A few examples of appraisal values for
EARLAM

• RICHARD EARLOM (ENGLISH,
  RICHARD EARLOM (ENGLISH, 1600-1660), TWO FRAMED MEZZOTINTS, AFTER DRAWINGS BY CLAUDE DE LORRAINE (FRENCH, 1496 - 1550), PRINTS FROM...Richard Earlom (English, 1600-1660), two framed mezzotints, after drawings by Claude de Lorraine (French, 1496 - 1550), prints from two different editions after drawings, both depict pastoral landscapes with cows grazing and figures in the distance, one hand-colored, one with text in lower margin "From the Original Drawing in the Collection of the Duke of Devonshire" and "No. 166", both framed and matted behind glass with wear consistent with age and use, neither examined out of frame, largest ss: 8 1/2" h. x 10 1/2" w.
• Erle (Earle) Loran (American
  Erle (Earle) Loran (American 1905-1999) Abstract landscape. Oil on masonite apprx. 23-3/4" x 36" signed and dated '49 along the lower edge not framed. Old Butterfield's auction sticker verso.
• Omar Ramsden; a fine silver
  Omar Ramsden; a fine silver goblet with Celtic knop approx. 11 cm high hallmarked London 1919 later retailed by S.J. Phillips.
• Laurence Carmichael Earle
  Laurence Carmichael Earle (British 1845-1921) Fowl Graphite watercolor and gum Arabic on paper over canvas signed in pencil l.l. and dated 79; 16.75 x 13.75 in.An outstanding??tromp l'oeil? and typical of Earle's work this subject was acutely rendered with graphite watercolor andgum arabic and was a popular subject to adorn English homes. ?Housed in the original frame and untouched. Condition: Toning to paper.
• RICHARD EARLOM (BRITISH,
  RICHARD EARLOM (BRITISH, 1743-1822), A FRUIT MARKET Hand-colored mezzotint and etching, 1774-88, after Frans Snyders, published by John Boydell, London, housed in uniform matting and framing.
• RICHARD EARLOM (ATTRIB.), FIGURE
  RICHARD EARLOM (ATTRIB.), FIGURE DRAWING, 18TH C. Attributed to Richard Earlom (British, 1742-1822), Male Nude Study, graphite and ink wash on paper, illegibly pencil inscribed verso with artist name and dates, framed uner glass, 20"h x 14"w (sheet), 22"h x 15.5"w (frame)
• ELLAMARIE (PACKARD) WOOLLEY
  ELLAMARIE (PACKARD) WOOLLEY (AMERICAN 1913-1976): PORTRAITenamel plaque mounted in an integral metal frame; signed with initials lower right, signed again and numbered "P 408" verso Dimensions: plaque:6 1/2 x 3 1/2 in. (16.5 x 8.9 cm.), Frame: 9 1/2 x 5 3/4 in. (24.1 x 14.6 cm.) Condition:
• RICHARD EARLOM (BRITISH,
  RICHARD EARLOM (BRITISH, 1743-1822)Richard Earlom (British, 1743-1822), "Landscape with Figures and Cattle" and "Seascape", plates 188 & 200, c. 1777, 2 etchings with mezzotint, after Claude Lorraine (French, 1600-1682), from Liber Veritatis, both with "Clifford Art Studios, New York, NY" label on backing paper, each 7 1/4 in. x 10 in., framed alike. (2 pcs.). Provenance: Collection of Alexandra Stafford and Raymond Rathle, Metairie, LA. Condition: Overall fair condition. Ext. Frames: 15 3/8 in. x 17 1/4 in. x 1 1/2 in.
• ELLAMARIE WOOLLEY (1913-1976): NEAR
  ELLAMARIE WOOLLEY (1913-1976): NEAR EAST, NO. 497Ellamarie Woolley, 1913-1976 Near East, No. 497, enameled copper over particle board; signed with initials lower right, signed, titled and numbered verso Dimensions: Overall: 44 x 12 1/4 x 1 in. (111.8 x 31.1 x 2.5 cm.) Provenance: Property from the personal collection of Jeff Schuerholz of Fat Chance, the iconic Los Angeles store for the Hollywood elite. Note: Jeff Schuerholz spent close to 50 years serving Los Angeles, from pioneering Melrose to developing the Los Angeles fixture that was Fat Chance. His connection to the stars, "including David Bowie, Jocelyn Wildenstein, and everyone in between," generated enthusiasm and started new trends in the design world. Schuerholz says his "dream as a kid was always to do something that would involve people from all over the globe." Fat Chance could be seen in dozens of Hollywood movies over the past four decades, including "Dreamgirls." Condition:
• LIAM O'NEILL TURNED ELM LIVE EDGE
  LIAM O'NEILL TURNED ELM LIVE EDGE BOWL(Ireland, born 1954) elm burl bowl with live edge, signed and dated on base "E 12*16/Liam O'Neill", with wood type, 5 x 7 in. Provenance: Collection of Rude Osolnik, Berea, Kentucky Condition: finial with tiny chip at tip and to flange, other light bumps and abrasions
• EARL KERKAM (1890-1965): PORTRAIT
  EARL KERKAM (1890-1965): PORTRAIT HEAD OF A MAN Oil on board signed on verso; 10 3/4 x 7 3/4 in.
• PRINT, AFTER RICHARD EARLOM After
  PRINT, AFTER RICHARD EARLOM After Richard Earlom (British, 1743-1822), Pastoral Scene, etchings in colors, published by John Boydell Engravers in Cheapside, overall (with frame): 15.5"h x 12.5"w
• EARL KERKAM (1890-1965): PORTRAIT
  EARL KERKAM (1890-1965): PORTRAIT OF A MAN Oil on board signed upper right; 24 x 18 in.
• Eyvind Earle (1916-2000 Carmel
  Eyvind Earle (1916-2000 Carmel CA) Hills and Fields
• ARLOTT (J) ALLESTON'S INNINGS
  ARLOTT (J) ALLESTON'S INNINGS signed limited edition 189/200 Epworth 1957; with other cricket books Estimate ?50-100 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?150
• Ellamarie Wooley (American
  Ellamarie Wooley (American 1913-1976) Queen. Enamel on copper plaque apprx. 10" x 8" floated in a wood frame on a black linen background apprx. 15-3/4" x 13-3/4" signed and dated on the back of the framing 1954.
• FOWLER VIEW CO. ELMIRA NY: WALTER
  FOWLER VIEW CO. ELMIRA NY: WALTER BRAY HARNESS AND TRUNKS Toned albumen print. Provenance: Property from the Collection of Gerald Kornblau. 4 1/2 x 5 3/4 in. 11 x 13 in. (frame).
• EARL KERKAM (1890-1965): PORTRAIT
  EARL KERKAM (1890-1965): PORTRAIT OF A MAN WITH HAT AND TIE Together with a portrait of a young girl oil on board one signed on verso; 11 1/4 x 9 in.
• Eyvind Earle (1916-2000 Carmel
  Eyvind Earle (1916-2000 Carmel CA) Coastal Landscape
• Elm signed and dated in pencil
  Elm signed and dated in pencil lower right: Jerry McMillan '76 titled in pencil lower left cut-out and graphite on Strathmore paper irregular paper size: 23'' x 35''
• TWO CHINESE EXPORT ARMORIAL
  TWO CHINESE EXPORT ARMORIAL PORCELAIN BOWLS, AYLMER AND...comprising: circa 1745, slop bowl with coat of Aylmer impaling Hill, lozenge form for a widow, Aylmer on left side black cross dividing four sea aylets, impaling Hill on right side centered with white chevron, dividing three gilt wheat sheafs, interior bowl with spearhead gilt border, 5-3/4 in.; circa 1795, tea bowl with arms of Swete, two gilt chevrons dividing two gilt stars and rose, surmounted with the crest gilt star flanked by two gillyflowers, opposing side with cobalt and gilt floral spray, cobalt and gilt border, 3-1/2 in. Note: Aylmer impaling Hill: "The family of Aylmer was eminent in Ireland from the sixteenth century, and although the coat of the present Baron Aylmer (created 1718) and the present baronet (created 1622) are the same as those on this porcelain, this service was not made for any known descendant of the 1st Baron or 1st Baronet. Branches of the same family were seated in other parts of Ireland, and at Walworth Castle in Co. Durham in the nineteenth century, and in Essex. There is an account of the family of Hill of Poundsford, Somerset, in Visitations of Somerset 1623 with Continuations by R. Mundy published privately 1838." Chinese Armorial Porcelain Volume I , David S. Howard, Faber & Faber, 31 May 1974, p. 500. Swete: "In the reign of Edward VI this family was recorded as living at Trayne, near Modbury in Devon, but more recently at Oxton in the same county. The service was probably made for the Revd. John Swete of Oxton House, whose second son, the Revd. William Swete, married about 1820 Mary Anne, daughter of David Gordon of London and Abergeldie in Aberdeen, and whose fifth daughter Caroline married, in August 1820, Michael Francis Gordon of Abergeldie Castle (brother of Mary Anne)." Chinese Armorial Porcelain Volume I , David S. Howard, Faber & Faber, 31 May 1974, p. 745. Provenance: Heirloom & Howard, Ltd., UK; Christopher M. Weld, Essex, Massachusetts Condition: each with spotting, scratching, discoloration, anomalies (as made), chipping to foot ring, labels to base, wear to gilt and paint decoration; slop bowl does not fluoresce under black light; tea bowl fluoresces and reveals six hairline cracks and in-painting on rim
• WILLIAM HENRY EARP (BRITISH,
  WILLIAM HENRY EARP (BRITISH, 1831-1914), DURHAM CATHEDRAL FROM THE RIVER WEAR Oil on canvas, signed at lower right, presented in a period Louis XIV style gilt composition frame.
• A pair of Staffordshire pearlware
  A pair of Staffordshire pearlware figures of Elijah and the Widow, early 19th Century, 25cm high
• Earl Kerkam American, 1890-1965
  Earl Kerkam American, 1890-1965 Untitled (Abstract) Estimate:$600-$800
• EARL KERKAM (1892-1965): WOMAN
  EARL KERKAM (1892-1965): WOMAN RESTING Watercolor on tan paper 14 x 18 1/2 in. (sight) signed.
• Prior Hamblen School portrait,
  Prior Hamblen School portrait, man with one eye, one drape to left, unsigned, card with gum arabic, 19th century, 14-1/8 x 10-1/8 in.; 19th century veneered ogee molding frame. Warping from moisture, flaking at bottom, crease at top left edge, abrasion at edges, retouch at proper left eye; frame with losses and abrasions.
• Emily Court (1880-1957) oil on
  Emily Court (1880-1957) oil on canvas Thamesside View with figures at tea signed 25 x 32in. Estimate ?300-400 Cleaned relined and restored within the past 10 years or so now in very good condition with no faults noted in a modern scroll frame. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?280
• Earl Kerkam 1890–1965. Figure
  Earl Kerkam 1890–1965. Figure study. mixed media on paper. 17¾ h × 14½ w in. result: $131. estimate: $300–500. Signed to lower right ‘Kerkam’.
• EARLOM, RICHARD AND CHARLES
  EARLOM, RICHARD AND CHARLES TURNER PORTRAITS OF CHARACTERS ILLUSTRIOUS IN BRITISH HISTORY London: S. Woodburn, [n.d.] 4to, engraved plates, contemporary half Russia gilt; Ollier, Edmund The Doré Gallery… London: Cassell, Petter & Galpin, [n.d.] 2 volumes, folio, contemporary red half morocco gilt; Henley, W.E. A Century of Artists. Glasgow: James MacLehose & Sons, 1889. 4to, original cloth gilt; Hall, S.C. The Vernon Gallery. London, 1850. 4 volumes, 4to, contemporary diced calf gilt with green morocco gilt labels to spines; sold not subject to return(8)
• Follower of John Berney Ladbrooke
  Follower of John Berney Ladbrooke (1803-1879) oil on wooden panel Earlham Bridge Norfolk 19.5 x 24.5in. Estimate ?200-300 Panel in good order paint with some smallish scrapes and losses notably top left corner and two spots in trees and side of building. Not signed - please note being sold as 'Follower of' Gilt scroll frame in fair order. FURTHER IMAGES ALREADY AVAILABLE AT WWW.GORRINGES.CO.UK Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?380
• Headlam (C) Oxford and Its Story,
  Headlam (C) Oxford and Its Story, illustrated by Herbert Railton, Dent 1926 and 15 other books on Oxford
• Pair of British Plaster Relief
  Pair of British Plaster Relief Plaques, 20th century one depicting the Earl of Essex threatening to draw his sword after being slapped by Queen Elizabeth I for insolence, after Otto von Corvin and Wilhelm Held, the other Mary Queen of Scots receiving her death warrant framed 14.75 x 10.6 in — 37.5 x 27 cm
• Late 19th century English School
  Late 19th century English School oil on ivory Miniature of Edward Earl of Ellenborough 3.25 x 2.25in. Estimate ?200-300 FURTHER IMAGES ALREADY AVAILABLE AT WWW.GORRINGES.CO.UK Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?200
• EARL KERKAM (1890-1965):
  EARL KERKAM (1890-1965): "SELF-PORTRAIT STANDING" Oil on board signed upper right; 35 1/2 x 24 in.
• Eyvind Earle (1916-2000 Carmel
  Eyvind Earle (1916-2000 Carmel CA) Verdant hillside with a single grazing cow sight size: 29.5''x39.5''
• Barham (Rev. R H) The Ingoldsby
  Barham (Rev. R H) The Ingoldsby Legends, 1877, Roy 8vo, half calf gilt, School Prize for GN Bruton, Gloucester County School, Hempstead