A few examples of appraisal values for
END OF TRIAL

• State Trials, a complete collection
  State Trials, a complete collection of, 4 of 6 vols and 80 other large leather bound volumes, three boxes/Provenance: Spetchley Park
• CHROMOLITHOGRAPH "THE TRIAL OF
  CHROMOLITHOGRAPH "THE TRIAL OF ROBERT EMMET, HIS CLOSING REMARKS" IRELAND, 1890S ON CARDBOARD, 24” X 17”. FRAMED 31” X 23.5”.CHROMOLITHOGRAPH "THE TRIAL OF ROBERT EMMET, HIS CLOSING REMARKS", Ireland, 1890s, Depicts Irish Republican Robert Emmet's trial in Dublin prior to his execution in 1803. Dimensions: On cardboard, 24" x 17". Framed 31" x 23.5".
• RARE 'YARD LONG' PHOTO OF THE
  RARE 'YARD LONG' PHOTO OF THE ANTI-EVOLUTIONISTS AT THE 1925 SCOPES TRIAL, INCLUDING WILLIAM JENNINGS BRYAN Original Photo by M.C. Mayberry of Chatanooga, Tennessee captioned "Anti-Evolutionists, John T. Scopes Trial, Dayton, Tenn. July 10, 1925" (the trial concluded July 21st), actually 43" long, containing hundreds of people, captioned figures include "W.J. Bryan (politician who was counsel to the prosecution, died shortly after trial); "W.J. Bryan, Jr."; "Hicks, Pros. Atty.";" Judge and Mrs Raulston" (hardly unbiased!); "R. Don Lewis (Yellow Jacket)"; "Atty Genl McKenzie"; "Prosecutor W White"; "Butler Author of Anti-Evolution Bill" and "Thomas S. Nelson, Zion City". The banner in the background says "Read Your Bible". High School Teacher John Scopes was tried for teaching evolution, fined $100, with an injunction against such heresy. This photo was taken on the first day of the trial, July 21st, does not include defendant's counsel Clarence Darrow, who arrived the next day. It concluded on July 21st. On Sunday, July 26, 1925, Bryan died in his sleep from apoplexy after attending a church service in Dayton. 9" x 43"overall, tears.
• A Derby 'Trial by Jury' armorial
  A Derby 'Trial by Jury' armorial plate, 25cm diameter
• Signed Henry C. Meyer Artist
  Signed Henry C. Meyer Artist Proof ''Summation''Lithograph titled Summation and signed in pencil depicting a cartoon style portly attorney giving his winded summation in court before a judge and jury. 32'' H x 27'' W sight and frame. Circa mid 20th century.
• END OF THE TRAIL BRONZE AFTER
  END OF THE TRAIL BRONZE AFTER FRASER: 13'' h without sphere affixed to polished marble plinth.
• FINIALS Other Notes: DHS
  FINIALS Other Notes: DHS
• Kalman Kubinyi (American 1906-1973)
  Kalman Kubinyi (American 1906-1973) Trial Proof. Etching on paper signed in pencil in the lower right margin "trial proof" in pencil in the lower left margin the plate size apprx. 3-1/2" x 5-1/2" rag matted and framed under glass in a gilt frame overall apprx. 19" x 16-3/4".
• John Morgan (British, b.1757/8-?)
  John Morgan (British, b.1757/8-?) ESSAYS UPON I. THE LAW OF EVIDENCE. II. NEW TRIALS. III. SPECIAL VERDICTS. IV. TRIALS AT BAR. AND V. REPLEADERS ESSAYS UPON I. THE LAW OF EVIDENCE. II. NEW TRIALS. III. SPECIAL VERDICTS. IV. TRIALS AT BAR. AND V. REPLEADERS
• 3 vols.(1 wrappers) Americana -
  3 vols.(1 wrappers) Americana - Law: (Hathaway Trial.) Remarks of Mr. Allen's Counsel, upon The Petition of Silas Hathaway, Praying for a New Trial. [Montpelier?, 1822]. 1st ed. 8vo, later 19th-Century 3/4 red morocco & marbled bds., untrimmed; scuffed, some edge wear. Case involving the widow & heirs of Ethan Allen. Includes Daniel Webster's opinion. Sabin 69392. * Angell, Joseph K. An Inquiry into The Rule of Law... Incorporeal, Hereditament,... Boston: Hilliard, Gray, Little and Wilkins, 1827. 1st ed. 8vo, orig. bds.; scuffed & occasionally blistered. Scattered light foxing. American Imprints 27875. * (Rhode Island Dorr Rebellion.) Arguments of Messrs. Whipple and Webster, in The Case of Martin Luther,... Providence: Charles Burnett, 1848. 1st ed. 8vo, orig. printed wrappers; corners chipped. Inscribed & signed by Whipple on front wrapper. Internally clean. Sabin.
• AFTER JOHANN HERMANN KRETZSCHMER
  AFTER JOHANN HERMANN KRETZSCHMER (GERMAN)After Johann Hermann Kretzschmer (German, 1811-1890), "The Trial of Patience", oil on canvas, unsigned, 18 1/2 in. x 14 3/4 in., unframed. Condition: Overall fair condition
• FINIALS Other Notes: DHS
  FINIALS Other Notes: DHS
• James Earl Fraser (American
  James Earl Fraser (American 1876-1953) THE END OF THE TRAIL patinated bronze on black marble base 26" (height) 66cm (height) signed in the mould 1918 ©Fraser
• CARL WOODRING, END OF THE TRAIL,
  CARL WOODRING, END OF THE TRAIL, 1958Carl Woodring (Wa-Sa-Ba Shinga), (Osage, 1920 - 1985) End of the Trail, 1958, gouache on paper signed lower right: Carl Woodring '58 titled lower center: End of the Trail gouache on paper Dimensions: 11 x 15 in. (27.94 x 38.10 cm.), Frame: 18 x 22 x 1 1/4 in. (45.72 x 55.88 x 3.18 cm.) Provenance: Private Collection, Washington
• John Gifford (manner of) (British
  John Gifford (manner of) (British d. 1900) THE END OF THE DAY oil on canvas framed signed: lower left illegibly H27'' W36'' Provenance: Atlanta Georgia private collection. Christie's-South Kennsington 30 November 2000 sale 8959 Canvas has been relined UV light examination reveals 2''x2'' L-shaped repair in upper-left sky area and few other specks throughout some light aligatoring and craquelure small abrasions at lower edge probably from rubbing against frame.
• ''END OF THE TRAIL'' BRONZE AFTER
  ''END OF THE TRAIL'' BRONZE AFTER FRASER: 16 1/2'' in height 15 1/2'' width affixed to a variegated green oval marble plinth 16'' wide x 5'' deep and 1'' thick.
• Black Americana Oil Painting
  Black Americana Oil Painting ''All We Askis a Fair Trial'' black men behind bars fancy gold frame circa 1900 image area 10'' x 14.
• 13 vols. (Leather Bindings.) The
  13 vols. (Leather Bindings.) The Notable Trials Library & Gryphon Editions titles: Fraenkel, Osmond K. The Sacco-Vanzetti Case. New York, 1931 (but Birmingham, Alabama, 1990). * Hicks, Frederick C. Men and Books Famous in The Law. Rochester, 1921 (but New York, 1994). Plates. 2 copies. * Hyde, H. Montgomery. The Trials of Oscar Wilde. London, etc., (1948) (but Birmingham, Alabama, 1989). Plates. * McKernan, Maureen. The Amazing Crime and Trial of Leopold and Loeb. Chicago, (1924) (but Birmingham, Alabama, 1989). Plates. * Muddiman, J.G., editor. Trial of King Charles The First. Edinburgh, [1928] (but Birmingham, Alabama, 1990). Plates. * Pearson, Edmund, editor. Trial of Lizzie Borden. Garden City, 1937 (but Birmingham, Alabama, 1989). Plates. * Perry, Richard L.; Cooper, John C., editor. Sources of Our Liberties. Chicago, 1978 (but Birmingham, Alabama, 1990). * Pitman, Benn, editor. The Assassination of President Lincoln and The Trials of The Conspirators. New York, 1865 (but Birmingham, Alabama, 1989). Frontis., map. * Rutter, Owen, editor. The Court-Martial of The "Bounty" Mutineers. Toronto, (1931) (but Birmingham, Alabama, 1989). Plates. * Tusa, Ann & John. The Nuremberg Trial. New York, 1986 (but Birmingham, Alabama, 1990). * Wellman, Francis L. The Art of Cross-Examination. New York, 1904 (but Birmingham, Alabama, 1983). * Whipple, Sidney. The Trial of Bruno Richard Hauptmann. Garden City, 1937 (but Birmingham, Alabama, 1989). All 8vo or 4to, all full or 1/2 leather & cloth, a.e.g., all Near Fine or Fine.
• LATE 19TH CENTURY HARPER BROTHERS
  LATE 19TH CENTURY HARPER BROTHERS ETCHING THE JURYColor plate etching entitled "The Jury". "Copyright, By Harper & Bro" in left hand corner. Signed " C.D. Celison" Sight: 5 7/8" H x 9" W. Frame: 11 3/4" H x 14 3/4" W
• BRONZE ''END OF THE TRAIL''.
  BRONZE ''END OF THE TRAIL''. After J.E. Fraser (James Earle Fraser N.Y./N.H. 1876-1953) on an oval marble base. 33 3/4'' h.
• James Earle Fraser (American,
  James Earle Fraser (American, 1876-1953) "End of the Trail" bronze sculpture. Script signature on base of bronze along with foundry marks "EA 26" at one end; title plaque on marble plinth. 36"H x 30"W. Monumental statue and quality casting although unknown vintage.
• CIBOROWSKI "NATURE'S JURY"
  CIBOROWSKI "NATURE'S JURY" CHROMOGENIC PRINT, 2010 Raymond Ciborowski (American, b. 1970) "Nature's Jury" chromogenic print mounted on Plexiglas, June 2010, signed, titled, and dated to verso, numbered edition 1/25, housed in a black lacquered wood frame. Image: 12.5" H x 18.5" W; frame: 14.25" H x 20.25" W.
• Nude before a Judge in Court oil on
  Nude before a Judge in Court oil on canvas 15.25'' H x 18.5'' W
• 1 vol. Maugham, W. Somerset. The
  1 vol. Maugham, W. Somerset. The Summing Up. London: W. Heinemann, (1938). First edition. 8vo, orig. black cloth, gilt; light wear, d/j (minor wear), in custom 1/4 dark blue morocco slipcase & chemise. Presentation copy, inscribed & signed on title page, "W. Somerset Maugham for dear Reggie, This record of his old friends life. Florence, April 22, 1938." Bright, attractive copy in slightly scuffed slipcase. Stott A53a
• Charles Fazzino (b. 1955) ''I'll
  Charles Fazzino (b. 1955) ''I'll See Ya in Court'' three dimensional deposition of legal scenes sigend LR and number 2/200PR framed ss: 32 1/4'' h. x 24 1/2'' w.
• AFTER JAMES EARLE FRASER, "THE
  AFTER JAMES EARLE FRASER, "THE END OF THE TRAIL" PAIR OF PATINATED METAL SCULPTURES H: 8 IN. (20.3 CM.)After James Earle Fraser, "The End of The Trail" Pair of Patinated Metal Sculptures, Dimensions: H: 8 in. (20.3 cm.)
• JAMES EARLE FRASER SIGNED LITHO
  JAMES EARLE FRASER SIGNED LITHO "END OF THE TRAIL"A James Earle Fraser (1876-1953) chromolithograph of a mourning Native American on horseback at sunset, produced by Reinthal?& Newman NY (1906-1928). Pencil-signed "Fraser" in the lower right margin, and titled in pencil "End of Trail" in the lower left margin. Image size is 9 x 12 inches, in a frame measuring 13.5 x 16.5 inches. Fraser was a noted artist with images of the American West. His works were shown in exhibitions including the 1898 Paris Salon, the 1913 New York Armory Show, and the 1915 San Francisco Panama-Pacific Exposition. His commissions included a 1908 bust of Theodore Roosevelt, and the design of the Buffalo Head nickel, but it is?"End of the Trail" that remains perhaps Fraser's best known image. Condition Not observed out of frame. There appears to be mild overall toning.
• DERBY TRIAL CHURCHILL DOWNS
  DERBY TRIAL CHURCHILL DOWNS STERLING TROPHYDerby Trial Churchill Downs Sterling Silver Trophy Won by Meetyouatthebrig , 2001, presentation inscription "DERBY TRIAL/ CHURCHILL DOWNS/ APRIL 28, 2001/ WON BY/ MEETYOUATTHEBRIG", hallmarked Stevenson & Law, London, 1921; h. 8 in., wt. 17.65 troy ozs . Provenance: Estate of James H. Stone, New Orleans, LA
• DERBY TRIAL CHURCHILL DOWNS
  DERBY TRIAL CHURCHILL DOWNS STERLING TROPHYDerby Trial Churchill Downs Sterling Silver Trophy Won by Meetyouatthebrig , 2001, presentation inscription "DERBY TRIAL/ CHURCHILL DOWNS/ APRIL 28, 2001/ WON BY/ MEETYOUATTHEBRIG", hallmarked Stevenson & Law, London, 1921; h. 8 in., wt. 17.65 troy ozs . Provenance: Estate of James H. Stone, New Orleans, LA
• ZENGER, JOHN PETER. THE TRYAL OF
  ZENGER, JOHN PETER. THE TRYAL OF JOHN PETER ZENGER, OF NEW-YORK, PRINTER, WHO WAS LATELY TRY'D AND ACQUITTED FOR PRINTING AND PUBLIS..ZENGER, JOHN PETER. THE TRYAL OF JOHN PETER ZENGER, OF NEW-YORK, PRINTER, WHO WAS LATELY TRY'D AND ACQUITTED FOR PRINTING AND PUBLISHING A LIBEL AGAINST THE GOVERNMENT. WITH THE PLEADINGS AND ARGUMENTS ON BOTH SIDES., LONDON: PRINTED FOR J. WILFORD, 1738. 4to, Second edition of this account of the arrest in 1734 of John Peter Zenger, publisher of the New York Weekly Journal, for criticizing the colonial governor of New York, William Cosby. The arrest and trial was the first contest in America over the freedom of the press and marked a victory for Zenger, the press, and free speech.
• AFTER J.E. FRASER (AMERICAN
  AFTER J.E. FRASER (AMERICAN 1876-1953) A BRONZE SCULPTU...after J.E. FRASER (American 1876-1953) A BRONZE SCULPTURE, "The End of the Trail," with black contrasting a reddish-brown patination and a stepped stylized groundwork base, with lower right incised signature "J.E. FRASER" and raised on a conforming polished black marble plinth. Height: 33 1/2" Length: 25" Depth: 10" Condition: Good condition with some casting flaws and normal surface buildup throughout. Marble plinth has some small nicked edges. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS.” NO REFUNDS will be issued based on condition.
• BRONZE SCULPTURE AFTER JAMES
  BRONZE SCULPTURE AFTER JAMES EARLE FRASER (NY/NH/CT/MT, 1876-1953) Cast Replica of "End of the Trail", bronze sculpture, set on an oval green marble base, 13 1/2" high (14 3/4" overall with base), 10" x 5". Spear slightly bent.
• After James Earle Fraser (American,
  After James Earle Fraser (American, 1876-1953) \"The End of the Trail\", a patinated bronze equestrian group of a despondent Native American brave, presented on a stepped elliptical polished Grand Antique marble base, h. 14\", w. 11\", d. 5-1/2\".
• Small oil on board of courtroom
  Small oil on board of courtroom scene 4” x 5.5” - with losses to edges, discolored varnish. Small framed oil on bone of girl, overall 4.5"H - with broken bone edge, paint flaking. Small oil on tin of man, unframed 2” dia. - with paint flaking. Condition: see descriptions CT Transfer Fee $10
• After James Earle Fraser
  After James Earle Fraser (American 1876 - 1953) "End of the Trail". Reproduction in cast bronze of the famous sculpture apprx. 13-1/2" x 10-1/2" x 5-1/2". With a rectangular base and braided reins. Faint stamp in base with copyright symbol artist's name and the beginning of a date. Attached to a rouge marble base.
• AFTER JAMES EARL FRASER (AMERICAN
  AFTER JAMES EARL FRASER (AMERICAN 1876-1953) A SCULPTUR...after JAMES EARL FRASER (American 1876-1953) A SCULPTURE, "End of the Trail," cast bronze, signed in bronze, "J.E. Fraser," with engraved special edition number 6/7. Height: 18" Width: 6" Depth: 17" Provenance: Estate of Raj S. Paul, Austin, Texas Condition: No visible issues. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."