A few examples of appraisal values for
E 2 MY NAO

• Le Pho (Vietnam
  Le Pho (Vietnam
• Le Pho (Vietnam
  Le Pho (Vietnam
• Dang Anh Tuan (Vienamese,
  Dang Anh Tuan (Vienamese, 20th/2st Century) New Day oil on canvas 45 1/4 x 45 1/4 inches
• Vietnamese bronze bust of a girl,
  Vietnamese bronze bust of a girl, after Thanh Le Nguyen (Vietnamese, 1919 – 2006), character mark at back of neck, raised on black lacquered square form plinth, 14-1/2"H
• NGUYEN THANH BINH TWO YOUNG WOMEN
  NGUYEN THANH BINH TWO YOUNG WOMEN OIL ON CANVAS Nguyen Than Binh (Vietnamese, b. 1954) oil painting on canvas, signed "Binh" upper right, and depicting two young Vietnamese women in traditional "Non la" hats and white and red "Ao Dai" against a neutral ground, housed in black craquelure frame. Image: 28.75" H x 36.75" W; frame: 34" H x 42" W. Provenance: Galerie Vin Loi, Ho Chi Minh City.
• Two Vietnamese lacquered and
  Two Vietnamese lacquered and painted panels; one depicting forest scene with two donkeys; the other a palm tree lined river with fisherman rowing; wearing traditional Vietnamese conical hat; village offshore; each measuring 15.5" x 23.5" (approx.)
• LE PHO PAINTING 2 WOMEN OIL ON
  LE PHO PAINTING 2 WOMEN OIL ON SILKLe Pho (Vietnamese/French, 1907-2001). Oil painting on silk mounted to masonite, depicting a pair of women conversing in a flower garden. Signed along the lower right. With several numerical inscriptions to the verso. Le Pho was born in Vietnam in 1907. As a child, he was constantly finding opportunities to make art. As the son of the Viceroy of Tonkin, he had the opportunity to study art at the newly established Ecole des Beaux-Arts in Hanoi under Victor Tardieu (1870-1937), a well-respected French painter. In 1931, he traveled to France with Tardieu, where he studied at the Ecole des Beaux-Arts in Paris on a scholarship. He then traveled to Italy to do research, also visiting the Netherlands and Belgium in his tour of Europe. After returning to Vietnam, Le Pho became a professor at the Ecole des Beaux-Arts in Hanoi. During his professorship, he decided to continue his education by making trips to China to study and make art. While in China, he studied traditional Chinese sculpture, visited museums, and even had the opportunity to paint the Emperor and Empress. In 1937, he was sent to Paris to work on the Indochina Pavilion at the International Exposition of Art and Technology in Modern Life. He stayed in France after the Exposition, where he found great success as an artist. His first solo exhibition was in 1938, and soon after, his work began getting international exposure. His works were widely distributed, particularly in the United States because of an exclusive contract he signed in 1964 with Wally Findlay Galleries, an American company. Despite his expatriate status, Le Pho kept close ties to his homeland. He was active in the Vietnamese community in Paris, and worked with Vietnamese dignitaries and intellectuals to advocate for better treatment of the colonized Vietnamese people. His ties to his homeland are also evident in his subject matter. His paintings featured women and flowers, which he depicted in ways influenced by Vietnamese traditions and aesthetics. Unframed; Height: 21 1/2 in x width: 13 in. Framed; Height: 28 1/4 in x width: 20 in. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• TWO NGUYEN THAHN LE VIETNAMESE
  TWO NGUYEN THAHN LE VIETNAMESE BRONZE BUSTS Two Nguyen Thanh Le (Vietnamese 1919-2006), bronze bust of beauties, circa 1950, one bust depicting a beauty with her hair pulled to the side and held with a traditional hair stick, having an impressed mark to the lower neck, the second beauty wearing her hair in a low bun and marked in Chinese at the lower neck, both raising on black painted wood rectangular plinths. Provenance: From the Estate of Joyce Lowenstein, Atlanta, Georgia. Approximate dimensions: Larger bronze h. 9", w. 5", d. 7". overall with plinth 13.5".
• Nguyen Ducmanh (2oth Century
  Nguyen Ducmanh (2oth Century Vietnam) Abstract Framed- 23x18.5''
• Le Pho painting (Vietnamese/French,
  Le Pho painting (Vietnamese/French, 1907-2001), two figures in a garden with vase of flowers, signed lower left "Le Pho" and in Vietnamese characters, oil on canvas, 28 x 36-1/4 in.; original gilt wood and composition frame; original exhibition brochure accompanies lot. Good condition; frame with abrasions. Wally Findlay Galleries, Palm Beach, Florida; The Estate of the Late Philip Stull, New York, New York
• VIETNAMESE SCHOOL (20TH CENTURY),
  VIETNAMESE SCHOOL (20TH CENTURY), TWO BRONZE BUSTS The first in a dark brown patinated cast bronze, likely a depiction of the Vietnamese military commander Tr?n H?ng ??o (1228-1300) (16 1/2 x 6 1/4 x 5 in.); the second in a verdigris patina of a female, possibly depicting goddess Guan Yin (13 1/2 x 4 1/2 x 4 1/4 in.). Both appear unmarked, mounted upon an ebonized wooden cubic plinth.
• QUANG HO (COLORADO/VIETNAM, BORN
  QUANG HO (COLORADO/VIETNAM, BORN 1963) TWO OILS ONQUANG HO (Colorado/Vietnam, born 1963) two oils on board: "Seated Nude Study" and "Face Study." Both signed lower right, signed again and titled versos. Images measure 9" x 12". In wood frames; 17.5" x 14.5" and 18.5" x 16.25" overall.
• Two Vietnamese lacquered and
  Two Vietnamese lacquered and painted panels; one depicting traditional Vietnamese fishermen in rowboats on river with red tree; the other depicting two pelicans perched on wood with tropical sunset; each measuring 15.5" x 23.5" (approx.)
• Unidentified (Vietnamese), Two
  Unidentified (Vietnamese), Two Ladies, 20th Century Ink and gouache on silk mounted on paper, signed by the artist on upper right, framed 19.4 x 15 in — 49.3 x 38.1 cm
• Le Pho (French 1907-2001) L'ete
  Le Pho (French 1907-2001) L'ete au jardin oil on canvas signed Le Pho (lower left) 44 1/2 x 57 inches.
• TWO VIETNAMESE ABSTRACT ARTWORKS
  TWO VIETNAMESE ABSTRACT ARTWORKS SIGNED: Both are signed ''Nguyen-Dang Phu'', Mixed Media Pen and Ink with Gouache, 8'' x 6'', both are signed lower right and inscribed Hanoi, dated '99 lower right, framed, 20.5'' x 18.25''.
• Hai Minh Pham (Vietnamese, b. 1953)
  Hai Minh Pham (Vietnamese, b. 1953) Evening, 2011 oil on canvas signed and dated (lower left) 31 1/2 x 63 inches.
• VIETNAMNESE PRINT Vietnamese print,
  VIETNAMNESE PRINT Vietnamese print, depicting the commemorative mother and child image from the UNICEF series dated to 1968 and with a face value of 16 dong, framed and glazed. 16"h x 23"w.
• Two old Southeast Asian prayer
  Two old Southeast Asian prayer books, each with lacquer cover; H 4 1/4" x W 2 1/2" x L 20" (approx.)
• Le Pho (Vietnamese 1907-2001) Les
  Le Pho (Vietnamese 1907-2001) Les Tulipes Jaunes oil on canvas signed Le Pho (lower right) 12 x 16 inches.
• DO QUANG EM, VIETNAMESE
  DO QUANG EM, VIETNAMESE 1942-2021, PORTRAIT OF A YOUNG WOMAN, 1972, OIL ON CANVAS, 31 X 25 IN. (78.7 X 63.5 CM.), FRAME: 31 3/4 X 26 IN. (80.6 X 66 CM.)DO QUANG EM, VIETNAMESE, 1942-2021 PORTRAIT OF A YOUNG WOMAN, 1972, Oil on canvas Upper right signed and dated: DOQUANGEM '72; verso inscribed: DOQUANGEM 1972 / 611/61 PHAN THANH GIAN / SAIGON VIETNAM Oil on canvas Dimensions: 31 x 25 in. (78.7 x 63.5 cm.), Frame: 31 3/4 x 26 in. (80.6 x 66 cm.)
• LE PHO PAINTING OF TWO WOMEN W/
  LE PHO PAINTING OF TWO WOMEN W/ FLOWERSLe Pho (Vietnamese/French, 1907-2001). Oil on silk-lined Masonite painting depicting two women surrounded by blooming flowers. Signed along the lower right. Le Pho was born in Vietnam in 1907. As a child, he was constantly finding opportunities to make art. As the son of the Viceroy of Tonkin, he had the opportunity to study art at the newly established Ecole des Beaux-Arts in Hanoi under Victor Tardieu (1870-1937), a well-respected French painter. In 1931, he traveled to France with Tardieu, where he studied at the Ecole des Beaux-Arts in Paris on a scholarship. He then traveled to Italy to do research, also visiting the Netherlands and Belgium in his tour of Europe. After returning to Vietnam, Le Pho became a professor at the Ecole des Beaux-Arts in Hanoi. During his professorship, he decided to continue his education by making trips to China to study and make art. While in China, he studied traditional Chinese sculpture, visited museums, and even had the opportunity to paint the Emperor and Empress. In 1937, he was sent to Paris to work on the Indochina Pavilion at the International Exposition of Art and Technology in Modern Life. He stayed in France after the Exposition, where he found great success as an artist. His first solo exhibition was in 1938, and soon after, his work began getting international exposure. His works were widely distributed, particularly in the United States because of an exclusive contract he signed in 1964 with Wally Findlay Galleries, an American company. Despite his expatriate status, Le Pho kept close ties to his homeland. He was active in the Vietnamese community in Paris, and worked with Vietnamese dignitaries and intellectuals to advocate for better treatment of the colonized Vietnamese people. His ties to his homeland are also evident in his subject matter. His paintings featured women and flowers, which he depicted in ways influenced by Vietnamese traditions and aesthetics. Sight; height: 28 1/2 in x width: 39 1/4 in. Framed; height: 35 1/2 in x width: 46 in. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• Le Pho painting (Vietnamese/French,
  Le Pho painting (Vietnamese/French, 1907-2001), woman in an interior with vase of flowers, signed lower left "Le Pho" and in Vietnamese characters, inscription verso canvas "No 16 30P Composition", stretcher stamped "Florence Art Gallery, Florence Italy", 25-1/2 x 36-1/4 in.; gilt and painted 20th century frame. Original stretcher and tacking edge, crackle, cupping in heavy impasto areas, canvas slightly loose; frame with abrasions. Private Collection, South Carolina
• N. Huyen Mixed Media Vietnamese
  N. Huyen Mixed Media Vietnamese Artwork Framed- 30x22''
• LE PHO (VIETNAMESE-FRENCH
  LE PHO (VIETNAMESE-FRENCH 1907-2001)LE PHO (VIETNAMESE-FRENCH 1907-2001) Flowers in a Blue Vase , oil on canvas 65.5 x 81 cm (25 3/4 x 31 7/8 in.) signed lower right PROVENANCE Wally Findlay Galleries
• NGUYEN VAN MINH (1930-2014) - TWO
  NGUYEN VAN MINH (1930-2014) - TWO LADIES BY THE LOTUS POND Nguyen Van Minh (1930-2014) - Two Ladies by the Lotus Pond, gilt and polychrome lacquered on wood panel, the lower right with a signature and seal, another signature on verso, panel (unframed) 39.5"h. x 23.75"w. Provenance: Acquired directly from the artist in the 1960s.
• Jean Volang (Vietnamese/French
  Jean Volang (Vietnamese/French 1921-2005)/Two Women with a glass of Champagne, numbered EA 11/25/ Still Life with Flowers, unsigned/Two Ladies with a Bouquet signed and numbered 11/175, lithographs (3), largest 55cm x 43cm
• Le Pho (Vietnamese, 1907-2001)
  Le Pho (Vietnamese, 1907-2001) "La Femme au Seringas", oil on masonite, signed "Le Pho" lower right, inscribed and titled on reverse, provenance: purchased 1968 at Wally Findlay Galleries NY, includes original receipt and all paperwork, 35" x 45-1/2", framed 45" x 55-1/4", excellent condition, pinholes around perimeter, light craquelure to upper right.
• Le Pho painting (Vietnamese/French,
  Le Pho painting (Vietnamese/French, 1907-2001), "Fleurs", vase with freesias, signed lower right "Le Pho" and with Vietnamese characters, oil on silk, Wally Findlay Gallery label verso backing, 18 x 10-7/8 in.; modern gilt wood frame. Light grime, minor crackle; frame with abrasions. The Estate of Valerie Becton Mills, Cashiers, North Carolina.
• 4pc Vietnamese Mother of Pearl
  4pc Vietnamese Mother of Pearl Lacquered Scenic Panels 31''x62'' - Quadtych depicting a battle scene with warriors on horseback and elephant
• Dang Anh Tuan (Vietnamese,
  Dang Anh Tuan (Vietnamese, 20th/21st Century) Portrait of a Woman, 2010 oil on canvas 15 3/4 x 19 2/3 inches.
• LE PHO (VIETNAMESE-FRENCH
  LE PHO (VIETNAMESE-FRENCH 1907-2001)LE PHO (VIETNAMESE-FRENCH 1907-2001) Parisian Flowers , oil on canvas 61 x 46.5 cm (24 x 18 1/4 in.) signed lower right PROVENANCE Wally Findlay Galleries, New York
• BUI HUU HUNG (VIETNAMESE, B. 1957),
  BUI HUU HUNG (VIETNAMESE, B. 1957), WOMEN IN THE FAMILY 2001, Woman in the Family (Ng??i ?àn Bà Trong Dòng H?), an impressive lacquer painting in two parts, with pigment and gold silver foil on wood, signed to lower left, framed without glass in a large ornate frame that appears to be rosewood.
• AFTER LE PHO (VIETNAM, 1907-2001)
  AFTER LE PHO (VIETNAM, 1907-2001) ACRYLIC ON BOARDDESCRIPTION: After Le Pho (Vietnam, 1907-2001) Acrylic on board painting depicting a vibrant multi-colored floral bouquet. Signed lower right: "Le Pho" mounted in a black lacquered gilt accented frame. CIRCA: 20th Century. ORIGIN: Continental DIMENSIONS: H: 25.5" x L: 33.5" (Frame) H: 34" x L: 43" Have a similar item to sell? Contact: Info@Akibaantiques.com. CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS(305)-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission."
• LACQUER, NGUYEN TU NGHIEM Nguyen Tu
  LACQUER, NGUYEN TU NGHIEM Nguyen Tu Nghiem (Vietnamese, 1922-2016), "Ancient Dance," 1987, lacquer on panel, initialed and dated upper left, panel (unframed): 27.75"h x 43.25"w. Note: Purchased in the late 1990s from a prominent Hanoi gallery.
• U.S. Vietnam-Era Navy and Coast
  U.S. Vietnam-Era Navy and Coast Guard Lot of Two Lot includes two dark four-pocket officer's tunics. Condition: Very good.