A few examples of appraisal values for
END OF WORK DAY

• Ernest Chiriacka (American/New
  Ernest Chiriacka (American/New York, b. 1920) "End of Day", oil on masonite, 5" x 7", signed lower right. Framed. Provenance: The estates of David and Eula Wintermann.
• WILLIAM JURIAN KAULA (MA, 1871-1953)
  WILLIAM JURIAN KAULA (MA, 1871-1953) "End of Day", oil on canvasboard, signed and titled verso, and marked "Fenway Studios, Boston, Mass.", in black and gold frame with linen liner, OS: 15" x 17 1/2", SS: 9 1/2" x 12". Foxing to liner.
• David Louis Ghilchik (1892-1970)/End
  David Louis Ghilchik (1892-1970)/End of the Day (Stavely Coal and Iron Works)/signed and inscribed/oil on canvas, 50cm x 60cm
• Michael Trovato (American/Contemporary)
  Michael Trovato (American/Contemporary) "End of Day", oil on canvas, 12-1/2" x 22-1/2", signed lower right "Trovato". Presented in a carved giltwood frame.
• John Gifford (manner of) (British
  John Gifford (manner of) (British d. 1900) THE END OF THE DAY oil on canvas framed signed: lower left illegibly H27'' W36'' Provenance: Atlanta Georgia private collection. Christie's-South Kennsington 30 November 2000 sale 8959 Canvas has been relined UV light examination reveals 2''x2'' L-shaped repair in upper-left sky area and few other specks throughout some light aligatoring and craquelure small abrasions at lower edge probably from rubbing against frame.
• George A. Renouard (American 1885-1954)
  George A. Renouard (American 1885-1954) ''End of Day; Whar's House'' Initialed titled & dated on reverse in pencil. 1928. O/canvas board. Label on reverse: ''The Sisti Galleries Buffalo NY.'' Original condition.8'' x 10''E
• Daniel Sherrin (1868-1940) British
  Daniel Sherrin (1868-1940) British THE END OF THE DAY Oil on canvas; signed lower left 20" (height) 50.8cm (height) 30" (width) 76.2cm (width)
• Robert H. Walker (fl. 1882-1922)
  Robert H. Walker (fl. 1882-1922) - Watercolour - ''The End of the Day'' - Village street scene at evening with plough horses returning home 20ins x 30ins signed in full and dated '91 in original gilt moulded frame and glazed
• Karl Muller (German 1865-1942)
  Karl Muller (German 1865-1942) Day's Endoil on artist's board signed lower left a fisherman relaxes with a drink and a pipe presented in a later wooden fame.Muller specialized in genre paintings.SS 12 x 16.5 in.; DOA 15 x 19.5 in.Some minor scuffs to the surfaces.
• Donavon Preiser ''End of Day''
  Donavon Preiser ''End of Day'' Color Photograph Framed 16''x13''
• William Turner patinated bronze
  William Turner patinated bronze (Virginia, born 1934), "End of the Day", boy dismounting work horse, edition 25/20, 1993, signed in base "W.H. Turner", cast by Turner Foundry (with certificate), 18-3/4 x 25 x 12 in. Good condition. The Estate of the Late Dolores Ann Keating, Charleston, South Carolina
• RAYMOND NOTT (AMERICAN 1888-1948)
  RAYMOND NOTT (AMERICAN 1888-1948) - END OF DAYPastel on textured paper Signed lower left 18 in. h. x 24 in. w. Framed
• FRANK CORSO (AMERICAN B. 1952),
  FRANK CORSO (AMERICAN B. 1952), DAYS END, COLOR LITHOGRAPH, SIGHT SIZE: 24 X 31 INFrank Corso (American b. 1952), Days End, Color Lithograph, Sight size: 24 x 31 in,
• AFTER A LONG DAY Oil on canvas:
  AFTER A LONG DAY Oil on canvas: 26 1/2 x 21 1/2 in. Framed;
• KEVIN MACDONALD, AMERICAN 1946-2006,
  KEVIN MACDONALD, AMERICAN 1946-2006, END OF DAY, FROM WATER SUITE, 2004, DIGITAL PIGMENT PRINT, SIGHT: 13 3/4 X 13 1/2 IN. (34.93 X 34.29 CM.), FRAME: 25 3/8 X 24 3/4 IN. (64.45 X 62.87 CM.)KEVIN MACDONALD, AMERICAN, 1946-2006 END OF DAY, FROM WATER SUITE, 2004, Digital pigment print Lower left titled: End of Day; lower center numbered: 4/25; lower right signed and dated: Kevin Macdonald 2004 Digital pigment print Dimensions: Sight: 13 3/4 x 13 1/2 in. (34.93 x 34.29 cm.), Frame: 25 3/8 x 24 3/4 in. (64.45 x 62.87 cm.) Provenance: Purchased from Adamson Editions, Washington, D.C., in March 2005; Private Collection Washington DC
• AFTER A LONG DAY Oil on canvas:
  AFTER A LONG DAY Oil on canvas: 26 1/2 x 21 1/2 in. Framed;
• DAVID CHAPPLE (B. 1947): "DAY'S
  DAVID CHAPPLE (B. 1947): "DAY'S END"oil on canvas board signed lower right 11 x 14 inches board; 17 1/2 x 20 1/2 inches frame Condition:
• PETER HURD (AMERICAN 1904-1984)
  PETER HURD (AMERICAN 1904-1984) A PRINT, "DAY'S END,"PETER HURD (American 1904-1984) A PRINT, "Day's End," color lithograph on paper, signed L/R, "Peter Hurd," numbered in pencil L/L 48/260, with one blind stamp in margin. 24" x 23 1/2" Condition: Mild handling but overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
• Eyvind Earle (American, 1916-2000) Days
  Eyvind Earle (American, 1916-2000) Days End Serigraph Signed Eyvind Earle lower right 33 x 27 inches (sight)
• PETER HURD (AMERICAN 1904-1984)
  PETER HURD (AMERICAN 1904-1984) A PRINT, "DAY'S END,"PETER HURD (American 1904-1984) A PRINT, "Day's End," color lithograph on paper, signed L/R, "Peter Hurd," numbered in pencil L/L 48/260, with one blind stamp in margin. 24" x 23 1/2" Condition: Mild handling but overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• John Linnell (1792-1882 British)
  John Linnell (1792-1882 British) End of the Day Farmer Returning Horses to the Farm
• Alphonse Danceau (French, fl. ca.
  Alphonse Danceau (French, fl. ca. 1861-1927) "Day's End", oil on panel, signed lower right, 15" x 7". Presented in a period spiraled leaf-carved giltwood frame.
• ATTRIBUTED TO CHARLES SPRAGUE PEARCE
  ATTRIBUTED TO CHARLES SPRAGUE PEARCE (MA/FRANCE, 1851-1914) End of the Day, Barbizon School, depicting a female farm laborer at rest, oil on canvas, illegibly signed lower right, stencil on back of canvas from A.V. Benoit Artist Materials, 148 Fulton St, NY. (1875-1885), unframed, 30" x 27". Overall craquelure.
• TERELAK, John, (American, 1942):
  TERELAK, John, (American, 1942): End of Day, Oil/Canvas, 24'' x 30'', signed lower left, fine quality contemporary gilded frame 32.50'' x 38.75''.
• FREDERICK MULHAUPT, AMERICAN (1871-1938),
  FREDERICK MULHAUPT, AMERICAN (1871-1938), "END OF THE DAY, GLOUCESTER HARBOR", OIL ON CANVAS, 18 X 24 INCHESFREDERICK MULHAUPT, American, (1871-1938) "End of the Day, Gloucester Harbor", oil on canvas signed lower right "Mulhaupt" oil on canvas Dimensions: 18 x 24 inches Provenance: David H. Hall Fine Art, Dover, Massachusetts; Private Collection, New Jersey. Framed dimensions: 26 1/4 x 32 x 2 inches Tags: seascape / coastal / marine, harbor scene, oil painting, Rockport School, American Impressionism Condition: overall very good condition; unlined canvas; very minor scattered restoration mostly to the sky; in a quality reproduction frame Condition
• ANTIQUE CLICHY "END OF DAY"PAPERWEIGHTDESCRIPTION:
  ANTIQUE CLICHY "END OF DAY"PAPERWEIGHTDESCRIPTION: Antique Clichy "End of Day" glass paperweight with multicolored millefiori designs throughout. Signed with red "C" at cane. CIRCA: 1850s ORIGIN: France DIMENSIONS: H: 2" x D: 3" PROVENANCE: NOTES: Have a similar item to sell? Contact: Info@Akibaantiques.com. CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• PETER MCINTYE, END OF A LONG DAY'S
  PETER MCINTYE, END OF A LONG DAY'S RIDEPeter McIntyre, (1910 - 1995) End of a Long Day's Ride, watercolor, ink on paper signed lower right: PETER MCINTYRE watercolor, ink on paper Dimensions: 20 1/4 x 28 3/8 in. (51.4 x 72.1 cm.), Frame: 32 5/8 x 40 1/2 x 1 1/2 in. (82.9 x 102.9 x 3.8 cm.) Provenance: Savageau Gallery, Denver Shriver Gallery, Taos Private Collection, Colorado
• Maxfield Parrish Print ''At Close
  Maxfield Parrish Print ''At Close of Day'' 1956 complete calendar mint.
• MARIE MARTIN (CALIFORNIA/OREGON,
  MARIE MARTIN (CALIFORNIA/OREGON, BORN 1940) OIL ONMARIE MARTIN (California/Oregon, born 1940) oil on canvas, "End of The Day," Newport, Oregon, featuring the fishing boat "Winona J." Signed lower left, signed again and titled verso. Image measures 24" x 18". In a wood frame; 28.75" x 22.75" overall.
• MARIE MARTIN (CALIFORNIA/OREGON,
  MARIE MARTIN (CALIFORNIA/OREGON, BORN 1940) OIL ONMARIE MARTIN (California/Oregon, born 1940) oil on canvas, "End of The Day," Newport, Oregon, featuring the fishing boat "Winona J." Signed lower left, signed again and titled verso. Image measures 24" x 18". In a wood frame; 28.75" x 22.75" overall.
• Thomas Kinkade framed print display.
  Thomas Kinkade framed print display. Titled ''End of a Perfect Day''. Print matted caption under print reads ''Come follow me and I will make you fishers of men. Matthew 4:19''. Also displayed is a handmade fishing lure relevant to the scene. Condition: dings to frame see images. Print measures 15'' wide x 12.5'' tall. Frame measures 22'' wide x 21'' tall. Shipping weight 5.1 lbs.
• PRINT, EYVIND EARLE Eyvind Earle
  PRINT, EYVIND EARLE Eyvind Earle (American, 1916-2000), "Late Afternoon," 1994, serigraph, signed lower right, edition 146/150, image: 20"h x 30"w, overall (with frame): 30"h x 40"w
• Orientalist school (19th century)
  Orientalist school (19th century) AT THE END OF THE DAY oil on canvas framed unsigned H12'' W18'' Small tear at base of rightmost palm; small puncture at right side of stone archway; indention (or near tear) at leftmost plam; and tear at buildings at center left. UV light examination clean. Back    Inquiry      Previous Item   Next Item © Charlton Hall Auctions.  Images descriptions and condition reports used on this site are original copyright material and are not to be reproduced without permission. For further information telephone 803.779.5678     © 2012 CHARLTON HALL GALLERIES INC.
• PAUL HAMMERSMITH (AMERICAN 20TH
  PAUL HAMMERSMITH (AMERICAN 20TH CENTURY), THE CLOSE OF DAY, MILWAUKEE RIVER, ETCHING, FRAME: 15 X 13 INPaul Hammersmith (American 20th Century), The Close of Day, Milwaukee River, Etching, Frame: 15 x 13 in
• William Anderson Coffin (American,
  William Anderson Coffin (American, 1855-1925) "The Close of Day", oil on canvas, signed lower left "W. A. Coffin", inscribed and indistinctly dated lower left "Grez 1883?", old label en verso "The Close of Day/Old Church at Grez, France/Dates From About the 13th Century/William A. Coffin", retains gallery label en verso "Raydon Gallery, 1091 Madison Avenue, New York". Presented in a period frame. Provenance: Collection of Dr. James W. Nelson, Gonzales, Louisiana.
• BENSON HALWOOD, AMERICAN 20TH/21ST
  BENSON HALWOOD, AMERICAN 20TH/21ST CENTURY, AT DAYS END, WATERCOLOR ON PAPER, SIGNED AND DATED 03 L.R., FRAME: 14 X 23 IN. (35.6 X 58.4 CM.)Benson Halwood, American 20th/21st Century, At Days End, Watercolor on Paper, Signed and dated 03 l.r.,, Dimensions: Frame: 14 x 23 in. (35.6 x 58.4 cm.)