A few examples of appraisal values for
EDGE OF THE WILD

• PAINTING, ANDRE WILDER Andre Wilder
  PAINTING, ANDRE WILDER Andre Wilder (French, 1871-1965), "The Edge of the River," 1904, oil on canvas, signed and dated lower left, title label affixed verso, canvas: 23.5"h x 29"w, overall (with frame): 31.5"h 37"w
• Louis Lozowick EDGE OF THE FOREST
  Louis Lozowick EDGE OF THE FOREST Lithograph
  Estimate: $200  - $300
• GEORGE MATTHEW BRUESTLE (AMERICAN,
  GEORGE MATTHEW BRUESTLE (AMERICAN, 1871 - 1939), "EDGE OF THE WOODS", OIL ON BOARD, DEPICTS LANDSCAPE WITH TWO LARGE DECIDUOUS TREES...George Matthew Bruestle (American, 1871 - 1939), "Edge of the Woods", oil on board, depicts landscape with two large deciduous trees in foreground with stone lined brook to right, field edged with stone wall and forest in background, signed, framed, Cooley Gallery label verso, wear consistent with age, varnished, panel size: 8" h. x 10" w. [PROVENANCE: Cooley Gallery, Old Lyme, CT gallery label verso.]
• Photograph from In Wildness by
  Photograph from In Wildness by Elliot Porter Elliot Porter (American 1901-1990).? Photograph as part of the In Wildness? portfolio an edition of 300 signed in graphite l.r.; 16 x 12 in. Condition: Not examined outside of frame.
• Edward Curtis photogravure; from
  Edward Curtis photogravure; from 1924 photograph "On the Edge of Clear Lake", Native American poised on rock ledge. 14" x 17". Good condition.
• Elizabeth White print (South Carolina,
  Elizabeth White print (South Carolina, 1893-1976), "The Edge of the Marsh", printed signature "Elizabeth White", inscribed in ink "for Nell and John", reproduction print, 14-1/2 x 18-7/8 in.; black-painted frame. Very minor foxing, taped to verso of mat with cellophane tape. Private Collection
• Wolf Kahn (1927-* New York NY)
  Wolf Kahn (1927-* New York NY) The Meadow's Edge
• 'A WALK ON THE WILD SIDE', NELSON
  'A WALK ON THE WILD SIDE', NELSON ALGREN FOR FARRAR, STRAUS AND CUDAHY, NEW YORK, 1956'A Walk on the Wild Side', Nelson Algren for Farrar, Straus and Cudahy, New York, 1956,,
• GLEN ADOLPH KRAUSE. "EDGE OF THE
  GLEN ADOLPH KRAUSE. "EDGE OF THE FOREST NO 7," WOODCUT Woodcut, signed lr, 48 1/2 x 24 1/2 in., framed.
• GEORGE INNESS, (AMERICAN, 1825-1894),
  GEORGE INNESS, (AMERICAN, 1825-1894), EDGE OF THE WOODS, OIL ON CANVAS, 8 X 11 IN., FRAME: 12 X 15 1/2 IN.GEORGE INNESS (American, 1825-1894) Edge of the Woods oil on canvas possibly signed indistinctly lower right 8 x 11 in., frame: 12 x 15 1/2 in. oil on canvas Dimensions: 8 x 11 in., frame: 12 x 15 1/2 in. Provenance: Property of a Connecticut Family Collection. Condition: Scattered restoration throughout. Lined, canvas stiff and somewhat warped. Yellowed vanish, in need of a cleaning, but with thinned paint in some areas. Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
• EDGE BRAND SOLINGEN GERMANY ANTLER
  EDGE BRAND SOLINGEN GERMANY ANTLER HUNTING KNIFE Germany,20th CenturyHardened iron blade with double blood groove supported by a natural form antler handle with stippled aluminum pommel.
• HAGENBECK-WALLACE TRAINED WILD
  HAGENBECK-WALLACE TRAINED WILD ANIMAL CIRCUS. WILD WEST...Hagenbeck-Wallace Trained Wild Animal Circus. Wild West Champions. Erie: Erie Litho, ca. 1939. One sheet (26 x 39 _"). Margins trimmed, folds, some light chipping on edges.
• EDWARD CHARLES WILLIAMS (ENGLISH,
  EDWARD CHARLES WILLIAMS (ENGLISH, 1807-1881) THE EDGE OF A WOOD WITH FIGURES OIL ON CANVAS: 17 1/2 X 23 1/2 IN. (SIGHT)Framed Oil on canvas: 17 1/2 x 23 1/2 in. (sight)
• Sidney Laufman (1891-1985 New York/France)
  Sidney Laufman (1891-1985 New York/France) 'Edge of the Forest' Watercolor and Gouache on Paper. Signed lower right. Image 6.5x8.5'', framed 16.25x17.25''; professionally float mounted in gilt frame with linen wrapped shadowbox mat. Excellent condition with strong colors.
• 1877 1ST ED. WESTERN WILDS BY J.H.
  1877 1ST ED. WESTERN WILDS BY J.H. BEADLEFor your bidding consideration is a Leather Bound Illustrated, 1877 First Edition of "Western Wilds and the Men Who Redeem Them" by J.H. Beadle. This is a late 19th-century account of early American figures and their accomplishments, explorations, and events. This first edition book follows the lives of men at the Alamo, the westward voyages of the Mormons, Native American Indians, geographical phenomena in the West, and much more. Described, by the author, as an authentic narrative embracing an account of seven years travel and adventure in the far west; wild life in Arizona; perils of the plains; life in the canon and death in the desert; thrilling scenes and romantic incidents in the lives of western pioneers; adventures of the red and white savages of the west; a full account of the mountain meadow massacre; the Custer defeat; life and death of Bringham Young. The book is illustrated throughout and features a wonderful gilt decorated cover. The full colour map of Aboriginal America in the front is present. This leather bound illustrated gold gilt hardcover is in fair to good condition, scuffing noted to cover edges, marble boards and end papers. Intact pages exhibit top, bottom and fore edge painting, age tanning and slight foxing observed throughout. No other obvious marring noted. Measures 7"W x 9.5"L x 1.75"D approximately. Weight approximate 3lb
• WILSON HENRY IRVINE, (AMERICAN,
  WILSON HENRY IRVINE, (AMERICAN, 1869-1936), THE EDGE OF THE WOOD, OIL ON BOARD, 24 X 27 IN., FRAME: 29 3/4 X 32 3/4 IN.WILSON HENRY IRVINE, (American, 1869-1936) The Edge of the Wood, oil on board signed Irvine lower left titled verso oil on board Dimensions: 24 x 27 in., frame: 29 3/4 x 32 3/4 in. Provenance: The Collection of an Upstate New York Gentleman. Condition: Overall good condition. Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
• EDDIE DOMINGUEZ "CALL OF THE WILD"
  EDDIE DOMINGUEZ "CALL OF THE WILD" COLOR LITHOGRAPHEddie Dominguez (b. 1957). Lithograph on paper titled "Call of the Wild" depicting a deer and rose looming over a farm scene. Sight; height: 22 1/4 in x width: 30 1/4 in. Framed; height: 29 in x width: 37 1/2 in. SKU: 03783 Follow us on Instagram: @revereauctions Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• RAW EDGE (UNIVERSAL INTERNATIONAL,
  RAW EDGE (UNIVERSAL INTERNATIONAL, 1956). Original insert movie poster, folded. Fading. 14"w. 36"h.
• WALLIS'S NEW GAME OF WANDERERS
  WALLIS'S NEW GAME OF WANDERERS IN WILDERNESSWallis's New Game of Wanderers in the Wilderness , early to mid 19th c. , elaborate hand colored aquatint panels in sixteen sections, marked London Edward Wallis 42. Skinners Street , mounted on linen backing, with embossed paper covered card slipcase and original sixteen page game booklet, fully open - 27" x 20". Competitive In-House shipping is available for this lot. Condition: some light age wear but otherwise excellent , clean example
• A. J. RUDISILL (AMERICAN, B. 1934),
  A. J. RUDISILL (AMERICAN, B. 1934), EDGE OF THE CLEARING (QUAIL) Acrylic on illustration board, signed lower right, retaining Newman Galleries label to verso, matted and framed under glass.
• Emily Hamilton Huger (American/Louisiana
  Emily Hamilton Huger (American/Louisiana 1881-1946 active Newcomb College 1897-1902) "Edge of the Woods" oil on canvas board signed lower left titled and dated "1935" en verso 10 in. x 13 3/4 in. in a period frame.
• EDGE BRAND 469 BOWIE HUNTING SURVIVAL
  EDGE BRAND 469 BOWIE HUNTING SURVIVAL KNIFEVintage Edge Brand Solingen Germany fixed blade Bowie knife #469 with stag or antler handle. Approx. 8" blade, 13 1/2" overall. Knife is in good condition with signs of normal wear. No dents or chips to the edge. No rust or corrosion. Leather sheat shipping info This lot can be shipped in-house.
• FORE EDGE PAINTED BOOK ''THE WHITE
  FORE EDGE PAINTED BOOK ''THE WHITE HILLS'' BY THOMAS STAR KING 1864: Gold embossed, 1864, ''The White Hills'', Their Legends, Landscape, and Pottery, by Thomas Starr King, having gold edges that bend to reveal a hand-painted sailing Ship. Approx. 8.25'' h x 6.25'' l x 1.5'' w. Provenance: Fred S. and Rosemary Johnston Estate. CONDITION: Foxing to paper, wear to binding consistent with age and use.
• PAUL STARK (SISTERS OREGON) ORIGINAL
  PAUL STARK (SISTERS OREGON) ORIGINAL WOOD WILDLIFE SCULPTURE ''The Cliff Dwellers '' bighorn sheep study with incise-carved artist signature and dated 1994. Height 29.5 inches.
• WOLF KAHN, (AMERICAN, 1927-2020),
  WOLF KAHN, (AMERICAN, 1927-2020), BARN AT THE EDGE OF THE WOODS III, 1973, OIL ON CANVAS, 36 X 52 IN., 37 X 53 IN.WOLF KAHN, (American, 1927-2020) Barn at the Edge of the Woods III, 1973, oil on canvas signed W. Kahn lower right; titled and dated verso 1973, oil on canvas Dimensions: 36 x 52 in., 37 x 53 in. Provenance: Harcus Kracow Gallery, Boston, MA; purchased from the above by a Massachusetts Lady, ca. 1973-5. This striking Wolf Kahn landscape has remained in the same family since it was purchased soon after it was painted in 1973. The work represents a significant turning point for the artist, as it was in the early 70s that he moved away from the muted, tonal palette to the arrestingly bright colors for which he is best known. In the 1950s and 60s, Kahn's landscapes were dominated by greys, blues, and purples, built up into dense, textured compositions. In 1968, Khan and his wife bought a farm in West Brattleboro, Vermont, spending their summers painting en plein air. The foggy atmospheres of his 1960s works gave way to an explosion of color in the early 1970s, with bright yellows and rich purples dominating his oeuvre and barns becoming a constant theme, adding hints of man-made geometry to the natural landscape. Barn at the Edge of the Woods epitomizes this shift, with the bold goldenrod foreground in harmonious concert with the vibrant purple highlights in the trees. Khan's maturing style of the early 70s was celebrated in a November 19, 1972 New York Times review of the artist's show at the Grace Borgenicht Gallery in New York. Of the artist, Peter Schjeldahl wrote, "He is an artist concerned primarily with the direct, sensual experience of color…his colors are brilliant and often searing - hot magenta shadows and grass of acidic yellow-green. These are not colors that sunlight finds in nature: they are colors that an aroused sensibility finds, with joy, in the act of painting." The aroused sensibility seen in Kahn's interpretation of the landscape that Schjeldahl observed in 1972 is still felt today when examining the artist's works from this period. With arresting, invigorating colorwork, Barn at the Edge of the Woods invites the viewer into Kahn's perspective with an intimacy and immediacy that feels as fresh as it did when the work was painted fifty years ago. Condition: Overall good condition. Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
• ARTIST UNKNOWN, 20TH C. EDGE OF
  ARTIST UNKNOWN, 20TH C. EDGE OF THE VILLAGE, OIL Oil on canvas, signed lr, 10 1/4 x 25 1/2 in., framed.
• Native American Camp at Water's
  Native American Camp at Water's Edge by Jorge (Braun) Tarallo Jorge (Braun) Tarallo (American/Uruguayan b. 1951). Oil on canvas signed Braun (c) l.r.; 23.5 x 35.5 in. (Sight) The artist is also known as Jorge Tarallo or J.T. Braun.
• RAW'N WILD (20TH CENTURY) BANK-D
  RAW'N WILD (20TH CENTURY) BANK-D ARCHIVAL INK PRINT ON BOARD
• Frank Bragwyn (British 1867-1956)
  Frank Bragwyn (British 1867-1956) Edge of the Plain etching signed Frank Brawgwyn (lower right) 18 1/4 x 17 1/4 inches.
• CARL RUNGIUS (AMERICAN, 1869-1959),
  CARL RUNGIUS (AMERICAN, 1869-1959), "WOODS EDGE AT DUSK" Oil on Canvas. Signed lower right. Carl Rungius (American, 1869-1969) Carl Rungius was a leading American wildlife artist. He was born in Germany and immigrated to the United States and he spent his career painting in the western United States and Canada. Active primarily in the first half of the twentieth century, he earned a reputation as the most important big game painter and the first career wildlife artist in North America. Rungius was an avid sportsman and spent more time in the wilderness than other artists. By direct observation in nature, he was able to gain an exceptional insight into the animals and their environment. Rungius painted both landscapes and wildlife, often with both into a single picture. He situated the animals in their natural environment, a practice that was new to painting in early twentieth century North America. His paintings are highly romanticized and represent an Eden-life world without any signed of human impact.
• MICHAEL SCHRECK FRONTIER HUNTING
  MICHAEL SCHRECK FRONTIER HUNTING WILDLIFE PAINTING Alabama,b.1950Realist work depicting a man on horseback with companion steed toting a dead buck while encountering a grizzly bear off the trail.
• FREDERIC JAMES "BY THE EDGE OF
  FREDERIC JAMES "BY THE EDGE OF THE POND" (WATERCOLOR)Frederic James (Missouri, 1915-1985) By the Edge of the Pond , circa 1960 Watercolor and gouache on paper 22" x 13 1/4" (sight) Signed to the bottom left corner and titled to the reverse. Condition Very good condition. Not removed from the frame.
• WILSON HENRY IRVINE (IL/CT, 1869-1936)
  WILSON HENRY IRVINE (IL/CT, 1869-1936) "Knife's Edge", oil on hardboard, signed lower left, titled on tag verso, depicting a rocky geographical feature in highlands, in a modern gold cove frame, OS: 23 1/2" x 27 1/2", SS: 19 1/2" x 23 1/2". Good condition.
• ED RUSCHA, ME AND THE, FORE-EDGE
  ED RUSCHA, ME AND THE, FORE-EDGE BOOKFore-edge book by artist Ed Ruscha (American, b. 1937) done in collaboration with USF Graphic Studio. The work titled "ME and THE" features a hardbound cloth-covered book with two color fore-edge printing and gold leaf edges featuring the works Ohand No when fanned out in one way or the other. The book measures 5 1/4 x 7 1/2 x 2 1/8" when closed, numbered 102/230. Work is in excellent condition. shipping info This item can be shipped in-house.
• PAUL BRANSOM (AMERICAN, 1885-1979),
  PAUL BRANSOM (AMERICAN, 1885-1979), "DEATH OF THE WILDBEAST", C. 1985, PASTEL, CRAYON, WATERCOLOR AND ACRYLIC ON ILLUSTRATION BOARD,...Paul Bransom (American, 1885-1979), "Death of the Wildbeast", c. 1985, pastel, crayon, watercolor and acrylic on illustration board, depicting female lion grabbing onto the neck of an antelope in the middle of dense jungle, signed lower right and partially titled lower left, inscribed verso with title, artist name along with an adhered paper label discussing the subject matter, unframed, expected wear including glue residue throughout the margins, discoloration to board, overall 21 1/2" h. x 29 1/2" w.[Sold to benefit the acquisition fund of the New Britain Museum of American Art. PROVENANCE: Artwork formerly included in the NBMAA Study Collection.]
• PAUL BRANSOM (AMERICAN, 1885-1979),
  PAUL BRANSOM (AMERICAN, 1885-1979), "DEATH OF THE WILDBEAST", C. 1985, PASTEL, CRAYON, WATERCOLOR AND ACRYLIC ON ILLUSTRATION BOARD,...Paul Bransom (American, 1885-1979), "Death of the Wildbeast", c. 1985, pastel, crayon, watercolor and acrylic on illustration board, depicting female lion grabbing onto the neck of an antelope in the middle of dense jungle, signed lower right and partially titled lower left, inscribed verso with title, artist name along with an adhered paper label discussing the subject matter, unframed, expected wear including glue residue throughout the margins, discoloration to board, overall 21 1/2" h. x 29 1/2" w.[Sold to benefit the acquisition fund of the New Britain Museum of American Art. PROVENANCE: Artwork formerly included in the NBMAA Study Collection.]