A few examples of appraisal values for
ED MOORE

• EDWIN S. MOORE (CALIFORNIA,
  EDWIN S. MOORE (CALIFORNIA, 1813-1893), TWO COWS., WATERCOLOR ON PAPER, 13.5" X 9.75" SIGHT. FRAMED 18" X 14".EDWIN S. MOORE, California, 1813-1893, Two cows. Signed lower left "E. Moore". Dimensions: Watercolor on paper, 13.5" x 9.75" sight. Framed 18" x 14".
• *Ed Moses (American b. 1926)
  *Ed Moses (American b. 1926) Untitled No. 6 1971 graphite colored pencil and tape on paper initialled E. and dated (lower right) 23 x 31 inches.
• PRINT, AFTER EDWIN MOORE After
  PRINT, AFTER EDWIN MOORE After Edwin S. Moore (American, 1813-1893), "Court House, Santa Clara Co." lithograph with hand coloring, unsigned, overall (with frame): 21"h x 24"w
• Ethel Moore (American 20th Century)
  Ethel Moore (American 20th Century) "Burlington Vermont". Watercolor and graphite on board signed and at the lower right recto signed and titled in pencil verso apprx. 6" x 10" floated in a mat and framed under glass overall apprx. 13" x 16".
• ELIZA MOORE (AMERICAN, 20TH
  ELIZA MOORE (AMERICAN, 20TH CENTURY) "THE TEMPTER" Watercolor and collage on paper. Signed 'E. Moore' (lower right) and dated '1979' (lower left).
• EDMUND "ED" BLOUIN JR.
  EDMUND "ED" BLOUIN JR. (AMERICAN/LOUISIANA)Edmund "Ed" Blouin Jr. (American/Louisiana, b. 1941), "Bosque House, New Orleans", oil on masonite, signed lower right, titled en verso, 20 in. x 16 in., framed, overall 24 1/4 in. x 20 1/4 in. x 1 in. Condition: Overall good condition.
• MITCH EPSTEIN (b. 1952): "MOOREA"
  MITCH EPSTEIN (b. 1952): "MOOREA" Ektacolor print 20 x 24 in. titled signed and dated 1988.
• ED (EDWARD) MOSES (AMERICAN,
  ED (EDWARD) MOSES (AMERICAN, 1926-2018)Ed (Edward) Moses American, 1926-2018 Kiddyland , 1963 Woodcut, signed and dated lower right, Artist's Proof edition Printed in three colors to form a thoughtful abstraction, matted behind glass and framed. Ed Moses began exhibiting in 1949, and was part of the original group of artists from the Ferus Gallery in 1957. His paintings were documented in a major retrospective exhibition at the Museum of Contemporary Art in 1996. The Fellows of Contemporary Art sponsored a drawing retrospective for Moses in 1976. Works by Moses are included in museum collections including the Los Angeles County Museum of Art, Art Institute of Chicago, Menil Foundation, Museum of Modern Art, Corcoran Gallery of Art, Philadelphia Museum of Art, and the Whitney Museum of American Art. Plate: 21 5/8 x 27 1/4 in. (54.9 x 69.2 cm.), Frame: 31 1/8 x 36 in. (79.1 x 91.4 cm.) The Artist; Ex Iowa Wesleyan University collection; Gift of Professor and Mrs. Paul Denny Condition: Any condition statement is given as a courtesy to a client, is an opinion, and should not be treated as a statement of fact. Reference to condition written, oral or within a condition report shall not be regarded as a full account of condition and may not include all defects, alterations, or restorations. Absence of a condition report does not imply a lot is flawless or lacking imperfections or damage. Selkirk Auctioneers & Appraisers shall have no responsibility for any error or omission. Returns shall not be accepted on the basis of condition.
• GORDON MOORE, AMERICAN (20TH/21ST
  GORDON MOORE, AMERICAN (20TH/21ST CENTURY), UNTITLED, 2011, INK AND GOUACHE ON PHOTO EMULSION PAPER, 20"H X 16"W (SIGHT), 28 1/2"H X 24 1/2"W (FRAME)Gordon Moore, American, (20th/21st Century) Untitled, 2011, ink and gouache on photo emulsion paper Provenance: Betty Cuningham Gallery, New York. ink and gouache on photo emulsion paper Dimensions: 20"H x 16"W (sight), 28 1/2"H x 24 1/2"W (frame)
• MOORE, Benson Bond, (American,
  MOORE, Benson Bond, (American, 1882-1974): Phillipi Creek, O/M, 8'' x 10'', signed, titled and numbered 790 verso, fine contemporary gilt frame, 13.5'' x 15.5''.
• Ed (William Edward) McGowin
  Ed (William Edward) McGowin (Mississippi/Washington D.C. b. 1938) "Study for the Jacksonian" mixed media on masonite pencil-signed lower right signed dated "1964" and inscribed en verso 38 in. x 23 in. in a period frame. Note: Born in Mississippi Ed McGowin studied art at the University of Southern Mississippi and University of Alabama. Upon graduating in 1964 McGowin accepted a position in the Sculpture Department at the Corcoran Gallery of Art in Washington D.C. As an emerging artist McGowin exhibited at the Whitney Museum of American Art's prestigious "Annual Exhibition of Contemporary Painting and Sculpture" in 1966 and 1968 as well as at the Jewish Museum in New York City.
• MOORE, Benson Bond, (American,
  MOORE, Benson Bond, (American, 1882-1974): Phillipi Creek, O/M, 7'' x 9'', signed, titled and numbered 892 verso, fine contemporary gilt frame, 12.25'' x 13.25''.
• HENRY MOORE (BRITISH, 1898-1986)
  HENRY MOORE (BRITISH, 1898-1986) TWO RECLINING FIGURES, 1972 ETCHING: 11 1/2 X 7 1/2 IN. (SIGHT)Framed; lower right signed: Moore; lower left numbered: VII/X Etching: 11 1/2 x 7 1/2 in. (sight)
• (4) HENRY MOORE (BRITISH,
  (4) HENRY MOORE (BRITISH, 1898-1986) All signed 'Moore' (lower right) and edition '3/75'.
• Ed Mell (American, b. 1942)
  Ed Mell (American, b. 1942) Orange Monuments pastel on paper signed Ed Mell (lower right) 14 x 25 inches Property from a Private Collection, Houston, Texas
• ED MOSES (1926 - 1918): "Y
  ED MOSES (1926 - 1918): "Y BRANCO"oil on masonite signed and dated verso and numbered 8/04 60 x 72 inches Condition:
• MOORE Benson Bond (American
  MOORE Benson Bond (American 1882-1974): 4 ETCHING LOT TO INCLUDE: 1)''Blue Winged Teal'' Colored Etching size with margins 3 7/8'' x 5'' signed marked 40 lower right also marked in lower margin finished with key plate original label affixed verso indicating title and edition size of 50 unframed; 2) Green Heron Colored Etching 5 1/2'' x 4 3/8'' with margins pencil signed lower left also in the plate lower right tipped into a folder including original label; 3) California Woodpecker Colored Etching 9 1/2'' x 7 7/8'' pencil signed lower left also signed in the plate titled lower left margin numbered 40 lower right to include the original label; 4) Red Junglefowl 11 1/2'' x 8 7/8'' with margins signed with pen lower left and in plate numbered 50 lower right titled in margin lower left to include the original label edition of 50.
• MOORE, Benson Bond, (American,):
  MOORE, Benson Bond, (American,): Ducks, Oil/Board, 16'' x 20'', framed 19'' x 23''
• ED MOSES (AMERICAN 1926-2018):
  ED MOSES (AMERICAN 1926-2018): ABSTRACTpigment and resin, framed floating under acrylic; inscribed in pencil lower right (possibly "3 / 100") Dimensions: 40 x 30 1/2 in. (101.6 x 77.5 cm.), Frame: 46 1/8 x 37 in. (117.2 x 94 cm.) Condition:
• BILL EDWARD FREEMAN (1927-2012),
  BILL EDWARD FREEMAN (1927-2012), MOOSE ON A STORMY EVENING Title: Bill Edward Freeman (1927-2012), Moose on a Stormy Evening Medium: oil on canvas Dimensions: 30 x 48 Framed dimension: 40 1/8 x 58 1/8 x 2 3/4
• BENSON MOORE (AMERICAN
  BENSON MOORE (AMERICAN 1882-1974), HOUSE ALONG THE ROAD, ETCHING, FRAMED: 14-3/4 X 16 INBenson Moore (American 1882-1974), House Along the Road, Etching, Framed: 14-3/4 x 16 in
• Claude T. Stanfield Moore
  Claude T. Stanfield Moore (British 1853-1901) Off Whitby Harbor. Oil on canvas signed and dated 76 at the lower left corner apprx. 20" x 30" framed in a wide gilt frame overall apprx. 26-1/2" x 36". Depicting a shipwreck and rescue just off the coast in roiling waters. The boat to the right has "W.H." on its bow indicating the home port of Whitby Yorkshire UK. Great attention to the details of the buildings on the coast; Whitby Abbey at the upper left to the port with two lighthouses at the right.
• ROBERT ERIC MOORE (AMERICAN
  ROBERT ERIC MOORE (AMERICAN 1927-2006), "NEW ENGLAND COAST," CIDER HILL, YORK, MAINE, MIXED MEDIA AND ACRYLIC ON BOARD, SIGNED L.R., FRAME: 13 X 21 1/2 IN. (33 X 54.6 CM.)Robert Eric Moore (American 1927-2006), "New England Coast," Cider Hill, York, Maine, Mixed Media and Acrylic on Board, Signed l.r.,, Dimensions: Frame: 13 x 21 1/2 in. (33 x 54.6 cm.)
• HENRY MOORE ETCHING ARCHITECTURE
  HENRY MOORE ETCHING ARCHITECTURE DOORWAYHenry Moore (British, 1898-1986). Etching with aquatint, drypoint and soft ground etching, Architecture Doorway. Pencil signed lower right and numbered 18/50. With Leslie Sacks Fine Art, Los Angeles, CA label with info on verso. Sheet 14 3/4" x 17 5/8" (with frame 27" x 29"). Waviness to paper, discoloration in left margin; chips and losses to frame.
• EDWARD MORAN (AMERICAN, 1829 -1901)
  EDWARD MORAN (AMERICAN, 1829 -1901) 8" x 12" Dusk seascape with tugboat and lighthouse. Oil on canvas, signed "Edward Moran" in the lower left corner, framed in a newer decorated frame, overall 15 ¼" x 19". Partial Edward Moran obituary 1901 article on cavnas verso.
• ED MOSES (1926 - 2018):
  ED MOSES (1926 - 2018): PARTS-DARC1993; aquatint in colors with sugar lift, white ground and spitbite on paper, framed floating under acrylic; signed and dated lower right; numbered 9/35 lower left; blind stamp lower right "JS GAC / LACMA" 16 x 13 inches image; 26 x 22 1/4 inches sheet; 28 3/4 x 24 3/4 inches frame Condition:
• Two Benson Moore etchings (Benson
  Two Benson Moore etchings (Benson Bond Moore, American, 1882-1974), hand-colored etchings with original labels verso, both signed in pencil lower left "Benson B. Moore…": "Mockingbird", Ed. 50, page 9-7/8 x 8-7/8 in.; titled in pencil bottom left "The Lone Goose", Ed. 75, page 7-3/4 x 8-1/8 in.; 20th century gilt wood frames. Both with toning and fading, tape stains from masking tape at points verso; frames with abrasions.
• ED MOSES (b. 1926): ART FORUM
  ED MOSES (b. 1926): ART FORUM PASTE-UP 1967 Graphite and colored pencil on Art Forum production paper. Provenance: Property from the collection of Jan Cowles. 13 1/4 x 16 3/4 in. 13 3/4 x 17 in. (frame).
• ED POVEY (AMERICAN, BORN 1951),
  ED POVEY (AMERICAN, BORN 1951), "TALKING", 1988, OIL ON CANVAS, DEPICTS MOST OF A FIGURE IN PURPLE DRESS LEANING INTO A WINDOW WITH...Ed Povey (American, born 1951), "Talking", 1988, oil on canvas, depicts most of a figure in purple dress leaning into a window with face obscured, red shutter door, signed and dated UR, artist's label verso with title and date, framed, not examined out of frame, wear consistent with age and use, ss: 29 1/2" h. x 27 1/2" w.
• Edmond Casarella (New Jersey
  Edmond Casarella (New Jersey 1920-1996) DEAD MARIS COVE ink and watercolor framed signed titled & dated: lower middle Aug. 16 63 sight size: H22 1/2'' W13 1/2'' Provenance: Myrtle Beach South Carolina private collection.
• EDDIE MORMON (AMERICAN/LOUISIANA,
  EDDIE MORMON (AMERICAN/LOUISIANA, B. 1953)Eddie Mormon (American/Louisiana, b. 1953) , "Frenchman", 2003, oil on canvas, signed, dated and inscribed lower left, 36 in. x 18 in., unframed
• Ethel Moore (American 20th Century)
  Ethel Moore (American 20th Century) "Bennington Vermont". Watercolor on board signed at the lower right signed and titled in pencil verso framed overall apprx. 15" x 16-1/2".
• FRANK M. MOORE (1877-1967): MOONLIT
  FRANK M. MOORE (1877-1967): MOONLIT MONTEREY PINES Oil on masonite 30 x 36 in. signed.
• Benson Bond Moore American,
  Benson Bond Moore American, 1882-1974 "The Canal Boat, Georgetown, Evening" color etching, ed. 50 signed in pencil "Benson B. Moore" ll, titled on verso 5 3/4 x 7 in., framed
• EDMUND "ED" BLOUIN, JR.
  EDMUND "ED" BLOUIN, JR. (AMERICAN/NEW ORLEANS)Edmund "Ed" Blouin, Jr. (American/New Orleans, b. 1941), "Pirate's Alley", oil on canvas, signed lower right, 14 in. x 11 in., framed
• EMERY CLARK (AMERICAN/LOUISIANA, B.
  EMERY CLARK (AMERICAN/LOUISIANA, B. 1950)Emery Clark (American/Louisiana, b. 1950) , "Wave's Edge", 1989, seven color silkscreen, pencil-signed, titled, dated and numbered "93/200" lower margin, sheet 22 in. x 28 in., framed Condition: Overall good condition. Ext. Frame: 27 1/8 in. x 33 1/8 in. x 1 1/4 in