A few examples of appraisal values for
DRIFTING

• JAMES M. WAY, "DRIFT", 2003,
  JAMES M. WAY, "DRIFT", 2003, LANDSCAPE PAINTING James McLaughlin Way (America/Georgia, 1968-2014), "Drift", 2003, oil on panel depicting a field beneath an open green sky with a large cloud, signed at lower left, title, date, and artist's signature located en verso, unframed. Provenance: From the Private Collection of Joel A. Katz, Atlanta, Georgia. Approx. h. 23.5", w. 30", d. 1.5".
• Charles Wilson 'Drifting'
  Charles Wilson 'Drifting' Sailboat Small Etching Framed- 11x9''
• JACK WILKINSON SMITH (1873-1949),
  JACK WILKINSON SMITH (1873-1949), "DRIFTING FOG," OIL ON CANVAS LAID TO WAXED CANVAS, 24" H X 30" WJack Wilkinson Smith, (1873-1949) "Drifting Fog", Oil on canvas laid to waxed canvas Signed lower left: Jack Wilkinson Smith; titled on a gallery label affixed verso Oil on canvas laid to waxed canvas Dimensions: 24" H x 30" W Provenance: Adamson-Duvannes Galleries, Los Angeles, CA George Stern Fine Arts, Encino, CA Private Collection, Santa Barbara, CA, acquired from the above
• A John Hemmens 1/24th scale steam
  A John Hemmens 1/24th scale steam model of a Drifter with GAP hull fully rigged, 127cm long
• SARAH EMERSON, "DRIFT" WOLVES &
  SARAH EMERSON, "DRIFT" WOLVES & CROWS O/C 2010 Sarah Emerson (American b. 1974), "Drift", 2010, acrylic on canvas, depicting a wolf in the snowy forest surrounded by crows after killing a deer, apparently unsigned, unframed. Provenance: From the Private Collection of Ruth West, Atlanta, Georgia. Approx. h. 30", w. 24.125" (canvas).
• VERY FINE ROBERT STARK JR.
  VERY FINE ROBERT STARK JR. (AMERICAN 1933-2014) OIL ON ...Very Fine Robert Stark Jr. (American 1933-2014) Oil on Canvas "Drifting In ", circa 2005 depicting a lone catboat with red sail on calm Nantucket Harbor waters drifting past Brant Point Lighthouse, in a custom Guido 22/23 karat gold leaf frame embellished with stars in each corner 14 in. x 18 in. Framed 20.5 in. x 24.5 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• Driftwood sculpture 1970 W.
  Driftwood sculpture 1970 W. Wolf. Eight smoothed pieces of driftwood mounted to a black wooden plinth base. H: 13 in. W: 12 in. D: 11 in.
• Michael Wright (American, b.
  Michael Wright (American, b. 1931) Continental Drifts-Icon, 1996 mixed media on Masonite signed M. F. Wright, dated, titled and inscribed (verso) 20 x 24 inches.
• MIDGETT FAMILY PLOVER MOUNTED ON
  MIDGETT FAMILY PLOVER MOUNTED ON DRIFTWOOD Waves, North Carolina, circa 1900, carved and painted wood, iron bill, mounted on driftwood base.
• (LOT OF 3) GROUP OF NATURALISTIC
  (LOT OF 3) GROUP OF NATURALISTIC DRIFTWOOD FRAGMENTS (Lot of 3) Group of naturalistic driftwood fragments, each of branch form, largest 96"l
• A vintage etching, titled on back
  A vintage etching, titled on back 'Driftaway Evening' winter evening scene, pencil signed and numbered in lower margin, Kerr Eby Edition #100. Image 8.25" x 15" Overall 15" x 22" Condition: good CT Transfer Fee $10
• OIL ON CANVAS SEASCAPE WITH TWO
  OIL ON CANVAS SEASCAPE WITH TWO SMALLER BOATS IN STRONG WIND, WHITECAPS FLANK LARGER SAILBOAT IN BACKGROUND, BUNDLE OF STICKS FLOATS...Oil on canvas seascape with two smaller boats in strong wind, whitecaps flank larger sailboat in background, bundle of sticks floats in foreground, no visible signature, heavy wear including poor inpainting and old damages, sold as found, in newer gilded frame, ss: 17 1/2" h. x 23 1/2" w.
• PHILIP RICHARD MORRIS (BRITISH,
  PHILIP RICHARD MORRIS (BRITISH, 1836)Philip Richard Morris (British, 1836-1902), "The Drifted Net", oil on canvas, signed lower left, 26 in. x 54 1/4 in., framed with artist and title plaque
• Gil Jamieson painting
  Gil Jamieson painting (Australian, 1934-1992), titled verso "Adrift #2", abstract view of figures in a boat on rough seas, signed lower right and lower left "Jamieson 52", attributed to Gil Jamieson, encaustic on paper, 15 x 30 in.; original painted wood frame.
• LARGE FOLK ART DRIFT WOOD SCULPTURE
  LARGE FOLK ART DRIFT WOOD SCULPTURE OF A FISH Late 20th century, assembled natural driftwood with nails, mounted to a wood base, appears unmarked.
• CARL SUBLETT WATERCOLOR, SNOW
  CARL SUBLETT WATERCOLOR, SNOW DRIFTCarl Sublett (Tennessee, 1919-2008) watercolor painting, titled en verso "Snow Drift", depicting a bank of snow overtaking a house and fence. Signed lower right. Image - 14" H x 10 1/2" W. Matted and framed - 23 1/4" H x 19 1/4" W. (Higher-resolution photos are available at www.caseantiques.com) Condition: Scattered foxing visible in white margins. Not examined out of frame.
• JANET ROBSON KENNEDY (AMERICAN
  JANET ROBSON KENNEDY (AMERICAN 1902-1974), THE DRIFT OF PINIONS, OIL ON LINEN ON MASONITE, FRAMED, 41-1/2 X 29 INCHESJanet Robson Kennedy (American 1902-1974), The Drift of Pinions, Oil on Linen on Masonite, Framed, 41-1/2 x 29 inches
• TWO FINE CONTEMPORARY DECOYS ON
  TWO FINE CONTEMPORARY DECOYS ON DRIFTWOOD Carved and painted wading birds, made in the manner of early working shorebird decoys.
• MODERNIST CARVED DRIFTWOOD FISH
  MODERNIST CARVED DRIFTWOOD FISH SCULPTURE United states,20th CenturyOrganic form with incised eye and mouth on a metal spring display stand.
• MARK STAFFORD, INK ON PAPER, 2006
  MARK STAFFORD, INK ON PAPER, 2006 Mark Stafford (American. b. 1978), "Drift: Document #42", unsigned, information label verso, framed under Plexiglas, 10"squ (total)
• AFTER SARAH BROOKE (B.1987)
  AFTER SARAH BROOKE (B.1987) PAINTING ADRIFTFramed acrylic on canvas painting, "Adrift," reproduction of an artwork originally by Sarah Brooke (Australia, b.1987), for Middle of Nowhere, a Melbourne based design studio, retaining artist's bio verso, sight: approx 48"h, 48"w, overall: approx 48.5"h, 49"w
• MERGANSER DECOYBy Fred Dobbins of
  MERGANSER DECOYBy Fred Dobbins of Jonesport Maine. In swimming position with its head turned left.
• Maritime watercolor, F. J. Aldridge
  Maritime watercolor, F. J. Aldridge (Frederick James Aldridge, British, 1850-1933), sailing vessels in rough seas off coast, titled verso "Bending to Wind'ard" and "Back she came merrily/Not a spar wrong", signed lower right "F.J. Aldridge. 18" and signed verso, watercolor and pencil on paper laid on card, 14-3/8 x 12-1/4 in.; gilt wood and composition French style frame with frame plate. Foxing, fading, very light toning; frame with losses to composition.
• ROBERT STARKAmerican
  ROBERT STARKAmerican ContemporaryGhosting By'' depicting a catboat in the fog sailing along the coast. Signed lower left ''R. Stark''. Titled on label verso.Oil on panel 9'' x 16''. Framed.''
• GORDON C. GRANT IMPRESSIONIST
  GORDON C. GRANT IMPRESSIONIST MARITIME PAINTING United States,20th CenturyDepicts one docked boat floating in calm waters with a second pulled up onto the beach.
• M. MURRELL WHITE FIGURE ON
  M. MURRELL WHITE FIGURE ON DRIFTWOOD SCULPTURE Michael Murrell (American 20th / 21st century), "Open Arms", carved wood figure centered on a piece of driftwood, signed and possibly inscribed en verso, unframed. Provenance: From the Private Collection of Ruth West, Atlanta, Georgia. Approx. h. 48.5", w. 18.75", d. 11".
• JOHN FREDERICK HELM JR. (AMERICAN
  JOHN FREDERICK HELM JR. (AMERICAN 1900-1972), DRIFTED SNOW, WOOD ENGRAVING, SIGNED AND TITLED IN PENCIL, FRAME: 8 3/4 X 9 1/2 IN. (22.2 X 24.1 CM.)John Frederick Helm Jr. (American 1900-1972), Drifted Snow, Wood Engraving, Signed and Titled in Pencil,, Dimensions: Frame: 8 3/4 x 9 1/2 in. (22.2 x 24.1 cm.)
• MODERNIST FREE-FORM DRIFTWOOD
  MODERNIST FREE-FORM DRIFTWOOD SCULPTURE 20th c., driftwood with iron rod mounts, unsigned, 30.5"h x 18.25"w x 5.5"d
• DRIFTWOOD SCULPTUREDESCRIPTION: A
  DRIFTWOOD SCULPTUREDESCRIPTION: A natural driftwood sculpture with free from design. CIRCA: 20th Century. ORIGIN: Continental DIMENSIONS: H: 27.5" x D: 14.5" Have a similar item to sell? Contact: Info@Akibaantiques.com. CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS(305)-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission."
• Robert M. Rucker
  Robert M. Rucker (American/Louisiana, 1932-2000) "Cypress Drifting on the Bayou", oil on canvas, 30" x 36", signed and dated lower left "Robert M. Rucker 1971", inscribed on canvas verso "Rucker 110.84". Framed.
• MODERNIST PATINATED METAL 'MASTED
  MODERNIST PATINATED METAL 'MASTED SHIP' SCULPTURE ON DRIFT WOOD BASE, H OVERALL: 26 INModernist Patinated Metal 'Masted Ship' Sculpture on Drift Wood Base, H overall: 26 in
• PAT LONGOBARDI, "DRIFTER OBJECT
  PAT LONGOBARDI, "DRIFTER OBJECT PORTRAIT" PHOTO Pamela Longobardi (American), "Drifter Object Portrait / Pink Swirl, 2008, depicting found marine debris from Hawaii, photo mechanical print on paper, signed and dated en verso of frame, framed. Provenance: From the Private Collection of Ruth West, Atlanta, Georgia. Approx. h. 13.125", w. 11.375" (frame), h. 10", w. 8.125".
• ANSEL ADAMS "ROSE & DRIFTWOOD"
  ANSEL ADAMS "ROSE & DRIFTWOOD" LITHOGRAPHIC PHOTOTitled "Rose and Driftwood", San Francisco, California, 1932. Simply double-matted and framed in a silver-tone frame, this black and white lithographic reproduction print of an Ansel Adams photograph (not an actual photograph) is a beautiful addition to traditional and modern design in any home or office. Having a sight image height of approximately 9-3/4" with width of 12-1/4", and framed height of approximately 16" with width of 20-1/4". Although he is best known for his landscapes, Ansel Adams was equally fascinated with the intimate details of nature. This close-up of a rose on driftwood is a perfect example of his desire to capture the secrets of light and shadow on everyday objects.
• HERBERT MATTER (swiss/american
  HERBERT MATTER (swiss/american 1907-1984) "DRIFTWOOD II, 1940" (MERCEDES MATTER) With artist's stamp verso. Gelatin silver print. Image and paper: 6 x 5 7/16 in. Unframed
• BILL SWITTLINGER (CONTEMPORARY PORT
  BILL SWITTLINGER (CONTEMPORARY PORT CLYDE, MAINE) From "Driftwood Spirits" a found assemblage titled "Beep-Beep!", signed on the underside and dated '06. 26" x 33" x 14".
• WILLIAM BRADFORD (MA/CA, 1823-1892)
  WILLIAM BRADFORD (MA/CA, 1823-1892) Graphite sketch of "The Stranded Whaler", depicting a ship caught in the ice. Ca. 1866, graphite on paper, signed lower right, William Bradford. Back has title and name "Mrs. Bradford" with old framing instructions. In gilt flyspeck watergilt frame, french ruled mat, UV plexiglass. OS: 13" x 16 3/4", SS: 5 1/2" x 8 3/4", in fine condition. In 1863 forty Newfoundland ships were trapped by the ice and abandoned. Bradford painted a large version of this scene, which is now in the Whaling Museum in New Bedford, MA.