A few examples of appraisal values for
EDWARDS

• Edwards (R) Stirling Moss The
  Edwards (R) Stirling Moss The Authorised Biography
• GEORGE EDWARDS (BRITISH,
  GEORGE EDWARDS (BRITISH, 1694-1773), TWO WATER BIRD ENGRAVINGS Hand-colored engravings, 18th century, on laid paper, to include American Kingfisher and The Puffin, and the Razor-bill, presented in uniform antique partial giltwood frames.
• GEORGE EDWARDS (BRITISH, 1694 -
  GEORGE EDWARDS (BRITISH, 1694 - 1773), TWO HAND-COLORED BIRD ENGRAVINGS FROM "A NATURAL HISTORY OF UNCOMMON BIRDS" PUBLISHED IN LOND...George Edwards (British, 1694 - 1773), two hand-colored bird engravings from "A Natural History of Uncommon Birds" published in London between 1743 and 1751, including: Plate 93, depicts pelican on mossy rock with coral, 1746, signed and dated LR; along with Plate 100, depicts bearded vulture on mossy branch, both framed and matted under glass, ss: 9 1/2" h. x 7 1/4" w., neither examined outside of frame, wear consistent with age and use including toning and foxing.
• EDWARDS’ MONTHLY.Edwards’
  EDWARDS’ MONTHLY.Edwards’ Monthly. W.G. Edwards. V1 N1 (Feb. 1909) – V2 N4/5 (Jun./Jul. 1910). Complete File, retaining original lithographed covers (some designed by Tarbell). Two buckram vols., 4to and 8vo. Alfredson/Daily 2085. Minor marginal wear, a few tape repairs. Bookplates of James Alfredson.
• George Edwards (British
  George Edwards (British 1694-1773) Ornithological Studies Includes two hand-colored lithographs the first titled Puffin of the Isle of Man dated 1762 l.r. and the second titled A small bird from Jamaica and a butterfly from China dated 1755 each signed in plate l.r. PLUS a botanical study titled Ktemia Brasiliensis unsigned; largest Edwards' plate 9 x 7.25 in. Condition: Unframed. With toning and light foxing.
• George Edwards (British, 1694-1773)
  George Edwards (British, 1694-1773) \"Birds and Squirrel\" and \"Birds and Butterfly\", pair of hand-colored engravings, 1755, sight 11\" x 8\". Glazed, double-matted and presented in carved giltwood and ebonized frames.
• GEORGE EDWARDS (1694 - 1773): WHITE
  GEORGE EDWARDS (1694 - 1773): WHITE OWLhand-colored etching; plate 61; annotated in plate: "Published May 1745 by George Edwards"; 10 x 8 inches sight; 17 1/2 x 15 3/4 inches frame Condition:
• GEORGE EDWARDS, (4) HAND-COLORED
  GEORGE EDWARDS, (4) HAND-COLORED ETCHINGS, C. 1750 George Edwards (British, 1697-1773 Four Ornithological Studies, from A Natural History of Uncommon Birds, signed and dated in plate, framed under glass, each 10"h x 8"w (sight), 14"h x 12"w (frame)
• Edwards (Lionel) illus. Shires
  Edwards (Lionel) illus. Shires and Provinces, 1926. Limited Edition No 72 of 100, signed; orig. vellum gilt; More Shires and Provinces, 1928. Both folio, uncut. Coloured plates (2)
• GEORGE EDWARDS (BRITISH,
  GEORGE EDWARDS (BRITISH, 1694-1773), TWO WATER BIRD ENGRAVINGS Hand-colored engravings on laid paper, 18th century, to include The Lesser Ibis and the Animal Plant or Polype... and The Fourth Brasilian Water Hen, in uniform matting and framing.
• E Edwards (20th Century)/Coastal
  E Edwards (20th Century)/Coastal Scene with Seagulls/oil on board, 28cm x 53cm and/Ainslie H Bean (c1850-1890)/Italian Lakeside View/watercolour, 27cm x 49cm
• Edward (Lawrence) The Duty of a
  Edward (Lawrence) The Duty of a Steward to his Lord., 1727, 4to, two folding engraved plates, calf, re-backed
• EDWARD EDWARDS, ST. IVES, CORNWALL,
  EDWARD EDWARDS, ST. IVES, CORNWALL, ENGLAND, OIL ON BOARD, FRAMED: 28-1/4 X 22 INEdward Edwards, St. Ives, Cornwall, England, Oil on Board, Framed: 28-1/4 x 22 in
• EDWARD AVEDISIAN (1936-2007):
  EDWARD AVEDISIAN (1936-2007): "BRATTLEBORO THOUGHTS" Acrylic on canvas 60 x 60 in. signed in pencil and dated 1997.
• JOHN EDWARDS, ABSTRACT PAINTING
  JOHN EDWARDS, ABSTRACT PAINTING John Edwards (British, 1938-2009), Untitled, oil on paper, signed "John P. Edwards" at lower right, 29.5"h x 22.25"w (sheet), 33.25"h x 25.75"w (frame)
• AFTER GEORGE EDWARDS (BRITISH,
  AFTER GEORGE EDWARDS (BRITISH, 1694-1773)After George Edwards (British, 1694-1773) , "The Long-tailed Green Hummingbird", hand-colored engraving, engraved and published by Johann Michael Seligmann, from Collection of Various Foreign and Little Known Birds, 10 in. x 7 1/2 in., framed, overall 26 1/8 in. x 20 1/2 in. x 7/8 in. 7/8 in. Condition: Overall fair condition.
• Donald Edwards (British 20th
  Donald Edwards (British 20th Century)/Painswick Beacon/watercolour, 28cm x 36.5cm
• HARVEY EDWARDS (UNITED STATES, 20TH
  HARVEY EDWARDS (UNITED STATES, 20TH CENTURY) FIFTEHARVEY EDWARDS (United States, 20th century) fifteen lithographs, "Night Shadows," nudes. Each pencil signed, artist proofs, published 1977 by Korallion Press, Los Angeles, Ca. Papers measure 32" x 25"; in original folio.
• EDWARD AVEDESIAN (1936-2007):
  EDWARD AVEDESIAN (1936-2007): UNTITLED Lithograph in colors 22 x 30 in. (sheet sight) signed dated 1969 and numbered 24/36 Albright-Knox Gallery label on verso stamp on verso.
• Edwards (Lionel) Sketches in Stable
  Edwards (Lionel) Sketches in Stable and Kennel, 1st edition 1933 with dust jacket, colour plates, a reprint of the same, September 1936, with dust jacket and Dawson (Lionel) Sport in War, 1936, illus. Edwards (Lionel), with dust jacket (3)
• EDWARDS William (American 20th
  EDWARDS William (American 20th Century) '' #45 '' Modernist City Scene Oil on Wood 32'' x 48'' unsigned artist's label affixed verso custom worn framing 33'' x 49''.CONDITION: Nail holes along border.
• Edward Donovan (British, 1768-1837)
  Edward Donovan (British, 1768-1837) "Butterflies", suite of eight hand-colored engravings, London, 1822. Glazed, matted and presented in burlwood frames.
• GEORGE EDWARDS, (1694-1773,
  GEORGE EDWARDS, (1694-1773, BRITISH), "HUMMING BIRDS," PLATE 36 FROM "A NATURAL HISTORY OF UNCOMMON BIRDS" (1743-1751), ETCHING WITH HAGeorge Edwards, (1694-1773, British) "Humming Birds," Plate 36 from "A Natural History of Uncommon Birds" (1743-1751) Etching with hand-coloring on paper From the edition of unknown size With the artist's name as well as the title, plate number "36" and the publication date "September 1742" all printed along the lower plate edge Plate: 9.25" H x 7.625" W Provenance: The Residential Property of Thomas and Erika Girardi, Pasadena, CA Notes: In addition to executing the drawings, etching the plates and hand-coloring the plates for this series, Edwards apparently also wrote the text for the ornithological series from which this plate comes. From the upstairs landing. Etching with hand-coloring on paper Dimensions: Plate: 9.25" H x 7.625" W Provenance: The Residential Property of Thomas and Erika Girardi, Pasadena, CA
• Sydenham Teast Edwards (British,
  Sydenham Teast Edwards (British, 1768-1819) "Botanicals", suite of eight hand-colored engravings, sight 16" x 11", London, 1822. Glazed, French matted and presented in carved giltwood frames.
• A pair of hand coloured prints of
  A pair of hand coloured prints of birds each titled and signed '' J. Edwards '' 22 x 26 cm. Probably 18th century.
• Sydenham Edwards (British,
  Sydenham Edwards (British, 1768-1819) \"Botanicals\", pair of hand-colored bookplate engravings, sight 8-1/2\" x 5-1/4\", published by T. Curtis, August 1, 1809. Glazed, matted and presented in a carved giltwood frames (two pieces).
• EDWARD MITCHELL (SCOTTISH, FL.
  EDWARD MITCHELL (SCOTTISH, FL. 1797-1845)Edward Mitchell (Scottish, fl. 1797-1845), "Petrvs de Iode, Ivnior", "Petrus Brevgel", "Carolvs de Mallery", "Inigo Jones", "Daniel Mytens", "Joannes Snellincx", "Palvs Pontivs" and "Hvbertvs Vanden Eynden", 1815, 8 hand-colored engravings, each signed in plate, after Anthony van Dyck (Flemish, 1599-1641), from Sketches after Antonio Van Dyck, published by W. & A.K. Johnston, Edinburgh, sheets 9 7/8 in. x 7 7/8 in. to 10 3/8 in. x 7 7/8 in., unframed. (8 pcs.) Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund. Condition: Each varies from overall poor to very poor condition
• GEORGE EDWARDS (BRITISH, 1694-1773)
  GEORGE EDWARDS (BRITISH, 1694-1773) TWO ORNITHOLOGICAL STUDIES FROM THE NATURAL HISTORY OF UNCOMMON BIRDS COLOR ETCHING: 11 X 8 1/2...GEORGE EDWARDS, (BRITISH, 1694-1773) TWO ORNITHOLOGICAL STUDIES FROM THE NATURAL HISTORY OF UNCOMMON BIRDS, Color etching: 11 x 8 1/2 in. (sight) Framed; upper center: Der Gemahlte Vogel; upper left: Tab.XXV.; lower left: G. Edwards Ad Viv. Del. Londini...Fringilla Tricolor, Mexicanlis. Eadem Coloribus Nondum Perfectis. No. 25. Vetr Theit; lower center: Cum Priv. Sac. Cals. Maj; lower right: F.M.Seligmann Sculps. Et Excud / L'Oileau Peint.; verso label; GWENERLEN NANFLINGE AUS ANGOLA: 11 x 8 1/4 in. (sight), framed; upper right: Tab.XXIV.; lower left: G. Edwards Ad Viv. Delin. / Linaria, Angolenlis. An Mas Et Foemina; lower center: Cum Priv. Sac. Caes. Maj. / No. 2 A. Vetr. Theil; lower right: Fm. Seligmann Sculps. Et Excud. / Deux Linottes Differentes D'Angola; verso label (2) Provenance: Eastern Shore Historic Estate
• DOUGLAS EDWARDS (CANADIAN B. 1954),
  DOUGLAS EDWARDS (CANADIAN B. 1954), POND'S EDGE #2, LITHOGRAPH, SIGNED AND TITLED, ED 153/200, 25-1/2 X 37-1/4 IN, FRAME: 36-3/4 X 48Douglas Edwards (Canadian b. 1954), Pond's Edge #2, Lithograph, Signed and Titled, Ed 153/200, 25-1/2 x 37-1/4 in,
• GLEN EDWARDS (1942- ), LAST LIGHT
  GLEN EDWARDS (1942- ), LAST LIGHT Title: Glen Edwards (1942- ), Last Light Medium: oil on board Dimensions: 19 3/4 x 24 Framed dimension: 27 3/8 x 31 3/8 x 2 1/4
• Edward Holmes Clearing in the Woods
  Edward Holmes Clearing in the Woods 14'' x 18'' oil on canvas signed lower left
• EDWARD WILLIAMS (BRITISH 1782-1855)
  EDWARD WILLIAMS (BRITISH 1782-1855) RETURNING FROM PASTURE Oil on canvas: 18 x 28 in. Framed Provenance: From the Estate of Mary Cramer Virginia
• * (BOTANY ENGLISH) EDWARDS JOHN
  * (BOTANY ENGLISH) EDWARDS JOHN Anemones. Engraving with hand-coloring from The British Herbal. London 1769. 17 1/2 x 12 1/2 inches.
• Lionel Louis Edwards (American,
  Lionel Louis Edwards (American, 1874-1954) landscape at dusk oil on board signed lower right Edwards was a member of the California Art Club and the Painters and Sculptors of Los Angeles. 8 3/4" x 12 1/4"
• EDWARD SPERA, AMBOSELI Fine Art
  EDWARD SPERA, AMBOSELI Fine Art
• Reynolds Edwards (19th century)
  Reynolds Edwards (19th century) Fortune Teller mezzotint 15 1/2 x 18 inches.