A few examples of appraisal values for
DORMITION

• Lucas van Leyden. A 16th. c.
  Lucas van Leyden. A 16th. c. print the Dormition by Lucas van Leyden 1521. 8x12cm.
• A well detailed Russian Orthodox
  A well detailed Russian Orthodox bronze panel icon of the Dormition of the Virgin. 25x29cm.
• CIRCLE OF PILON: "THE DEAD
  CIRCLE OF PILON: "THE DEAD CHRIST" Terracotta modeled with parted long hair and head falling to right arms at sides and draped parizonium; 10 1/2 x 31 1/2 x 10 1/4 in.
• RUSSIAN VERMEIL MOUNTED ICON OF THE
  RUSSIAN VERMEIL MOUNTED ICON OF THE DORMITION c. 1866 or earlier, St. Petersburg, oil on panel, repousse decorated gilt silver, depicting the passing of the Virgin Mary, silver fully marked including date, indistinct makers mark and later Soviet marks, 12"h x 10"w (panel)
• 17TH CENTURY RUSSIAN ICON OF THE
  17TH CENTURY RUSSIAN ICON OF THE DORMITION OF THE MOTHER OF GOD TEMPERA AND GOLD ON PANEL17TH CENTURY RUSSIAN ICON OF THE DORMITION OF THE MOTHER OF GOD TEMPERA AND GOLD ON PANEL, with repousse gilt metal frame - h:12.50w:10.50d:1in. Provenance: Sotheby's New York; Private Collection
• ICON OF THE DORMITION OF THE
  ICON OF THE DORMITION OF THE VIRGIN, 5 3/4 X 7 3/4 IN. (14.6 X 19.7 CM.)ICON OF THE DORMITION OF THE VIRGIN, Dimensions: 5 3/4 x 7 3/4 in. (14.6 x 19.7 cm.)
• 19TH C. RUSSIAN ICON. Antique
  19TH C. RUSSIAN ICON. Antique Russian icon of the Dormition of Virgin Mary, on wood panel, housed in a 19th C. frame with a lemon gold liner. Icon 14” x 12.25”, Overal 19” x 17”.
• An ivory relief in Gothic style, in
  An ivory relief in Gothic style, in three registers, showing the Descent from the Cross, the Mocking and Entombment of Christ, 25.5cm/see illustration
• RELIGIOUS ICON, 18TH C. "The
  RELIGIOUS ICON, 18TH C. "The Cardinal Feast Days, May", egg tempera on wooden panel, 20 3/4" x 16 7/8". Losses, repaired and stabilized. Depicting the Complete Resurrection and Descent into Hell at center. The lower right hand corner depicts St. Peter rushing up from his boat to meet Jesus, who still needs to eat after his resurrection, they feast on fish at the shore. From the top left corner, clockwise: The Old Testament Trinity; Birth of the Virgin; The Presentation of the Virgin to the Temple; The Annunciation; The Presentation of Jesus at the Temple; The Transfiguration; Exaltation of the Holy Cross (Patriarch Makarios raises the Holy Cross in his two hands. Two Deacons flank him holding his robe. He is flanked by the Emperor Constantine the Great and Empress Helena; in the background is the basilica of the Resurrection built by Constantine in Jerusalem. The Dormition; The Ascension (not the usual depiction: the Virgin is included in this iconography as a symbol representing the Church); the principal place is given to the Mother of God, who is flanked by two angels with wings in white. Christ ascends in glory seated in an aureole, supported by two angels, a group of apostles, one kneeling and two standing to the right of the Virgin.
• ALBRECHT DüRER (GER. 1471-1528),
  ALBRECHT DüRER (GER. 1471-1528), DIE GRABLEGUNG (THE ENTOMBMENT) AND DIE AUFERSTEHUNG (THE RESURRECTION) (MEDER 153/154), TWO WOODCUTSAlbrecht Dürer (German 1471-1528), Die Grablegung (The Entombment), and Die Auferstehung (The Resurrection): From The Small Passion, (Meder 153 and 154) ,Each a woodcut, 1509-11, each with monogram; the first, with old German text on verso, the second with Latin text on verso; each trimmed to plate and with scattered spots of foxing. Framed as one.* Sheet size of each: 129 x 98 mm (5-1/8 x 3-7/8 in),, Dimensions: Sheet size of each: 129 x 98 mm (5-1/8 x 3-7/8 in)
• Dutch School (18th century) The
  Dutch School (18th century) The Entombment of Christ oil on canvas 17 x 23 inches.
• RUSSIAN, 19TH CENTURY, ICON OF
  RUSSIAN, 19TH CENTURY, ICON OF THE DORMITION OF THE MOTHER OF GOD, EGG TEMPERA AND GESSO ON WOOD PANEL, 14 1/4 X 12 1/2 IN. (36.2 X 31.8 CM.)RUSSIAN, 19TH CENTURY, ICON OF THE DORMITION OF THE MOTHER OF GOD, Egg tempera and gesso on wood panel Egg tempera and gesso on wood panel Dimensions: 14 1/4 x 12 1/2 in. (36.2 x 31.8 cm.)
• MOURNING FIGURE. Possibly American
  MOURNING FIGURE. Possibly American 19th century cast plaster/chalk. Depicts a recently deceased woman lying in her bed. Molded and carved and original cream paint. On a modern base. 4 3/4''l. Purportedly from a New England family named Walsh.
• Russian School late 19th/early 20th
  Russian School late 19th/early 20th century Icon depicting The Resurrection and The Decent into Limbo oil on panel 12 1/2 x 10 1/4 in. Estimate $ 200-400 Paint loss scratches. Paintings have not been examined by blacklight.
• RUSSIAN, 19TH CENTURY, ICON OF
  RUSSIAN, 19TH CENTURY, ICON OF THE DORMITION OF THE VIRGIN, EGG TEMPERA AND GESSO ON WOOD PANEL, 14 3/4 X 12 IN. (37.5 X 30.5 CM.)RUSSIAN, 19TH CENTURY, ICON OF THE DORMITION OF THE VIRGIN, Egg tempera and gesso on wood panel Egg tempera and gesso on wood panel Dimensions: 14 3/4 x 12 in. (37.5 x 30.5 cm.)
• ANTIQUE HAND PAINTED ICON OF THE
  ANTIQUE HAND PAINTED ICON OF THE HOLY DORMITION CATHEDRAL OF THE KYIV-PECHERSK CAVES LAVRA WITH ALL SAINTS 14" x 12 ¼" x 1 ¼" Egg tempera on gesso and mix media background slightly curved wood panel, icon meticulously minute hand painted in polychrome depicting Saint Prince Vladimir I The Great (c.?958 – 1015, Vladimir converted to Christianity in 988, and Christianized the Kievan Rus'), flanked with all historical Saints, with the Cathedral of Holy Sophia in Kyiv in Ukrainian Baroque style (ca. 17's/18's century) in the centre and two angles holding a miniature The Kievan Caves Icon of the Dormition of the Most Holy Theotokos and The Holy Spirit above it. Pan-Slavic design border.
• TWO ANTIQUE EASTERN ORTHODOX
  TWO ANTIQUE EASTERN ORTHODOX ICONSTwo Antique Eastern Orthodox Icons, "The Protection of the Mother of God" and "The Dormition of the Mother of God (The Assumption)", temperas and gilt on panel, both inscribed in Cyrillic, 12 1/4 in. x 10 1/2 in. and 13 1/8 in. x 11 1/2 in., unframed. (2 pcs.) Condition: Overall poor condition.
• German School (17th century)
  German School (17th century) Entombment of Christ, relief-carved wood, 2-7/8 x 16-5/8 x 23-3/8 in. including frame; later gilt wood frame with applied wood rosettes,
• MIDDLE EASTERN ENAMEL PLAQUE OF THE
  MIDDLE EASTERN ENAMEL PLAQUE OF THE DORMITION OF CHRIST FRAME: 13 X 10 3/4 IN. (33.02 X 27.31 CM.)Middle Eastern Enamel Plaque of The Dormition of Christ, Dimensions: Frame: 13 x 10 3/4 in. (33.02 x 27.31 cm.)
• ROMAN STYLE POTTERY FIGURE OF A
  ROMAN STYLE POTTERY FIGURE OF A FEMALE MOURNER Modeled wearing hat and holding a fan contained in glass case. Provenance: Property from the Estate of George I Gravert. 10 x 3 1/2 in. and 11 3/8 x 6 1/4 in.
• MINATURE PAINTING - Oil on Ivory
  MINATURE PAINTING - Oil on Ivory Ascension of Louis XVI a Royalist deification of the martyred French King ca 1800 depicting him departing this world dressed as a Legionnaire Royal cloak around his shoulders surrounded by family angels putti and a
• RUSSIAN ICON DEPICTING THE
  RUSSIAN ICON DEPICTING THE RESURRECTION, c. 1900, painted in the Western style, with Christ outside the tomb and gilded border, 10 1/2 x 8 5/8 in.
• ATTRIBUTED TO DEL DUCA: THE
  ATTRIBUTED TO DEL DUCA: THE DEPOSITION Terracotta relief modeled with Christ carried off the cross by four figures three others looking on; approx. 11 1/2 x 8 1/2 x 3 in.
• 19C INTERIOR FOLK ART MOURNING
  19C INTERIOR FOLK ART MOURNING INTERIOR PAINTING United Kingdom,19th Century Depicts two women dressed in black embracing while a gentleman lays across the lap of an older gentleman with hands clasped together beside an open book titled "Paradise Regained" by John Milton.
• MINATURE PAINTING - Oil on Ivory
  MINATURE PAINTING - Oil on Ivory Ascension of Louis XVI a Royalist deification of the martyred French King ca 1800 depicting him departing this world dressed as a Legionnaire Royal cloak around his shoulders surrounded by family angels putti and a
• 17TH C. KIEV SCHOOL WOOD ICON
  17TH C. KIEV SCHOOL WOOD ICON Eastern Orthodox Icon of The Assumption of the Virgin Mary, surrounded by scenes from her life, polychrome with gilding, 12 1/2" x 10 1/4". Some wear.
• THE HOLY FAMILY WITH SOULS IN
  THE HOLY FAMILY WITH SOULS IN PURGATORY RETABLOFramed oil on tin retablo, Mexico, La Sagrada Familia con las Animas del Purgatorio (The Holy Family with Souls in Purgatory), depicting the Virgin Mary in a blue mantle over a red gown, holding the Christ Child who makes the benediction gesture, Saint Joseph holding a staff of flowers, male and female figures consumed by flames, retablo: 8.5"h, 10.25"w, overall: 9.75"h, 11.5"w
• AFT. REMBRANDT DEATH OF THE
  AFT. REMBRANDT DEATH OF THE VIRGIN ETCHING Netherlands,1606-1669Titled "Death of the Virgin" depicts an elderly Mary in a large bed with canopy surrounded by figures while angels descend from the sky.
• MANNER OF THOMAS ROWLANDSON: BURIAL
  MANNER OF THOMAS ROWLANDSON: BURIAL AT CHURCH Gouache on paper. 4 1/2 x 7 in.
• ITALIAN SCHOOL, MARY DISCOVERS
  ITALIAN SCHOOL, MARY DISCOVERS THE RISEN CHRIST A well executed Italian school oil on canvas painting depicting Mary Magdalene fallen to her knees when she realizes the man she thought was the gardener was in fact Jesus risen from his tomb, mounted in ornately carved giltwood frame, early 19th century; 19"H 16"W overall 13"H 10.5" canvas
• MADONNA OF THE ASSUMPTION,
  MADONNA OF THE ASSUMPTION, PORTUGUESE, TERRACOTTA Madonna of the Assumption, a terracotta figure, 20th C, Portuguese, depicting the Virgin with her arms crossed over her chest, her figure balanced upon the crescent moon supported by clouds and angels, the interior siged "Fac. Portugal" 18.75" H (overall).
• Missae Defunctorum Ordo
  Missae Defunctorum Ordo Hebdomadae Sanctae Instauratus (Masses of the Dead The Order of the Holy Week Established), agrees with the typical Vatican edition of Ratisbon on January 15, 1956, in original box, (3) gilt plaster cherub wall hangings (largest 4-3/4" w), seashell compote (4-3/4" h)
• RUSSIAN ICON, EARLY 19TH C. "The
  RUSSIAN ICON, EARLY 19TH C. "The Complete Resurrection and the Descent into Hell", egg tempera with gold halos on wood panel, 17 3/4" x 13 1/4". Repaired vertical split. In the upper scene Christ stands within a mandorla over the tomb from which he has been resurrected, alongside which lies three Roman soldiers. In the lower portion Christ stands within a mandorla at the broken gates to hell. He grasps Adam by the hand and, together with the prophets Kings David and Solomon and other forefathers, he pulls them from the jaws of Hell and leads them to the Gates of Paradise. He delivers them to Michael the Archangel who is above the standing Jesus, holding the Orthodox Cross as the Suffering Servant. At top left is a scene of the Entombment, the Resurrection, Holy women at the Sepulchre, while at the bottom left the Angels slay and chain Satan. Paradise is at top right.
• French Burgundian Gothic 15th C.
  French Burgundian Gothic 15th C. The Virgin Mary Plaster 40'' high weathered surface section at base detached approximately 4'' h. x 4'' w. x 2'' d. [Property of the Wadsworth Atheneum Museum of Art sold to benefit the acquisition funds] (Prospective purchaser please plan to supply your own adequate moving assistance and appropriate vehicle for this object. Thank you.)
• Provincial Russian icon of the
  Provincial Russian icon of the Resurrection and Feast Days, 19th Century, 12" x 10-1/2"
• Rare Unglazed Miniature Burial
  Rare Unglazed Miniature Burial Figure of a Woman, Tang Dynasty (618-907 A.D.), molded as a standing figure with folded hands wearing informal robes and topknot, h. 3-1/2". Ex-collection: St. Louis Art Museum.