A few examples of appraisal values for
DON POLLARD

• POLLARD, PORTRAIT OF A MAN, ACRYLIC
  POLLARD, PORTRAIT OF A MAN, ACRYLIC ON CANVAS 1998 Pollard (American, contemporary). "Portrait of a Man" -1998, acrylic on canvas, Signed and dated lower right, framed. Approx. 20.75" x 16.75" (frame), 20" x 16" (canvas)
• Alex Pollard b.1977.
  Alex Pollard b.1977. Non-Ideological Flagpole. 2003, oil on panel. 10¾ h × 15 w in. result: $252. estimate: $300–500. Signed and dated to verso ‘Alex Pollard 03’. Provenance: Andrew Mummery Gallery, London | The Kenneth L. Freed Collection
• Pollard The Red Rover Southampton
  Pollard The Red Rover Southampton Coach color engraving 12 x 18 inches.
• Pollard, (Alfred W) The Romance
  Pollard, (Alfred W) The Romance of King Arthur and his Knights of the Round Table, Macmillan, London, 1917, illustrated by Arthur Rackham, together with Bedier (Joseph), The Romance of Tristram and Iseult, Heinemann, London (2)
• ATTRIBUTED TO JAMES POLLARD
  ATTRIBUTED TO JAMES POLLARD (BRITISH 1797-1859) GOOD STYLE Oil on canvas: 18 1/4 x 25 in. Framed; lower left indistinctly signed: Pollard; inscribed on the coach ''London Star '' ''T Roberts'' on door and ''London'' on front. The reverse with old collection label and second label inscribed with ''Good Style '' stock number ''17 '' and artist name ''Poll.'' Provenance: Collection of the Earl of Gray. E1 500-2 500. Provenance: From the Estate of Mary Cramer Virginia
• DON POLLACK, LANDSCAPE, OIL ON
  DON POLLACK, LANDSCAPE, OIL ON CANVAS, FRAMED Don Pollack (American/Illinois, born 1958). "Untitled #331", oil on canvas. Signed on verso of frame. Provenance: From the Estate of JoAnn Hunsinger of Atlanta, Georgia. Approx. 23" x 23" (frame), 12" x 12" (canvas).
• DON POLLACK, DARK BENCH, OIL ON
  DON POLLACK, DARK BENCH, OIL ON PLEXIGLAS, FRAMED Don Pollack (American/Illinois, born 1958). "Dark Bench", oil on plexiglas. Signed on verso. Provenance: From the Estate of JoAnn Hunsinger of Atlanta, Georgia. Approx. 18.25" x 16.25" (frame), 8" x 6" (panel).
• By and After Pollard/The Unicorn
  By and After Pollard/The Unicorn Leads/and three other coloured coaching engravings
• DONALD POLLAND (AMERICAN, 1932 -
  DONALD POLLAND (AMERICAN, 1932 - 2003) 5 ½" x 6" x 4" "The Lost Dispatch", 1989. Bronze sculpture of a Native American fighting with a pony express rider, signed, dated, and numbered on base, 11 / 50, mounted to wood base.
• DON POLLACK, LANDSCAPE, OIL ON
  DON POLLACK, LANDSCAPE, OIL ON CANVAS, FRAMED 1998 Don Pollack (American/Illinois, born 1958). "Untitled #291" - 1998, oil on canvas. Signed on verso. Provenance: From the Estate of JoAnn Hunsinger of Atlanta, Georgia. Approx. 24.25" x 29" (frame), 11.5" x 15.75" (canvas)
• DON POLLACK, "NIGHT", OIL ON
  DON POLLACK, "NIGHT", OIL ON CANVAS, BIRDS Don Pollack (American/Illinois, born 1958). "Night", oil on canvas. Signed and titled verso. Provenance: From the Estate of JoAnn Hunsinger of Atlanta, Georgia. Approx. 48" x 72" (canvas)
• * (FINE PRESS DOVES PRESS)
  * (FINE PRESS DOVES PRESS) POLLARD ALFRED W. Cobden-Sanderson and the Doves Press. The History of the Press and the Story of its Types Told by Alfred W. Pollard. San Francisco: John Henry Nash 1929. Folio full vellum spine lettered in gilt slipcase. With tipped-in vellum leaf from a Doves Press printing. Number 5 of 339 copies. Wear to slipcase; light soiling to boards; tipped in leaf beginning to detach; otherwise fine.
• 1948 BOWMAN JIM POLLARD #66 PSA
  1948 BOWMAN JIM POLLARD #66 PSA EX-MT 6Minneapolis Lakers famed forward The Kangaroo Kid Jim Pollard, Hall of Fame inductee in 1978. Housed in case, PSA graded. See images for more details on condition. This item can be shipped in-house.
• DONALD JACK POLLAND (AMERICAN,
  DONALD JACK POLLAND (AMERICAN, 1932-2003) PEWTER SCULPT...Limited edition pewter sculpture of two men Steer Wrestling with wood base. This item has no reserve. Artist: Donald Polland Issued: 1978 Dimensions: 7" H Edition Number: 95 of 2500 Manufacturer: Chilmark Foundry Condition: Age related wear.
• A PAIR OF JAMES POLLARD
  A PAIR OF JAMES POLLARD LITHOGRAPHSA Pair of James Pollard Lithographs, Doncaster Races, 16" x 25". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• DONALD POLLARD SIGNED STEUBEN CLEAR
  DONALD POLLARD SIGNED STEUBEN CLEAR CRYSTAL OWL FIGURIN...Donald Pollard Signed Steuben Clear Crystal Owl Figurine, with large frosted eyes. Height 5.5 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• Alex Pollard b.1977. We'll Throw
  Alex Pollard b.1977. We'll Throw Glass in Your Face. 2004, oil on canvas. 29¾ h × 28 w in. result: $504. estimate: $600–800. Signed, titled and dated to verso ‘We'll Throw Glass in Your Face 2004 Alex Pollard’. Provenance: The Kenneth L. Freed Collection
• DON POLLACK, CHATTANOOGA OIL,
  DON POLLACK, CHATTANOOGA OIL, MOCCASIN BEND Don Pollack (American/Illinois, born 1958). "Lookout Mountain, Moccasin Bend" -2004, oil on panel. Signed and titled on verso of frame. Provenance: From the Estate of JoAnn Hunsinger of Atlanta, Georgia. Approx. h. 8.5", w. 14".
• DONALD POLLARD SIGNED STEUBEN CLEAR
  DONALD POLLARD SIGNED STEUBEN CLEAR CRYSTAL CAT FIGURIN...Donald Pollard Signed Steuben Clear Crystal Cat Figurine Ornament, signed Steuben upon the base. Height 8.5 in. Width 4.25 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• PRINT, JAMES POLLARD AND ROBERT
  PRINT, JAMES POLLARD AND ROBERT HAVELL James Pollard (British, 1792-1867) and Robert Havell (British, 1769-1832), "Stage Coach Setting Off," etching and aquatint with watercolor, overall (with frame): 13.5"h x 19.5"w
• DON POLLACK, "HOPE", OIL ON
  DON POLLACK, "HOPE", OIL ON LINEN, FRAME, 1998 Don Pollack (American/Illinois, born 1958). "Hope" -1998, oil on linen. Signed on verso. Provenance: From the Estate of JoAnn Hunsinger of Atlanta, Georgia. Approx. 17.5" x 24.5" (frame), 9.75" x 16.5" (canvas).
• James Pollard (British 1792-1867)
  James Pollard (British 1792-1867) FOUR WORKS: KENSINGTON GATE THE LORD NELSON INN HYDE PARK CORNER THE COCK AT SUTTON (from the Scenes on the Road or a Trip to Epsom and Back) colored prints framed impressed and titled in margins sight size: H13 1/2'' W20'' (4pcs) Provenance: Estate of Jeanne S. Harley Spartanburg South Carolina.
• After J. Pollard, colored
  After J. Pollard, colored engraving, Making Up Time, the London-Derby coach at speed, browned, foxing, matted to image, 15 1/4" x 21 1/4" Estimate $100-200
• POLLACK, Reginald, (American,
  POLLACK, Reginald, (American, 1924-2001): ''Constellation-Ryma'', Mixed Media/Canvas, 24'' x 24'', signed lower left, titled verso, framed, 27.25'' x 27''.
• Richard Bawden (b.1936) watercolour
  Richard Bawden (b.1936) watercolour Polstead church signed Chappel Galleries label verso 14.5 x 20.5in. Estimate ?100-200 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?190
• LARGE ABELAM POLYCHROME FIGURAL
  LARGE ABELAM POLYCHROME FIGURAL POLE Large Abelam polychrome figural pole, Papua New Guinea, 10'h. Note: Collected in situ 1968 by noted bush pilot and territorial administrative officer Bruce D. Lawes in the 1950s/60s. Provenance: B. Lawes, Milton Sikes Gallery, Gregory Ghent, since late 1960s in the collection of the late Dr. John and Dianne Anderson
• JAMES POLLARD OIL ON CANVAS OF A
  JAMES POLLARD OIL ON CANVAS OF A MAIL CARRIAGEJames Pollard (British 1792-1867) , oil on canvas of the Manchester Independent mail carriage, signed lower left, 26" x 34". Exhibited at The National Museum of Racing, Sarasota, New York 1980. Provenance: Scalamandre Family of Chestnut Hill, Pennsylvania. Condition: Relined. Scattered small touch-ups. Heavier touch-up along edges.
• JAMES POLLARD (UK, 1792-1867) The
  JAMES POLLARD (UK, 1792-1867) The Royal Mail Coach Crossing a Highland Fox Hunting Course, (cipher of Queen Victoria), oil on canvas, signed lower left, in vintage water gilt gesso frame, OS: 24 1/2" x 30 1/2", SS: 19 1/2" x 25 1/2", cleaned and relined.
• Lawrence Isherwood (1917-1988)
  Lawrence Isherwood (1917-1988) oil on board Polperro boats signed and dated '59 verso numbered 177 12.75 x 10.75in. Estimate ?250-350 Please NOTE- Lawrence Isherwood not CHRISTOPHER. work in good untouched condition few scattered dirt specks no other faults noted. In typically plain wood frame with artist inscription verso . FURTHER IMAGES ALREADY AVAILABLE AT WWW.GORRINGES.CO.UK Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?280
• AFTER JAMES POLLARD (BRITISH 19TH
  AFTER JAMES POLLARD (BRITISH 19TH CENTURY) TWO HUNT SCENES ALONG WITH ANOTHER LIKE PRINT Colored engraving: 3 1/2 X 12 3/4 in. Framed: ''Patridge Shooting'' Colored engraving:10 1/2 x 28 in.
• Ian Pollock (born 1975)/Self
  Ian Pollock (born 1975)/Self Portrait With Alcoholic/a tribute to dossers/monogrammed/watercolour and body colour, 55cm x 37cm/Provenance: The Thumb Gallery
• REGINALD POLLACK (1924 - 2001): THE
  REGINALD POLLACK (1924 - 2001): THE GOLDEN PLACE1974; oil on canvas; signed and dated lower right; 16 x 20 inches; 21x 25 inches frame; Condition:
• John Sinclair after James Pollard
  John Sinclair after James Pollard (British, active 1872-1912)/The Davenport and London Royal Mail Coach/outside the Star and Garter Tavern/signed and dated 1820/oil on canvas, 54cm x 89cm
• POLLARD & SONS, (4) HAND-COLORED
  POLLARD & SONS, (4) HAND-COLORED ENGRAVINGS, 1822 British, four fox hunting scenes, each identically matted and framed under glass, 4.75"h x 14"w (sight), 13.25"h x 22"w (frames)
• DELMAR POLACCA (B. 1959,
  DELMAR POLACCA (B. 1959, HOPI-TEWA PUEBLO)Delmar Polacca (b. 1959, Hopi-Tewa Pueblo), A Hopi polychrome pottery seed pot, late 20th/early 21st century Signed to underside: Delmar Polacca The flat-shouldered pot with carved and painted Shalako Mana design on a marbled red and light clay ground Dimensions: 1.875" H x 7" Dia. Provenance: Private Collection, Southern California
• AFTER JAMES POLLARD (1792–1867),
  AFTER JAMES POLLARD (1792–1867), EACH: DONCASTER RACES, BY SMART & HUNT, EACH: AQUATINT IN COLORS WITH HAND-COLORING AND GUM ARABIC ON PAPER, PLATE: 16.5" H X 26" W; SHEET: 21" H X 30.5" W, 2 PIECESAfter James Pollard (1792–1867), "Doncaster Races, Horses passing the Judges Stand," circa 1833, by Smart & Hunt Aquatint in colors with hand-coloring and gum arabic on paper From the edition of unknown size and date With the printed name of the artist, engravers, and title in the plate below the image; S. & J. Fuller, London, England, pub. Plate: 16.5" H x 26" W; Sheet: 21" H x 30.5" W "Doncaster Races, Horses Starting for the Great St. Leger Stakes, circa 1832, by Smart & Hunt Aquatint in colors with hand-coloring and gum arabic on paper From the edition of unknown size and date With the printed name of the artist, engravers, and title in the plate below the image; S. & J. Fuller, London, England, pub. Sight: 16.5" H x 26.5" W 2 pieces Provenance: Notes: The first print was examined out of its frame. Since these two framed pieces came to us together, it seems reasonable to assume that the condition of the second, if unframed, would be similar to that of the first.