A few examples of appraisal values for
END OF A PERFECT DAY

• THOMAS KINKADE COLOR PRINT ON
  THOMAS KINKADE COLOR PRINT ON MASONITE (American 20th century) titled ''The End of a Perfect Day I '' depicting a cabin near a lake with mountains in background. 12'' x 16'' signed in the plate lower right. With Certificate of Authenticity attached verso. Set in a wood frame.
• Thomas Kinkade framed print
  Thomas Kinkade framed print display. Titled ''End of a Perfect Day''. Print matted caption under print reads ''Come follow me and I will make you fishers of men. Matthew 4:19''. Also displayed is a handmade fishing lure relevant to the scene. Condition: dings to frame see images. Print measures 15'' wide x 12.5'' tall. Frame measures 22'' wide x 21'' tall. Shipping weight 5.1 lbs.
• Ernest Chiriacka (American/New
  Ernest Chiriacka (American/New York, b. 1920) "End of Day", oil on masonite, 5" x 7", signed lower right. Framed. Provenance: The estates of David and Eula Wintermann.
• THOMAS KINKADE (UNITED STATES,
  THOMAS KINKADE (UNITED STATES, 1947-2012) EMBELLISTHOMAS KINKADE (United States, 1947-2012) embellished print on canvas, "The End of a Perfect Day." Includes certificate of authenticity with edition number 401/2750. Image measures 24" x 30". In a wood frame; 33" x 39" overall.
• John Gifford (manner of) (British
  John Gifford (manner of) (British d. 1900) THE END OF THE DAY oil on canvas framed signed: lower left illegibly H27'' W36'' Provenance: Atlanta Georgia private collection. Christie's-South Kennsington 30 November 2000 sale 8959 Canvas has been relined UV light examination reveals 2''x2'' L-shaped repair in upper-left sky area and few other specks throughout some light aligatoring and craquelure small abrasions at lower edge probably from rubbing against frame.
• Michael Trovato
  Michael Trovato (American/Contemporary) "End of Day", oil on canvas, 12-1/2" x 22-1/2", signed lower right "Trovato". Presented in a carved giltwood frame.
• Ogden Minton Pleissner (Vermont/New
  Ogden Minton Pleissner (Vermont/New York, 1905-1983) The End of the Day, Duck Shooting, signed lower left "Pleissner", oil on canvas, 16-1/8 x 19-7/8 in.; original fine Newcomb-Macklin carved and gilt wood frame with label verso,
• Daniel Sherrin (1868-1940)
  Daniel Sherrin (1868-1940) British THE END OF THE DAY Oil on canvas; signed lower left 20" (height) 50.8cm (height) 30" (width) 76.2cm (width)
• George A. Renouard (American
  George A. Renouard (American 1885-1954) ''End of Day; Whar's House'' Initialed titled & dated on reverse in pencil. 1928. O/canvas board. Label on reverse: ''The Sisti Galleries Buffalo NY.'' Original condition.8'' x 10''E
• Percival Leonard Rosseau
  Percival Leonard Rosseau (Louisiana/Connecticut/North Carolina, 1859-1937), \"End of a Perfect Day, Allen\'s Flag and Queen, 1923\", signed lower right \"Rosseau/1923\", title, not
• PAT MAGEE (AMERICAN, 20TH C.) OIL
  PAT MAGEE (AMERICAN, 20TH C.) OIL PAINTING ON CANVASTitled 'Perfect Ending Dream' on verso. Depicting a geisha seated by the river reading a letter. Artist signed lower right and on verso. Measures 24" x 12", unframed. Condition: Age related wear.
• WILLIAM JURIAN KAULA (MA,
  WILLIAM JURIAN KAULA (MA, 1871-1953) "End of Day", oil on canvasboard, signed and titled verso, and marked "Fenway Studios, Boston, Mass.", in black and gold frame with linen liner, OS: 15" x 17 1/2", SS: 9 1/2" x 12". Foxing to liner.
• JIM WAGNER, ANOTHER PERFECT
  JIM WAGNER, ANOTHER PERFECT DAYJim Wagner, (b. 1940) Another Perfect Day, acrylic on paper acrylic on paper Dimensions: 25 x 19 in. (63.50 x 48.26 cm.), Frame: 33 x 25 1/4 x 1 1/2 in. (83.82 x 64.14 x 3.81 cm.) Provenance: Munson Gallery, Santa Fe, New Mexico Private Collection, Virginia
• Donavon Preiser ''End of Day''
  Donavon Preiser ''End of Day'' Color Photograph Framed 16''x13''
• David Louis Ghilchik
  David Louis Ghilchik (1892-1970)/End of the Day (Stavely Coal and Iron Works)/signed and inscribed/oil on canvas, 50cm x 60cm
• PETER MCINTYE, END OF A LONG
  PETER MCINTYE, END OF A LONG DAY'S RIDEPeter McIntyre, (1910 - 1995) End of a Long Day's Ride, watercolor, ink on paper signed lower right: PETER MCINTYRE watercolor, ink on paper Dimensions: 20 1/4 x 28 3/8 in. (51.4 x 72.1 cm.), Frame: 32 5/8 x 40 1/2 x 1 1/2 in. (82.9 x 102.9 x 3.8 cm.) Provenance: Savageau Gallery, Denver Shriver Gallery, Taos Private Collection, Colorado
• Robert H. Walker (fl. 1882-1922)
  Robert H. Walker (fl. 1882-1922) - Watercolour - ''The End of the Day'' - Village street scene at evening with plough horses returning home 20ins x 30ins signed in full and dated '91 in original gilt moulded frame and glazed
• RAYMOND NOTT (AMERICAN 1888-1948) -
  RAYMOND NOTT (AMERICAN 1888-1948) - END OF DAYPastel on textured paper Signed lower left 18 in. h. x 24 in. w. Framed
• Maxfield Parrish Print ''At Close
  Maxfield Parrish Print ''At Close of Day'' 1956 complete calendar mint.
• GEORGE HAND WRIGHT (1872-1951,
  GEORGE HAND WRIGHT (1872-1951, CT, NY) LANDSCAPEpainting titled "Perfect Day". Oil painting on board under glass. Early 20th c. impressionist. Modern silver gilt frame. Sight size 13 1/2" x 10 1/4", overall 19 1/4" x 16 1/2". Good original condition.
• FREDERICK MULHAUPT, AMERICAN
  FREDERICK MULHAUPT, AMERICAN (1871-1938), "END OF THE DAY, GLOUCESTER HARBOR", OIL ON CANVAS, 18 X 24 INCHESFREDERICK MULHAUPT, American, (1871-1938) "End of the Day, Gloucester Harbor", oil on canvas signed lower right "Mulhaupt" oil on canvas Dimensions: 18 x 24 inches Provenance: David H. Hall Fine Art, Dover, Massachusetts; Private Collection, New Jersey. Framed dimensions: 26 1/4 x 32 x 2 inches Tags: seascape / coastal / marine, harbor scene, oil painting, Rockport School, American Impressionism Condition: overall very good condition; unlined canvas; very minor scattered restoration mostly to the sky; in a quality reproduction frame Condition
• Alphonse Danceau (French, fl. ca.
  Alphonse Danceau (French, fl. ca. 1861-1927) "Day's End", oil on panel, signed lower right, 15" x 7". Presented in a period spiraled leaf-carved giltwood frame.
• THOMAS DEDECKER (1951-), A SUMMER'S
  THOMAS DEDECKER (1951-), A SUMMER'S DAY END Fine Art
• Karl Muller (German 1865-1942)
  Karl Muller (German 1865-1942) Day's Endoil on artist's board signed lower left a fisherman relaxes with a drink and a pipe presented in a later wooden fame.Muller specialized in genre paintings.SS 12 x 16.5 in.; DOA 15 x 19.5 in.Some minor scuffs to the surfaces.
• David Zimmerman (American, late
  David Zimmerman (American, late 20th/early 21st century) "A Perfect Day for a Sunburn", 2005, signed lower right "David Zimmerman" and signed and titled verso, oil on Masonite, 11 x 13-3/4 in.; silver gilt Arts and Crafts style frame,
• Eyvind Earle (American,
  Eyvind Earle (American, 1916-2000) Days End Serigraph Signed Eyvind Earle lower right 33 x 27 inches (sight)
• William Turner patinated bronze
  William Turner patinated bronze (Virginia, born 1934), "End of the Day", boy dismounting work horse, edition 25/20, 1993, signed in base "W.H. Turner", cast by Turner Foundry (with certificate), 18-3/4 x 25 x 12 in. Good condition. The Estate of the Late Dolores Ann Keating, Charleston, South Carolina
• KEVIN MACDONALD, AMERICAN
  KEVIN MACDONALD, AMERICAN 1946-2006, END OF DAY, FROM WATER SUITE, 2004, DIGITAL PIGMENT PRINT, SIGHT: 13 3/4 X 13 1/2 IN. (34.93 X 34.29 CM.), FRAME: 25 3/8 X 24 3/4 IN. (64.45 X 62.87 CM.)KEVIN MACDONALD, AMERICAN, 1946-2006 END OF DAY, FROM WATER SUITE, 2004, Digital pigment print Lower left titled: End of Day; lower center numbered: 4/25; lower right signed and dated: Kevin Macdonald 2004 Digital pigment print Dimensions: Sight: 13 3/4 x 13 1/2 in. (34.93 x 34.29 cm.), Frame: 25 3/8 x 24 3/4 in. (64.45 x 62.87 cm.) Provenance: Purchased from Adamson Editions, Washington, D.C., in March 2005; Private Collection Washington DC
• FRANK CORSO (AMERICAN B. 1952),
  FRANK CORSO (AMERICAN B. 1952), DAYS END, COLOR LITHOGRAPH, SIGHT SIZE: 24 X 31 INFrank Corso (American b. 1952), Days End, Color Lithograph, Sight size: 24 x 31 in,
• PETER CORBIN(American, born 1945)
  PETER CORBIN(American, born 1945) End of the Day, signed lower right "Peter Corbin", oil on canvas, 20 x 30 in.; fine carved gilt and driftwood frame, 27-1/2 x 37-1/2 in. Provenance: Private Collection Condition: painting in good condition; frame with some wear at corners
• MARIE MARTIN (CALIFORNIA/OREGON,
  MARIE MARTIN (CALIFORNIA/OREGON, BORN 1940) OIL ONMARIE MARTIN (California/Oregon, born 1940) oil on canvas, "End of The Day," Newport, Oregon, featuring the fishing boat "Winona J." Signed lower left, signed again and titled verso. Image measures 24" x 18". In a wood frame; 28.75" x 22.75" overall.
• MARIE MARTIN (CALIFORNIA/OREGON,
  MARIE MARTIN (CALIFORNIA/OREGON, BORN 1940) OIL ONMARIE MARTIN (California/Oregon, born 1940) oil on canvas, "End of The Day," Newport, Oregon, featuring the fishing boat "Winona J." Signed lower left, signed again and titled verso. Image measures 24" x 18". In a wood frame; 28.75" x 22.75" overall.
• TERELAK, John, (American, 1942):
  TERELAK, John, (American, 1942): End of Day, Oil/Canvas, 24'' x 30'', signed lower left, fine quality contemporary gilded frame 32.50'' x 38.75''.
• ROBERT JAMES ENRAGHT MOONY (BRITISH
  ROBERT JAMES ENRAGHT MOONY (BRITISH 1879-1946) AT THE END OF THE DAY Signed and dated 1912, watercolour51cm x 66cm (20in x 26in)
• PETER HURD (AMERICAN 1904-1984) A
  PETER HURD (AMERICAN 1904-1984) A PRINT, "DAY'S END,"PETER HURD (American 1904-1984) A PRINT, "Day's End," color lithograph on paper, signed L/R, "Peter Hurd," numbered in pencil L/L 48/260, with one blind stamp in margin. 24" x 23 1/2" Condition: Mild handling but overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
• PETER HURD (AMERICAN 1904-1984) A
  PETER HURD (AMERICAN 1904-1984) A PRINT, "DAY'S END,"PETER HURD (American 1904-1984) A PRINT, "Day's End," color lithograph on paper, signed L/R, "Peter Hurd," numbered in pencil L/L 48/260, with one blind stamp in margin. 24" x 23 1/2" Condition: Mild handling but overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."