A few examples of appraisal values for
ENOCH WOOD AND SONS

• ENOCH WOOD WHITE STONEWARE
  ENOCH WOOD WHITE STONEWARE BLUE-GROUND LARGE OVAL PLAQUE, 'THE DESCENT FROM THE CROSS'ENOCH WOOD WHITE STONEWARE BLUE-GROUND LARGE OVAL PLAQUE, 'THE DESCENT FROM THE CROSS', circa 1777, the foreground inscribed 'Enoch Wood Sculpt.', based off a painting in the Louvre titled, La Descente de Croix (1697) by Jean Jouvenet, in white relief with Christ being lowered from the Crucifix, at the top of the Cross is a scroll inscribed 'JESUS OF NAZARETH KING OF THE JEWS', reserved on an enameled blue ground, h: 20.25 in., framed Provenance: Sara & Samuel Laver Collection. Skinner, Boston, 14 July 2018, sale 3115B, lot 225. Jeffrey Milkins Collection no. 927. Catalogue Notes: For a later example from Lady Charlotte Schreiber's Collection, noted as by Enoch Wood & Sons, circa 1825, see the Victoria & Albert Museum, accession no. 414:1306-1885 (Schreiber number - Sch. II 553). Also reference Jonathan Horne, 'A Collection of Early English Pottery', no. 540; and Henry Hartland, 'Letter to the Editor: Enoch Wood Plaque', Apollo, June 1954. A third octagonal example is set in mortar in the Enoch Wood family vault. In the family Bible Enoch Wood writes, "Within this [Family] Vault there is deposited a large Basso Rilievo of the Descent from the Cross modeled by myself, also a Crucifix modeled at 14 years old." Literature: Diana Edwards, 'English Dry Bodied Stoneware' p. 198.
• Enoch Wood Perry, Jr. (1831-1915)
  Enoch Wood Perry, Jr. (1831-1915) American oil on canvas woodland landscape titled "Home of the Hermit - Thrush". 23.5" x 19.5" ss / 31.5" x 27.5" oa Condition: Relined, minor inpainting noted.
• Ellsworth Woodward (American/New
  Ellsworth Woodward (American/New Orleans, 1861-1939) "House in the Woods (Family Home in Seekonk, MA)", etching, sight 11-1/2" x 7-1/4", monogrammed lower right "EW". Glazed, double matted and presented in a carved giltwood frame.
• Ellsworth Woodward (American/New
  Ellsworth Woodward (American/New Orleans, 1861-1939) "Trees", etching, sight 10" x 8", monogrammed and dated lower left "EW 31". Glazed, double matted and presented in an ebonized frame.
• The Young Wood Cutters by Adam
  The Young Wood Cutters by Adam Emory Albright Adam Emory Albright (American 1862-1957) ?20th century. Oil on canvas signed l.l.; 14 x 16.5 in. (sight). Former property of the collections of Arthur Andersen of Arthur Andersen LLP. Chicago IL Condition: Varnish has darkened otherwise the work is in excellent condition and has not been lined.
• An Enoch Wood pearlware figure of
  An Enoch Wood pearlware figure of the Madonna and child seated on a stool, set on a rectangular base, 34cm high/see illustration
• Ellsworth Woodward (American/New
  Ellsworth Woodward (American/New Orleans, 1861-1939) "The Elder Brother", etching, sight 10" x 8", pencil titled lower left, pencil signed lower right "E. Woodward". Glazed, matted and presented in a parcel-gilt frame.
• Ellsworth Woodward (American/New
  Ellsworth Woodward (American/New Orleans, 1861-1939) "Tall Pines, Covington", etching, sheet 10-1/4" x 8-1/2", monogrammed and dated lower right "EW '35". Glazed, matted and presented in a parcel-gilt and ebonized frame.
• Ellsworth Woodward (American/New
  Ellsworth Woodward (American/New Orleans, 1861-1939) "Seated Pensive Boy", ink, 10-1/2" x 9", signed "E. Woodward". Glazed, matted and presented in a silver-leaf and satin black-painted carved frame in the neoclassical taste.
• FOUR THOMAS NASON (1889 - 1971)
  FOUR THOMAS NASON (1889 - 1971) WOOD ENGRAVINGS AND ETC...Four Thomas Nason (1889 - 1971) Wood Engravings and Etchings to include "Tautem Farm"; lake shore; farm scape and farm barn largest sight size: 10 1/2" x 6 1/4" Provenance: The Estate of Diana Atwood Johnson Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• "TREEN AND OTHER WOODEN BYGONES" BY
  "TREEN AND OTHER WOODEN BYGONES" BY EDWARD H.Pinto. Published 1969 by J. G. Bell & Sons, London. Original dust jacket shows tears and chipping.
• Tolson folk art carving, Adam and
  Tolson folk art carving, Adam and Eve in the garden of Eden before tree encircled by snake, wood-burned on back "Temptation of Adam and Eve, carved by Donny Tolson, 1/21/1990" (Campton, Kentucky, born 1958), probably poplar and yellow pine, 15 x 18 x 11 in. Small separation in snake possibly as made, minor separations on tops of heads, otherwise excellent condition.
• Ellsworth Woodward (American/New
  Ellsworth Woodward (American/New Orleans, 1861-1939) "Louisiana Woodland View with Pines and Swamp Maple", watercolor on board, sight 14" x 9", initialed lower left "E. W.". Glazed, matted and presented in a contemporary giltwood frame. Reference: Jean Moore Bragg and Dr. Susan Saward, Painting the Town: The Woodward Brothers Come to New Orleans; this watercolor is illustrated on page 243.
• FIVE THOMAS MASON (1889 - 1971)
  FIVE THOMAS MASON (1889 - 1971) WOOD ENGRAVINGS AND ETC...Five Thomas Nason (1889 - 1971) wood engravings and etchings to include "Summer Clouds", "Village Street", "Louisburg Square", "Trees and Mountains", "Old Lyme Congregational Church" all pencil signed, largest sight size: 11" x 8 1/2". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• ZEEMAN, Enoch. O/C Portrait
  ZEEMAN, Enoch. O/C Portrait "Nicoll, Mrs Gunter, Mother of Sir Charles" Signed lower right and titled lower left. Size: 80 x 52. In good giltwood frame with a 2.5 inch molding profile, good corners. Condition: relined, abrasion and surface tear center. Enoch Seeman, English, c.1694-1744.
• CLAY ENOCH (20TH/21ST CENTURY)
  CLAY ENOCH (20TH/21ST CENTURY) BRONZE SCULPTUREClay Enoch (Tennessee 20th/21st Century)Praise (2002)The 30-inch cruciform composition of a standing male figure wrapped in flowing cloth is signed, dated and numbered 1 of only 15 castings on the base.Measures 30 x 17.5 x 10.25 inches.Very good condition throughout, no damage, repair or wear.Provenance: A Mission Hills, Kansas estate.
• Wood Engravings by Timothy Cole
  Wood Engravings by Timothy Cole Timothy Cole (American 1852-1931).  Lot of 10 wood engravings printed on Japan paper between 1888-1892 and 1909: Music (detail) after a painting atributed to Taddeo Gaddi The Visitation of Mary to Elizabeth after Giotto The Expulsion From Paradise after Masaccio Three Heads (detail) after Simone Martini Burial of the Virgin after Duccio Battle of St. Ephesius after Spinello Two Angels after Andrea del Sarto The Visitation after Albertinelli The Annunciation after Fra Angelico and La Maternite after Carriere all signed in graphite l.r. four are also signed in graphite by JC Bauer l.l.; largest 6.75 x 8.25 in. (plate) Property of the Toledo Museum of Art Sold to Benefit the Acquisition Fund Condition: Two Angels: slight crease.  La Maternite: poor condition torn l.l.
• DALE ENOCHS (AMERICAN,
  DALE ENOCHS (AMERICAN, CONTEMPORARY) 8'4" x 21" x 17" Untitled. Monumental wood and stone sculpture.
• FATHER & SON CARVING BY CHARLIE
  FATHER & SON CARVING BY CHARLIE TANNERA Charles (Charlie) Tanner (1904-1982) folk art carving, father & son, with matching outfits, signed and dated Eagle Head, NS, 1979 at base. Measuring, 9.75" high. Provenance: Private Ontario Collection.
• 4 WOODEN BOXESTwo ebonized wood
  4 WOODEN BOXESTwo ebonized wood boxes with brass fittings, inscription on inside of one "All Worship Be to God Only," scratches, chips, paint loss on both, 11"L x 5 1/2"W x 3"H; black lacquer painted box with birds, minor scratches, chips, marks, 11 1/4"L x 5 1/2"W x 2 1/2"H; diamond pattern inlayed wood box with brass trim, velvet lined, some scratches, inlay loss, chips, brass trim loose, 8 1/2"L x 6"W x 3 1/2"H.
• An etching by C.O. Murray after
  An etching by C.O. Murray after G.L. Seymour ''Cliefden Woods'' and two other framed prints.
• JOSEPH ELIOT ENNEKING
  JOSEPH ELIOT ENNEKING (MASSACHUSETTS, 1881-1942), PATH THROUGH THE WOODS., OIL ON BOARD, 10" X 14". FRAMED 12" X 16".JOSEPH ELIOT ENNEKING, Massachusetts, 1881-1942, Path through the woods. Signed and dated lower left "J. Eliot Enneking 1908". Dimensions: Oil on board, 10" x 14". Framed 12" x 16".
• Wood (JT) 'Discoveries at Ephesus',
  Wood (JT) 'Discoveries at Ephesus', 8vo, London, 1877. Orig. cloth binding, rather worn (1)/Provenance: The Estate of Anthony J Beeson
• VINTAGE ETCHING OF MEN SPLITTING
  VINTAGE ETCHING OF MEN SPLITTING WOOD Etching in brown ink on paper, mid 20th century, possibly a later printing of an etching by Paul Sandby, matted and framed.
• WILLIAM TONKS & SONS, MANNER OF
  WILLIAM TONKS & SONS, MANNER OF THOMAS JECKYLL GROUP OF AESTHETIC MOVEMENT DOOR FURNITURE, CIRCA 1880 comprising FOUR FINGERPLATES, 28cm long; FOUR DOOR HANDLES, 5.5cm diameter; and FOUR ESCUTCHEONS, 6cm long, fingerplates with stamped manufacturer's mark WT&S(12)
• E.M. BANNISTER OIL PAINTING
  E.M. BANNISTER OIL PAINTING WOODLAND19th century large oil on canvas depicting a woodland with deer attr. to Edward Mitchell Bannister 1828-1901. In fine gilt cove frame. Back of frame has name in chalk BANISTER (sic), front has wood plaque. 20 x 30 inches, framed 31 x 41. VG condition.
• 4 PIECE ART LOT ETCHINGS &
  4 PIECE ART LOT ETCHINGS & WOODCUTS4 piece art lot. Milly Fallman etching, Abraham & Isaac, signed, numbered 6/12, dated 1962 and titled in pencil in the lower margin, 11 1/2" x 7 1/2" (with frame 17" x 12 1/4"); D. Neufeld woodcut, Power Plant, artist initialed in the plate lower left and signed and titled in pencil in the lower margin, 7 1/2" x 5 1/4" (with frame 11 7/8" x 10"); Henryk (Henoch) Barczynski etching, couple, pencil signed and dated 25 lower right, 6" x 7 3/4" (with frame 11 1/4" x 13 1/4"); triptych etching, Non-Descript, signed illegibly, titled and numbered 3/10 in pencil in the lower margin, 9 1/4" x 18 1/2" (with frame 15 3/4" x 24 3/4"). Fallman waviness to paper, toning to paper and mat; Neufeld waviness to paper; Barczynski foxing to margins, chips and losses to frame; Non-Descript waviness to paper, toning to paper and mat.
• DALE ENOCHS (AMERICAN,
  DALE ENOCHS (AMERICAN, CONTEMPORARY) 65" x 16" x 8" "Mono Myth", 1984. Stone, signed and dated on base.
• Richard Woodman (English,
  Richard Woodman (English, 1784-1859), after the painting by James Baranger the Younger (English, 1780-1800) "The Earl of Derby's Stag Hounds", 1823, large colored proof engraving with the subjects identified in the basal margin, presented in a period carved giltwood and plaster frame in the neoclassical style and glazed, h. 26-1/2", w. 31-1/2".
• LOT OF TWO WOOD ENGRAVING AFTER
  LOT OF TWO WOOD ENGRAVING AFTER LEONARD BASKIN(1922-2000) ONE DEPICTS WILLIAM MORRIS, ENGLISH POET, ARTIST, CRAFTSMAN, SOCIAL REFORMER, AND FOUNDER OF THE ENGLISH ARTS AND CRAFTS MOVEMENT. SIGNED IN THE LOWER LEFT. #109/175 SIGHT SIZE 5 1/2” X 4” IN A PERIOD GILDED FRAME 20 1/2” X 16 1/2” EXCELLENT CONDITION. ALONG WITH A WOOD ENGRAVING DEPICTING FAMOUS AMERICAN ARTIST, THOMAS EAKINS #74/90 SIGHT SIZE 18” X 13” WITH A MODERN FRAME 25” X 23”
• Ellicott family carved wood wall
  Ellicott family carved wood wall pocket, two pieces white cedar joined and shaped as cornucopia, vines and flowers carved in relief below scalloped top, gray-painted surface possibly over red primer, inscribed in pencil on back "Ellicott", inscribed in pencil on interior indistinctly, Maryland, 1820-1840, 13 in. Minor separation of seam, old cut nail repairs, minor chips to top rim. Descended in the Ellicott family; Sumpter Priddy III, Inc., Alexandria, Virginia, 1998
• Ellsworth Woodward (American/New
  Ellsworth Woodward (American/New Orleans, 1861-1939) "Wind-Swept Trees, Grande Isle, LA", etching, sight 7" x 11", monogrammed lower left "EW". Glazed, matted and presented in a carved giltwood frame.
• FRITZ EICHENBERG (GERMAN, 1901 -
  FRITZ EICHENBERG (GERMAN, 1901 - 1990) 16½" x 9¾" folio; 12" x 9½" x 1" book "Ten Wood Engravings for the Old Testament", 1955, and "The Wood and the Graver: The Wotk of Fritz Eichenberg" first edition signed book. Wood engravings on paper in dark brick red portfolio cover, with title and list of contents pasted on the front. Comprising of "The First Seven Days", "And Their Eyes Were Opened", "And In Her Mouth Was an Olive Leaf", "And She Became a Pillar of Salt", "The Lamentations of Jeremiah", "The Book of Job", "The Book of Jonah", "The Peaceable Kingdom", "And David Took a Harp", "And His Strength Went from Him". Each 16 x 9? inches, titled, numbered 30/200, and signed in pencil; each signed in plate at lower left or right.
• Ten Jacob Strutt engravings
  Ten Jacob Strutt engravings (British), from Sylva Britannica: or Portraits of Forest Trees, distinguished for their Antiquity, Magnitude, or Beauty , London, 1822-26: frontispiece; Willow at Bury St. Edmond's, corner loss, crease bottom right, paper tape verso edges ; The Morr-Park Lime Tree , paper tape verso all edges ; Wych Elm at Bagot's Mill ; The Great Yew at Forlingal , The Cedar in the Palace Garden at Enfield, paper tape verso all edges, tear at plate upper right; The Great Ash in Woburn Park; The Great Chestnut in Cobham Park, The Great Ash at Carnock; The Fortworth Chestnut, hand-colored engravings on wove paper, unframed, approximately 20-5/8 x 14-1/8 in. Water stains and some mildew, pencil inscriptions front and some verso, chipping at edges, handling grime, tears, foxing, toning.
• ENOCH WOOD PERRY (NH, 1831-1915)
  ENOCH WOOD PERRY (NH, 1831-1915) "The Pemigewasset Coach, Crossing a Birch Frame Bridge", oil on canvas, initialed lower right, in a monumental Aesthetic period gilt frame, OS: 39 1/2" x 47 1/2", SS: 27 1/2" x 35 1/2". Good condition.
• BOX OF FOLIATE WOOD CARVINGSBOX
  BOX OF FOLIATE WOOD CARVINGSBOX OF FOLIATE WOOD CARVINGS, the pieces carved with floral and foliate forms (a lot) Provenance: Estate of Joseph Egerton, Owner of Egerton Gardens and Arts Afire Gallery