- ENG TAY, A POEM IN EMERALD, COLOR
ENG TAY, A POEM IN EMERALD, COLOR ETCHING, FRAME: 23 X 26 INEng Tay, A Poem in Emerald, Color Etching, Frame: 23 x 26 in
- Eng Tay (Malaysian/American, b.1947),
Eng Tay (Malaysian/American, b.1947), "Composition"; color etching; 18" x 23"; pencil signed, titled, and numbered 73/125 in lower margin.
- Eng Tay (Malaysian/American, b.1947),
Eng Tay (Malaysian/American, b.1947), "Festival Singers"; color etching; 17" x 23"; pencil signed, titled, and numbered 143/174 in lower margin.
- Eng Tay (Malaysian/American, b.1947),
Eng Tay (Malaysian/American, b.1947), "At an Evening Picnic"; color etching; 17" x 23"; pencil signed, titled, and numbered in lower margin.
- Eng Tay (Malaysian/American, b.1947),
Eng Tay (Malaysian/American, b.1947), "A Fine Sunday"; color etching; 15 1/4" x 19 3/4"; pencil signed, titled, and numbered 22/175 in lower margin.
- Eng Tay (Malaysian/American, b.1947),
Eng Tay (Malaysian/American, b.1947), "Harmony"; color etching; 15 1/4" x 19 1/4"; pencil signed, titled, and numbered in lower margin.
- Eng Tay (Malaysian/American, b.1947),
Eng Tay (Malaysian/American, b.1947), "A Moon Ballad"; color etching; 17" x 24"; pencil signed, titled, and numbered 62/175 in lower margin.
- Eng Tay (Malaysian/American b.1947),
Eng Tay (Malaysian/American b.1947), "A Moonlight Night"; color etching; 17 1/2" x 23 1/2"; pencil signed, titled, and numbered 35/125 in lower margin.
- Eng Tay (Malaysian/American, b.1947),
Eng Tay (Malaysian/American, b.1947), "Summer Moon above Penang Hill"; color etching; 23 1/2" x 17 1/4"; pencil signed, titled, and numbered 72/175 in lower margin.
- Eng Tay (Malaysian/American, b.1947),
Eng Tay (Malaysian/American, b.1947), "Nightfall"; color etching; 15 1/4" x 19 1/4"; pencil signed, titled, and numbered 46/175 in lower margin.
- Eng Tay (Malaysian/American, b.1947),
Eng Tay (Malaysian/American, b.1947), "Midnight Vendor"; color etching; 18" x 23"; pencil signed, titled, and numbered 70/125 lower margin.
- Eng Tay (Malaysian/American, b.1947),
Eng Tay (Malaysian/American, b.1947), "Lovers II"; color etching; 15 1/4" x 19 1/4"; pencil signed, titled, and numbered 52/175 in lower margin.
- Eng Tay (Malaysian/American, b.1947),
Eng Tay (Malaysian/American, b.1947), "Sound of Dusk"; color etching; 19 1/4" x 15 1/4"; pencil signed, titled, and numbered 56/175 in lower margin.
- Eng Tay (Malaysian/American, b.1947),
Eng Tay (Malaysian/American, b.1947), "Nightfall"; color etching; 15 1/4 x 19 1/4"; pencil signed, titled, and numbered 43/125 in lower margin.
- ENG TAY MODERN FIGURATIVE LITHOGRAPHS
ENG TAY MODERN FIGURATIVE LITHOGRAPHS New York, Malaysiab. 1947Each titled "Joy," includes six lithographs depicting numerous figures singing or playing instruments. Tay studied at the Art Students League and the School of Visual Arts in New York. His works can be found at the Fukuyama Museum of Art, and the Taipei Fine Arts Museum as well as in private collections.
- NG ENG TENG (SINGAPORE, 1934-2001)
NG ENG TENG (SINGAPORE, 1934-2001) CERAMIC SCULPTUNG ENG TENG (Singapore, 1934-2001) ceramic sculpture, bust of a man. Signed, dated 1968. The bust measures 15" x 8" x 10"; mounted to a wood plinth, 21" high overall.
- 2 ENG TAY MODERN FIGURATIVE ETCHINGS
2 ENG TAY MODERN FIGURATIVE ETCHINGS New York, Malaysia,b.1947Includes "Season for Harmony" edition 9 of 175, and "Awaiting Festivals" without an edition number. Smallest impression 3" x 4" Smallest frame 10 1/8" x 8"
- FIGURAL PIG-TRAP STICK ("TUN TUN"),
FIGURAL PIG-TRAP STICK ("TUN TUN"), IBAN DAYAK PEOPLE Figural Pig-Trap Stick ("Tun Tun"), Iban Dayak people, Sarawak State, Borneo/Kalimantan, Malaysia side of the border with Indonesia, the anthropomorphic hunkered figure, folded arms with elbows resting on drawn-up knees, atop having an integrally carved wood flat-brim hat, tiny white eyes probably single beads, and long stick below figure to set the pig trap, 20.5"l
- DANG LEBADANG. UNTITLED, ETCHING
DANG LEBADANG. UNTITLED, ETCHING Etching on embossed paper, ed. 229/250, signed lr, sheet size: 19 1/2 x 17 1/2 in., framed.
- ENGRAVING HANDCOLORED - 'Sing Sing
ENGRAVING HANDCOLORED - 'Sing Sing Prison and Tappan Sea' by William Henry Bartlett (1809-1854) viewed from hill above looking down towards the Hudson in modern gold molded stick frame blue-grey mat glazed SS: 6 3/8'' x 8'' OS: 12'' x 13 1/2'' very g
- A black and white etching (1/40)
A black and white etching (1/40) of a tiger signed in pencil ''E.J. Detmold '' 35 x 25 cm.
- SOUTHEAST ASIAN TAOIST TRADITION,
SOUTHEAST ASIAN TAOIST TRADITION, HUN-TUN TYPE STILL LIFE, INK AND GOUACHE ON SILK, FRAMED, 36-3/4 X 18-7/8 INSoutheast Asian Taoist Tradition, Hun-Tun Type Still Life, Ink and Gouache on Silk, Framed, 36-3/4 x 18-7/8 in
- TSENG YING PANG. SELF-PORTRAIT
TSENG YING PANG. SELF-PORTRAIT WITH CIGARETTE, OIL (Chinese, 1916-1997). Oil on paper, signed ll, sight size: 21 x 12 1/2 in., framed size: 30 x 22 inches.
- An English Gilt Bronze Encrier
An English Gilt Bronze Encrier mid-19th c. the base with pierced floral surround and scrolled handles hinged central compartment with dolphin finial flanked by glass inkwells with copper liners accompanied by two Victorian writing implements one a retractable agate-mounted pencil engraved "Towson Ellis" the other a mother-of-pearl handled quill pen height 5 1/2 in. width 14 3/4 in. depth 7 3/8 in. Note: Lacking one pen rest mount. Provenance: Descended in the Ellis/Denis/Beauvais-Decuir Family.
- TAY BAK KOI (SINGAPOREAN 1939-2005)
UNTITLED
TAY BAK KOI (SINGAPOREAN 1939-2005)
UNTITLED ??? ?? ???? ??mixed media on paper, framed, signed 'Bak Koi' lower-middle right(1)59.5cm x 59.5cmProvenance: Private Scottish collection, by repute acquired from Singapore in the early 1980sNote: A second-generation Singaporean artist, Tay Bak Koi is well known for paintings with Southeast Asian themes, this includes the portrayals of fishing villages, kampong scenes and buffalo. Over and beyond the quintessential realistic depiction of Southeast Asian lives, his distinctive style combined a mixture of realism and fantasy to create truly unique works of art. Predominantly using oil paint, watercolour was another favoured medium for Tay. In the example presented here, Tay employs watercolour as the base, oil, gouache or other mediums to detail the landscape, achieving a sense of tranquillity and modernity.
- VIETNAMESE IMPERIAL EDICT Vietnamese
VIETNAMESE IMPERIAL EDICT Vietnamese imperial edict, ink on paper, featuring a dragon, bearing date 'Chieu Thong nguyen nien' (Chieu Thong first year, corresponding to 1787), overall (framed): 27"h x 61"w; Provenance: Prominent Private Collection from San Diego, California
- ENGLE. AFRICAN DRUMMERS, BRUSH
ENGLE. AFRICAN DRUMMERS, BRUSH AND INK ON PAPER Possibly Robert Engle, brush and ink on paper, signed lr, sight size: 16 3/4 x 13 1/4 in., framed.
- TONY ANGELL: "MAGPIES"pen and ink
TONY ANGELL: "MAGPIES"pen and ink signed lower right Provenance: The Douglas & Eunice Goodan Living Trust Altermann Galleries: August 11, 2012 25 x 20 inches Condition:
- ENGLISH OR AMERICAN WROUGHT IRON
ENGLISH OR AMERICAN WROUGHT IRON EMBER TONGSEnglish or American wrought iron ember tongs, 18th c. , with an acorn finial, ring-turned shaft, and penny terminals, 14 1/2" l. Provenance: The Collection of F.R. "Bud" Lear III.
Competitive in-house shipping is available for this lot.
- JOHN TAYLOR ARMS. "THE ENCHANTED
JOHN TAYLOR ARMS. "THE ENCHANTED DOORWAY, VENEZIA," ETCHING (American, 1887-1953). Etching, signed and dated "John Taylor Arms,1930" lr, 16 1/4 x 11 1/4 in., unframed.
- ENGEL, Fritz, (German, 1877-1956):
ENGEL, Fritz, (German, 1877-1956): Portrait Bust of a Young Male, Patinated Terracotta, 17.5'' in height, signed.
- ENGLISH INLAID MAHOGANY TEA CADDYEnglish
ENGLISH INLAID MAHOGANY TEA CADDYEnglish Inlaid Mahogany Tea Caddy , 19th c., shell inlay, interior with removable lidded canisters, associated mixing bowl, h. 8 in., w. 17 in., d. 13 3/4 in.
- E Taylor (1780-1830)/Portrait Miniature
E Taylor (1780-1830)/Portrait Miniature of a Gentleman/wearing a black coat, white shirt and black stock/signed and dated 1828/watercolour on ivory, 54mm x 42mm/with red Morocco leather outer case/Ivory registration reference: 9XYXUEQZ/Provenance: The Estate of Anthony J Beeson
- ENGLISH STYLE TOLE WARE TRAY ON
ENGLISH STYLE TOLE WARE TRAY ON STAND Late 20th century, painted metal tray with scenic river vignette, intricate gilt borders with scalloped edge, set on a custom ebonized wood stand with faux bamboo legs and stretcher base with gilt highlight, the underside of the stand with carved name "J. Nugent".
- AFTER TANG YUN (Chinese 1910-1993).
AFTER TANG YUN (Chinese 1910-1993). EAGLE ON ROCKERY ink and color on paper scroll signed and sealed - Sight: 38 in. x 14 in.
- CHUAH THEAN TENG (CHINESE/MALAYSIAN,Chuah
CHUAH THEAN TENG (CHINESE/MALAYSIAN,Chuah Thean Teng (Chinese/Malaysian, 1912-2008), "At the Fruit Stall", 1975, batik on cloth, signed lower right, label with signature, artist stamp, title and date and "Yahong Gallery, Penang, Malaysia" label attached en verso, 24 in. x 18 1/2 in., framed, overall 28 in. x 22 1/2 in. x 2 1/2 in.; accompanied by booklet Batik Painting by Teng. (2 pcs.)