A few examples of appraisal values for
E N WELCH

• Welsh dr
  Welsh dr
• Pine Welsh dr
  Pine Welsh dr
• ANTIQUE DRAWING OF WELCHES OF
  ANTIQUE DRAWING OF WELCHES OF ALABAMAWonderful 19th century southern charcoal drawing (gouache highlights) of an older gentleman and his wife seated on porch while he reads and smokes a pipe and she knits. Identified on back as Dr. William Welch (1820-1901) and Nellie Ann Welch (1827-1896) at their home at Magnolia Hill, Talladega County Alabama. Size: 19.5 x 15.5, framed 30 x 26 inches. Together with two circa 1844 tintype photos of both identified sitters ages 19 and 16 years old. 3.15 x 2.6 inches. (See other Welch family history & photos in subsequent lot).
• GEORGE C. WALES (BRITISH
  GEORGE C. WALES (BRITISH 1868-1940), WITCHCRAFT, NIGHTINGALE, STAG HOUND, YOUNG AMERICA, FOUR ENGRAVINGS, FRAME: 17 1/2 X 16 IN. (44.45 X 40.64 CM.)George C. Wales (British 1868-1940), Witchcraft, Nightingale, Stag Hound, Young America, Four Engravings,, Dimensions: Frame: 17 1/2 x 16 in. (44.45 x 40.64 cm.)
• WILLIAM H. WELCH (1947 - 2018):
  WILLIAM H. WELCH (1947 - 2018): "FULL BLOOM"1993 watercolor on paper, sgned and dated lower left, titled and inscribed '2400' in pencil to William Welch Gallery label verso Provenance: William Welch Gallery, Nantucket, Massachusetts; Acquired by the present owner from the preceding 21 1/4 by 29 inches sight; 31 by 38 1/4 inches frame Condition:
• GEORGE C. WALES (BRITISH
  GEORGE C. WALES (BRITISH 1868-1940), WITCH OF THE WAVE, ANN MEKIM, N.B PALMER, FLYING CLOUD, FOUR ETCHINGS, FRAME: 17 1/2 X 16 IN. (44.45 X 40.64 CM.)George C. Wales (British 1868-1940), Witch of the Wave, Ann Mekim, N.B Palmer, Flying Cloud, Four Etchings,, Dimensions: Frame: 17 1/2 x 16 in. (44.45 x 40.64 cm.)
• WILLIAM WELCH WATERCOLOR ON PAPER
  WILLIAM WELCH WATERCOLOR ON PAPER "STONE ALLEY"William Welch (1947-2018) Watercolor on Paper "Stone Alley" , signed lower left William Welch, matted and framed in a molded wood frame 28.5 in. x 22.5 in. Overall 36.5 in. x 29.5 in. A Cleveland native, William Welch developed his love and skills in painting under the able instruction of prominent American watercolorists and master oil painters. He referred to himself as an academic impressionist, drawing on his training in realism and expressive passion for light and color. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• WELSH CERAMICS, SUBJECT. JOHN (W D)
  WELSH CERAMICS, SUBJECT. JOHN (W D) NANTGARW PORCELAIN large 4to, illustrated, half title, worn calf gilt, Newport 1948, - Swansea Porcelain, reprinted 1978, - William Billingsley, two copies, 1968, A E Jones & Sir Leslie Joseph - Swansea Porcelain Shapes and Decoration, 1988 and four others (9)
• LARGE WILLIAM WELCH WATERCOLOR ON
  LARGE WILLIAM WELCH WATERCOLOR ON PAPER "SCONSET BYWAYS...L arge William Welch (1947-2018) Watercolor on Paper "Sconset Byways", signed lower right, matted and framed 21 in. x 28 in. Framed 31 in. x 38 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• THADDEUS WELCH (1844-1919), PAINTER
  THADDEUS WELCH (1844-1919), PAINTER AT HIS EASEL, OIL ON CANVAS LAID TO CANVAS, 18" H X 14" WThaddeus Welch, (1844-1919) Painter at his easel, Oil on canvas laid to canvas Signed lower right: T. Welch. Oil on canvas laid to canvas Dimensions: 18" H x 14" W
• WILLIAM WELCH OIL ON LINEN
  WILLIAM WELCH OIL ON LINEN "FLOWERED WALK IN 'SCONSET"William Welch (1947-2018) Oil on Linen "Flowered Walk in 'Sconset" , 2o06, signed lower right W. Welch 2006 and signed and titled on reverse. 8 in. x 12 in. Overall 11 in. x 13 in. A Cleveland native, he developed his love and skills in painting under the able instruction of prominent American watercolorists and master oil painters . He refers to himself as an "academic impressionist," drawing on his training in realism and expressive passion for light and color. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• GEORGE C. WALES (BRITISH
  GEORGE C. WALES (BRITISH 1868-1940), SOVEREIGN OF THE SEAS, RED JACKET, GAME COCK, CHALLENGE, FOUR ENGRAVINGS FRAMED: 17 1/2 X 16 IN. (44.45 X 40.64 CM.)George C. Wales (British 1868-1940), Sovereign of the Seas, Red Jacket, Game Cock, Challenge, Four Engravings, Dimensions: Framed: 17 1/2 x 16 in. (44.45 x 40.64 cm.)
• § JOHN WELLS (BRITISH 1907-2000)
  § JOHN WELLS (BRITISH 1907-2000) DANCER, 1952 artist's proof, signed, inscribed and dated in pencil in the margin, engraving20cm x 13.5cm (7.9in x 5.4in)Note: Two different impressions/states of this print dated to 1950 are in the British Museum.John Wells and Wilhelmina Barns-Graham shared a particular friendship. Both had benefited from the mentorship of Ben Nicholson who, of the many artists that gathered in St Ives, seemed to have had a particular interest in Barns-Graham’s work. She and Wells had also been significantly influenced by the work of Naum Gabo, a leading figure in Russian Constructivism who, as an emigrant during the War, followed his friends Nicholson and Hepworth to St Ives, playing a key role in the modernist developments that took place.This impact was seen in the pair's artistic practices which shared an affinity with an analytical, at times scientific approach to abstraction. As a result there is often something more linear and hard-edged to their output than some of their more expressionistic peers: a theory of the landscape and its forms as much as a representation of it.
• PATRICIA WELCH, PRIMITIVE/NAIVE
  PATRICIA WELCH, PRIMITIVE/NAIVE PAINT ON CARDBOARDPatricia Welch (Georgian/American, 20th C), untitled - depicting figural country scene with hot air balloons. Signed lower left. Framed approx. 10.25 x 12.25 in.
• Robert Emmett Owen (1878-1957 New
  Robert Emmett Owen (1878-1957 New Rochelle NY) River View Through the Trees
• SEVEN SEWERTILE WHIMSEYS. American
  SEVEN SEWERTILE WHIMSEYS. American 20th century. Advertising including egg and ashtrays Yellow Kid bust 4''h. toothpick brick and frog. Some chips.
• John Brunsdon (1933-2014)/Welsh
  John Brunsdon (1933-2014)/Welsh Estuary/signed/coloured etching, 60cm x 45cm
• Newell Convers Wyeth, American,
  Newell Convers Wyeth, American, 1882-1945, ink on paper, Seated Native American Chief, 6 1/4" x 6 1/4" Estimate $4,000-6,000
• David Welch (20th C. American)
  David Welch (20th C. American) Geometric Abstract Painting mixed media with collage on paper, pencil signed David Welch, 17 3/4" x 21 3/8" sight, framed 27" x 29 3/4", very good condition
• ELWELL, Robert Farrington,
  ELWELL, Robert Farrington, (American, 1874-1962): Indian Brave in Canoe, Patinated Bronze, 11'' h., 34.5'' w., signed, affixed to marble base.
• David Welch (20th C. American)
  David Welch (20th C. American) Geometric Abstract Painting mixed media with collage on paper, pencil signed David Welch, 21" x 23 1/2" sight, framed 28 1/4" x 30 1/2", very good condition
• § JOHN WELLS (BRITISH 1907-2000)
  § JOHN WELLS (BRITISH 1907-2000) UNTITLED, 1956 signed, dated and inscribed 'Anchor Studio, Trewarveneth Street, Newlyn' in pencil (to reverse), oil and pencil on board19cm x 80cm (7.5in x 31.5in)Provenance: In Barns-Graham's notes about her collection she notes she purchased two oils by John Wells.John Wells and Wilhelmina Barns-Graham shared a particular friendship. Both had benefited from the mentorship of Ben Nicholson who, of the many artists that gathered in St Ives, seemed to have had a particular interest in Barns-Graham’s work. She and Wells had also been significantly influenced by the work of Naum Gabo, a leading figure in Russian Constructivism who, as an emigrant during the War, followed his friends Nicholson and Hepworth to St Ives, playing a key role in the modernist developments that took place.This impact was seen in the pair's artistic practices which shared an affinity with an analytical, at times scientific approach to abstraction. As a result there is often something more linear and hard-edged to their output than some of their more expressionistic peers: a theory of the landscape and its forms as much as a representation of it.
• WILLIAM H. WELCH PLAQUETTE 1912
  WILLIAM H. WELCH PLAQUETTE 1912 These medals were given to the friends of Dr Welch at a dinner in his honor in April 1912. Dr Welch was the first physician recruited for Johns Hopkins Medical School in 1884. As one of the "Founding Four physicians" at Hopkins, he established the Johns Hopkins School of Hygiene and Public Health, the first in the country. He was the first dean of the medical school and President of many organizations including the American Medical Association. Brenner designed this bronze plaquette for that dinner in 1912. Obverse has Welch in profile with his name at the bottom. Reverse has "From His Friends" over a rose and leaves. Uncirculated with nice tan patina
• Wycliffe Eggington (1875-1951). A
  Wycliffe Eggington (1875-1951). A large watercolour of a distant view of a castle monogram WE bottom right. 98 x 65 cm.
• Christopher Welsh (American, b.
  Christopher Welsh (American, b. 1960) Untitled, 1986 acrylic and oil on paper signed and dated (lower right) 29 1/2 x 80 inches.
• Eyvind Earle (1916-2000 Carmel
  Eyvind Earle (1916-2000 Carmel CA) Coastal Landscape
• WILLIAM WELCH OIL ON CANVAS "POSIES
  WILLIAM WELCH OIL ON CANVAS "POSIES AND PINES"William Welch (1947-2018) Oil on Canvas "Posies and Pines" , signed lower left W. Welch 2006, also signed on reverse of linen William Welch, 2006, and titled on stretcher, in molded wood frame 8 in. x 12 in. Overall 11 in. x 13 in. A Cleveland native, he developed his love and skills in painting under the able instruction of prominent American watercolorists and master oil painters . He refers to himself as an "academic impressionist," drawing on his training in realism and expressive passion for light and color Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• Henry Weigall (British
  Henry Weigall (British 1829-1925)/Portrait of Louise Madeleine Jones of Pantglas (later Mrs Spence-Jones)/head and shoulders, wearing a black hat with lace and feather trim and white cloak/tondo/oil on canvas, 48.25cm diameter
• After Lawrence [RICHARD
  After Lawrence [RICHARD WELLESLEY] Two engravings, one framed t/w another engraving of Wellesley and Four Other Portrait Engravings (7 Estimate:$300-$500
• 18th century British engraving,
  18th century British engraving, "A Caricature of England & Wales" depicting the island as a man holding a beer stein and riding a fish, published by W. Snow, hand-colored engraving, mid to late 18th century, 5-3/8 x 4-1/8 in.; black-painted frame. Tacked at top, stains, wear at corners, handling grime, foxing, toning, fading; frame with abrasions. Forsyth's Antiques, Nashville, Tennessee
• WILLIAM ELWELL. "NATURE COLLAGE,"
  WILLIAM ELWELL. "NATURE COLLAGE," COLLAGE Collage, signed lr, 10 x 8 in,. framed.
• Manner Of Andy Warhol Welch's Juice
  Manner Of Andy Warhol Welch's Juice Ink On PaperDepicting a Welch's Grape Juice bottle signed LL by Andy Warhol American 1928 -1987 circa 1960's.13.5'' H x 12.5'' W sight 25'' H x 23.5'' W.
• Wales, South Wales Illustrated in a
  Wales, South Wales Illustrated in a series of Views, London: Jones & Co., undated, [1830], engraved frontispiece, 8vo; together with Willis (Browne), A Survey of the Cathedral Church of Landaff, London: R. Gosling, 1719, with a fold out plan and South Prospect view, ex library stamps, unbound; and Page (William) The Victoria History of Sussex, Volumes 1 & 2, London: Archibald Constable & Co., 1905 & 1907, original gilt tooled cloth (4)
• EDMUND N. RUSSELLAmerican
  EDMUND N. RUSSELLAmerican 1852-1927Whaleships in New Bedford Harbor. Signed and dated lower left E.N. Russell 1905''.Oil on board 24'' x 30''. Framed.''
• NEWELL CONVERS WYETH (PA/ME/MA,
  NEWELL CONVERS WYETH (PA/ME/MA, 1882-1945) Study for "Lincoln Delivering his Second Inaugural Address", circa 1920, charcoal on paper, unsigned, framed with a reduced color litho of the finished color artwork for a book cover. Housed in a water gilt molded panel frame, under a two-window mat, UV plexiglass, OS: 30 1/2" x 24 3/4", SS: 13 1/2" x 12 1/4", fine condition.
• Pamela Ensign Wollam (American,
  Pamela Ensign Wollam (American, 20th Century) Hawk and Hawklings, 1992 colored pencil on paper signed Pamela Ensign Wollam and dated (lower right) 12 x 17 inches The Laumeister Collection from The Bennington Center for the Arts, Bennington, Vermont