A few examples of appraisal values for
EATON S

• PHOTOGRAPHY AND CAMERA HISTORY BOOKS,
  PHOTOGRAPHY AND CAMERA HISTORY BOOKS, 13 Photography and Camera History Books, 13, and comprising: Coke, Van Deren "The Painter and the Phorograph"; Travis, David "The First Century of Photography: Niepce to Atget From the COllection of Andre Jammes."; Berger-Levrault "Regards sur la photographie en France au XIXe Siecle"; Green, Jonathan "Camera Work: A Critical Anthology"; Beaton, C. and Buckland, G, "The Magic Image: The Genius of Photography from 1839 to the Present Day", Gosling, Nigel "Nadar", Worswick, Clark (ed.) "Princely India", Harris, Mark Edward "Faces of the Twentieth Century"; Fralin, Frances "The Indelible Image"; Newhall, Nancy "P.H. Emerson"; Lothrop, Eaton S. "A Century of Cameras"; Campbell, Robun (Ed.) "From Today Painting Is Dead: The Beginnings of Photography"; Hill and Adamson, "An Early Victorian Album". 10" H x 10.5" W x 1" D.
• (2 PC) STERLING WILLIAM EATON SPOONSDESCRIPTION:
  (2 PC) STERLING WILLIAM EATON SPOONSDESCRIPTION: Two sterling spoons made by William Eaton. Monogrammed with an "S" on the front side of the handle. 74g CIRCA: 19th Century. ORIGIN: England DIMENSIONS: L: 6.75" W: 1.5" Have a similar item to sell? Contact: Info@Akibaantiques.com. CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS(305)-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• PORTRAIT MINIATURE OF GENERAL THOMAS
  PORTRAIT MINIATURE OF GENERAL THOMAS EATON OF NC, 1739-...Miniature watercolor portrait depicting Revolutionary War General Thomas Eaton of North Carolina (c. 1739-1809), depicted in late middle age, balding, with blue eyes and wearing a dark blue coat with gold buttons and a white shirt. Housed under glass in a copper frame with flat loop hanger and ball finial; retains its original oval red leather case with remnants of silk lining. Interior of case is inscribed "Gen. Eaton Continental Army NC." Framed: 2 1/2" H x 2" W. Note: Thomas Eaton served in the North Carolina Militia during the War of the Regulation in 1771 and in the Revolutionary War from 1775 to 1784, leading troops in the battles of Brier Creek and Guilford Courthouse. He was also a member of the NC Provincial Congress and the NC House of Commons, and the NC Council of State under Gov. Richard Caswell (ref. William S. Powell, The Dictionary of North Carolina Biography, p. 131). Gen. Eaton had considerable wealth and was listed in the 1790 census as one of the largest slaveholders in the state; a note found with the portrait states that he equipped a regiment at his own expense. Eaton's first wife, Anna Bland, bore him a daughter also named Anna, who married Guilford Dudley, originally of Halifax County, VA. Guilford and Anna Dudley resided in Williamson County, Tennessee and the portrait descended in their family to Mary Bright Wilson. Additional note: the next portrait in this auction is believed to depict Gen. Eaton's daughter Harriet. Property of the Lincoln County Museum, Fayetteville, TN; Bequest of Mary Bright Wilson (1909-2004), formerly of Fayetteville, and descended in her family. Condition: Two 1/4" areas of exfoliation to lower edge of portrait, on subject's coat; a few other scattered tiny spots of exfoliation; otherwise good condition. Not examined out of frame. Oxidation to frame. Case shows significant wear. Interior has old glue residue and losses to silk lining.
• AN ANTIQUE SURVEY MAP, "PRELIMINARY
  AN ANTIQUE SURVEY MAP, "PRELIMINARY CHART OF THE ENTRAN...AN ANTIQUE SURVEY MAP, "Preliminary Chart of the Entrance to Matagorda Bay, Texas," BALTIMORE, 1857, engraving on paper, lithograph prepared by A. Hoen & Co., William (W.M.) P. Schulz, drawing contributor, "From a Trigonometrical Survey under the direction of A.D. Bache, Superintendent of the SURVEY OF THE COAST OF THE UNITED STATES, Triangulation by S.A. Gilbert, Asst. C.S., Topography by S.A. Gilbert Asst. and M. Seaton Sub. Asst., Hydrography by the Party under the Command of Lieut. J.C. Febiger U.S.N. Verified by M.L. Smith, Capt. Topl. Engrs., Assistant in Charge of Office, Coast Survey Office," with "Sub-sketch: Part of Matagorda and Lavaca Bays," and "Sub-sketch: Part of Lavaca Bay," showing mud densities, lighthouses and beacons including Matagorda Pass Cavallo Light, Siluria, Decros Point Beacon, as well as old shipwrecks, depth soundings, buoys, two compass roses, and notes on tides and sailing instructions, plate No. 55. 19 1/2" x 32 1/2" Note: A fragment from the Report of the Superintendent of the U.S. Coast Survey, 1857 edition. Provenance: Property from a Fortune 500 Energy Company, Houston, Texas. Condition: Creasing as issued, some foxing spots, Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• A Queen Victoria diamond Jubilee medallion
  A Queen Victoria diamond Jubilee medallion decorated to one side with St Peter's Eaton Square, 8cm diameter, another cased diamond Jubilee medallion, a medallion 'To Commemorate the Visit of Her Majesty to Ireland, April 1900', a Jamaica half penny, 1884 and sundry coins and medallions
• Catherine Eaton Skinner (b.1946 Washington)
  Catherine Eaton Skinner (b.1946 Washington) ''A Ladder Infinite Stepped'' 1998 Encaustic on Canvas affixed to Board 28''x24''. Signed l.r. and titled on verso. Excellent condition.
• DAVID YURMAN 925 WHEATON RING W/DIAMONDSDavid
  DAVID YURMAN 925 WHEATON RING W/DIAMONDSDavid Yurman sterling silver Wheaton set with faceted polished oval Onyx and twenty round brilliant cut diamonds. Ring size 8 1/2. Overall weight 18.9 grams.
• (VIEW) MASSACHUSETTS - NORTHAMPTON THROUGH
  (VIEW) MASSACHUSETTS - NORTHAMPTON THROUGH NORWOOD: 59 POSTCARDS EARLY TO MID-20TH CENTURY(VIEW) MASSACHUSETTS - NORTHAMPTON THROUGH NORWOOD: 59 POSTCARDS, Early to Mid-20th Century, Northampton: "My-T-Gud Sea Foods", Mt. Holyoke Hotel (2 views), Hockanum Ferry, Mary K. Gift Shoppe, The Northampton Tourist Camp, "Waves of the Naval Reserve Midshipman's School LWB" at Smith College, Paradise Pond, Hotel Northampton and Wiggins Old Tavern views. North Adams: Drury High School Band, four varying Main St. views and Richmond Hotel ('09 photo) and more. Norton: Meadowbrook, railroad station, Wheaton Seminary, Wheaton Inn (photo), early street views, gym (photo) at Wheaton College, Norton Centre and more. Northbridge Hotel (photo with trolley), three Norwell photos: Cornet Stetson Plantation and two street views. Early: Norwich post office, Norwood Fire Station, two early Norwood street views, Vega Swedish Restaurant and more. Provenance: The Estate of Hilary Bamford.
• DOROTHY EATON, MASSACHUSETTS, NEW JERSEY
  DOROTHY EATON, MASSACHUSETTS, NEW JERSEY (1893-1968), LUNCH HOUR IN PETERSHAM, 1935, OIL ON CANVAS, 30"H X 40"WDorothy Eaton, Massachusetts, New Jersey, (1893-1968) Lunch Hour in Petersham, 1935, oil on canvas Signed and dated lower left. Exhibited: Robert Shoelkopf Gallery Biography from the Archives of askART: Dorothy Eaton was born in East Orange, New Jersey in 1893. She studied at Smith College, Columbia University, and at the Art Students League in New York City with Kenneth Hayes Miller. The artist was a member of the Society of Independent Artists and the National Association of Women Artists. Dorothy Eaton became a committed painter of the American Scene and exhibited widely. She was included in exhibitions at the Art Institute of Chicago, Carnegie Institute in Pittsburgh, Corcoran Gallery in Washington DC and the National Academy of Design in New York City. During her career working at Smith College, Dorothy Eaton spent most of her life in Massachusetts painting rural scenes with figures. Her colors were bright and bold and her depictions were simple yet iconic. Dorothy Eaton died in Chattam, New Jersey in 1968. oil on canvas Dimensions: 30"H x 40"W
• ANTIQUE WILLIAM IV ERA STERLING SILVER
  ANTIQUE WILLIAM IV ERA STERLING SILVER LADLEANTIQUE WILLIAM IV ERA STERLING SILVER LADLE, city of London, year 1831, William Eaton silversmith initials "WE", 13 inch length, 8.09 troy oz.
• 3PC MAURICE HEATON SPOUT BOWL ART GLASS
  3PC MAURICE HEATON SPOUT BOWL ART GLASS GROUP United States,20th CenturyIncludes two large pear shaped spout bowls in orange and blue and a rounded turquoise spout bowl.
• 4PC MAURICE HEATON SQUARE PLATE ART
  4PC MAURICE HEATON SQUARE PLATE ART GLASS GROUP United States,20th CenturyIncludes two small square plates with white line decoration and two medium plates, one with a circle design and the other with a blue linear decoration.
• WYATT EATON PORTRAIT OF A YOUNG BOY
  WYATT EATON PORTRAIT OF A YOUNG BOY PAINTING New York, Rhode Island, Canada, France1849-1896Naturalistic depiction of a round faced boy with long brown hair dressed in red, yellow, and blue. Eaton studied at the National Academy of Design, and studied under Samuel Colman, and Daniel Huntington.
• Georgian sterling silver hot water urnwith
  Georgian sterling silver hot water urnwith a gadrooned lid shoulder and foot the reeded arms accented by lion masks the base supported by paw feet. With an inscription dated 1818. Lid and body hallmarked for William Eaton sterling silver London 1817-18. 140 ozt. approximate. 15.5''H x 15''W
• Cecil Beaton (1904-1980) monochrome
  Cecil Beaton (1904-1980) monochrome watercolour 'The Vampire' Beaton stamp dated 1925 19 x 14in. Estimate ?600-800 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?550
• Elizabeth Nourse (Ohio 1859-1938) Rentrant
  Elizabeth Nourse (Ohio 1859-1938) Rentrant de l&rsquot;eglise Penmarc&rsquot;h Oil on canvas titled Rentrant de l&rsquot;eglise Penmarc&rsquot;h (translated Coming Home from Church Brittany) signed and dated 1900 l.l.; 39.5 x 30 in.A native of Cincinnati student of Frank Duveneck and accomplished French Salon painter Elizabeth Nourse&rsquot;s paintings from the south of France are perhaps regarded as her most important work. Rentrant de l&rsquot;eglise Penmarc&rsquot;h expertly highlights her well known style and subject matter.Done in the fall of 1900 while traveling with her sister Louise in the small town of Pointe de Penmarch Nourse returned there another three times to paint the inhabitants of the coastal village. There Nourse worked rapidly in her sketchbook drawing small plein air studies which she developed later in the studio.Here a plain faced Breton mother lightly holds her son&rsquot;s hand as she clutches a Bible to her waist. She looks far off into the distance her expressionless gaze engaging no one while the young boy stares defiantly at the viewer. Nourse often depicted the straightforward stare of peasants and middle-class subjects in order to engage the spectator. As Nourse explained "To me these people are not ugly their faces their toil-stained hands tell the story of their lives. I cannot paint &rsquot;pretty&rsquot; people; they do not appeal to me." Clothed in their traditional dark and elaborate Breton dress the two vertical figures stand in contrast to the framing horizontal bands of surrounding landscape.Nourse exhibited this work along with three other oil paintings at the New Salon in Paris in 1901. After this exhibition the Salon elected her Sociétaire in drawing pastel and watercolor; in 1904 she received the prestigious award in oil painting as well. An unprecedented achievement Nourse became the first American woman to be honored in such a way.Because of these accolades and subject matter Nourse is often compared to the American Impressionist Mary Cassatt. Each chose feminine domestic subject matter both lived as expatriates in Europe and the two had successful artistic careers even amidst a sea of male peers. Nourse&rsquot;s works of mothers and children rival her female peer. Academically trained Nourse&rsquot;s paintings offer a well-arranged and balanced composition. Additionally Nourse&rsquot;s paintings tend to evoke a more pronounced response from the viewer. Like other works painted in Brittany Nourse has captured the emotional and personal appeal of the Breton people. EXHIBITEDAnnual Salons of the Société National des Beaux-Arts Paris France 1901Museum of Art Carnegie Institute Pittsburgh PA 1901-1902Pennsylvania Academy of the Fine Arts Philadelphia PA 1902BIBLIOGRAPHYMary Alice Heekin Burke Elizabeth Nourse 1859-1938: A Salon Career (Smithsonian Institution Press 1983) 61-62 (pictured) 171.Anna Seaton Schmidt "Elizabeth Nourse: An American Artist " Donohoe&rsquot;s (Easter 1902): 336.Image of the sketch courtesy of the Niehoff Center for Elizabeth Nourse The Mercantile Library Cincinnati Ohio. Property of a Private Collection Cincinnati Ohio.
• * An American Arts & Crafts Sterling
  * An American Arts & Crafts Sterling Silver Trophy Kalo Chicago inscribed Wheaton Sept. 5 1910 First Prize 36 Holes; approximate weight 23.86 ozt. Height 9 3/4 inches.