements during the 1960s and was a supporter of Malcolm X.
• THE DAWNING GREY BY J. H. DELLThe
  THE DAWNING GREY BY J. H. DELLThe Dawning Grey. With illustrations by the author. Author: J. H. Dell. Publisher: London: Simpkin Marshall & Co.
• BLACK, Al (American, 1947): Florida
  BLACK, Al (American, 1947): Florida Highwaymen Lagoon Scene at Dusk with Three Birds in Flight, Oil/Upson Board, 24'' x 36'', signed lower right, framed 25'' x 37''.
• RARE BLACKIANA BROADSIDE MOVIE
  RARE BLACKIANA BROADSIDE MOVIE POSTER - 'The Norman Film Mfg. Co. presents Bill Pickett World's Colored Champion in ''The Bull Dogger'' co-starring Steve Reynolds Bennie Turpin and Anita Bush (all black actors) with portraits of the three and a vignette
• Robert Motherwell BLACK ON BLACK
  Robert Motherwell BLACK ON BLACK Lithograph, on chine applique Estimate:$700-$1,000
• BEV DOOLITTLE (1947- ), DAWN
  BEV DOOLITTLE (1947- ), DAWN REFLECTION Fine Art
• GENE DAVIS (american 1920-1985)
  GENE DAVIS (american 1920-1985) "BLACK WATCH III" 1974, pencil signed, dated and numbered 57/150; Pace Editions, publisher. Color screenprint on wove paper. sheet size: 72 x 45 in. (182.3 x 114.3cm) provenance: Private Collection, New York. ,000-1,500 Palest offsetting from inks, pale foxing in black at left. Otherwise apparently in very good condition, not examined out of the frame.
• Wiley Churchill
  Wiley Churchill (American/Louisiana, 1900-1987) "Dawn, the First Run - Waveland, Miss.", 1981, watercolor on paper, sight 12" x 16-1/4", pencil titled on mat lower right, signed and dated lower right "Wiley Churchill 1981". Presented in a contemporary chrome frame.
• BLACK, STARR & FROST BRASS
  BLACK, STARR & FROST BRASS TRAVELING ALARM CLOCKBlack, Starr & Frost Brass Traveling Alarm Clock
• Robert Blair (American, b. 1937)
  Robert Blair (American, b. 1937) Waitin' for Day Break oil on board signed Robert Blair (lower right) 11 x 14 inches The Laumeister Collection from The Bennington Center for the Arts, Bennington, Vermont
• MACDUFF EVERTON (b. 1947): DAWN
  MACDUFF EVERTON (b. 1947): DAWN TEMPLE OF CONCORD AGRIGENTO SICILY ITALY C-print 16 x 20 in. Provenance: Robert Burge NYC.
• BLACK SUN PRESS, (5) ISSUES
  BLACK SUN PRESS, (5) ISSUES "PORTFOLIO" An Intercontinental Quarterly, designed by Caresse Crosby, includes: volumes I, III, IV, V and VI, loose sheets in paper covers, likely missing some plates and text pieces, 16.5"h x 12.5"w
• EVE ARNOLD (b. 1913): "NEW YORK
  EVE ARNOLD (b. 1913): "NEW YORK CITY/DAWN" Dye-transfer color print 26 1/2 x 37 1/2 in. (sight) 36 x 47 in. (framed) signed titled dated 1983 and numbered from an edition of fifteen.
• R.D. BLACKMORE: "LORNA DOONE";
  R.D. BLACKMORE: "LORNA DOONE"; EXMOOR EDITIONLorna Doone: A Romance of Blackmoor; Exmoor Edition, in three volumes, London: Sampson Low, Marston & Company, 1893; three-quarter blue leather with gilt paper sides; Condition: owner bookplate to each volume; booksellers' pencil notations to volume I; no foxing or damp stains; 7 1/4 x 5 inches Condition:
• Harold H. Piffard (British, fl.
  Harold H. Piffard (British, fl. 1895-1899) "Dawn", oil on canvas, signed lower right "Piffard", retains old exhibition entry paper label en verso "No. 1 Royal Academy 1917, Dawn, Piffard", 36" x 22". Presented in a period carved giltwood and plaster frame in the Louis XV style, the corners with relief-carved scallop shells mantled by foliate scrolls, the rails centered with addorsed floral sprays surmounted by facing foliate scrolls. Reference: J. Johnson and A. Greutzner, Dictionary of British Artists, 1880-1940.
• ROBERT MOTHERWELL (1915 - 1991):
  ROBERT MOTHERWELL (1915 - 1991): "BLACKENED SUN"1984 (E./B. 343) lift-ground etching and aquatint on German Etching paper signed in pencil lower right and numbered 21/30 sheet size: 35 1/2 x 23 inches Condition: good. Matted and framed under Plexiglas. Not examined out of frame. Condition:
• Large black Morning Glory Horn,
  Large black Morning Glory Horn, circa 1900 31"dia