A few examples of appraisal values for
E HOWARD

• Howard Everett Smith (American,
  Howard Everett Smith (American, 1885-1970) Seascape signed H Smith and dated lower right 24 1/2 x 29 1/2 inches
• PHILIP HOWARD (BLASHKI) EVERGOOD,
  PHILIP HOWARD (BLASHKI) EVERGOOD, NEW YORK, CONNECTICUT (1901 - 1973), BEGINNING OF A DANCE, 1930, ETCHING, 13"H X 20"WPhilip Howard (Blashki) Evergood, New York, Connecticut, (1901 - 1973) Beginning of a Dance, 1930, etching Signed in the plate lower left. Biography from the Archives of askART: Born in New York City with the name Philip Blashki, he became, with the name Philip Evergood, one of the leading modernists of the 20th Century with styles combining abstraction and realism and subjects in the 1930s that made him one of the leading social realists in New York City. He was raised in London, England where he moved in 1909 with his parents until 1923. He studied at Eton and Cambridge University and then at the Slade School with Henry Tonks and Havard Thomas. Returning to New York, he was a student of George Luks and William von Schlegell at the Art Students League. From 1924 to 1926, he traveled in Europe and studied in Paris at the Academie Julian and again lived abroad from 1929 to 1931. He was especially influenced by the Spanish artist El Greco. During the 1930s, he was a muralist for the W.P.A. in the Federal Art Project, and his mural work includes The Story of Richmond Hill for the library in that part of New York City, and another work, Cotton from Field to Mill for the Post Office in Jackson, Georgia. Politically active, he served as President of the New York Artists Union. He also taught at various institutions in the 1940s, and in 1952 moved to Southbury, Connecticut and two years later to Bridgeport until his death. In the 1920s and 1930s, Evergood focused on many Biblical themes with a distorted style reflective of both Cezanne and El Greco in that his figures seemed to be in fanciful worlds or "imagined space". (Baigell) By 1935, he did American Scene painting with politically and social-message works whose themes were the unhappiness of people caught in the Depression. In 1937, his painting, Art on the Beach, which was part of his solo exhibition at the National Gallery of Melbourne, caused a riot led by some academics who were furious about the paintings modernist style. Sir John Longstaff, Australian artist, went to the defense of Evergood, and helped raise money for the subsequent gift of the painting to Melbourne's National Gallery. In the 1940s, Evergood distanced himself from political and social issues to figures that were more fanciful and free seeming. etching Dimensions: 13"H x 20"W
• Howard Everett Smith American
  Howard Everett Smith American 1885-1970 ''Troublemaker'' color screenprint ed. 87/260 scene from Maryland Hunt Cup 13 1/4 x 14 1/2 in. framed Estimate $ 200-400 Frame wear. Paintings have not been examined by blacklight.
• HOWARD TERPNING (AMERICAN B. 1927),
  HOWARD TERPNING (AMERICAN B. 1927), PRAIRIE KNIGHTS, THE STRENGTH OF EAGLES AND CREE FINERY, THREE PRINTSHoward Terpning (American b. 1927), Prairie Knights, The Strength of Eagles and Cree Finery, Three Prints
• HOWARD BEHRENS (1933-2014) oil on
  HOWARD BEHRENS (1933-2014) oil on canvas. Signed lower right.
• HOWARD EVERETT SMITH (UNITED
  HOWARD EVERETT SMITH (UNITED STATES, 1885-1970) OIHOWARD EVERETT SMITH (United States, 1885-1970) oil on canvas, "Mortonville Bridge, PA," a covered bridge with horse and buggy. Signed lower left, titled verso. Image measures 18" x 24". In a gilt wood frame; 23.25" x 29.25" overall.
• RICHARD E. HOWARDAmerican
  RICHARD E. HOWARDAmerican 1912-1996The Cape Playhouse Dennis Massachusetts. 1 of 86.Print 15 x 23''. Framed.''
• PHILIP HOWARD (BLASHKI) EVERGOOD,
  PHILIP HOWARD (BLASHKI) EVERGOOD, NEW YORK, CONNECTICUT (1901 - 1973), PRIMITIVE DANCE, ETCHING, 13"H X 20"WPhilip Howard (Blashki) Evergood, New York, Connecticut, (1901 - 1973) Primitive Dance, etching Signed in the plate. Titled and numbered verso. Biography from the Archives of askART: Born in New York City with the name Philip Blashki, he became, with the name Philip Evergood, one of the leading modernists of the 20th Century with styles combining abstraction and realism and subjects in the 1930s that made him one of the leading social realists in New York City. He was raised in London, England where he moved in 1909 with his parents until 1923. He studied at Eton and Cambridge University and then at the Slade School with Henry Tonks and Havard Thomas. Returning to New York, he was a student of George Luks and William von Schlegell at the Art Students League. From 1924 to 1926, he traveled in Europe and studied in Paris at the Academie Julian and again lived abroad from 1929 to 1931. He was especially influenced by the Spanish artist El Greco. During the 1930s, he was a muralist for the W.P.A. in the Federal Art Project, and his mural work includes The Story of Richmond Hill for the library in that part of New York City, and another work, Cotton from Field to Mill for the Post Office in Jackson, Georgia. Politically active, he served as President of the New York Artists Union. He also taught at various institutions in the 1940s, and in 1952 moved to Southbury, Connecticut and two years later to Bridgeport until his death. In the 1920s and 1930s, Evergood focused on many Biblical themes with a distorted style reflective of both Cezanne and El Greco in that his figures seemed to be in fanciful worlds or "imagined space". (Baigell) By 1935, he did American Scene painting with politically and social-message works whose themes were the unhappiness of people caught in the Depression. In 1937, his painting, Art on the Beach, which was part of his solo exhibition at the National Gallery of Melbourne, caused a riot led by some academics who were furious about the paintings modernist style. Sir John Longstaff, Australian artist, went to the defense of Evergood, and helped raise money for the subsequent gift of the painting to Melbourne's National Gallery. In the 1940s, Evergood distanced himself from political and social issues to figures that were more fanciful and free seeming. etching Dimensions: 13"H x 20"W
• HOWARD TERPNING (ARIZONA/NEW
  HOWARD TERPNING (ARIZONA/NEW YORK, BORN 1927) OFFSET LITHOGRAPHHOWARD TERPNING (Arizona/New York, born 1927) offset lithograph, "Hope Springs Eternal - The Ghost Dance," pencil signed lower right, artist's proof edition 48/50, image measures 26.25" x 36.75", unframed, in original folio.
• W.E. HOWARD (20TH CENTURY)
  W.E. HOWARD (20TH CENTURY) LANDSCAPE. Oil on canvas signed lower right 'W.E. Howard;' Frame: 27.50'' x 33.50'' 22'' x 28'' Condition: No Specific Condition Recorded - Sold As Is
• RICHARD E HOWARD, (AMERICAN 1912
  RICHARD E HOWARD, (AMERICAN 1912 - 1996), TWO YOUNG GIRLS IN HATS, WORK ON PAPER ON PANEL, MONOGRAMMED REH L.R., FRAME: 11 1/4 X 13 1/4 IN. (28.6 X 33.7 CM.)Richard E Howard, (American 1912 - 1996), Two Young Girls in Hats, Work on Paper on Panel, Monogrammed REH l.r.,, Dimensions: Frame: 11 1/4 x 13 1/4 in. (28.6 x 33.7 cm.)
• HOWARD HERSH (CONTEMPORARY)
  HOWARD HERSH (CONTEMPORARY) FORMULATING. Mixed media on panel Provenance: Waxlander Gallery Sante Fe 18''x15'' Condition: No Specific Condition Recorded - Sold As Is
• RICHARD E. HOWARDAmerican
  RICHARD E. HOWARDAmerican 1912-1996An American steam-sail vessel. Signed lower right Ric Howard''. Boat identified verso as ''James Watt 1822''.Oil on artist panel 8'' x 10''. Framed.''
• RICHARD E. HOWARDAmerican
  RICHARD E. HOWARDAmerican 1912-1996Depicting a weather vane in the form of a Native American. Signed lower right Ric Howard''.Oil on artist panel 10'' x 8''. Framed.''
• HOWARD DOOLITTLE. "EVERYTHANG'S
  HOWARD DOOLITTLE. "EVERYTHANG'S GONNA BE ALL RIGHT," MIXED MEDIA "Everythang's Gonna Be All Right" (American, 1940-1966). Mixed media collage on canvas, signed on verso, 36 1/4 x 41 1/2 in., framed. Please note this piece is currently on exhibit at the Hotel Indigo, 24 W. Franklin Street, Baltimore, and is available for pickup or shipping from Alex Cooper on September 12.
• HOWARD TERPNING (ARIZONA/NEW
  HOWARD TERPNING (ARIZONA/NEW YORK, BORN 1927) OFFSET LITHOGRAPHHOWARD TERPNING (Arizona/New York, born 1927) offset lithograph, "Hope Springs Eternal - The Ghost Dance," pencil signed lower right, artist's proof edition 1258/2250, image measures 26.25" x 37", unframed, in original folio.
• THURSTON, HOWARD. TYPED LETTER
  THURSTON, HOWARD. TYPED LETTER SIGNED FROM HOWARD THURS...Thurston, Howard. Typed letter signed from Howard Thurston to F.E. Powell. Dated Nov. 24, 1931, Thurston writes a short note to the Dean of Ameican Magicians regarding a date he hopes Powell will play in Hartford, Connecticut. On Thurston's stationery, with original mailing cover. Signed ÒHowardÓ and with the holographic notation ÒYou are to do about 40 minutes Ð 30 would do, I thinkÓ beneath the signature in Thurston's hand.
• HOWARD EVERETT GILES (NEW
  HOWARD EVERETT GILES (NEW YORK/VERMONT, 1876-1955), ILLUSTRATION OF A KNIGHTING SCENE., OIL ON CANVAS, 26" X 63". FRAMED 30" X 67".HOWARD EVERETT GILES, New York/Vermont, 1876-1955, Illustration of a knighting scene. Signed and dated lower right "Howard Giles 1902". Dimensions: Oil on canvas, 26" x 63". Framed 30" x 67".
• RICHARD (RIC) E. HOWARD
  RICHARD (RIC) E. HOWARD (MASSACHUSETTS, 1912-1996), "BLUE STOCKINGS"., OIL ON BOARD, 10" X 8". FRAMED 14" X 12".RICHARD (RIC) E. HOWARD, Massachusetts, 1912-1996, "Blue Stockings". Signed lower right "R.E.H.". Titled on label verso for Wellfleet Art Gallery. Dimensions: Oil on board, 10" x 8". Framed 14" x 12".
• RICHARD E. HOWARDAmerican
  RICHARD E. HOWARDAmerican 1912-1996The Cape Playhouse Dennis Massachusetts. Published by Gross Gallery of Dennis Massachusetts.Silkscreen on paper 15 x 23'' sight. Framed.''
• Howard Mehring (American 1931-1978)
  Howard Mehring (American 1931-1978) Equa 1961 acrylic on canvas signed Howard Mehring titled and dated (verso) 46 x 44 inches.
• Howard Hill (American, 1840-1890)
  Howard Hill (American, 1840-1890) Birds on Branches with Snowfall, Holly Berries, signed lower right "Howard Hill", oil on panel, 10 x 8 in.; original 19th century carved and gilt wood frame,
• (CHIPPENDALE) GAY EBEN HOWARD A
  (CHIPPENDALE) GAY EBEN HOWARD A Chippendale Romance. New York: Longmans Green 1915. 4to quarter tan morocco over marbled boards gilt-lettered spine marbled endpapers t.e.g. Number 1 049 of 1 050 limited copies. Illustrated throughout. Rubbing to boards at extremities; corners bumped; hinges tender.
• Maria Howard Weeden (Huntsville,
  Maria Howard Weeden (Huntsville, Alabama, 1847-1905) Elderly Black Man With White Hair, signed lower right "Howard Weeden", watercolor on card, oval 9-1/4 x 7-1/4 in.; 19th century wood frame,
• HOWARD BEHRENS (AMERICAN 1933-)
  HOWARD BEHRENS (AMERICAN 1933-) WOODLAND SCENE Oil on canvas: 42 x 52 1/2 in. Framed; lower right signed: H. Behrens
• Humbert L. Howard (American
  Humbert L. Howard (American 1905-1990) oil on board titled Black Teenager signed upper right and dated 1982 6" x 5 1/4". ?
• HOWARD BEN TRÉ (b. 1949):
  HOWARD BEN TRÉ (b. 1949): COLUMN 34 Glass with metal and concrete. Provenance: Property from the collection of Jan Cowles. 93 x 30 x 12 in.
• HOWARD HERSH (AMERICAN, B. 1948)
  HOWARD HERSH (AMERICAN, B. 1948) 52" x 40" "Bouquet", 1988. Encaustic on canvas, signed, titled, and dated verso, unframed.
• HOWARD HERSH (AMERICAN, B. 1948)
  HOWARD HERSH (AMERICAN, B. 1948) 52" x 40" "Bouquet", 1988. Encaustic on canvas, signed, titled, and dated verso, unframed.
• HOWARD HERSH (AMERICAN, B. 1948)
  HOWARD HERSH (AMERICAN, B. 1948) 52" x 40" "Bouquet", 1988. Encaustic on canvas, signed, titled, and dated verso, unframed.
• PHILIP HOWARD (BLASHKI) EVERGOOD,
  PHILIP HOWARD (BLASHKI) EVERGOOD, NEW YORK, CONNECTICUT (1901 - 1973), MOTHER AND CHILD, LITHOGRAPH, 22"H X 15"WPhilip Howard (Blashki) Evergood, New York, Connecticut, (1901 - 1973) mother and child, lithograph Signed with initials in the print. Numbered 25/100 lower left, signed in pencil lower right. Biography from the Archives of askART: Born in New York City with the name Philip Blashki, he became, with the name Philip Evergood, one of the leading modernists of the 20th Century with styles combining abstraction and realism and subjects in the 1930s that made him one of the leading social realists in New York City. He was raised in London, England where he moved in 1909 with his parents until 1923. He studied at Eton and Cambridge University and then at the Slade School with Henry Tonks and Havard Thomas. Returning to New York, he was a student of George Luks and William von Schlegell at the Art Students League. From 1924 to 1926, he traveled in Europe and studied in Paris at the Academie Julian and again lived abroad from 1929 to 1931. He was especially influenced by the Spanish artist El Greco. During the 1930s, he was a muralist for the W.P.A. in the Federal Art Project, and his mural work includes The Story of Richmond Hill for the library in that part of New York City, and another work, Cotton from Field to Mill for the Post Office in Jackson, Georgia. Politically active, he served as President of the New York Artists Union. He also taught at various institutions in the 1940s, and in 1952 moved to Southbury, Connecticut and two years later to Bridgeport until his death. In the 1920s and 1930s, Evergood focused on many Biblical themes with a distorted style reflective of both Cezanne and El Greco in that his figures seemed to be in fanciful worlds or "imagined space". (Baigell) By 1935, he did American Scene painting with politically and social-message works whose themes were the unhappiness of people caught in the Depression. In 1937, his painting, Art on the Beach, which was part of his solo exhibition at the National Gallery of Melbourne, caused a riot led by some academics who were furious about the paintings modernist style. Sir John Longstaff, Australian artist, went to the defense of Evergood, and helped raise money for the subsequent gift of the painting to Melbourne's National Gallery. In the 1940s, Evergood distanced himself from political and social issues to figures that were more fanciful and free seeming. lithograph Dimensions: 22"H x 15"W
• TERPNING, Howard, (American,
  TERPNING, Howard, (American, 1927-): ''The Stragglers'', Giclee on Canvas, 35'' x 54'', hand signed lower right, artists proof 7/20, custom frame, 41.5'' x 61''.
• HOWARD HERSH (AMERICAN, 20TH
  HOWARD HERSH (AMERICAN, 20TH CENTURY) 52" x 40" "Peaks and Valleys". Encaustic on canvas, signed and titled verso, in wood frame, overall 53 ½" x 41 ½".
• HOWARD TERPNING (ARIZONA/NEW
  HOWARD TERPNING (ARIZONA/NEW YORK, BORN 1927) GICLHOWARD TERPNING (Arizona/New York, born 1927) giclee on canvas, "Stragglers." Signed lower right and numbered 75/250. Image measures 35" x 55". In a wood frame; 42" x 62" overall.
• HOWARD HODGKIN (BRITISH, 1932-2017)
  HOWARD HODGKIN (BRITISH, 1932-2017) ARTIST AND MODEL (IN GREEN AND YELLOW) Etching with hand-coloring, 1980, on thick wove paper, initialed and dated in red crayon, printer's proof 3/4. Published by Petersburg Studios, New York. Heenk 60. Unframed.
• HOWARD TERPNING (ARIZONA/NEW
  HOWARD TERPNING (ARIZONA/NEW YORK, BORN 1927) TWOHOWARD TERPNING (Arizona/New York, born 1927) two offset lithographs and book: "On the Edge of the World" print, signed lower left, numbered 75/850, image measures 20.25" x 24"; "Spirit of the Plains People" print, pencil signed lower left, numbered 75/950, image measures 22" x 15"; book "Spirit of the Plains People," pencil signed, from edition of 950. Prints unframed.