A few examples of appraisal values for
DAY AND NIGHT

• AFTER JAMES PRADIER PARIAN
  AFTER JAMES PRADIER PARIAN FIGURES "DAY" & "NIGHT" Two Parian figures after the 1840 originals by James Pradier (French, 1790-1852) "Le Jour" (Day) and "Le Nuit" (Night) depicting the day unveiling herself and holding attributed of the harvest supported by a putto, and the night covering herself with the starry night and supported by another putto. (repairs). 23" H x 6" W x 7" D (approx.)
• SALVADOR DE REGIL, (AMERICAN,
  SALVADOR DE REGIL, (AMERICAN, 1914-1968), NIGHT AND DAY, OIL ON CANVAS, 28 1/2 X 38 3/4 IN., FRAME: 33 X 43 1/2 IN.SALVADOR de REGIL, (American, 1914-1968) Night and Day, oil on canvas oil on canvas Dimensions: 28 1/2 x 38 3/4 in., frame: 33 x 43 1/2 in. Provenance: The Collection of a Portland, Maine Gentleman. Exhibitions: Julien Levy Gallery, New York, January 21 - February 10, 1941 (cover of exhibition catalogue). Condition: Lined, with restoration throughout. Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
• PHILIP HERSHBERGER / DAY AND
  PHILIP HERSHBERGER / DAY AND NIGHT (1986)Philip Hershberger (Kansas, b. 1933) Day and Night , 1986 Four-color lithograph on Arches paper 23" x 31" Number 2 in an edition of 20 Pencil-signed and dated in the bottom right, titled and numbered in the bottom left, with a Lawrence Lithography Workshop blind stamp in the bottom right corner. Float-mounted behind plexiglass in a maple frame that measures 30" x 38". Provenance : From the corporate art collection of a Kansas City based Fortune 500 company, previously acquired from the Jan Weiner Gallery. Condition Very good condition with no apparent issues. Not removed from the frame.
• VICKERS Mary (American 20th C.):
  VICKERS Mary (American 20th C.): ''NIGHT AND DAY'' Serigraph sight size 12 1/2'' x 10 custom framing 23'' x 20'' pencil signed and numbered 190/475.
• TWO 20TH C. PRINTS, INCLUDING:
  TWO 20TH C. PRINTS, INCLUDING: NORMAN ARTHUR BATE, ETCHING AND AQUATINT, "BETWEEN DAY AND NIGHT" 32/200, PENCIL SIGNED AND DATED (19...Two 20th C. prints, including: Norman Arthur Bate, etching and aquatint, "Between Day and Night" 32/200, pencil signed and dated (19)58 LR, 18 1/2" h. x 12" w., unframed; and one framed lithograph under glass, illegible signature, abstracted shapes in blue, purple, and green, image 16 1/2" h. x 21" w., both with wear consistent with age and use including toning, foxing, and minor damages.
• JOSEF ALBERS (GERMAN/AMERICAN
  JOSEF ALBERS (GERMAN/AMERICAN 1888-1976) DAY & NIGHT I. Serigraph edtion A.P.. Initialed and dated 1963 LR Sight: 15.5'' x 15.75'' Condition: No Specific Condition Recorded - Sold As Is
• AFTER BERTEL THORVALDSEN DAY &
  AFTER BERTEL THORVALDSEN DAY & NIGHT BAS RELIEF, 2 After Bertel Thorwaldsen (Danish, 1770-1844) ceramic terracotta bas relief plaques depicting the Classical "Night" and "Day" scenes, each with impressed "C.B.L. / 552 / " " marks and marked "Copenhagen / 5K / 1899" in pencil to reverse. Each: 10.75" diameter.
• NIGHT SCENES IN THE BIBLE BY REV
  NIGHT SCENES IN THE BIBLE BY REV DANIEL MARCH,1869Night Scenes in the Bible. Author: Rev Daniel March Publisher: Zeigler McCurdy & Co. Year: 1869
• DAY, Stephen, (American, 1954):
  DAY, Stephen, (American, 1954): ''Glowing Sky'', Oil/Canvas Board, 30'' x 40'', signed lower left, signed titled and dated 1995 verso, framed 40'' x 50''.
• RAYMOND LOEWY, (1893-1986,
  RAYMOND LOEWY, (1893-1986, FRENCH-AMERICAN), "NIGHT AND DAY" AND "FORMULA CAR IN MOUNTAINS," EACH 1978-82, FROM "SPACE RACE PORTFOLIO,"Raymond Loewy, (1893-1986, French-American) "Night and Day" and "Formula Car in Mountains," each 1978-82, from "Space Race Portfolio," printed 1985 Each: Screenprint in colors on paper under Plexiglas Edition of each: 73/300 The first initialed in pencil in the image at lower right: RL, the second initialed in pencil in the lower margin, at right: RL; each numbered in pencil in the lower margin, at left, and with an unidentified blindstamp along with that of the publisher, Circle Fine Art Corp.; Chicago Serigraphic Workshop, prntr. Sight of first: 21.375" H x 27.375" W; Image of second: 20" H x 26.875" W Each: Screenprint in colors on paper under Plexiglas Dimensions: Sight of first: 21.375" H x 27.375" W; Image of second: 20" H x 26.875" W
• A pair of terracotta roundels of
  A pair of terracotta roundels of Night and Day after Thorwaldsen, a small framed roundel similar, a framed collection of portrait medallions and five French creamware black painted plaster with nobles
• W. H. DAY (BRITISH 19TH-20TH
  W. H. DAY (BRITISH 19TH-20TH CENTURY), INLET SCENE, MORNING AND EVENING: PAIR OF OILS ON CANVAS, FRAME: 16 X 25 INW. H. Day (British 19th-20th Century), Inlet Scene, Morning and Evening: A Pair of Works, Each Signed, Each Oil on Canvas, 12 x 20 in.,
• Ricardo Rumi b.1960. Day or
  Ricardo Rumi b.1960. Day or Night. 2007, acrylic on canvas. 36 h × 48 w in. result: $1,063. estimate: $700–900. Signed and dated to lower right 'Rumi 07'. Signed, titled and dated to verso ‘Day or Night Ricardo Rumi 07’.
• GEORGE AYLING (BRITISH,
  GEORGE AYLING (BRITISH, 1887-1960) WHEN DAY GIVES PLACE TO NIGHT ON LONDON RIVER OIL ON BOARD: 22 X 29 IN.GEORGE AYLING, (BRITISH, 1887-1960) WHEN DAY GIVES PLACE TO NIGHT ON LONDON RIVER, Oil on board: 22 x 29 in. Framed; lower right signed: Geo Ayling and verso with gallery labels: The Society of Marine Artists / Geo. Ayling / HILLSVIEW STUDIO/ FOREST GREEN/ NR. OKLEY / DORKING SURREY/ WHE DAY GIVES PLACE / TO NIGHT ON LONDON RIVER / 65 POUNDS STERLING Provenance: Virginia Collection The Society of Marine Artists; Christopher Cole Fine Paintings, Beaconsfield, Bucks, purchased July 1990 and by descent to current owner
• In the Paradise It is Night by
  In the Paradise It is Night by Robert Lostutter Robert Lostutter (American b. 1939). ?Watercolor on paper signed dated?1980 and titled in margin repeating info on verso gallery label; 18.75 x 19 in (framed). Daniel Jacobs and Derek Mason CollectionEx Monique Knowlton Galley Inc. NYC
• English Mahogany and Lacquered
  English Mahogany and Lacquered Brass Day and Night Four Draw Telescope 19th century with chamois covered tube and two eye pieces one engraved ~D (day) 48" (Length) 121.9cm (Length)
• YAACOV AGAM, AGOMOGRAPH, 1980
  YAACOV AGAM, AGOMOGRAPH, 1980 Yaacov Agam ( Israeli, b. 1928), "Night and Day", polymorph silkscreen, pen signed and numbered 24/99 lower margins, matted and framed, 10"h x 14"w (image), 21"h x 26"w (frame)
• VERYL GOODNIGHT (1947- ), BACK FROM
  VERYL GOODNIGHT (1947- ), BACK FROM THE BRINK Fine Art
• Robert Gordy (American/New
  Robert Gordy (American/New Orleans 1933-1986) "Day in the Desert" and "Night in the Desert" two marker drawings on paper signed and dated "76" upper left and lower right respectively each 16 in. x 19 1/2 in. each matted and framed. Provenance: Collection of Alice Barry New Orleans and Pass Christian MS.
• SAX ROLAND SHAW (SCOTLAND
  SAX ROLAND SHAW (SCOTLAND 1916-2000) ORIGINAL WALL TAPESTRY ''Night & Day '' woven at the Dovecot Studios for the Edinburgh Tapestry Company c. 1950's hand woven signed SHAW in the weave 5'3'' x 4'11''. Note: Sax Shaw former Head of Stained Glass at Edinburgh College of Art and Artistic Director of Dovecot Studios (1953-1958). Constantly moving between stained glass and tapestry Shaw's approach to design and architecture resulted in a vibrant synthesis of color and form. The tapestry is in good condition with light wear and a small amount of fading.
• AFTER BERTEL THORVALDSEN (DANISH,
  AFTER BERTEL THORVALDSEN (DANISH, 1770)After Bertel Thorvaldsen (Danish, 1770-1844), "Night and Day", bisque porcelain plaques, by Royal Copenhagen, Denmark, marked, with mounting wires, dia. 10 1/2 in
• GEORGE IV TWO-DRAW DAY OR NIGHT
  GEORGE IV TWO-DRAW DAY OR NIGHT TELESCOPE BY HARRIS & S...George IV Two-Draw Day or Night Telescope By Harris & Son London , blond mahogany barrel, 1.5 in. objective lens; retains original dust slide; engraved: Harris and Son, London, Day or Night Length 14.25 in. Extended 34.75 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• DAY & SON, 'KING OF THE TOURNAMENT'
  DAY & SON, 'KING OF THE TOURNAMENT' AND 'LORD OF THE TOURNAMENT' coloured lithographs, each 33cm x 46cm, in silvered frames and glazed
• SVEND SVENDSEN NOCTURNAL OIL
  SVEND SVENDSEN NOCTURNAL OIL PAINTINGNightscape depicting light eminating from a doorway and windows reflecting light across a road onto another home along with dimly lit street lamp signed LR by Svend Svendsen (1864-1945) Norwegian born American artist studied in Paris moved to Chicago in the 1890's. Verso Mandel Brothers framing Chicago. 18'' x H 23'' W sight 24'' H x 30'' W. Private collection Manistee Mi.
• Maxfield Parrish ''When Day is
  Maxfield Parrish ''When Day is Dawning'' complete 1954 calendar mint.
• STEPHEN DAY (B.1954) OIL PAINTING
  STEPHEN DAY (B.1954) OIL PAINTING 'WINTER EVENING'Framed oil on board painting, "Winter Evening - Last Light," signed lower right Stephen Day (New Mexico/ Colorado, b.1954), title and additional signature verso, dated 1999 verso, retaining Charlene Cody Gallery, Santa Fe label verso, sight: approx 8.5"h, 11.5"w, overall: approx 14.5"h, 17.5"w, 1.9lbs
• A Steuben Glass Day and Night
  A Steuben Glass Day and Night Sculpture Designed by David Dowler with original fitted case. Diameter 9 3/4 inches.
• AFTER ALPHONSE MUCHA (CZECH
  AFTER ALPHONSE MUCHA (CZECH 1860-1939), LA NUIT, OFFSET PHOTOPRINT, FRAME: 40 3/4 X 21 3/4 IN. (103.5 X 55.2 CM.)After Alphonse Mucha (Czech 1860-1939), La Nuit, Offset Photoprint,, Dimensions: Frame: 40 3/4 x 21 3/4 in. (103.5 x 55.2 cm.)
• David Louis Ghilchik
  David Louis Ghilchik (1892-1970)/End of the Day (Stavely Coal and Iron Works)/signed and inscribed/oil on canvas, 50cm x 60cm
• Day Dreams (British, 1864-1949)
  Day Dreams (British, 1864-1949) 38 x 24 1/2 inches.
• YAACOV AGAM (ISRAELI, B. 1928), DAY
  YAACOV AGAM (ISRAELI, B. 1928), DAY NIGHT RAINBOW AGAMOGRAPH, ED 56/99, FRAMED: 22-1/2 X 21-1/2 INYaacov Agam (Israeli, b. 1928), Day Night Rainbow Agamograph, ed 56/99, Framed: 22-1/2 x 21-1/2 in
• SAMUEL W. GRIGGS, (AMERICAN,
  SAMUEL W. GRIGGS, (AMERICAN, 1827-1898), MORNING AND NIGHT, OIL ON CANVAS, EACH: 10 X 14 IN., FRAME: 16 3/4 X 20 1/2 IN.SAMUEL W. GRIGGS, (American, 1827-1898) Morning and Night, oil on canvas Morning, signed S.W. Griggs 1883 lower right Night, signed S.W. Griggs lower right oil on canvas Dimensions: each: 10 x 14 in., frame: 16 3/4 x 20 1/2 in. Provenance: By descent within a Massachusetts Family. Condition: Morning: In need of a cleaning (yellowed and dirty varnish; some flecks of inpainting visible under UV.Night: Could do with a cleaning. Stable craquelure in wave center left. Wear at edges from frame rub. Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
• CLEM BEDWELL, "THE FALL OF
  CLEM BEDWELL, "THE FALL OF DAYLIGHT" A/C ABSTRACT Clem Bedwell (American / Georgia 20th/21st century), "The Fall of Daylight", 2009, abstract colors of cream white, and brown, acrylic on canvas, signed lower right, signed, dated, and tilted en verso, unframed. Provenance: From the Private Collection of Ruth West, Atlanta, Georgia. Approx. h. 24", w. 24" (canvas).
• TWO COLORFUL FIGURATIVE WORKS 1)
  TWO COLORFUL FIGURATIVE WORKS 1) Beatty and Fehling. "Nocturnal Embrace," hand colored etching, signed lr, image size: 3 1/2 x 3 1/4 in., framed and 2) 20th century. "The Line is Busy" signed lr, sight size: 5 1/4 x 3 3/4 in., framed.
• ADAM STRAUS (AMERICAN, B. 1956)
  ADAM STRAUS (AMERICAN, B. 1956) "BLUE NIGHT", 1991, OIL ON WOOD, LANDSCAPE PAINTING DEPICTS HORIZON LINE AT DUSK, PAINTED IN PLEASIN...Adam Straus (American, B. 1956) "Blue Night", 1991, oil on wood, landscape painting depicts horizon line at dusk, painted in pleasing blue hues, industrial metal and wood frame, artist name, date and title on verso, wear consistent with age including a long horizonal scratch near horizon line, ss: 3 1/2" h. x 6" w., frame size: 9 1/2" h. x 11 1/2" w.
• An Imhof night clock, fitted an
  An Imhof night clock, fitted an eight-day movement, numbered 75/845, 18.5cm high