A few examples of appraisal values for
ENOCH WOOD

• Enoch Wood Perry, Jr. (1831-1915)
  Enoch Wood Perry, Jr. (1831-1915) American oil on canvas woodland landscape titled "Home of the Hermit - Thrush". 23.5" x 19.5" ss / 31.5" x 27.5" oa Condition: Relined, minor inpainting noted.
• ENOCH WOOD WHITE STONEWARE
  ENOCH WOOD WHITE STONEWARE BLUE-GROUND LARGE OVAL PLAQUE, 'THE DESCENT FROM THE CROSS'ENOCH WOOD WHITE STONEWARE BLUE-GROUND LARGE OVAL PLAQUE, 'THE DESCENT FROM THE CROSS', circa 1777, the foreground inscribed 'Enoch Wood Sculpt.', based off a painting in the Louvre titled, La Descente de Croix (1697) by Jean Jouvenet, in white relief with Christ being lowered from the Crucifix, at the top of the Cross is a scroll inscribed 'JESUS OF NAZARETH KING OF THE JEWS', reserved on an enameled blue ground, h: 20.25 in., framed Provenance: Sara & Samuel Laver Collection. Skinner, Boston, 14 July 2018, sale 3115B, lot 225. Jeffrey Milkins Collection no. 927. Catalogue Notes: For a later example from Lady Charlotte Schreiber's Collection, noted as by Enoch Wood & Sons, circa 1825, see the Victoria & Albert Museum, accession no. 414:1306-1885 (Schreiber number - Sch. II 553). Also reference Jonathan Horne, 'A Collection of Early English Pottery', no. 540; and Henry Hartland, 'Letter to the Editor: Enoch Wood Plaque', Apollo, June 1954. A third octagonal example is set in mortar in the Enoch Wood family vault. In the family Bible Enoch Wood writes, "Within this [Family] Vault there is deposited a large Basso Rilievo of the Descent from the Cross modeled by myself, also a Crucifix modeled at 14 years old." Literature: Diana Edwards, 'English Dry Bodied Stoneware' p. 198.
• CLAY ENOCH (20TH/21ST CENTURY)
  CLAY ENOCH (20TH/21ST CENTURY) BRONZE SCULPTUREClay Enoch (Tennessee 20th/21st Century)Praise (2002)The 30-inch cruciform composition of a standing male figure wrapped in flowing cloth is signed, dated and numbered 1 of only 15 castings on the base.Measures 30 x 17.5 x 10.25 inches.Very good condition throughout, no damage, repair or wear.Provenance: A Mission Hills, Kansas estate.
• EKOI PEOPLE, WOOD HEAD CREST 20th
  EKOI PEOPLE, WOOD HEAD CREST 20th c., Nigeria, leather clad carved wood, horse hide hair, metal teeth, modeled as a head with open mouth and exposed tongue, three lines of scarification, approx. 8"h x 7"dia
• Ellsworth Woodward (American/New
  Ellsworth Woodward (American/New Orleans, 1861-1939) "Trees", etching, sight 10" x 8", monogrammed and dated lower left "EW 31". Glazed, double matted and presented in an ebonized frame.
• DALE ENOCHS (AMERICAN,
  DALE ENOCHS (AMERICAN, CONTEMPORARY) 8'4" x 21" x 17" Untitled. Monumental wood and stone sculpture.
• Ellsworth Woodward (American/New
  Ellsworth Woodward (American/New Orleans, 1861-1939) "Tall Pines, Covington", etching, sheet 10-1/4" x 8-1/2", monogrammed and dated lower right "EW '35". Glazed, matted and presented in a parcel-gilt and ebonized frame.
• ESTEBAN MENDOZA (VENEZUELAN,
  ESTEBAN MENDOZA (VENEZUELAN, 1936-2014), CARVED WOODEN FIGURAL TOTEM Circa 1970s, hewn from a solid piece of wood, depicting a figure with hands covering face, signed to base obverse.
• Ellsworth Woodward (American/New
  Ellsworth Woodward (American/New Orleans, 1861-1939) "House in the Woods (Family Home in Seekonk, MA)", etching, sight 11-1/2" x 7-1/4", monogrammed lower right "EW". Glazed, double matted and presented in a carved giltwood frame.
• FRITZ EICHENBERG (GERMAN, 1901 -
  FRITZ EICHENBERG (GERMAN, 1901 - 1990) 16½" x 9¾" folio; 12" x 9½" x 1" book "Ten Wood Engravings for the Old Testament", 1955, and "The Wood and the Graver: The Wotk of Fritz Eichenberg" first edition signed book. Wood engravings on paper in dark brick red portfolio cover, with title and list of contents pasted on the front. Comprising of "The First Seven Days", "And Their Eyes Were Opened", "And In Her Mouth Was an Olive Leaf", "And She Became a Pillar of Salt", "The Lamentations of Jeremiah", "The Book of Job", "The Book of Jonah", "The Peaceable Kingdom", "And David Took a Harp", "And His Strength Went from Him". Each 16 x 9? inches, titled, numbered 30/200, and signed in pencil; each signed in plate at lower left or right.
• Wood (JT) 'Discoveries at Ephesus',
  Wood (JT) 'Discoveries at Ephesus', 8vo, London, 1877. Orig. cloth binding, rather worn (1)/Provenance: The Estate of Anthony J Beeson
• JOSEPH ELIOT ENNEKING
  JOSEPH ELIOT ENNEKING (MASSACHUSETTS, 1881-1942), PATH THROUGH THE WOODS., OIL ON BOARD, 10" X 14". FRAMED 12" X 16".JOSEPH ELIOT ENNEKING, Massachusetts, 1881-1942, Path through the woods. Signed and dated lower left "J. Eliot Enneking 1908". Dimensions: Oil on board, 10" x 14". Framed 12" x 16".
• Ellsworth Woodward (American/New
  Ellsworth Woodward (American/New Orleans, 1861-1939) "Wind-Swept Trees, Grande Isle, LA", etching, sight 7" x 11", monogrammed lower left "EW". Glazed, matted and presented in a carved giltwood frame.
• COLLECTION OF PRIMITIVE WOOD
  COLLECTION OF PRIMITIVE WOOD CARVINGScomprising an eel (31 inches wide); double edge weapon (27 1/2 x 13 inches); erotic two piece (19 1/2 inches high); standing bird (25 1/2 inches high); sword (31 1/2 inches wide); handle instrument (16 1/4 inches high); totem pole (38 inches high); Provenance: The E.T. and Wife Collection, Long Beach, California; Condition: break to the wooden instrument; Condition:
• ENOCH WOOD PERRY 'THE LONELY
  ENOCH WOOD PERRY 'THE LONELY MONK' O/C, 1905 Enoch Wood Perry, Jr. (American 1831-1915), 'The Lonely Monk (Cloister in Palermo)', 1905, oil on canvas, depicting a single monk seated amongst flowers outside an Abbey, signed and dated to lower left, framed. Approximate dimensions: canvas h. 25", w. 30.125"; frame h. 28.625", w. 33.375", d. 1.75" to canvas
• A Black Forest Carved Easel of
  A Black Forest Carved Easel of triangular form naturalistically carved with branch and leaf decoration. Height 68 1/2 inches.
• Ellsworth Woodward (American/New
  Ellsworth Woodward (American/New Orleans, 1861-1939) "Kneeling Nude", etching, trial proof, sheet 9-1/4" x 9", monogrammed lower left "E.W.". Glazed, matted and presented in giltwood and ebonized frame.
• Tolson folk art carving, Adam and
  Tolson folk art carving, Adam and Eve in the garden of Eden before tree encircled by snake, wood-burned on back "Temptation of Adam and Eve, carved by Donny Tolson, 1/21/1990" (Campton, Kentucky, born 1958), probably poplar and yellow pine, 15 x 18 x 11 in. Small separation in snake possibly as made, minor separations on tops of heads, otherwise excellent condition.
• ENOCH WOOD PERRY (NH, 1831-1915)
  ENOCH WOOD PERRY (NH, 1831-1915) "The Pemigewasset Coach, Crossing a Birch Frame Bridge", oil on canvas, initialed lower right, in a monumental Aesthetic period gilt frame, OS: 39 1/2" x 47 1/2", SS: 27 1/2" x 35 1/2". Good condition.
• ELLSWORTH WOODWARD
  ELLSWORTH WOODWARD (AMERICAN/LOUISIANA, 1861_Ellsworth Woodward (American/Louisiana, 1861-1939), "Abishag the Shunamite (Standing Nude with Long Hair, Boyer 86)", one watercolor and one etching on paper, watercolor unsigned, etching pencil-signed, titled and numbered "Ed. 25 #1" lower margin and initialed "E.W." in plate, 10 1/2 in. x 7 3/4 in. and 13 3/4 in. x 9 1/2 in., unframed. (2 pcs.). Provenance: Collection of Gretchen and Alonzo Lansford, New Orleans
• Early wooden sign ''E.J. Dunn
  Early wooden sign ''E.J. Dunn Wood Carver''. 19'' x 24''.
• African tree of life wood
  African tree of life wood carving. 35'' Ht.
• Ellsworth Woodward (American/New
  Ellsworth Woodward (American/New Orleans, 1861-1939) "Louisiana Woodland View with Pines and Swamp Maple", watercolor on board, sight 14" x 9", initialed lower left "E. W.". Glazed, matted and presented in a contemporary giltwood frame. Reference: Jean Moore Bragg and Dr. Susan Saward, Painting the Town: The Woodward Brothers Come to New Orleans; this watercolor is illustrated on page 243.
• Ellsworth Woodward (American/New
  Ellsworth Woodward (American/New Orleans, 1861-1939) "Army Chaplain", etching, sight 9" x 7", litho-mongrammed lower right "E.W., pencil titled lower left, pencil signed lower right "E. Woodward". Glazed, matted and presented in a carved giltwood frame.
• Ellsworth Woodward (American/New
  Ellsworth Woodward (American/New Orleans, 1861-1939) "European Winter Scene with Snow Covered Trees and Bridge", etching, artist's proof, sight 7" x 10", monogrammed lower right "E.W.". Glazed, double matted and presented in a carved giltwood frame.
• FINE E.W. CARPENTER WOODEN
  FINE E.W. CARPENTER WOODEN COMPLEX MOLDING PLANEca. 1826-1862; 2" wide ogee complex molding plane with W. Butcher blade, mounted hardwood (possible rosewood) handle, marked on tail "A.J. Auxer", by E.W. Carpenter, Lancaster, PA, 13 1/2"x 3 1/4"x 6"; Condition: chip to handle, otherwise fully restored
• BAGA WOODEN A-TSHOL, EX-JOSEF
  BAGA WOODEN A-TSHOL, EX-JOSEF MUELLER COLLECTION Guinea, the carved anok shrine figure with avian heads and long sharp beak, supported by globular base, accession label to underside, 13"h x 10"l x 5"w
• Ellsworth Woodward (American/New
  Ellsworth Woodward (American/New Orleans, 1861-1939) \"Dominican Friar, Munich\", etching, sight 7-1/2\" x 5-1/2\", monogrammed lower right \"E.W.\". Glazed, double matted and presented in a parcel-gilt and ebonized frame.
• ELWOOD G. JACOBS III (B. 1955,
  ELWOOD G. JACOBS III (B. 1955, TUSCARORA IROQUOIS)Elwood G. Jacobs III (b. 1955, Tuscarora Iroquois), A carved soapstone pipe, 1993 Signed: EG Jacobs III / 7-93 / © A pipe with a carved soapstone eagle's head pipe bowl attached to a carved spiral wood stem, 2 pieces Dimensions: Stone: 5" L x 2.75" H x 1" Dia.; stem: 17.5" L x 1.5" H Provenance: The Estate of Eleanor Koffler
• Ellsworth Woodward (American/New
  Ellsworth Woodward (American/New Orleans, 1861-1939) "Venetian Doorway", etching, artist's proof, sight 8-1/4" x 6". Glazed, double matted and presented in a carved wooden frame.
• Turned Wood. Collection of four
  Turned Wood. Collection of four vessels. c. 2001, Australian grass tree wood, desert ironwood and turquoise, madrone wenge. 7 h × 7 dia in. result: $567. estimate: $1,000–2,000. Lot is comprised of one work each by Jack de Vos, Wally Dickerman, Morrie Wilmer, and an unidentified artist. Signed and dated to underside of three examples ‘Jack de Vos. Grasstree 2001’, ‘Wally Dickerman Madrone Wenge’, and incised ‘Morrie D. Elmer 60205 Desert Ironwood and Turquoise’.
• ENOCH WOOD BLUE SOLID JASPERWARE
  ENOCH WOOD BLUE SOLID JASPERWARE OVAL MEDALLION OF HERCULES AND NEMEAN LIONENOCH WOOD BLUE SOLID JASPERWARE OVAL MEDALLION OF HERCULES AND NEMEAN LION, circa 1784-1789, impressed ENOCH WOOD, SCULPSIT., applied in high relief with Hercules wrestling the Nemean lion, a club at his feet, on a dais, h: 3 3/4 in. Provenance: With Malcolm Magruder, Millwood, VA, 2016. Jeffrey Milkins Collection, no. 858.
• Carved Black Forest woodsman
  Carved Black Forest woodsman holding an axe probably late 19th c. 25"h.x9.5"w.
• Unusual Polished Specimen of
  Unusual Polished Specimen of Petrified Wood, the roughly ovate-shaped specimen in brown, ochre, gray and white with an overall polished surface, displayed on a black wood and steel display stand, l. 15".
• LARGE "E.W. CARPENTER, LANCASTER"
  LARGE "E.W. CARPENTER, LANCASTER" WOODEN COMPLEX Mca. 1826-1859; large handle reverse ogee wooden molding plane with W. Butcher blade and drilled tow hole, plane has multiple owner strikes of "S. Mowerer", 2 1/2"x 14 1/2"; Condition: good
• GROUP OF FIVE TERRY EVANS CARVED
  GROUP OF FIVE TERRY EVANS CARVED SPIRITWOOD PIECESGroup of Five Terry Evans Carved Spiritwood Pieces, to include two teapots, triple box, box with handle, along with a small box; all hand carved, made up of Bubinga boxwood indian rosewood, red elm, walnut, sycamore, wenge, ash, as well as birdseye maple, tallest 11 1/2 inches. Provenance: Estate of Peter Tillou, Litchfield, Connecticut. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.