A few examples of appraisal values for
EDWARD

• Edward (Lawrence) The Duty of a
  Edward (Lawrence) The Duty of a Steward to his Lord., 1727, 4to, two folding engraved plates, calf, re-backed
• EDWARD AVEDISIAN (1936-2007):
  EDWARD AVEDISIAN (1936-2007): "BRATTLEBORO THOUGHTS" Acrylic on canvas 60 x 60 in. signed in pencil and dated 1997.
• EDWARD SPERA, AMBOSELI Fine Art
  EDWARD SPERA, AMBOSELI Fine Art
• EDWARD MITCHELL (SCOTTISH, FL.
  EDWARD MITCHELL (SCOTTISH, FL. 1797-1845)Edward Mitchell (Scottish, fl. 1797-1845), "Petrvs de Iode, Ivnior", "Petrus Brevgel", "Carolvs de Mallery", "Inigo Jones", "Daniel Mytens", "Joannes Snellincx", "Palvs Pontivs" and "Hvbertvs Vanden Eynden", 1815, 8 hand-colored engravings, each signed in plate, after Anthony van Dyck (Flemish, 1599-1641), from Sketches after Antonio Van Dyck, published by W. & A.K. Johnston, Edinburgh, sheets 9 7/8 in. x 7 7/8 in. to 10 3/8 in. x 7 7/8 in., unframed. (8 pcs.) Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund. Condition: Each varies from overall poor to very poor condition
• Edward Donovan (British, 1768-1837)
  Edward Donovan (British, 1768-1837) "Butterflies", suite of eight hand-colored engravings, London, 1822. Glazed, matted and presented in burlwood frames.
• EDWARD B. GAYAmerican
  EDWARD B. GAYAmerican 1837-1927Sunset over a stream lined with birches. Signed lower left Edward B. Gay''.Oil on canvas 22'' x 18''. Framed.''
• A Molteno Edward IV being
  A Molteno Edward IV being introduced to Jane Shore stipple engraving
• EDWARD B, GAY (IRISH/AMERICAN, 1837
  EDWARD B, GAY (IRISH/AMERICAN, 1837 -1928) 17 ½" x 13 ½" Morning landscape. Oil on wood panel, signed lower right, in a gilt wood beaded frame, overall 15" x 19".
• EDWARD WILLIAMS (BRITISH 1782-1855)
  EDWARD WILLIAMS (BRITISH 1782-1855) RETURNING FROM PASTURE Oil on canvas: 18 x 28 in. Framed Provenance: From the Estate of Mary Cramer Virginia
• EDWARD LANDON (1911-1984):
  EDWARD LANDON (1911-1984): "EULOGIUM SCANDIA" Lithograph in colors 8 1/2 x 18 in. titled numbered 4/20 and signed in pencil below image.
• EDWARD EDWARDS, ST. IVES, CORNWALL,
  EDWARD EDWARDS, ST. IVES, CORNWALL, ENGLAND, OIL ON BOARD, FRAMED: 28-1/4 X 22 INEdward Edwards, St. Ives, Cornwall, England, Oil on Board, Framed: 28-1/4 x 22 in
• Edward M ???, LE color
  Edward M ???, LE color lithograph, flowers, #'d 10/25, 21" x 18" image size, no glass Estimate $60-90
• ED (EDWARD) MOSES (AMERICAN,
  ED (EDWARD) MOSES (AMERICAN, 1926-2018)Ed (Edward) Moses American, 1926-2018 Kiddyland , 1963 Woodcut, signed and dated lower right, Artist's Proof edition Printed in three colors to form a thoughtful abstraction, matted behind glass and framed. Ed Moses began exhibiting in 1949, and was part of the original group of artists from the Ferus Gallery in 1957. His paintings were documented in a major retrospective exhibition at the Museum of Contemporary Art in 1996. The Fellows of Contemporary Art sponsored a drawing retrospective for Moses in 1976. Works by Moses are included in museum collections including the Los Angeles County Museum of Art, Art Institute of Chicago, Menil Foundation, Museum of Modern Art, Corcoran Gallery of Art, Philadelphia Museum of Art, and the Whitney Museum of American Art. Plate: 21 5/8 x 27 1/4 in. (54.9 x 69.2 cm.), Frame: 31 1/8 x 36 in. (79.1 x 91.4 cm.) The Artist; Ex Iowa Wesleyan University collection; Gift of Professor and Mrs. Paul Denny Condition: Any condition statement is given as a courtesy to a client, is an opinion, and should not be treated as a statement of fact. Reference to condition written, oral or within a condition report shall not be regarded as a full account of condition and may not include all defects, alterations, or restorations. Absence of a condition report does not imply a lot is flawless or lacking imperfections or damage. Selkirk Auctioneers & Appraisers shall have no responsibility for any error or omission. Returns shall not be accepted on the basis of condition.
• Edward Gay (American, 1837-1928)
  Edward Gay (American, 1837-1928) Path to the grainfield. Oil on canvas, signed and dated 1910 at the lower right corner, approx. 10" x 13", title on the stretcher, framed overall approx. 13-3/8" x 16".
• EDWARD BAYNARD, THE ROSES, 1980
  EDWARD BAYNARD, THE ROSES, 1980 (80: EB11), LITHOEdward Baynard (American, 1940-2016)The Roses, 1980 (80: EB11)lithograph, hand-colored on white Arches Watercolor, mould-made papernumbered, signed, and dated 10/12 Ed Baynard 1980 in pencil to lower
• EDWARD AVEDISIAN (1936-2007):
  EDWARD AVEDISIAN (1936-2007): BACCHUS Acrylic on canvas 57 x 46 in. signed and dated '86 on verso.
• EDWARD AVEDESIAN (1936-2007):
  EDWARD AVEDESIAN (1936-2007): UNTITLED Lithograph in colors 22 x 30 in. (sheet sight) signed dated 1969 and numbered 24/36 Albright-Knox Gallery label on verso stamp on verso.
• EDWARD "BUD" ITTER (MD, 1930-2016),
  EDWARD "BUD" ITTER (MD, 1930-2016), SLEEPING BLUEBILL Baltimore, Maryland, carved and painted wood, signed in pen "Edward E Itter, Sr I gave my blood for this bird," incised 1992.
• EDWARD SHEPHERD. (American 20th
  EDWARD SHEPHERD. (American 20th century). BLACKEYED SUSANS signed lower right. Watercolor. - Framed 29 1/2 in. x 35 in.
• EDWARD MENEELEY, COLLAGE, 1983
  EDWARD MENEELEY, COLLAGE, 1983 Edward Meneeley (American, 1927-2012), Untitled, cut and colored paper on aquatint background, pencil signed and dated lower right, mounted onto a mat and framed under glass, 22"h x 29.5"w (sheet), 30.5"h x 38"w (frame)
• Edward Grant (American,
  Edward Grant (American, 1907-1998) DE artist, watercolor "Marsh", watercolor on paper, signed "Edward Grant '72", 17-1/2" x 28-1/2" sight, framed 26-3/4" x 36-3/4", good condition
• EDWARD DIFFENDERFER (AMERICAN, B.
  EDWARD DIFFENDERFER (AMERICAN, B. 1928) 26 ½" x 32 ½" "Shadows on the Snow". Acrylic on board, signed lower left, in a metallic wood frame with linen liner, overall 36" x 42". Provenance: from the art collection of an international corporation.
• EDWARD LEAR (ATTRIB.), DRAWING, EX.
  EDWARD LEAR (ATTRIB.), DRAWING, EX. FORD FOUND. Attributed to Edward Lear (British, 1812-1888), "Please my Lord I want to be made a Bishop", pen and brown ink caricature drawing on paper, no visible signature, inscribed in pencil verso "Edward Lear", 4.25"h x 6.75"w (sight), 8.75"h x 11.25"w (frame)
• Edward (Ned) King (1886-1962,
  Edward (Ned) King (1886-1962, American), four pencil and pastel drawings of race horses, dated "26" (1926), back with McClees Gallery labels. All: 13.5" x 20.5" oa Condition: Tide lines to one, wear consistent with age.
• EDWARD LLOYD OF ELLESMERE (BRITISH,
  EDWARD LLOYD OF ELLESMERE (BRITISH, 1818-1901)Edward Lloyd of Ellesmere (British, 1818-1901), "Best Friends", 1891, oil on canvas, signed, dated and inscribed "Salop" lower right, "...Davey Pictures, 1801, Manchester" partial label on reverse of frame, 25 in. x 30 in., framed, overall 30 in. x 35 in. x 1 1/2 in.
• AFTER EDWARD DETAILLE (FRENCH,
  AFTER EDWARD DETAILLE (FRENCH, 1848-1912)After Edward Detaille (French, 1848-1912) , "Band Practice in London Tower", photogravure, signed in plate, published by George Barrie, Philadelphia, PA, 7 in. x 10 in., framed, overall 17 in. x 19 1/2 in. x 1 in. Condition: Overall fair condition.
• Edward Rooker, after Michael
  Edward Rooker, after Michael 'Angelo' Rooker/The New Front of the Archbishop of York's Palace at Bishopthorpe, 1769/engraving, 33.5cm x 54.5cm
• Edward Penfield (American,
  Edward Penfield (American, 1866-1925); Harper's November, Victorian dandees at the horse track; lithograph poster; 14 1/4" x 11 3/4". Pressed seams, wrinkling and slight damage to borders.
• EDWARD NORTON BY ROBERT BOLLING
  EDWARD NORTON BY ROBERT BOLLING BRANDEGEE. Connecticut/ New York, 1849 - 1922. Oil on canvas, signed and dated "R.B. Brandegee 1892" with presentation by artist "Portrait of Mr. Edward Norton. Presented to Miss Sarah Porter, Farmington, 1894". Gentleman with grey beard. Surface wear and flaking. Unframed, 26.75"h. 21.5"w.
• EDWARD B. GAY (NY/IRELAND,
  EDWARD B. GAY (NY/IRELAND, 1837-1928) Tonalist Pastoral Landscape with Pond, oil on academy board, signed lower right, in gilt deep cove gesso frame, OS: 24" x 19 3/4", SS: 16" x 11 3/4". Good condition.
• Edward Taylor (1828-1906) after Sir
  Edward Taylor (1828-1906) after Sir William Ross/Portrait Miniature of Frederick John Howard of Compton Place, Sussex and his wife Lady Fanny Howard/watercolour on ivory, 4.25cm x 3.5cm/both framed by J & W Vokins/Provenance: From the collection of the Earl of Liverpool
• WORK ON PAPER, EDWARD BOREIN Edward
  WORK ON PAPER, EDWARD BOREIN Edward Borein (American, 1872-1945), "J.M. Jr. at the Juan y Lolita," ink on paper, signed lower right, titled lower center, image: 7.5"h x 9.5"w, overall (with frame): 12.75"h x 15.75"w
• Edward Mann (British 19th
  Edward Mann (British 19th century) Home from School 1880 oil on canvas signed E. Mann and dated (lower left) 12 x 10 inches.
• EDWARD GAY, LANDSCAPE WITH
  EDWARD GAY, LANDSCAPE WITH SUNSET, O/C Edward Gay (Irish/American 1837-1928), oil on canvas depicting a landscape with trees and a sunset reflecting in the water at center, signed "Edward Gay" at lower left, framed. Approx. canvas h. 14.25", w. 20.25"; overall h. 23.25", w. 28.75", d. 3.25".
• EDWARD MENEELEY, LARGE-SCALE OIL ON
  EDWARD MENEELEY, LARGE-SCALE OIL ON CANVAS, 1983 Edward Meneeley (American, 1927-2012), "Phoenix", signed and dated verso, unframed, 66"h x 96"w (stretcher)
• EDWARD CHARLES VOLKERT (AMERICAN,
  EDWARD CHARLES VOLKERT (AMERICAN, 1871 - 1935) "VICTORI...Edward Charles Volkert (American, 1871 - 1935) "Victorian Cottage in Autumn, Beaverbrook Road, Lyme, Connecticut" watercolor on paper signed Volkert lower right sight size: 8 7/8" x 12" Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.