A few examples of appraisal values for
DESCENT

• 2 PCS, CHARLES DARWIN, DESCENT OF
  2 PCS, CHARLES DARWIN, DESCENT OF MAN, 1ST EDITION Charles Darwin (British, 1809-1882). First edition of "The Descent of Man" volumes I and II, 1871. Provenance: Partial acquired from Jeremy Norman & Co., on March 26, 1990. Approx. h. 7.5" each
• REMBRANDT VAN RIJN (1606-1669): THE
  REMBRANDT VAN RIJN (1606-1669): THE DESCENT FROM THE CROSS Etching (possibly laid down on paper). 20 3/4 x 15 1/4 in. (image sight).
• REMBRANDT "THE DESCENT FROM THE
  REMBRANDT "THE DESCENT FROM THE CROSS" 2ND PLATERembrandt Harmenszoon Van Rijn (Dutch, 1606-1669). Etching on paper titled "The Descent from the Cross" depicting Christ being lowered from the cross after his crucifixion, 1633. Second plate, sixth state printing. Literature: Hollstein, B.81 II, pg. 46-47 (text), 79 (plate); New Hollstein, plate 119, pg. 189-191 (text), 217 (plate). Provenance: Titus Fine Art, Beverly Hills, California; Private Minnesota Collection. Unframed; height: 22 in x width: 16 in. Framed; height: 33 in x width: 28 in. Condition: The print is in generally good condition. There are no rips or restorations. When inspected under a UV light there were no issues. The sheet is slightly toned. There is a crease running horizontally along the center where it appears the print was possibly folded. There is some light soiling along the margins. Some undulation to the sheet. The print is hinged to the mat in six places; along all four corners and along the middle of the right and left margins. Due to the way the sheet is hinged, the verso has not been inspected. The print is floated in the frame. There is some wear to the mat, some threads are loose along the extreme margins. There is an area of possible moisture on the bottom right hand corner of the mat that does not affect the print. The artwork is framed; some light wear to the frame; frame behind glass.
• Rembrandt etching (Rembrandt
  Rembrandt etching (Rembrandt Harmensz Van Ryn, Dutch, 1606-1669), The Descent From the Cross: By Torchlight (Bartsch 83; Hind 280), signed in plate "Rembrandt f. 1654", etching and drypoint on laid paper, plate 8-1/4 x 6-1/4 in., page 8-3/8 x 6-1/2 in.; modern wood frame. Surface abrasions, paper and glue residue verso corners, small loss to paper at edge bottom left and upper right, possible mildew damage at top, floated with archival tape.
• Marc Chagall (French/Russian
  Marc Chagall (French/Russian 1887-1985) The Descent to Sodom 1952 (from The Bible Series) handcolored etching edition 47/100 signed M. Ch. (lower right) 11 1/2 x 9 inches.
• French or Italian School 19th c.
  French or Italian School 19th c. "The Descent of the Holy Spirit" oil on tin unsigned 24 1/2 in. x 18 in. in a period carved and giltwood frame.
• Darwin (Charles) The Descent of
  Darwin (Charles) The Descent of Man, Second Edition, Third Impression, 2 vols., 1898, The Life and Letters of Charles Darwin, 3 vols., 1887, Huxley (L) The Life and Letters of T H Huxley, 2 vols., 1900 and 49 others. 8vo., orig. cloth
• VAN RIJN, Rembrandt, (Dutch,
  VAN RIJN, Rembrandt, (Dutch, 1606-1669): ''The Descent from the Cross'', Etching, sight size 21'' x 17'', signed in the lower margin and dated 1633, framed, 34'' x 30''. CONDITION: Please call for specific condition inquiries. Tape repairs to tears visible verso
• AFTER RUBENS O/C PAINTING,
  AFTER RUBENS O/C PAINTING, DESCENT FROM THE CROSSAfter Peter Paul Reubens (Flemish/Belgium/Germany, 1577-1640) large Baroque Old Master style oil on canvas painting titled "The Descent of the Cross". Depicts Christ's deposition, or His removal from the cross by attendants and apostles towards The Virgin Mother, Mary Magdalene, and Salome who mourn at his feet. Inscription reading "The Descent of the Cross" Painted in the Cathedral at Antwerp. From Rubens Masterpiece. By W.H. Howard, Sept. 1894" and stamp for "Geo. Rowney & Co. London, W." en verso. Housed in an ornate gilt and gesso frame with cartouche decoration and acanthus leaf corners. Sight: 35 1/2" H x 27 1/2" W. Framed: 44 3/4" H x 37" W. Note: The original version of this painting remains housed in the Cathedral of Our Lady, Antwerp, Belgium, where this copy was painted. Property of a Tennessee Religious Institution. Condition: Craquelure due to thick varnish, no restoration or retouching. Frame with wear and scattered gilt loss.
• An ivory relief in Gothic style, in
  An ivory relief in Gothic style, in three registers, showing the Descent from the Cross, the Mocking and Entombment of Christ, 25.5cm/see illustration
• COPPER RELIEF PLAQUE: ''DESCENT
  COPPER RELIEF PLAQUE: ''DESCENT FROM THE CROSS'' Modeled with the prone figure of Christ Mary St. John Joseph of Arimathea and the three Mary's giltwood frame. Provenance: Property from Salander-O'Reilly Galleries' Collection consigned by the Trustee. 7 1/2 x 5 5/8 in. (sight) 10 1/4 x 8 1/2 in. (frame).
• Rembrandt Etching titled "The
  Rembrandt Etching titled "The Descent from the Cross": second plate. 16"x 21" etching 28 ?" x 34" frame We believe this to be a Rembrandt etching that was made from the original copper plate which was part of the "Millennium Series" done around 2000. The etching appears to be in good shape along with the frame.
• DESCENT FROM THE CROSS
  DESCENT FROM THE CROSS ATTRIBUTED TO THE CIRCLE OF PETER PAUL RUBENS (NETHERLANDS 1577-1640). Oil on canvas unsigned. Well done image with several figures. Imperfections. In a gilt frame 26''h. 20''w. Repairs and rebacked with replaced stretcher.
• Social commentary print;
  Social commentary print; broadside depicting the ages of man, ascending and descending staircase with illustrations of 19th century figure through various stages of life, accompanied by alphabetical poem describing life's sins. Image 23" x 13". Crease marks, foxing, left margin trimmed.
• ITALIAN SCHOOL OLD MASTER
  ITALIAN SCHOOL OLD MASTER RENAISSANCE PAINTING DEPICTING THE DESCENT FROM THE CROSS, CHRIST'S CRUCIFIXION SCENE. 48 1/2"H X 68 1/2"W (W/ FRAME)Italian School old master Renaissance painting depicting the Descent from the Cross, Christ's Crucifixion scene., Oil on canvas laid on panel. Ex. collection: Dr. James Charbonnier, Taylor University since ca.1953. Provenance: from Taylor University's Dr. Neil and Mrs. Renee Compton Collection. Proceeds benefit Taylor University endowed scholarship funds. Dimensions: 48 1/2"H x 68 1/2"W (w/ frame)
• Miniature Mughal painted
  Miniature Mughal painted pictorial scenes (Indian 18th/19th century) THREE WORKS: DESCENT OF THE GANGES; GANGA DEVI; and KRISHNA STEALING BUTTER watercolor and gouache framed unsigned sight sizes: H4 1/2'' W3'' 4 3/4'' W2 1/2'' and H2 1/2'' W3 1/2'' (3pcs) Provenance: Charlotte North Carolina private collection. Appear to be in very good original condition; not examined out of frames. Back    Inquiry      Previous Item   Next Item © Charlton Hall Auctions.  Images descriptions and condition reports used on this site are original copyright material and are not to be reproduced without permission. For further information telephone 803.779.5678     © 2012 CHARLTON HALL GALLERIES INC.
• A carved Nottingham alabaster
  A carved Nottingham alabaster plaque, depicting the descent from the cross within a 19th Century gilt frame, 18cm high x 15cm wide
• ENOCH WOOD WHITE STONEWARE
  ENOCH WOOD WHITE STONEWARE BLUE-GROUND LARGE OVAL PLAQUE, 'THE DESCENT FROM THE CROSS'ENOCH WOOD WHITE STONEWARE BLUE-GROUND LARGE OVAL PLAQUE, 'THE DESCENT FROM THE CROSS', circa 1777, the foreground inscribed 'Enoch Wood Sculpt.', based off a painting in the Louvre titled, La Descente de Croix (1697) by Jean Jouvenet, in white relief with Christ being lowered from the Crucifix, at the top of the Cross is a scroll inscribed 'JESUS OF NAZARETH KING OF THE JEWS', reserved on an enameled blue ground, h: 20.25 in., framed Provenance: Sara & Samuel Laver Collection. Skinner, Boston, 14 July 2018, sale 3115B, lot 225. Jeffrey Milkins Collection no. 927. Catalogue Notes: For a later example from Lady Charlotte Schreiber's Collection, noted as by Enoch Wood & Sons, circa 1825, see the Victoria & Albert Museum, accession no. 414:1306-1885 (Schreiber number - Sch. II 553). Also reference Jonathan Horne, 'A Collection of Early English Pottery', no. 540; and Henry Hartland, 'Letter to the Editor: Enoch Wood Plaque', Apollo, June 1954. A third octagonal example is set in mortar in the Enoch Wood family vault. In the family Bible Enoch Wood writes, "Within this [Family] Vault there is deposited a large Basso Rilievo of the Descent from the Cross modeled by myself, also a Crucifix modeled at 14 years old." Literature: Diana Edwards, 'English Dry Bodied Stoneware' p. 198.
• Follower of Peter Paul Rubens
  Follower of Peter Paul Rubens (Flemish, 1577-1640) Descent from the Cross, 17th/18th Century oil on panel 50 1/4 x 46 5/8 inches.
• DAVE HODGES (1949 -) "GOLDEN
  DAVE HODGES (1949 -) "GOLDEN DESCENT" BRONZEFeatured in this lot is this bronze sculpture titled, "Golden Descent" by Montana artist Dave Hodges, born in 1949 and circa 1991. This bronze sculpture features a bald eagle on a branch and is mounted on a hardwood shield with a plaque that reads as follows: "Golden Descent" by Dave Hodges. The bronze is inscribed with 92/100 - 1991 - Hodges and shows the artist hallmark next to the copyright symbol. Dave Hodges, a Big Timber, Montana artist, graduated from MSU in 1979. In 1982, he began his professional career as a bronze sculptor and continues successfully in that field to this time. The condition of this bronze is good with no obvious signs of damage and in good overall condition. The measurements of this bronze are 3 1/2" L x 5" W x 6 1/2" H. The collective weight of this bronze sculpture is 14oz.
• Jean-Pierre Dubord French, b.
  Jean-Pierre Dubord French, b. 1949 La Descent a la Plage Estimate:$3,000-$5,000
• DEVINE, Matt, (American, b.
  DEVINE, Matt, (American, b. 1975): ''Trial #7'', 2010, Welded Metal Rod Sculpture, 36'' x 114''. Taken from the restaraunt formerly known as ''Urban Tides'', annexed to the Hyatt in Orlando. It's now known as ''Descend 21''. CONDITION: minor corrosion
• AFTER ADOLPH ALEXANDER WEINMAN
  AFTER ADOLPH ALEXANDER WEINMAN (1870 - 1952): DESCENDING NIGHTbronze with brown patination, mounted to stone socle; signed "A. Weinman"; Provenance: The Estate of David Karpeles, the Karpeles Manuscript Museum, Montecito, CA; the bronze: 18 inches high; overall: 22 1/2 inches high Condition:
• 19th Century French
  19th Century French SchoolChildren of the Despard familypair of portraits head and shoulderspastel 48.25cm x 39.5cm (19" x 15.5")
• LINDSAY SCOTT (1955- ), BELOW THE
  LINDSAY SCOTT (1955- ), BELOW THE ESCARPMENT Fine Art
• AFTER A.A. WEINMAN (D1952) BRONZE
  AFTER A.A. WEINMAN (D1952) BRONZE DESCENDING NIGHTPatinated bronze figural sculpture, "Descending Night," signed in cast after A. A. Weinman (Adolph Alexander Weinman, American, 1870-1952), on integral turned form base, approx 21"h, 16"w, 7"d, 17.5lbs
• CIRCLE OF JACOB CORNELIUS:
  CIRCLE OF JACOB CORNELIUS: DESCENT OF CHRIST FROM THE CROSS Oil on board. 64 x 18 1/2 in. (sight) 69 1/2 x 23 1/4 in. (frame).
• GUILLERMO SILVA SANTAMARIA,
  GUILLERMO SILVA SANTAMARIA, ETCHING, 1964 Guillermo SIlva Santamaria (Colombian, 1921-2007), "Lida de la Decencia" (Decency League), etching with color on paper, pencil signed, dated and titled lower margin, numbered A/84, likely an artist's proof, matted and framed under glass, 5"h x 5.5"w (sight), 11.5"h x 12"w (frame)
• REMBRANDT VAN RIJN (DUTCH,
  REMBRANDT VAN RIJN (DUTCH, 1606-1669) DESCENT FROM THE CROSS BY TORCHLIGHT ENGRAVING ON HEAVY LAID PAPER: 8 1/2 X 6 5/8 IN.REMBRANDT VAN RIJN, (DUTCH, 1606-1669) DESCENT FROM THE CROSS BY TORCHLIGHT, Engraving on heavy laid paper: 8 1/2 x 6 5/8 in. Unframed; verso collector's mark H W Provenance: Private Collection
• Chin
  Chin
• An 18th Century vellum indenture in
  An 18th Century vellum indenture in five parts
• PEGGY PAGE NUDE DESCENDING
  PEGGY PAGE NUDE DESCENDING STAIRCASE PAINTING England20th CenturyCubist painting in the style of Marcel Duchamp, depicts a nude figure descending a staircase. Page was a fashion and silver designer in the 1960's, and like contemporary artist Sherrie Levine, fits into the tradition of re-creating master works by male artists.
• FRENCH SCHOOL: KNEELING WOMAN
  FRENCH SCHOOL: KNEELING WOMAN Sculpture 20 in.
• LOREN ENTZ (1949- ), DOWNHILL
  LOREN ENTZ (1949- ), DOWNHILL RACERS Fine Art
• A tribal carving of a kneeling
  A tribal carving of a kneeling skeletal figure, the grinning face with ivory eyes, 50cm long
• A Derby group of the Alpine
  A Derby group of the Alpine Shepherdess, circa 1771, depicting two lovers on a rocky base, incised no. 178, 18cm high