A few examples of appraisal values for
DU BARRY

• BARRY A. BURDNEY (CANADIAN. B.
  BARRY A. BURDNEY (CANADIAN. B. 1943)Evening, Stooks Near Ethelbert, Manitoba. Signed l/r, the reverse inscribed, titled by the artist. Oil on Board. Measuring 22 by 28 in., overall 26 by 31 in. Cf. Barry Burdney, a Canadian born artist attended The Ontario College of Art in 1969, furthering his studies in London at The Slade School from 1969 through 1971 and at The Banff School in 1971. The artist has had multiple one-man showings in London, Paris, Denver and throughout Canada. His work has been purchased by renowned private collectors and it can be seen in numerous public institutions.
• BRUCE BARRY(American, 20th/21st
  BRUCE BARRY(American, 20th/21st century) Journal Entry #159, 2003, signed "00 BAB" underside, lidded stoneware vessel with brown to cream/yellow glaze and script decoration, approximately 15 x 7 in. Provenance: Elaine Baker Gallery, purchased in 2004 for $1,320 (accompanied by receipt and write up, consignor's inventory document); Jerry and Deena Kaplan Collection of Modern Art and Crafts Condition: surface dirt and accretion, scattered light surface scratches, some minor pitting/pinholes to glaze
• BARRY DEBAUN, (B. 1956,
  BARRY DEBAUN, (B. 1956, AMERICAN), WOMAN AT WORK (MAPLE SUGARING), WATERCOLOR ON PAPER UNDER GLASS, SIGHT: 12.5" H X 24.5" WBarry DeBaun, (b. 1956, American) Woman at work (maple sugaring) Watercolor on paper under glass Signed in ink lower right: DeBaun Sight: 12.5" H x 24.5" W Watercolor on paper under glass Dimensions: Sight: 12.5" H x 24.5" W
• JAMES BARRY (Irish 1744-1806).
  JAMES BARRY (Irish 1744-1806). PORTRAIT OF MICHAEL MULVANEY AND HIS GRAND DAUGHTER MARY artist identified titled and dated 1795 on label verso. Oil on canvas - Framed 36 in. x 28 in.
• BARRIE WENTZELL (b. 1942): ROGER
  BARRIE WENTZELL (b. 1942): ROGER DALTRY 1970 AND ROGER DALTRY 1969 Two gelatin silver prints 16 x 20 in. each signed numbered 28/50 and dated. Note: Proceeds to benefit Touro College NYC.
• Barry Ledoux (American b. 1947)
  Barry Ledoux (American b. 1947) English Suite #1 1980 lead copper rivets oil stick and pigment Height 48 inches.
• BARRY John (English 1784-1827):
  BARRY John (English 1784-1827): Portrait of a Gentleman Half-Length Facing Right Blue Coat White Waist Coat and Frilled Cravat image size 2 3/4'' x 2 3/8'' gold frame with pearled border and cobalt blue reverse oval 3 1/2'' x 2 1/2''.
• BARRIE WENTZELL (b. 1942): JAMES
  BARRIE WENTZELL (b. 1942): JAMES BROWN 1971 AND CHUCK BERRY 1972 Two gelatin silver prints 20 x 16 in. each signed numbered 28/50 and dated. Note: Proceeds to benefit Touro College NYC.
• Barrett Debusk (American 1915-1972)
  Barrett Debusk (American 1915-1972) wire wall sculpture, depicting jazz musicians, signed on side Debusk, 35" x 23-1/4"x3-3/4"D, very good condition
• Robert Thomas Barry (New York, born
  Robert Thomas Barry (New York, born 1936) Untitled, 1988, with words "Real, Only You, Did Not, Involved, Wait, Great Care, Nearly, Enough", signed verso with initials and date "R B 8 8", acrylic on canvas, 28-1/8 x 28-1/8 in.; black-painted shadowbox frame,
• BARRIE WENTZELL (b. 1942): JERRY
  BARRIE WENTZELL (b. 1942): JERRY LEE LEWIS 1972 AND JOHNNY CASH 1968 Two gelatin silver prints 20 x 16 in. signed numbered 28/50 and dated. Note: Proceeds to benefit Touro College NYC.
• BARRIE WENTZELL (b. 1942): THE
  BARRIE WENTZELL (b. 1942): THE DOORS 1968 JERRY GARCIA 1972 AND GRACE SLICK 1970 Gelatin silver prints each signed numbered 28/50 and dated. Note: Proceeds to benefit Touro College NYC.
• D.F. Barry & Chief Rain-in-the-Face
  D.F. Barry & Chief Rain-in-the-Face Photograph Silver gelatin photograph of Barry and Rain-in-the-face 6 x 8 in. (sight) mounted in cardstock with closing cover 9 x 13 in. photograph and mount include Barry's blindstamp plus cardstock folder's verso features printed paper stamp advertising Barry's Superior Wisconsin studio. Accompanied by an illustrated biography of Chief Joseph which also features a reproduction of the image of Barry with Rain-in-the-face. Condition: With penciled notes on folder's verso; some light toning to photograph; expected folds in illustrated biography plus few small light stains.
• PRINT, BARRY MOSER Barry Moser
  PRINT, BARRY MOSER Barry Moser (American, b. 1940), "The Reverie of Alice's Sister," engraving, pencil signed lower right, edition artist's proof, overall (with frame): 20"h x 24"w
• Oil on canvas Julia Barry
  Oil on canvas Julia Barry (attributed) sitting nude portrait, c. 1954, framed; overall good condition, age wear, surface wear, surface soiling, craquelure, foxing on verso; sight L 23 3/4" H 34" (Approx.)
• Barry Moser (American, b. 1940)
  Barry Moser (American, b. 1940) "Spring Bacchus", limited edition lithograph, signed, titled and numbered "34/50" lower center, sight dia. 17", glazed, matted and framed; together with a First Edition of Three Little Pigs, retold and illustrated by Barry Moser, published by Little, Brown & Company, 2001.
• BARRIE WENTZELL (b. 1942): JACK
  BARRIE WENTZELL (b. 1942): JACK BRUCE 1971 ERIC CLAPTON 1967 ERIC CLAPTON 1974 AND GINGER BAKER 1968 Gelatin silver prints each signed numbered 28/50 and dated; 16 x 20 in. Note: Proceeds to benefit Touro College NYC.
• TRADE SIGN: D.H. BARRY'S STUDIO
  TRADE SIGN: D.H. BARRY'S STUDIO Photographic print on tin. Provenance: Property from the Collection of Gerald Kornblau. 9 3/4 x 15 3/8 in. 17 x 22 1/2 in. (frame).
• (SANGORSKI AND SUTCLIFFE) BARRIE J.
  (SANGORSKI AND SUTCLIFFE) BARRIE J. M. The Works. London: Hodder and Stoughton 1888-1902. 11 vols. 8vo full blue morocco with gilt acorn motif at corners gilt-lettered spines publisher's brown cloth bound in the rear. Wear to boards on all vols.; chipping to spine ends on vols. with some evidence of touch-up and loss to heads of spines on six vols.; boards detached on two.
• BARRIE WENTZELL (b. 1942): AYERS
  BARRIE WENTZELL (b. 1942): AYERS NICO CALE AND ENO 1974 AND LOU REED 1972 Gelatin silver prints signed numbered 28/50 and dated; 16 x 20 in. Note: Proceeds to benefit Touro College NYC.
• MARTIN BARRY, MT. VERNON,
  MARTIN BARRY, MT. VERNON, BALTIMORE, LITHOGRAPH Hand-colored lithograph, signed and titled in lm, #68/1150, framed.
• DANIEL BARRY (AMERICAN, 20TH
  DANIEL BARRY (AMERICAN, 20TH CENTURY), "BOUQUET", OIL O...Daniel Barry (American, 20th century), "Bouquet", oil on canvas, signed lower right "Daniel Barry", titled on the stretcher bar, 48" x 12". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• BARRY HEREM (AMERICAN, B. 1941),
  BARRY HEREM (AMERICAN, B. 1941), THE WHALE AND RAVEN Serigraph in colors, 1980, pencil signed, dated, titled, and numbered 65/195, matted and framed.
• After Augustin Pajou (French,
  After Augustin Pajou (French, 1730-1809) patinated plaster bust of Madame du Barry, 1773, identified on the tranche "Portrait de Madame la comtesse/du Barry" and signed on the socle "Par/Pajou Sculp./du Roy/Professeur/de Son Academie/Pint et Sculpt.01773", h. 29", w. 19".
• BARRY GEALT, AMERICAN / INDIANA
  BARRY GEALT, AMERICAN / INDIANA (20TH CENTURY), DINNER SCENE, 1983, PASTEL ON COLORED PAPER, 21 3/4"H X 29 1/2"W (SIGHT), 29"H X 37"W (FRAME)Barry Gealt, American / Indiana, (20th Century) dinner scene, 1983, pastel on colored paper Signed with initials and dated lower left. Biography: Barry Gealt retired from IU in 2009 after almost 40 years as a fine-arts professor. Gealt, 70, has spent his working life inventing a visual language in oil paint. About his own formative years and those of other artists of his generation, Gealt says, "We were from a time of epic-ness. Born during World War Two, I started Yale grad school in '63. Kennedy was murdered, there were race riots, big wars, big paintings, everything was big around us. We were just young kids, but we went to art school and all our teachers painted big and we painted big." Gealt's studio is on the grounds of the 120-acre property near Spencer where he lives with his wife, Adelheid Gealt, an art historian and the director of the IU Art Museum. She gardens, he paints. For years he took his imagery from the glens and waterfalls on the property. Then a few years ago a residency at Giverny, France, led to a side trip to Étretat on the Normandy coast where the ocean captured his imagination and where he painted many seascapes. "To be an artist you have to dig deep into what's important to you," Gealt says. "Life's a struggle, a long horizon line, and you often don't see past it. Right behind the horizon line is change and you can't be afraid of that." pastel on colored paper Dimensions: 21 3/4"H x 29 1/2"W (sight), 29"H x 37"W (frame)
• BARRIE WENTZELL (b. 1942): THREE
  BARRIE WENTZELL (b. 1942): THREE PORTRAITS OF DAVID BOWIE Gelatin silver prints 16 x 20 in. each signed numbered 28/50 and dated. Note: Proceeds to benefit Touro College NYC.
• Val Barry (1937 England)
  Val Barry (1937 England) Flattened Bowl # 12 1981Ceramic ht. 7.25 wd. 8.75. dp. 1.25 in.?Shown: British Pottery '81: Barry Price Verdon Graham Gallery NY 1981.? Daniel Jacobs and Derek Mason Collection
• James Barry (Irish active in
  James Barry (Irish active in Italy and England 1741-1806) "A Group of Recumbent Figures Huddled Among Blankets" 1792 ink and wash on laid paper with all corners missing but made up on backing card dated in English "March 1792" at lower left 6 5/8 x 8 1/8 in. perhaps signed or inscribed en verso(?); laid down on card stock 7 1/8 x 8 7/8 in. the latter inscribed en verso in 20th c. black ink "Master of the Giants-James (Burry) / -Barry / Byrny" and in mid-20th c. red pencil "Fuseli [sic] / Christie's Auction / April 1961". Provenance: Christie's London (1961); purchased there by James R. Lamantia Jr. New Orleans and New York.Note: Though Lamantia bought this impressive drawing as a "Fuseli" (at a Christie's auction that he attended personally in April 1961 per his note on the outer mount) his question-mark preceding that name indicates that he (correctly) did not fully endorse Christie's attribution. The alternative ascriptions entered in black ink at the top of the verso-though mutually contradictory-are respectively equally mistaken and right on the mark. This fine drawing actually has nothing whatever to do with the so-called "Master of the Giants " a gifted amateur artist working in transparent black and grey washes in Rome in 1779 as recorded on various sheets of a now-dismembered notebook which suggested his name (purchased 1949 exhibited London 1952 separate sheets at the Fogg Art Museum Harvard University [1964] and recently [2002] with Lowell Libson London). The three alternate readings of the name of James Barry however do plausibly indicate that an inscription or signature was formerly visible (perhaps on the reverse of the pasted-down sheet) and that those various options were observed in its lettering. James Barry was born in Cork and trained in Dublin (1763) London (1764) Paris (1765) Rome (1766-70) and Bologna (1771). In London he was elected to the Royal Academy in 1773 and became its Professor of Painting in 1782. His masterpiece was a series of huge canvases representing The Progress of Human Culture which he executed for the Society of Arts in 1777-84; he was expelled from the R. A. in 1799 as a result of his eccentricity and irascibility though at the end he was awarded a funeral and burial in St. Paul's Cathedral. This rare dated drawing is emblematic of Barry's later work with its heavy jagged lines its idiosyncratic shading and its compression of emotionally charged forms-in "a coagulation of bodies" (as Tomory observed) or "a fantasy of intertwining shapes.achieving an expressionistic power rare in British art" (Cummings).References: William L. Pressly "Barry " Grove Dictionary of Art Jane Turner ed. London 1996 34 vols. vol. 3 pp. 284-287; Frederick Cummings and Allen Staley Romantic Art in Britain: Paintings and Drawings 1760-1860 Philadelphia 1968 pp. 114-118; Peter Tomory The Life and Art of Henry Fuseli New York 1972 p. 210 and passim.
• PRINT, BARRY HEREM Barry Herem
  PRINT, BARRY HEREM Barry Herem (American/Kwakiutl, 20th century), "Myth Canoe," 1986, embossed serigraph, pencil signed and dated lower right, edition 41/195, overall (with frame): 30"h x 57.5"w. Provenance: Property from the estate of internationally recognized textile artist and designer, Mr. Julian Tomchin, (San Francisco, CA).
• BARRY KAY (AUSTRALIAN, 1932-1985)
  BARRY KAY (AUSTRALIAN, 1932-1985) Set design for Salade signed 'Barry Kay' (lower right) mixed media collage 37 x 55cm Provenance Grosvenor Gallery, Davies Street, London; Private collection, UK
• VALERY KOSORUKOV (RUSSIAN/NEW
  VALERY KOSORUKOV (RUSSIAN/NEW ORLEANS, B. 1937)Valery Kosorukov (Russian/New Orleans, b. 1937), "At the Barre", 1998, oil on masonite, signed lower right, signed, dated, artist stamp and label with artist, title and date en verso, 9 in. x 12 in., framed . Provenance: Acquired from the artist; Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.
• LIONEL BARRYMORE (AMERICAN
  LIONEL BARRYMORE (AMERICAN 1875-1954), HARBOR SCENES, THREE OFFSET PRINTS, FRAME: 11-1/2 X 14-1/2 INLionel Barrymore (American 1875-1954), Harbor Scenes, Three Offset Prints, Frame: 11-1/2 x 14-1/2 in
• BARRIE WENTZELL (b. 1942): REV.
  BARRIE WENTZELL (b. 1942): REV. GARY DAVIS 1974 FREDDY KING 1971 BO DIDDLEY 1972 ALBERT KING 1969 AND B.B. KING 1971 Gelatin silver prints signed numbered 28/50 and dated; 16 x 20 in. and 20 X 16 in. Note: Proceeds to benefit Touro College NYC.
• BARRIE WENTZELL (b. 1942): TWO
  BARRIE WENTZELL (b. 1942): TWO PORTRAITS OF ELTON JOHN 1973 AND 1970 Gelatin silver prints each signed numbered 28/50 and dated 20 x 16 in. Note: Proceeds to benefit Touro College NYC.
• BARRY MACK (20TH CENTURY):
  BARRY MACK (20TH CENTURY): CLASHmixed media on canvas; signed and titled verso; Provenance: Lawrence Gallery; 60 x 48 inches unframed Condition:
• BARRIE WENTZELL (b. 1942): JIMI
  BARRIE WENTZELL (b. 1942): JIMI HENDRIX 1968 AND JIMI HENDRIX 1970 Gelatin silver prints each signed numbered 28/50 and dated; 16 x 20 in. Note: Proceeds to benefit Touro College NYC.