A few examples of appraisal values for
ESTONIAN

• MINNA R. HARKAVY BRONZE WOMAN
  MINNA R. HARKAVY BRONZE WOMAN SCULPTURE Minna R. Harkavy (Estonian/American, 1887-1987) Bronze Woman Sculpture, signed to base and dated 1931. 29.5" H x 9.5" W x 9.5" D. Provenance: From a Manhattan Estate. Keywords: Judaica, Expressionist, Expressionism, Female, Women Artists
• RUSSIAN SCHOOL, JOSEPH STALIN,
  RUSSIAN SCHOOL, JOSEPH STALIN, UNFRAMED OIL After Johannes Saal (Estonian 1911-1964), Russian School, Joseph Vissarionovich Stalin (Russian 1878-1953), oil on canvas, half chest length propaganda portrait depicting the Soviet premier, ink stamp and painted notation en verso, unframed. Approximate dimensions: h. 50", w. 39".
• ANDREI JEGOROV (ESTONIAN, 1878 -
  ANDREI JEGOROV (ESTONIAN, 1878 - 1954) 9½" x 13¼" sight Figure in a Sleigh in a Snowy Landscape with House. Gouache on paper, signed lower right, matted in decorative frame, 18" x 21½" overall.
• ANDREI JEGOROV (ESTONIAN, 1878 -
  ANDREI JEGOROV (ESTONIAN, 1878 - 1954) 9½" x 13¼" sight Winter Scene with Figure on Sleigh Among Trees. Gouache on paper, signed lower left, matted in decorative frame, 18" x 21½" overall.
• ESTONIA, LATVIA AND LITHUANIA.
  ESTONIA, LATVIA AND LITHUANIA. ORDERS AND MEDALS Estonia. Eesti Teenetemärgid / Estonian Orders and Decorations by Hannes Walter, Tallinn, 1998, hardback, Estonian language text with English language captions, 396 pages, 24 colour plates, illustrated throughout in black and white.
• Estonian Silver Rectangular
  Estonian Silver Rectangular Cigarette Case, c.1920-24 4.3 x 3.2 in — 11 x 8.2 cm
• PAINTING, ISRAEL LABO Israel Labo
  PAINTING, ISRAEL LABO Israel Labo (French/Estonian, 1912-1987), "Figures in a Cafe," oil on board, signed lower right-center, board: 29"h x 39.5"w, overall (with frame): 30"h x 40.5"w
• MINISTRY OF FINANCE “PEET AREN”
  MINISTRY OF FINANCE “PEET AREN” PLAYING CARDS.Ministry of Finance “Peet Aren” Playing Cards. Odiste, ca. 1921. 52/52 + OB (possibly replaced). Excellent. The Ministry of Finance commissioned the artist Peet Aren to design a pack of cards for them. He did designs for Estonian bank notes and stamps. The soldier of hearts is a self-portrait of the artist. Only four full decks were printed due to the lack of quality paper that in turn led to poor printing. “DWGBE” printed on the AS. The courts are designed in Art Deco style. Scarce.
• YULLO SOOSTER (ESTONIAN
  YULLO SOOSTER (ESTONIAN 1924-1970)YULLO SOOSTER (ESTONIAN 1924-1970) Juniper Landscape , 1963 oil on canvas 50.3 x 63 cm (19 3/4 x 24 3/4 in.) signed and dated lower left center PROVENANCE HAUS Galerie, Tallinn Acquired at the above by the previous owner in 2012 CONDITION Observed in frame, the work is in overall very good condition. Several vertical cracks, such as to the right of one of the central trees. Otherwise, no significant issues to report. Inspection under UV light reveals no apparent signs of restoration. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
• ARNO VIHALEMM (1911-1990, ESTONIAN)
  ARNO VIHALEMM (1911-1990, ESTONIAN) CHURCH W/CChurch in landscape. Signed LR, titled LL. Matted, framed. sight 16.5" x 13 5/8 framed 23.25 x 20 (ALVA10461)(JP) Condition: possible toning to paper,sky; spotting/foxing to same
• CHINESE EXPORT PORCELAIN PLATE,
  CHINESE EXPORT PORCELAIN PLATE, MANIGAULT FAMILYcirca 1820, with sepia decoration centering the Manigault family arms depicting three hooded falcons within a shield with a crescent topped by a figure with headdress over a banner inscribed " Pros Picere Quam Ul Cisci, ", 9-3/4 in. diameter Note: Charles Izard Manigault of Charleston left for China in 1817 and returned in 1823. Manigault recorded that he purchased the set in Canton in 1820. The set originally totaled an elaborate service of 381 pieces. For more on the set, see Robert Leath, In Pursuit of Refinement: Charlestonians Abroad 1740-1860, pp. 293 and 328. See also David Howard, Chinese Armorial Porcelain, Volume II, p. 543. Lot accompanied by similar examples pictured in Christina H. Nelson, Directly from China: Export Goods for the American Market, 1784-1930. Provenance: Early 19th century through family descent; Private Collection Condition: anomalies, pinholes, some scratching to surface, wear to base
• CHINESE EXPORT PORCELAIN LIDDED
  CHINESE EXPORT PORCELAIN LIDDED CUP, MANIGAULT FAMILYcirca 1820, with sepia decoration centering the Manigault family arms depicting three hooded falcons within a shield with a crescent topped by a figure with headdress over a banner inscribed " Pros Picere Quam Ul Cisci, ", overlapping double strap handle, lid in matching design with raspberry finial, 3-1/4 x 3-3/8 in. Note: Charles Izard Manigault of Charleston left for China in 1817 and returned in 1823. Manigault recorded that he purchased the set in Canton in 1820. The set originally totaled an elaborate service of 381 pieces. For more on the set, see Robert Leath, In Pursuit of Refinement: Charlestonians Abroad 1740-1860, pp. 293 and 328. See also David Howard, Chinese Armorial Porcelain, Volume II, p. 543. Lot accompanied by similar examples pictured in Christina H. Nelson, Directly from China: Export Goods for the American Market, 1784-1930. Provenance: Early 19th century through family descent; Private Collection Condition: anomalies, pinholes, micro abrasions, wear to base
• CHINESE EXPORT PORCELAIN PLATE,
  CHINESE EXPORT PORCELAIN PLATE, MANIGAULT FAMILYcirca 1820, with sepia decoration centering the Manigault family arms depicting three hooded falcons within a shield with a crescent topped by a figure with headdress over a banner inscribed " Pros Picere Quam Ul Cisci, ", 10 in. diameter Note: Charles Izard Manigault of Charleston left for China in 1817 and returned in 1823. Manigault recorded that he purchased the set in Canton in 1820. The set originally totaled an elaborate service of 381 pieces. For more on the set, see Robert Leath, In Pursuit of Refinement: Charlestonians Abroad 1740-1860, pp. 293 and 328. See also David Howard, Chinese Armorial Porcelain, Volume II, p. 543. Lot accompanied by similar examples pictured in Christina H. Nelson, Directly from China: Export Goods for the American Market, 1784-1930. Provenance: Early 19th century through family descent; Private Collection Condition: anomalies, scattered pinholes, and discoloration, two chips to rim
• CHINESE EXPORT PORCELAIN SHRIMP
  CHINESE EXPORT PORCELAIN SHRIMP PLATTER, MANIGAULT FAMI...circa 1820, with sepia decoration centering the Manigault family arms depicting three hooded falcons within a shield with a crescent topped by a figure with headdress over a banner inscribed " Pros Picere Quam Ul Cisci, ", molded handle, 10-1/8 in. diameter Note: Charles Izard Manigault of Charleston left for China in 1817 and returned in 1823. Manigault recorded that he purchased the set in Canton in 1820. The set originally totaled an elaborate service of 381 pieces. For more on the set, see Robert Leath, In Pursuit of Refinement: Charlestonians Abroad 1740-1860, pp. 293 and 328. See also David Howard, Chinese Armorial Porcelain, Volume II, p. 543. Lot accompanied by similar examples pictured in Christina H. Nelson, Directly from China: Export Goods for the American Market, 1784-1930. Provenance: Early 19th century through family descent; Private Collection Condition: anomalies, pinholes, discoloration, scratching to surface, wear to base
• CHINESE EXPORT PORCELAIN LIDDED POT
  CHINESE EXPORT PORCELAIN LIDDED POT DE CREME, MANIGAULT...circa 1820, with sepia decoration centering the Manigault family arms depicting three hooded falcons within a shield with a crescent topped by a figure with headdress over a banner inscribed "Pros Picere Quam Ul Cisci,", overlapping double strap handle, lid in matching design with raspberry finial, 3-3/8 x 3-7/8 in. Provenance: Charles Izard Manigault, Charleston, South Carolina; by descent in family Note: Charles Izard Manigault of Charleston left for China in 1817 and returned in 1823. Manigault recorded that he purchased the set in Canton in 1820. The set originally totaled an elaborate service of 381 pieces. For more on the set, see Robert Leath, In Pursuit of Refinement: Charlestonians Abroad 1740-1860, pp. 293 and 328. See also David Howard, Chinese Armorial Porcelain, Volume II, p. 543. Condition: anomalies, pinholes, some scratching and loss to enamel, wear to base
• CHINESE EXPORT PORCELAIN MASTER CUP
  CHINESE EXPORT PORCELAIN MASTER CUP AND SAUCER, MANIGAU...circa 1820, with sepia decoration centering the Manigault family arms depicting three hooded falcons within a shield with a crescent topped by a figure with headdress over a banner inscribed "Pros Picere Quam Ul Cisci,", cup 3 x 5 in., saucer 1-3/8 x 6 in. Provenance: Charles Izard Manigault, Charleston, South Carolina; by descent in family Note: Charles Izard Manigault of Charleston left for China in 1817 and returned in 1823. Manigault recorded that he purchased the set in Canton in 1820. The set originally totaled an elaborate service of 381 pieces. For more on the set, see Robert Leath, In Pursuit of Refinement: Charlestonians Abroad 1740-1860, pp. 293 and 328. See also David Howard, Chinese Armorial Porcelain, Volume II, p. 543. Condition: anomalies, pinholes, trapped dirt, some scratching and loss to enamel; saucer with spider crack to base
• CHINESE EXPORT PORCELAIN LIDDED
  CHINESE EXPORT PORCELAIN LIDDED TUREEN, MANIGAULT FAMIL...circa 1820, with sepia decoration centering the Manigault family arms depicting three hooded falcons within a shield with a crescent topped by a figure with headdress over a banner inscribed "Pros Picere Quam Ul Cisci,", twist form handles and organic finial, 6-7/8 x 8-1/2 in. Provenance: Charles Izard Manigault, Charleston, South Carolina; by descent in family Note: Charles Izard Manigault of Charleston left for China in 1817 and returned in 1823. Manigault recorded that he purchased the set in Canton in 1820. The set originally totaled an elaborate service of 381 pieces. For more on the set, see Robert Leath, In Pursuit of Refinement: Charlestonians Abroad 1740-1860, pp. 293 and 328. See also David Howard, Chinese Armorial Porcelain, Volume II, p. 543. Condition: anomalies, pinholes, firing cracks to interior, some scratching and loss to enamel, wear to base
• CHINESE EXPORT PORCELAIN PLATE,
  CHINESE EXPORT PORCELAIN PLATE, MANIGAULT FAMILYcirca 1820, with sepia decoration centering the Manigault family arms depicting three hooded falcons within a shield with a crescent topped by a figure with headdress over a banner inscribed "Pros Picere Quam Ul Cisci,", 9-3/4 in. diameter Provenance: Charles Izard Manigault, Charleston, South Carolina; by descent in family Note: Charles Izard Manigault of Charleston left for China in 1817 and returned in 1823. Manigault recorded that he purchased the set in Canton in 1820. The set originally totaled an elaborate service of 381 pieces. For more on the set, see Robert Leath, In Pursuit of Refinement: Charlestonians Abroad 1740-1860, pp. 293 and 328. See also David Howard, Chinese Armorial Porcelain, Volume II, p. 543. Condition: anomalies, pinholes, some scratching to surface, some loss to enamel, two anomalies in upper left, wear to base
• FABERGE 84 ZOLOTNIK SILVER AND RUBY
  FABERGE 84 ZOLOTNIK SILVER AND RUBY CIGARETTE CASE APPROX. 4.2 TROY OZ.FABERGE 84 ZOLOTNIK SILVER AND RUBY CIGARETTE CASE, Both sides with Faberge mark featuring the imperial warrant, Kokoshnik mark for assayer Ivan Sergeyevich Lebedkin, Moscow 1898-1914, and with Estonian lion passant and 875 marks, circa 1924-1940. Cover repousse-decorated with three flower heads and five stylized bird heads set with ruby eyes. Cabochon sapphire and gold thumbpiece. Gold-washed interior. Length 3.75". Dimensions: Approx. 4.2 troy oz.
• EDUARD WIIRALT, (1898-1954,
  EDUARD WIIRALT, (1898-1954, ESTONIAN), "POOLAKT (ASTRID)," 1943, DRYPOINT ETCHING ON PAPER UNDER GLASS, SHEET: 27" H X 20" W; PLATE: 19Eduard Wiiralt, (1898-1954, Estonian) "Poolakt (Astrid)," 1943 Drypoint etching on paper under glass Signed in pencil lower right: Eduard Wiiralt, inscribed and dated in pencil lower left: "Pointe-seche" (Dry Point), signed and dated in the plate Sheet: 27" H x 20" W; Plate: 19.25" H x 12.5" W Literature: Kangilaski Drypoint etching on paper under glass Dimensions: Sheet: 27" H x 20" W; Plate: 19.25" H x 12.5" W
• AGATHE VEEBER, ESTONIAN
  AGATHE VEEBER, ESTONIAN 1901-1988, UNTITLED, AQUATINT, PLATE: 12 7/8 X 8 5/8 IN. (32.7 X 21.9 CM.), FRAME: 20 7/8 X 15 1/2 IN. (53 X 39.4 CM.)AGATHE VEEBER, ESTONIAN, 1901-1988 UNTITLED, Aquatint Lower left titled and dated: Kuirnoel (??) 1963; lower right signed: A. Veeber m.p. Aquatint Dimensions: Plate: 12 7/8 x 8 5/8 in. (32.7 x 21.9 cm.), Frame: 20 7/8 x 15 1/2 in. (53 x 39.4 cm.)
• AGATHE VEEBER, ESTONIAN
  AGATHE VEEBER, ESTONIAN 1901-1988, UNTITLED, AQUATINT, PLATE: 16 1/4 X 9 3/4 IN. (41.3 X 24.8 CM.), FRAME: 25 X 18 IN. (63.5 X 45.7 CM.)AGATHE VEEBER, ESTONIAN, 1901-1988 UNTITLED, Aquatint Lower left: Aquatint 1960 3/20; lower right: A. Veeber Aquatint Dimensions: Plate: 16 1/4 x 9 3/4 in. (41.3 x 24.8 cm.), Frame: 25 x 18 in. (63.5 x 45.7 cm.)
• AGATHE VEEBER, ESTONIAN
  AGATHE VEEBER, ESTONIAN 1901-1988, UNTITLED, AQUATINT, PLATE: 11 1/8 X 4 1/2 IN. (28.3 X 11.4 CM.), FRAME: 23 3/4 X 16 1/2 IN. (60.3 X 41.9 CM.)AGATHE VEEBER, ESTONIAN, 1901-1988 UNTITLED, Aquatint Lower right: A. Veeber m.p. Aquatint Dimensions: Plate: 11 1/8 x 4 1/2 in. (28.3 x 11.4 cm.), Frame: 23 3/4 x 16 1/2 in. (60.3 x 41.9 cm.)
• JURI ARRAK, ESTONIAN 1936-2022,
  JURI ARRAK, ESTONIAN 1936-2022, MAMA'S LIND, 1983, ETCHING, PRINT: 14 1/2 X 13 IN. (36.8 X 33 CM.), SHEET: 21 1/4 X 17 1/2 IN. (54 X 44.5 CM.)JURI ARRAK, ESTONIAN, 1936-2022 MAMA'S LIND, 1983, Etching Lower left: "Mama's Lind", ??, 27/50; lower right: J. Arrak 83. Etching Dimensions: Print: 14 1/2 x 13 in. (36.8 x 33 cm.), Sheet: 21 1/4 x 17 1/2 in. (54 x 44.5 cm.)
• JURI ARRAK, ESTONIAN 1936-2022,
  JURI ARRAK, ESTONIAN 1936-2022, LEND, 1983, ETCHING, PRINT: 16 1/2 X 12 1/2 IN. (41.9 X 31.8 CM.), SHEET: 24 1/2 X 18 1/2 IN. (62.2 X 47 CM.)JURI ARRAK, ESTONIAN, 1936-2022 LEND, 1983, Etching Lower left: "Lend" lito, 19/50; lower right: J. Arrak 83. Etching Dimensions: Print: 16 1/2 x 12 1/2 in. (41.9 x 31.8 cm.), Sheet: 24 1/2 x 18 1/2 in. (62.2 x 47 cm.)
• AFTER ALEXANDER DANEL (ESTONIAN
  AFTER ALEXANDER DANEL (ESTONIAN 1940-2001), MATERNITé, COMPOSITE SCULPTURE, H: 21 1/2 IN. (54.6 CM.)After Alexander Danel (Estonian 1940-2001), Maternité, Composite Sculpture,, Dimensions: H: 21 1/2 in. (54.6 cm.)
• SILVER: THREE SILVER REPOUSSE
  SILVER: THREE SILVER REPOUSSE DISHES, INCLUDING: PLATE WITH INLAY MEDALLION, TALLINN ESTONIAN, FEATURING A SIDE VIEW OF CHARLES V HOLY ROMAN EMPEROR AND OTHER FIGURES ON FRONT AND VERSO, RIM ADORNED WITH VEGETABLE DEC...SILVER: Three silver repousse dishes, including: plate with inlay medallion, Tallinn Estonian, featuring a side view of Charles V Holy Roman Emperor and other figures on front and verso, rim adorned with vegetable decoration, text on medallion appears to be Latin, hallmarks below medallion on front; round plate with ornate foliate design, decorated with cherubs playing instruments and flying, 9 1/2" diam; oblong dish with foliate and floral design, decorated with cherubs in a pond under trees, monogrammed "A. L.", "Uncle Heinz and Aunt Ruth", and dated 1967, hallmarks faded, 800 silver; all pieces tested positive for silver, wear consistent with age and use, sold as-is, [Total Weight: 30 ozt.]
• RUSSIAN SCHOOL, JOSEPH STALIN,
  RUSSIAN SCHOOL, JOSEPH STALIN, UNFRAMED OIL After Johannes Saal (Estonian 1911-1964), Russian School, Joseph Vissarionovich Stalin (Russian 1878-1953), oil on canvas, half chest length propaganda portrait depicting the Soviet premier, apparently unsigned, unframed. Approximate measurements: h. 50", w. 39".
• TWO EUROPEAN BADGES LARGEST: 59 X
  TWO EUROPEAN BADGES LARGEST: 59 X 40 MMTwo European Badges, Including the 'Order of the Estonian Red Cross' and an Austrian 'Red Cross'. Dimensions: Largest: 59 x 40 mm
• MIXED MEDIA, ESTONIAN SCHOOL
  MIXED MEDIA, ESTONIAN SCHOOL Estonian School (20th/21st century), Untitled, mixed media collage, unsigned, overall (with frame): 75"h x 63.5"w
• PORTRAIT OF A TRADITIONAL FOLK
  PORTRAIT OF A TRADITIONAL FOLK WOMAN OIL ON CANVAS Impressionistic oil on canvas-mounted panel painting depicting a female wearing a traditional Scandinavian dress and hat (possibly Estonian), the woman looking to her left, housed in a wooden frame carved with a scrolling foliate motif, apparently unsigned. Image: 29" H x 22" W; frame: 39.25" H x 32.75" W x 1.75" D.
• ESTONIAN 875 SILVER CIGARETTE
  ESTONIAN 875 SILVER CIGARETTE CASE 4"x 3 ¼" 875 silver fineness cigarette case, hallmarked on the inside, exterior etched with a bridge and "Tallinn", the capital of Estonia, above "34". Interior monogrammed and dated "15. 3 . 59". Monogrammed verso. Weighs 5.4 toz.
• August Albo painting (EstoniaNew
  August Albo painting (EstoniaNew York, 1893-1963), trompe l'oeil still life on table in kitchen interior, signed lower left "Albo", oil on canvas, unframed, 26 x 22 in.
• An Estonian Independence medal
  An Estonian Independence medal for the fight against the Bolsheviks in 1918-1920 and a Russian Civil War Don Cossack regiment 1919 medal.
• William Melton Halsey (South
  William Melton Halsey (South Carolina 1915-1999) INDUSTRY CREATION circa 1965 painted wood sculptures unsigned H48'' W38'' Provenance: Avram Kronsberg Collection Charleston South Carolina. Other Notes: This sculpture was created for the Edward's [five and dime store] dedication of their corporate office building in 1965 and was given to the Kronsbergs by the artist. Avram Kronsberg (1936-2010) was the son of Edward and Hattie Barshay Kronsberg the President and Chief Executive Officer of Edward's Stores Inc. and the Harrison Co. He was also a devoted father civic leader and an avid sportsman. As a lifelong Charlestonian Avram loved the lowcountry. He devoted his life to his family and his love of nature. Avram attended The Day School Rivers High and Tulane University. He was an adventurer traveling around South and Central America with the likes of Sidi Limehouse Richard Hutson and Peter Manigault fishing the Florida Keys and hunting. Avram also was a restaurant owner a stock car driver and garage owner. Still as his father before him Avram was a civic leader. He was a second generation Charleston Trident Chamber of Commerce President and Board Member of South Carolina Electric & Gas Company. He was a past President of the Coastal Environmental Coalition Carolina Arts Association (Gibbs Art Gallery) the United Way the United Negro College Fund the Charleston Chapter of the Boy & Girl Scouts of America the South Atlantic Coastal Fisheries Council the YMCA the Fishing Tackle Manufacturer's Association and the South Carolina National Bank. He was also active on numerous local committees.
• Charles Fraser South Carolina
  Charles Fraser South Carolina (1782-1860) PORTRAIT MINIATURE OF CHARLESTONIAN MISS GAILLARD watercolor on ivory in red leather case signed & dated: lower right Fraser and on paper backing Charleston SC 1828 H3 3/4'' W3 1/4'' Provenance: This painting is in very good original condition and is believed to be one of Fraser's finest portrait miniatures. This miniature is listed in the Fraser Account book p.10 entry #9 for the year 1830; of further interest is the original paper backing another of which is referred to in the entry on p.50 within THE MINIATURE PORTRAIT COLLECTION OF THE CAROLINA ART ASSOCIATION for the miniature of John Huger II (1786-1853) where it states ''Signed on verso Fraser 1820/never remove this paper.'' Literature: Franks Robin Jaffee. LOVE AND LOSS: AMERICAN PORTRAIT AND MOURNING MINIATURES. New Haven CT: Yale University Press 2000. Severens Martha R. and Charles L. Wyrick. CHARLES FRASER OF CHARLESTON ESSAYS OF THE MAN HIS ART AND HIS TIMES. Charleston SC: Gibbes Art Gallery 1983. Severens Martha R. and Charles L. Wyrick. THE MINIATURE PORTRAIT COLLECTION OF THE CAROLINA ART ASSOCIATION. Charleston SC: Gibbes Art Gallery 1984. Other Notes: Artist biography: Charles A. Fraser a native of Charleston South Carolina is one of the most notable Southern portrait miniaturists of the late 18th and 19th centuries. He resided at 56 King Street his entire life and as a result the majority of his portrait miniatures are of Charlestonians even though he made several trips out of South Carolina. Fraser is also noted for the landscape and literary themes within his paintings. His earliest known painting is of his cousin Andrew Rutledge dated 1796 (Collection of the Charleston Museum). Fraser would have been 14 years of age at that time. Though self-taught his painting style was most influenced by his friend the well-known miniaturist Edward Greene Malbone (1777-1807). Thomas Sully (1783-1872) and Washington Allston (1779-1843) were friends as well. Fraser used both oils and watercolors and his hallmark was a detailed system of stippling which gave his paintings a lighter and more delicate appearance. Fraser's works can be found in Charleston at Gibbes Museum of Art Charleston Museum of Art Charleston City Hall Yale University Art Gallery and an assortment of other institutions. Condition: Six small specks of paint loss on dress ivory with tight hairline crack from edge to tip of nose case in good condition. Back    Inquiry      Previous Item   Next Item © Charlton Hall Auctions.  Images descriptions and condition reports used on this site are original copyright material and are not to be reproduced without permission. For further information telephone 803.779.5678     © 2012 CHARLTON HALL GALLERIES INC.