A few examples of appraisal values for
ELIZABETH

• Mary Elizabeth Bennet, circa 1820/A
  Mary Elizabeth Bennet, circa 1820/A Distant View of Broadstairs, Kent/pen and watercolour, 6.5cm x 11.5cm
• After Nicholas Hilliard, 20th
  After Nicholas Hilliard, 20th Century/Portrait of Elizabeth I/half-length, wearing a pearl choker and holding a purse in her left hand/textured oleograph, 91.5cm x 60cm
• Elizabeth Blackwell (British,
  Elizabeth Blackwell (British, 1821-1910) trio of hand-colored botanical engravings including, \"Clove\", \"Sheperd\'s Purse\" and \"Hedge Hyssop\", sight 13\" x 9\", legend lower margin. Glazed, French matted and presented in carved giltwood frames (three pieces).
• Elizabeth O\'Neill Verner (Charl
  Elizabeth O\'Neill Verner (Charl
• Elizabeth Blackwell (British,
  Elizabeth Blackwell (British, 1821-1910) \"Broom\", \"Mallow\" and \"Great Bindweed\", suite of three hand-colored engravings, depicting pink botanicals, sight 13\" x 9\", legend lower margin. Glazed, French matted and presented in carved giltwood frames.
• 17th Century English
  17th Century English School/Portrait of a Lady/traditionally thought to be Elizabeth I/head and shoulders, wearing jewels in her hair and a fine lace ruff, her costume encrusted with jewels and pearls/oil on panel, 58.5cm x 45.75cm /in a fine 17th Century carved and gilded frame, carved with coronet supported by putti and with vines and scrollwork/see illustration
• "ELIZABETH W. BROWN", OIL ON CANVAS
  "ELIZABETH W. BROWN", OIL ON CANVAS PAPER, WOMAN WITH BLUE EYES AND HAIR IN A BUN DEPICTED FROM CHEST UP, SET AGAINST BACKGROUND OF VINES GROWING AROUND ARCH, SHE WEARS A FRILLY LIGHT DRESS WITH , BLUE BOW ON ONE SHOU..."Elizabeth W. Brown", oil on canvas paper, woman with blue eyes and hair in a bun depicted from chest up, set against background of vines growing around arch, she wears a frilly light dress with , blue bow on one shoulder, signed lower right, wear consistent with age, including cracking and craquelure with loss throughout, some rips to edges, etc., ss: 18 1/2" h. x 15 1/2" w.
• British School Elizabethan Style
  British School Elizabethan Style Portrait of a wealthy woman with her King Charles Spaniel and pet parrot. Oil on canvas no signature found apprx. 46" x 35-1/2" framed in a modern frame overall apprx. 52-1/2" x 42" The lady demonstrates her wealth and status adorned with her beautiful period garments pearls book in her right hand seated with her dog before a drape and distant sky.
• English School, early 18th
  English School, early 18th Century/Portrait of Mrs Elizabeth Browne (nee Bourne) (died 1766)/half-length, wearing a fur stole and blue dress/feigned oval/oil on canvas, 76cm x 63cm/Note: Elizabeth Browne, nee Bourne was an heiress of Windlebury in Oxfordshire/Literature: 'A Cotswold Family' p267 'In her tightly laced blue gown she is extravagantly meagre, and it may have been the heroic bracing together of the waist which contracted the mouth and gave the nose its pinched look'
• Elizabeth Blackwell (British,
  Elizabeth Blackwell (British, 1821-1910) \"Carnations\" and \"Pomegranetes\", pair of hand-colored engravings, sight 15\" x 11\", legend lower margin. Glazed, French matted and presented in carved giltwood frames (two pieces).
• AN ELIZABETHAN STYLE PORTRAIT OF
  AN ELIZABETHAN STYLE PORTRAIT OF A WOMAN Oil on canvas, unsigned, 19th century, presented in an ebonized and gilt frame.
• CAMDEN WILLIAM. "THE HISTORY OF THE
  CAMDEN WILLIAM. "THE HISTORY OF THE MOST RENOWNED AND VICTORIOUS PRINCESS ELIZABETH LATE QUEEN OF ENGLAND" London R. Bentley 1688. Fourth edition folio. Engraved frontis of Elizabeth. Half red morocco; some rubs.
• Elizabeth Blackwell (British,
  Elizabeth Blackwell (British, 1821-1910) \"Hawthorne\" and \"Dogwood\", pair of hand-colored engravings, sight 14\" x 9\", legend lower margin. Glazed, French matted and presented in carved giltwood frames (two pieces).
• ELIZABETH BLACKWELL (SCOTTISH,
  ELIZABETH BLACKWELL (SCOTTISH, 1707-1758), SIX ANTIQUE BOTANICAL ENGRAVINGS Hand-colored engravings, 18th century, on laid paper, each depicting hemlock (cicuta), taxus (yews), and cascarilla, framed as three pairs.
• ELIZABETH MONTGOMERY. PURSUING A
  ELIZABETH MONTGOMERY. PURSUING A MAIDEN, OIL Oil on board, initialed lr, 20 x 16 1/2 in., framed.
• Elisabeth (Héron de Villefosse)
  Elisabeth (Héron de Villefosse) Gross French, 1907-1981 View of a Sunlit Courtyard Estimate:$200-$400
• ELIZA ANN SLOAN FINE SILK
  ELIZA ANN SLOAN FINE SILK EMBROIDERED PICTUREAmerican or British, early 19th century, depiction of Roman soldier with two female figures including one holding a baby, standing under draped fabric with columns to side, silk, watercolor, metallic thread and cord on silk ground, eglomise mat signed "Eliza Ann Sloan", sight 20 x 24 in., painted black wood frame, 24-1/2 x 28-3/4 in. Condition: tears and shattering to silk ground primarily on left border, some losses to silk thread to skirt of woman holding a baby, grime to draped curtain, fading, abrasions to frame, not examined out of frame
• ELIZABETHAN WAX PORTRAIT - 16th c
  ELIZABETHAN WAX PORTRAIT - 16th c English Portrait of an Aristocratic Gentleman in cloaked black jacket with standing ruff collar gold chain of office in round carved gilt wood frame under glass SS: 3 1/2'' diam OS: 6 1/2'' diam very good condition. F
• ELIZA WOODBERRY, MEMORIAL SAMPLER
  ELIZA WOODBERRY, MEMORIAL SAMPLER Early 19th century, aged 13.
• English School, 18th century
  English School, 18th century portrait of a lady 12 x 10 in.
• A costume figure of Elizabeth I
  A costume figure of Elizabeth I wearing a pearl lined cape, ruff and jewelled buttons, in a glass case, 43cm high
• ENGLISH SCHOOLportrait of a lady in
  ENGLISH SCHOOLportrait of a lady in Elizabethan dress; oil on canvas relined; Provenance: A Cherokee Lane, Trousdale Estates, Beverly Hills Collection; 31 1/2 x 25 1/4 inches Condition:
• An Elizabeth II 1968 Sovereign
  An Elizabeth II 1968 Sovereign (fair/fine)
• English School, Mid 19th
  English School, Mid 19th Century/Portrait of a Lady/half-length, wearing a pink bonnet, a sapphire and diamond brooch and matching earrings/watercolour, 34cm x 28cm/in a bird's eye maple frame with gilded border
• Elisabeth Frink: A Portrait, Edward
  Elisabeth Frink: A Portrait, Edward Lucie-Smith and Elisabeth Frink, Bloomsbury 1994 and six other books, catalogues etc on Frink (7)
• Elizabeth Washington (American
  Elizabeth Washington (American 1871-1953) two pastel on paper works titled Autumn 10 3/4" x 8 1/2" and Arch in the Triumph 7... ?
• ELIZABETH O'NEILL VERNER,
  ELIZABETH O'NEILL VERNER, ETCHING, FENWICK HALL Elizabeth O'Neill Verner (American/South Carolina/Charleston, 1883-1979). "Gates of Fenwick Hall" -c. 1936, etching. Pencil signed, titled and numbered 30/80 lower margin. Provenance: From the Lifetime Collection of Billy S. Arant, Jr., Chattanooga, TN. Approx. 19.25" x 16.75" (frame), 11" x 8.75" (sight)
• 16th century portrait, elegant
  16th century portrait, elegant woman in profile, wearing an embroidered, jeweled and collared French gown, headdress with conical cap and elaborate chaperon, oil on oak panel inscribed verso Di Paris Bordone Dopie…30(?), Italian School, circa 1560, 11-1/4 x 8-5/8 in.; 18th century carved and formerly gilt wood Maratta frame. Retouch scattered in background and face, panel warped with three battens verso, craquelure; frame resurfaced, abrasions. Property of the Hickory Museum of Art, Hickory, North Carolina (acquired in 1983).
• ELIZABETH ANSELL(British, 20th/21st
  ELIZABETH ANSELL(British, 20th/21st century) Terriers at a Woodland Burrow, signed lower left "Elizabeth Ansell", oil on canvas, 12 x 16 in.; modern gilt wood frame, 16-3/8 x 20-3/8 in. Condition: surface dirt; frame with abrasions
• ELIZABETH EVE KING (UNITED
  ELIZABETH EVE KING (UNITED STATES, 20/21ST CENTURYELIZABETH EVE KING (United States, 20/21st century) four oil paintings: flowers; a still-life with beer bottle and fruiting tree; nude man with wine glass; portrait of a woman on a street corner. Each signed "Lizeve," on dated 1983 and another 1985. Images measure from 11" x 14.75" to 24.25" x 18". Two paintings are framed, two are unframed.
• English School, early 17th
  English School, early 17th Century/Portrait of Anne Shirley, Widow of John Brooke/three-quarter length, wearing a black dress and holding a book in one hand, the other resting on a chair/inscribed 'ANO DNI 1603 AETATs 47' and with a coat-of-arms upper left/oil on panel, 111cm x 88cm/Note: Anne Shirley (1554-1608) was the daughter of Francis Shirley of Staunton Harold, Leicestershire (1515-1571) and Dorothy Gifford and wife of John Brooke (died 1598) of Madeley Court, Shropshire. John's father, S
• Elizabeth Blackwell (British,
  Elizabeth Blackwell (British, 1821-1910) \"The Common Aloes\" and \"The Succontine Aloe\", pair of hand-colored botanical engravings, image 12\" x 8\", legend lower margin. Glazed and presented in Florentine mats and carved giltwood frames.
• ELIZABETH LOCHRIE (1890-1981),
  ELIZABETH LOCHRIE (1890-1981), OLD ANN PIERRE Title: Elizabeth Lochrie (1890-1981), Old Ann Pierre Medium: oil on board Dimensions: 27 3/8 x 22 Framed dimensions: 34 x 28 1/2 x 1 7/8
• 18TH C. PORTRAIT OF A YOUNG WOMAN
  18TH C. PORTRAIT OF A YOUNG WOMAN English Aristocratic Woman in pink silk Regency dress with matching fur trimmed cape, her curly brunette hair up in a bun, a faint smile playing across her healthy complexion, her dark brown eyes turned directly on the viewer; oil on oak panel, unsigned, in later Victorian gilt gesso frame, OS: 23" x 19 1/2", SS: 17" x 13 1/2", the panel is slightly bowed.
• AFTER GILBERT STUART (AMERICAN,
  AFTER GILBERT STUART (AMERICAN, 1755-1828), PORTRAIT OF ELIZABETH BEALE BORDLEY Oil on canvas, unsigned, late 19th century, presented in a period gilt frame with composition ornament in a delicate floral design.
• SIR THOMAS LAWRENCE, P.RA. (UK,
  SIR THOMAS LAWRENCE, P.RA. (UK, 1769-1830) "Mrs. Bannister", graphite and white chalk on paper, unsigned, a study of the head of Regency Actress Elizabeth Bannister nee Miss Harper (1757-1849), denzien of the Haymarket Theatre, playing Polly in "The Beggar's Opera" in 1778. She garnered one-thousand pound contracts when 100 pounds was a gentleman's annual income, and became the principle soloist singer at the Haymarket until she retired in 1792 to raise the four daughters she had with actor John Bannister, who she had married in 1783. Housed in a gold molded frame under glass and a french-ruled mat captioned with name of artist and subject. OS: 29" x 20 1/2", SS: 19" x 12". Edge toned.